Ohtanis

Two days ago, Shohei Ohtani rolled into Dodger Stadium as a man on a mission.

After struggling for the previous couple weeks — mired in a postseason slump that had raised questions about everything from his out-of-sync swing mechanics to the physical toll of his two-way duties — the soon-to-be four-time MVP decided it was time to change something up.

Over the previous seven games, going back to the start of the National League Division Series, the $700-million man had looked nothing like himself. Ohtani had two hits in 25 at-bats. He’d recorded 12 strikeouts and plenty more puzzling swing decisions. And he seemed, in the estimation of some around the team, unusually perturbed as public criticisms of his play started to mount.

So, during the team’s off-day workout Wednesday at Dodger Stadium, ahead of Game 3 of the NL Championship Series, Ohtani informed the club’s hitting coaches he wanted to take batting practice on the field.

It was a change from his normal routine — and signaled his growing urgency to get back on track.

“If this was a regular-season situation and you’re looking at an expanse of small sample — eight, nine games, whatever it might be — he probably wouldn’t be out on the field,” manager Dave Roberts said later.

But “with the urgency [of] the postseason,” the manager continued, Ohtani “wanted to make an adjustment on his own.”

Whatever Ohtani found that day, evidently (and resoundingly) clicked. He led off Game 3 with a triple. He entered Game 4 looking more comfortable with his swing. And then, in one of the incredible individual displays ever witnessed in playoff history, he lifted the Dodgers straight into the World Series.

In a 5-1 defeat of the Milwaukee Brewers that completed an NLCS sweep and gave the Dodgers their 26th pennant in franchise history, Ohtani hit three home runs as a hitter, and struck out 10 batters over six-plus scoreless innings as a pitcher.

Shohei Ohtani pitches during Game 4 of the NLCS against the Brewers. Ohtani struck out 10 over six scoreless innings for the Dodgers.

(Gina Ferazzi / Los Angeles Times)

He made his previously disappointing playoffs a suddenly forgotten memory, earning NLCS MVP honors and to the astonished amazement of all 52,883 in attendance.

And he delivered the kind of game the baseball world dreamed about when the two-way phenom first arrived from Japan, fulfilling the prophecy that accompanied him as a near-mythical prospect eight years earlier.

Back then, Ohtani’s 100-mph fastball and wicked off-speed repertoire had tantalized evaluators. His majestic left-handed swing had tortured pitchers in his home country.

Not since Babe Ruth had the sport seen anything like him.

There were some early growing pains (and injuries) during his transition to the majors. But over the last five years, he blossomed in the game’s definitive face.

A look at the three home runs Shohei Ohtani hit in Game 4 of the NLCS on Friday.

All that had been missing, in a resume chock full of MVPs and All-Star selections and unthinkable records even “The Great Bambino” never produced, was a signature performance in October. A game in which he dominated on the mound, thrilled at the plate, and single-handedly transformed a game on the sport’s biggest stage.

During that Wednesday workout this week, Ohtani got himself ready for one, stepping into the cage during his on-field batting practice — as his walk-up song played through the stadium speakers and teammates gathered near the dugout in curious anticipation — and swatting one home run after another, including one that soared to the roof of the right-field pavilion.

On Friday, in an almost unimaginable showcase of his unprecedented talents, he managed to do exactly the same thing.

After stranding a leadoff walk in the top of the first with three-straight strikeouts, Ohtani switched from pitcher to hitter and unleashed a hellacious swing. Brewers starter José Quintana left him an inside slurve. Ohtani turned it into the first leadoff home run ever by a pitcher (in the regular season or playoffs). The ball traveled 446 feet. It landed high up the right-field stands.

Three more scoreless innings of pitching work later, Ohtani came back to the plate and hit his second home run of the night even farther. In a swing almost identical to his titanic BP drive two days prior, he launched a ball that darn near clipped the pavilion roof again, a 469-foot moonshot that landed in the concourse above the seats in right.

Somehow, there was still plenty more to come.

With the Dodgers up 4-0 at that point, Ohtani then did his best work as a pitcher, following up two strikeouts that stranded a leadoff double in the fourth — and had him excitedly fist-pumping off the mound — with two more in both the fifth and the sixth.

His fastball was humming up to triple-digits. His sweeper and cutter were keeping the Brewers off balance. His splitter wasn’t touched once any of the five times they tried to swing at it.

Shohei Ohtani runs the bases after hitting his third home run of the game against the Brewers in Game 4 of the NLCS at Dodger Stadium on Friday night.

(Gina Ferazzi/Los Angeles Times)

Anything he did immediately became magic.

Ohtani’s loudest roar came in the bottom of the seventh, after his pitching start had ended on a walk and a single led off the top half of the inning.

For the third time, he flung his bat at a pitch over the plate. He sent a fly ball sailing deep in a mild autumn night. He rounded the bases as landed beyond the center field fence.

Three home runs. Six immaculate innings. A tour de force that sent the Dodgers to the World Series.

All of it, just two days removed from Ohtani being seemingly at his lowest.

All of it, when the baseball world was most closely watching.

Dodgers players and coaches celebrate after sweeping the Milwaukee Brewers in the NLCS at Dodger Stadium on Friday night.

(Robert Gauthier / Los Angeles Times)

MILWAUKEE — Entering this week’s National League Championship Series, the Dodgers’ pitching plan seemed simple.

After Yoshinobu Yamamoto and Tyler Glasnow started the final two games of the team’s NL Division Series victory over the Philadelphia Phillies, Shohei Ohtani and Blake Snell were next in line for Games 1 and 2 of the NLCS against the Milwaukee Brewers.

All the Dodgers needed to do was slot Snell in for Game 1 on Monday, making him an option to pitch again on four days’ rest in Game 5. Then, they could have Ohtani go in Game 2 on Tuesday, allowing him to pitch before Wednesday’s scheduled off-day (which has been the team’s preference for the two-way star) and be available for another start if the series returns to Milwaukee for Games 6 and 7.

On Sunday, however, manager Dave Roberts announced a different plan.

Snell will indeed go in Game 1, trying to build upon the 1.38 ERA he posted in his first two outings this postseason.

But instead of Ohtani in Game 2, it will be Yamamoto who gets the ball — pushing Ohtani’s next pitching appearance to sometime later this series, Roberts said.

“We just don’t know which day,” Roberts said of when Ohtani will get the ball. “But he’ll pitch at some point.”

That alignment came as a surprise, but also had benefits from the Dodgers’ perspective.

Unlike Ohtani, who has gotten at least six days off between every one of his pitching outings since the start of July, Yamamoto has routinely pitched on five days’ rest this season. By starting him in Game 2, he can stay on that same schedule to pitch a potential Game 6 — something the Dodgers would have been less comfortable having Ohtani do.

By pushing Ohtani back to at least Game 3, of course, the Dodgers will sacrifice their ability to get him two starts in this series. However, even if he pitches in one of the Dodgers’ home games later this week, Ohtani could come out of the bullpen in a potential Game 7 — the kind of relief opportunity the team had hinted at for weeks down the stretch this season.

Because Ohtani will make just one pitching start in the NLCS, Roberts said it’s not as imperative that it come before an off-day, either.

“You have two other guys that potentially can pitch on regular rest,” Roberts said. “So [it’s about] how do you get your best pitchers the most innings in a potential seven-game series?”

Outside of pitching considerations, however, there’s another reason delaying Ohtani’s next pitching outing could also make sense.

In the NLDS, Ohtani went one for 18 at the plate with nine strikeouts. He looked particularly out of sorts in Game 1, when he struck out four times in what was his first career playoff game both hitting and pitching.

Coming out of the series, Roberts emphasized the need for Ohtani to “recalibrate” at the plate, noting that the team was “not gonna win the World Series with that sort of performance” from its biggest star.

And while Roberts insisted on Sunday that Ohtani’s offensive slump had “no bearing” on the team shuffling its rotation, giving Ohtani two games at the start of the NLCS to focus soley on hitting certainly won’t hurt his efforts to straighten out his swing.

“I expect a different output from Shohei on the offensive side this series,” Roberts said.

For at the least the next couple days, that will be his only objective.

HONOLULU — Lawyers for a Hawaii real estate investor and broker who sued Shohei Ohtani and his agent denied any improper use of the Dodgers star’s likeness for a development project and alleged the agent was trying to deflect blame for cost overruns at the player’s home.

Ohtani and Nez Balelo of CAA Baseball were sued Aug. 8 in Hawaii Circuit Court for the First Circuit by developer Kevin J. Hayes Sr., real estate broker Tomoko Matsumoto, West Point Investment Corp. and Hapuna Estates Property Owners. They accused Ohtani and Balelo of “abuse of power” that allegedly resulted in tortious interference and unjust enrichment impacting a $240 million luxury housing development on the Big Island’s coveted Hapuna Coast.

Hayes and Matsumoto had been dropped from the development deal by Kingsbarn Realty Capital, the joint venture’s majority owner.

The amended complaint filed Tuesday added Creative Artists Agency and CAA Sports as defendants.

“Balelo and CAA sought to deflect blame by scapegoating Hayes for the cost overruns on Otani’s home — overruns caused entirely by defendants’ own decisions,” the complaint said.

“The allegations as we clarified them make very clear that there was never a breach of the endorsement agreement, the video that was posted on the website promoting specifically this project was sent to Balelo and CAA and another adviser to Ohtani, Mark Daulton, and they were aware of it and never objected to it,” said Josh Schiller, a lawyer for Hayes and the suing entities.

In a motion to dismiss filed Sept. 14, attorneys for Ohtani and Balelo said “plaintiffs exploited Ohtani’s name and photograph to drum up traffic to a website that marketed plaintiffs’ own side project development.”

“This is a desperate attempt to avoid dismissal of a frivolous complaint and, as we previously said, to distract from plaintiffs’ myriad of failures and their blatant misappropriation of Shohei Ohtani’s rights,” Laura Smolowe, a lawyer for Ohtani and Balelo, said in a statement. “Nez Balelo has always prioritized Mr. Ohtani’s best interests, including protecting his name, image, and likeness from unauthorized use.”

Lawyers for Hayes and the plaintiffs claimed they kept Balelo and CAA informed.

“Before the website went live, Hayes submitted a link to the entire site — including its promotional aspects — by email to Balelo and Terry Prince, the director of legal and business Affairs at CAA Sports LLC,” the amended complaint said. “It remained online with no material changes for 14 months before Balelo suddenly objected and threatened litigation — weaponizing the issue in order to create pretext for yet another set of demands and concessions.”

“The sudden demand that Kingsbarn terminate plaintiffs was instead a retaliatory measure against Hayes for resisting the constant and improper demands of Balelo and (Ohtani),” the complaint added. “Defendants further calculated that, with plaintiffs removed, they could more easily extract financial concessions from the project and enrich themselves at plaintiffs’ expense.”