NPR

Los Angeles classical music station KUSC-FM (91.5) has laid off employees after Republicans cut federal funding from the Corp. for Public Broadcasting.

James A. Muhammad, president of Classical California, the entity that operates the nonprofit KUSC and its sister station, KDFC in San Francisco, confirmed the workforce reduction in a note sent Thursday to its listeners.

“Despite our best efforts, the fact is that Classical California has experienced a reduction of $1.1 million in support from the Corporation for Public Broadcasting,” Muhammad wrote. “This, along with other impacts, requires us to make difficult decisions across KUSC-FM and KDFC-FM.”

A representative for Classical California did not respond to questions on the number of employees cut. A person briefed on the move who was not authorized to comment publicly said it was eight positions, including two department managers, all based in Los Angeles.

None of the announcers at the two stations were included in the cuts.

Classical California is among the many public media outlets that are scrambling to fill the budget gaps caused by the decision by the Trump White House and the Republican Congress to claw back the $1.1 billion in federal money allocated to the Corp. for Public Broadcasting.

The nonprofit entity administered the funds for public radio and TV stations, mostly affiliates of NPR and PBS.

Conservatives and libertarians have long called for the end of public funds supporting media organizations, especially ones they view as politically left-leaning. Trump has called NPR and PBS government-funded “left-wing propaganda.”

The Corp. for Public Broadcasting was also a vital revenue source for cultural and fine arts programming that often struggles to sustain itself in the commercial media marketplace.

Both KUSC and KDFC, which are owned and operated by the University of Southern California, play classical music 24 hours a day and are not NPR affiliates. They are the most-listened-to classical radio stations in the U.S.

Muhammad’s note to listeners included a plea for contributions to make up for the shortfall caused by the cuts.

“We remain committed to continuing to be your home for classical music,” Muhammad said. “As a listener-supported station, we need your support of KUSC and KDFC, now more than ever.”

NPR’s “All Things Considered” is getting a new weekday voice.

Scott Detrow will become a full-time weekday host of NPR’s afternoon radio show starting Sept. 29, while maintaining his role at “Consider This,” the outlet’s daily news podcast, the public radio firm said.

“I can’t wait to bring listeners the news five days a week now. And at this moment where we are all focusing on strengthening the entire public media network and working together more closely than ever before,” Detrow said in a statement.

This news comes a week after journalist Ari Shapiro announced his departure from the news magazine show. Shapiro had been hosting the show for nearly a decade.

For the last two years, Detrow could be heard on weekend episodes of “All Things Considered.” He steered coverage of breaking news events, including the attempted assassination of President Trump in Pennsylvania, earning him the Edward R. Murrow Award for breaking news.

He initially joined NPR in 2015. From getting his start as a Fordham student at WFUV in New York to working as a statehouse reporter at WITF in Pennsylvania and at KQED in the Bay Area, he has spent his entire career in public radio.

Since becoming a part of the national nonprofit, he has helped launch segments such as “Reporter’s Notebook,” in which listeners get a behind-the-scenes look at how journalism is produced, and most recently, he anchored live coverage surrounding Pope Leo’s election. He has also co-hosted the “NPR Politics Podcast” for seven years, focusing on the White House, Congress and two presidential campaigns.

“All Things Considered” is one of NPR’s longest-running shows, first airing in 1971. The flagship program presents a mix of news, commentary, interviews and analysis on a daily basis.

In a full-circle moment, Detrow’s first job out of college was working on the local version of “All Things Considered” in central Pennsylvania.

“I’m proud that I started out as an ATC host at a NPR Member station, and now will be doing that job nationally,” he said.

The Corp. for Public Broadcasting, which helps pay for PBS, NPR, 1,500 local radio and television stations as well as programs like “Sesame Street” and “Finding Your Roots,” announced last week that it would close after the U.S. government withdrew funding.

The organization told employees that most staff positions will end with the fiscal year on Sept. 30. A small transition team will stay until January to finish any remaining work.

The private, nonprofit corporation was founded in 1968 shortly after Congress authorized its formation. Its demise ends nearly six decades of supporting the production of renowned educational programming, cultural content and emergency alerts about natural disasters.

Here’s what to know:

Losing funding

President Trump signed a bill July 24 canceling about $1.1 billion that had been approved for public broadcasting. The White House says the public media system is politically biased and an unnecessary expense, and conservatives have particularly directed their ire at NPR and PBS.

Lawmakers with large rural constituencies voiced concern about what the cuts could mean for some local public stations in their state. They warned that some stations will have to close.

The Senate Appropriations Committee on Thursday reinforced the policy change by excluding funding for the CPB for the first time in more than 50 years as part of a broader spending bill.

How it began

Congress passed legislation creating the body in 1967, several years after then-Federal Communications Commission Chair Newton Minow described commercial television as a “vast wasteland” and called for programming in the public interest.

The corporation doesn’t produce programming and it doesn’t own, operate or control any public broadcasting stations. The CPB, PBS and NPR are independent of one another, as are local public television and radio stations.

Rural stations hit hard

Roughly 70% of the corporation’s money went directly to 330 PBS and 246 NPR stations across the country. The cuts are expected to weigh most heavily on smaller public media outlets away from big cities, and it’s likely some won’t survive. National Public Radio’s president estimated that as many as 80 NPR stations may close in the next year.

Mississippi Public Broadcasting has already decided to eliminate a streaming channel that airs children’s programming 24 hours a day, including “Caillou” and “Daniel Tiger’s Neighborhood.”

Maine’s public media system is looking at a hit of $2.5 million, or about 12% of its budget, for the next fiscal year. The state’s rural residents rely heavily on public media for weather updates and disaster alerts.

In Kodiak, Alaska, KMXT estimated the cuts would slice 22% from its budget. Public radio stations in the sprawling, heavily rural state often provide not just news but alerts about natural disasters such as tsunamis, landslides and volcanic eruptions.

From Big Bird to war documentaries

The first episode of “Sesame Street” aired in 1969. Child viewers, adults and guest stars alike were instantly hooked. Over the decades, Big Bird, Cookie Monster and Elmo have become household favorites.

Entertainer Carol Burnett appeared on that inaugural episode. She told the Associated Press she was a big fan.

“I would have done anything they wanted me to do,” she said. “I loved being exposed to all that goodness and humor.”

“Sesame Street” said in May it would get some help from a Netflix streaming deal.

Harvard professor Henry Louis Gates Jr. started “Finding Your Roots” in 2006 under the title “African American Lives.” He invited prominent Black celebrities and traced their family trees into slavery. When the paper trail ran out, they would use DNA to see which ethnic group they were from in Africa. Challenged by a viewer to open the show to non-Black celebrities, Gates agreed and the series was renamed “Faces of America,” which had to be changed again after the name was taken.

The show is PBS’ most-watched program on linear TV and the most-streamed nondrama program. Season 10 reached nearly 18 million people across linear and digital platforms and also received its first Emmy nomination.

Grant money from the nonprofit has also funded lesser-known food, history, music and other shows created by stations across the country.

Documentarian Ken Burns, celebrated for creating the documentaries “The Civil War,” “Baseball” and “The Vietnam War,” told “PBS NewsHour” that the corporation accounted for about 20% of his films’ budgets. He said he would make it up but projects receiving 50% to 75% of their funding from the organization won’t.

Influence of shows

Children’s programming in the 1960s was made up of shows like “Captain Kangaroo,” ’’Romper Room” and the cat-and-mouse skirmishes on “Tom & Jerry.” “Mister Rogers’ Neighborhood” mostly taught social skills.

“Sesame Street” was designed by education professionals and child psychologists to help low-income and minority students ages 2 to 5 overcome some of the deficiencies they had when entering school. Social scientists had long noted white and higher-income kids were often better prepared.

One of the most widely cited studies about the effects of “Sesame Street” compared households that got the show with those that didn’t. It found that the children exposed to “Sesame Street” were 14% more likely to be enrolled in the correct grade level for their age in middle and high school.

Over the years, “Finding Your Roots” showed Natalie Morales discovering she’s related to one of the legendary pirates of the Caribbean, and former “Saturday Night Live” star Andy Samberg finding his biological grandmother and grandfather. It revealed that drag queen RuPaul and U.S. Sen. Cory Booker are cousins, as are actors Meryl Streep and Eva Longoria.

“The two subliminal messages of ’Finding Your Roots,’ which are needed more urgently today than ever, is that what has made America great is that we’re a nation of immigrants,” Gates told the AP. “And secondly, at the level of the genome, despite our apparent physical differences, we’re 99.99% the same.”

McAvoy writes for the Associated Press.

The Corp. for Public Broadcasting said Friday it was shutting down, about one week after President Trump signed legislation stripping its funding.

The group, which administers funds for PBS TV affiliates and NPR radio stations, said it would “begin an orderly wind-down of its operations.” A majority of staff positions will be cut Sept. 30, when the group’s fiscal year ends.

“A small transition team will remain through January 2026 to ensure a responsible and orderly closeout of operations,” the nonprofit said in a statement. “This team will focus on compliance, final distributions, and resolution of long-term financial obligations, including ensuring continuity for music rights and royalties that remain essential to the public media system.”

Since returning to office, Trump has made a priority of yanking federal funding for public broadcasters as part of a wider campaign against media outlets that he dislikes. The president derided PBS and NPR as government-funded “left-wing propaganda.” Congress fell into line.

It passed a measure in mid-July that clawed back $1.1 billion that previously had been allocated for public broadcasting for two years.

Separately, lawmakers introduced a Senate appropriations bill for 2026 that excludes funding for the Corp. for Public Broadcasting for the first time in more than 50 years. Conservatives have long wanted to strip funding from public media because of its perceived liberal bias.

The actions left the group without a steady source of operating money — and little hope that more would be on the way.

“Despite the extraordinary efforts of millions of Americans who called, wrote, and petitioned Congress to preserve federal funding for CPB, we now face the difficult reality of closing our operations,” Corp. for Public Broadcasting Chief Executive Patricia Harrison said in a statement.

The organization dates back nearly 60 years and has helped nurture such notable programs as “Sesame Street,” “PBS NewsHour,” “NOVA,” numerous Ken Burns documentaries and “Antiques Roadshow.” Through its partnerships with local stations and producers, the nonprofit made a mission of supporting educational and cultural programming, local journalism and emergency communications.

The move could cripple smaller public stations, including those in rural areas that struggle to mount high-dollar local membership campaigns. The Corp. for Public Broadcasting helps support more than 1,500 local public television and radio stations nationwide.

PBS SoCal, which operates member stations KOCE and KCET in Orange and Los Angeles counties, respectively, was set to lose more than $4 million in federal funding, Andy Russell, president and chief executive of the stations, previously told The Times.

NPR has two large affiliates serving Los Angeles: KCRW-FM (89.9) and LAist/KPCC-FM (89.3).

LAist, based in Pasadena, will lose about 4% of its annual budget — $1.7 million. Alejandra Santamaria, the station’s chief executive, told The Times last month that funding helped pay for 13 journalist positions in its newsroom.

KCRW in Santa Monica had been expecting $1.3 million from the Corp. for Public Broadcasting.

The stations have asked listeners to donate in order to compensate for the shortfall.

“Public media has been one of the most trusted institutions in American life, providing educational opportunity, emergency alerts, civil discourse, and cultural connection to every corner of the country,” Harrison said in the statement. “We are deeply grateful to our partners across the system for their resilience, leadership, and unwavering dedication to serving the American people.”

Ken Burns has made more than 30 documentaries and won multiple Emmys.

But without funding from public television, his educational programming such as “The Civil War” and “Baseball” might never have existed, he told “PBS News Hour” in an interview Thursday.

Even today, the acclaimed filmmaker whose works — including his upcoming project “The American Revolution” — are broadcast on PBS, said his films get around 20% of their budgets from the Corp. for Public Broadcasting, the body Congress recently voted to defund.

Projects that receive a higher percentage of their funding through public media “just won’t be able to be made,” Burns said. “And so there’ll be less representation by all the different kinds of filmmakers. People coming up will have an impossible time getting started.”

The U.S. Senate this week passed the Trump administration’s proposal to cancel $9 billion in federal funding previously allocated for foreign aid and public broadcasting, and the House of Representatives approved the package after midnight Friday, sending it to President Trump’s desk.

The Corp. for Public Broadcasting, which administers the funds for NPR radio stations and PBS TV affiliates, is on track to lose $1.1 billion that had previously been budgeted for the next two years.

The impact of those cuts will be deeply felt across both NPR and PBS, leaders of both organizations told The Times. Layoffs and reduced programming are expected, and the blows will disproportionately strike smaller markets that rely more heavily on federal funding.

“This is going to hit hardest in the places that need it the most,” said Gabriel Kahn, a professor at the USC Annenberg School for Communication and Journalism.

Stations in smaller markets are staffed significantly less than stations in larger cities, often because of the disparity in funding. The Corp. for Public Broadcasting acted as “the great equalizer,” Kahn said, padding the budgets of smaller stations so they could continue operating.

“It’s just going to be increasingly lonely out there as these voices, who were of the community and generally very well trusted, are going to disappear,” Kahn said. “Because within a year, you’re not going to be able to hear these things on the radio anymore in a lot of places.”

The cuts fulfill a longtime dream of conservatives and libertarians, who bristle at the notion of public funds supporting media organizations, especially ones they view as left-leaning. Republicans have for decades called for cuts to public broadcasting because of their perceived liberal slant of its programming.

Trump has called NPR and PBS government-funded “left-wing propaganda.”

But several prominent voices in media and politics were quick to call attention to the harm the cuts will have, especially on communities where the local stations rely heavily on federal funding.

“A PBS station is really like the public library. It’s one of those important institutions that may be the only place where people have access to local news,” Burns said. “There’s a kind of sense of local accountability, and as news becomes nationalized and even internationalized, there’s a loss there.”

PBS President Paula Kerger expressed similar concerns.

“Many of our stations which provide access to free unique local programming and emergency alerts will now be forced to make hard decisions in the weeks and months ahead,” Kerger said in a statement Thursday.

Alaska Sen. Lisa Murkowski, one of two Senate Republicans to vote against the package, said she strongly opposes the cuts to public media in a statement after the vote. She referenced a 7.3 magnitude earthquake in Alaska this week that triggered a tsunami warning as an example of the public service stations provide.

“My colleagues are targeting NPR but will wind up hurting — and, over time, closing down — local radio stations that provide essential news, alerts and educational programming in Alaska and across the country.”

A devastating blow to SoCal stations

Public media outlets in Southern California’s urban areas, which can turn to wealthy locals for donations, are less dependent on federal funding than stations in smaller markets. But they will still feel an immediate loss.

Washington, D.C.-based NPR has two major affiliates serving the Los Angeles area: LAist, or KPCC-FM (89.3), and KCRW-FM (89.9).

LAist, based in Pasadena, was set to receive $1.7 million, about 4% of its annual budget. Alejandra Santamaria, president and chief executive of LAist, said the money is equivalent to 13 journalist positions at the local news operation. KCRW in Santa Monica was expecting $264,000 from the Corp. for Public Broadcasting.

PBS SoCal, which operates member stations KOCE and KCET in Orange and Los Angeles counties, respectively, is facing a loss of $4.3 million in federal funding, according to Andy Russell, president and chief executive of the stations.

Connie Leyva, executive director of KVCR Public Media in San Bernardino, which operates PBS and NPR affiliates, said earlier this week that the Senate action will mean losing $540,000, about 6% of its operating budget. Thus, she has to consider cutting five positions on an already lean staff.

Kahn, the USC professor who is also the publisher and editor of Crosstown L.A., a nonprofit newsroom focused on local reporting and data journalism, said the cuts could have unintended consequences for Trump’s own voters.

“The irony, of course, is that these are areas that generally support Trump with high margins, and they’re are also areas that have the greatest allegiance to their local public radio station,” he said.

Public media outlets around the country were preparing for the worst. Early Thursday morning, the worst arrived.

The U.S. Senate voted to approve the Trump White House’s proposal to claw back $9 billion in federal funding previously allocated for foreign aid and public broadcasting. The 51-48 Senate vote means that the Corp. for Public Broadcasting, which administers the funds for NPR radio stations and PBS TV affiliates, is on track to lose $1.1 billion that had been budgeted for the next two years.

The House of Representatives is expected to give final approval for the Trump administration’s request later Thursday.

The reaction from NPR was swift. The Washington, D.C.-based nonprofit has two major affiliates serving the Los Angeles area: LAist, or KPCC-FM (89.3), and KCRW-FM (89.9).

In a statement after the vote, NPR Chief Executive Katherine Maher warned of dire consequences for smaller communities that depend on public broadcasting outlets. “Nearly 3-in-4 Americans say they rely on their public radio stations for alerts and news for their public safety,” she said.”We call on the House of Representatives to reject this elimination of public media funding, which directly harms their communities and constituents, and could very well place lives at risk.”

PBS leaders sounded a similar alarm.

“These cuts will significantly impact all of our stations, but will be especially devastating to smaller stations and those serving large rural areas,” PBS President Paula Kerger said in a statement. “Many of our stations which provide access to free unique local programming and emergency alerts will now be forced to make hard decisions in the weeks and months ahead.”

PBS and NPR have both filed suit against President Trump and other administration officials over the president’s May executive order calling for the funding cutbacks. They say the order is a case of “viewpoint discrimination” driven by the White House’s unhappiness with the content of public media. Trump has called NPR and PBS government-funded “left-wing propaganda.” Republicans have for decades called for cuts to public broadcasting because of the perceived liberal slant of its programming.

Public media outlets in Southern California’s urban areas are less dependent on federal funding than stations in smaller, rural markets, which don’t get the same kinds of donations from wealthy locals, for example. But they will feel an immediate impact as the money TV and radio stations expected from Corp. for Public Broadcasting in October is now on the verge of disappearing.

Connie Leyva, executive director of KVCR Public Media in San Bernardino, which operates PBS and NPR affiliates, said earlier this week that the Senate action will mean losing $540,000, about 6% of its operating budget. Thus, she has to consider cutting five positions on an already lean staff.

In addition to serving the Inland Empire, KVCR operates a service called First Nations Experience (FNX), which produces programming for and about Native Americans and world Indigenous cultures. Such initiatives are endangered by the funding cuts.

“We just created an app, which is free to download and get Indigenous material wherever you are,” Leyva said. “But without funding, how do we continue to keep that relevant and fresh?”

Leyva said KVCR will likely have to reduce its block of PBS children’s TV programming that reaches her community through over-the-air antennas. “I heard one senator say, ‘You can have Disney or Nickelodeon,’” she said. “He doesn’t understand you have to purchase that. All of our programming is free, and these cuts harm our poor communities.”

LAist, based in Pasadena, was set to receive $1.7 million, about 4% of its annual budget. Alejandra Santamaria, president and chief executive of LAist, said the money is equivalent to 13 journalist positions at the local news operation.

“We have to make some tough choices,” Santamaria said.

Santamaria said the station has already reached out to donors to cover the expected shortfall. “We may not ever again get federal funding, so you have to fundraise the money to fill that gap in perpetuity,” she said.

Classical California, which operates radio stations KUSC-FM (91.5) in Los Angeles and KDFC-FM (90.3) in San Francisco, receive around $1 million annually in government funding. KCRW in Santa Monica, which produces tastemaking noncommercial music programs as well as news content, was expecting $264,000 from the CPB.

NPR is receiving a highly symbolic financial boost days before Congress is expected to vote on the fate of federal funding that supports the news and culture nonprofit.

Ann Philbin, former director and current director emeritus of the Hammer Museum at UCLA, has been named this year’s Getty Prize recipient. The honor comes with a $500,000 grant for a nonprofit of the winner’s choice, and Philbin has selected NPR and its Los Angeles member stations, KCRW and LAist.

The prize is considered the Getty’s highest honor and recognizes what the institution calls “cultural leaders whose work expands human understanding and appreciation of arts and culture.” Previous awardees include Frank Gehry, Mark Bradford, Ed Ruscha, Yo-Yo Ma and Thelma Golden.

“I wanted to shine a light on one of the most pressing issues of our day,” Philbin said in a phone interview. “And that’s freedom of speech and freedom of the press.”

Philbin said she requested that half of the Getty grant go to NPR and the other half to be split between KCRW and LAist.

“Those two radio stations for me — and I think for so many Angelenos who spend so much time in their cars — are constant companions,” Philbin said. “We listen to them all the time, and they’re precious to us. To even think about the fact that they might not exist is unbearable.”

NPR Chief Executive Katherine Maher in May filed a lawsuit against President Trump after he issued an executive order directing the Corp. for Public Broadcasting to freeze all funding to NPR and PBS. She said Philbin’s decision to split the donation between NPR and its local affiliates showed a level of understanding about the interdependency of the local and national radio platforms not often mirrored in the national conversation.

“It is an extraordinary gift at an extraordinary time with real, material impact for the stations,” Maher said.

Congress has until the end of the week to vote on a White House proposal known as the rescission bill that would claw back $9 billion in foreign aid and more than $500 million per year in federal funding already approved for the Corp. for Public Broadcasting, which funnels financial support to NPR and PBS as well as local public radio and TV stations across the country.

Trump has been adamant that his allies vote in favor of the rescission package, writing on Truth Social last week that he will withhold support and endorsements from any Republican who doesn’t vote in its favor. He called the Corp. for Public Broadcasting, NPR and PBS “a monstrosity.”

The proposed cuts to the Corporation for Public Broadcasting would total $1.1 billion over the next two years. Federal funding accounts for about 15% of PBS’ budget and 1% of NPR’s budget, according to NPR, but local stations would be the hardest hit and some may not survive, Maher said. If they vanished, she added, they would take with them the kind of hyper-local, community-based reporting that helps forge and maintain a sense of place, identity and purpose, particularly in rural communities.

“That impact is something that is hard to conceptualize, even when you are a member of Congress who represents some of these communities,” Maher said. “Because you spend so much time living with one foot in the world of places like Washington, D.C., and very little time in the areas of the country where broadband services are not reliable or easily available, and cellphone service is not necessarily consistent and universal.”

Philbin noted that NPR’s mission statement is to create a more informed public and to celebrate the diversity of the human experience, and that those values are being challenged by a storm of misinformation.

The Getty Prize was founded in 2013 as the Getty Medal. It was initially given to several individuals each year, but last year it transformed into its current incarnation, honoring a single person who chooses the “pay-it-forward” grant recipient.

Last year’s honoree was Mark Bradford, who chose to steer the grant money to the Arts for Healing and Justice Network, which brings arts programming to minors in the juvenile justice system.

National Public Radio journalist Felix Contreras, best known for chronicling Latino music in his podcast “Alt.Latino,” will be honored this year at the 38th annual Hispanic Heritage Awards.

The Hispanic Heritage Foundation named Contreras as a recipient of the 2025 Hispanic Heritage Award for journalism on Thursday, one of several honors bestowed on notable public figures for their accomplishments and cultural contributions to the Latino communities.

Past awardees at the Hispanic Heritage Awards include Bad Bunny, America Ferrera, Becky G, J Balvin and others; Contreras is one of the few journalists to receive the esteemed honor, one he says is hard for him to accept.

“We learn early on that [journalists] are not supposed to be the story,” explains Contreras in a phone call with The Times. “That’s the largest stumbling block as to why I’m having a difficult time accepting this accolade.”

Known among friends and colleagues as “Tío Felix,” a familial term of endearment, Contreras has been a dedicated reporter for close to 50 years. Born and raised in Sacramento, he began his journalistic career as a TV news photographer for the NBC affiliate station in Fresno until 1998, later transitioning to NBC News in Miami.

“My point has always been to tell our Latino stories through the news, good or bad,” he says.

Contreras began working for NPR in 2001 as a producer and reporter for the news arts desk. In 2010, he co-created the innovative “Alt.Latino” radio program and podcast alongside NPR’s current immigration correspondent Jasmine Garsd. It was a way to fill the dearth of coverage of alternative Latino music — Spanish-language stations gave little airtime to alternative rock groups such as Los Fabulosos Cadillacs or Café Tacvba, says Contreras. Their first guest on the show was a young, then-burgeoning artist from Colombia named Juanes, who appeared just after releasing his debut album, “Fíjate Bien.”

At first, it was an uphill battle to get artists to recognize the podcast’s cultural significance. “ We had to beg people to send us their CDs,” Contreras admits.

Now in its 15th year, “Alt.Latino” has become a go-to hub for Latin music enthusiasts looking to learn more on the rise of musica mexicana, the rumblings of Latin jazz, the transformation of Latin rock and more.

“Independent artists, alternative artists, even some pop artists now consider ‘Alt.Latino’ and NPR as a viable source to get their artist seen or heard,” Contreras says.

To this day, Contreras continues in his role as co-host of “Alt.Latino,” now alongside Tiny Desk producer Anamaria Sayre, who says she cried when she heard Contreras was being recognized.

“ Felix created space for us in the music media landscape in where there wasn’t previously,” says Sayre, who has been working with Contreras since 2023. “He did it with no one telling him that what he was doing was valuable.”

The 38th annual Hispanic Heritage Awards will take place on Sept. 4 at the Warner Theatre in Washington, D.C.

June 25 (UPI) — White House budget director Russell Vought on Wednesday urged U.S. senators to approve the Trump administration’s proposed cuts of $8.3 billion in foreign assistance and $1.1 billion for public broadcasting.

Vought testified before the Senate Appropriations Committee.

The cuts, which are from the Department of Government Efficiency, are a tiny fraction of the nearly $7 trillion the federal government spends each year

The House last week voted 214-212 to advance the request that reduces funds for the U.S. Agency for International Development, which has largely been dismantled, and the Corporation for Public Broadcasting, which helps to fund NPR and PBS.

Republicans have a 53-47 majority in the Senate. A simple majority is needed for passage.

A group of protesters disrupted the meeting, saying “Vought’s Cuts Kill,” and “Vought Lies, People Die!”

Capitol Police officers forcibly removed some protesters from the room, with at least one hitting his head on the floor.

During his opening remarks, Vought touted the cuts as part of Trump’s “steadfast commitment to cutting wasteful federal spending antithetical to American interests.”

“Most Americans would be shocked and appalled to learn that their tax dollars, money they thought was going to medical care, was actually going to far-left activism, population control and sex workers,” Vought said. “To be clear, no lifesaving treatment will be impacted by this rescissions package.”

If Congress approves the cuts, the AIDS program would lose $400 million, and another $500 million would be stripped from global health programs that support child and maternal health, AIDS care and prevention of infectious diseases.

Lawmakers from both parties have criticized the proposed cuts.

“There’s no way that President Trump’s administration would allow such wasteful and questionable spending,” Senate Appropriations Chair Susan Collins, R-Maine, told Vought.

“So, I am puzzled why you would be cutting funds that the president signed in March as part of the continuing resolution.”

Trump signed legislation in March to keep the government open through September.

Vought responded the costs are “largely multiyear funding,” and that “there is some expiring funds with regard to fiscal year ’25, but the way that this was structured was to find the waste.

“We are $37 trillion in national debt,” Vought said. “Our view is to see, when we look at these programs, can we do it cheaper, as evidenced by what we find, and then to reflect that, with some savings to the taxpayer.”

Collins also questioned the administration’s proposed cuts targeting the U.S. President’s Emergency Plan for AIDS Relief, or PEPFAR.

“These are not only the right thing to do for humanitarian reasons, but they’re incredible instruments of soft power,” she said. That includes “lifesaving multivitamins for pregnant mothers and the food supplement that’s used for malnourished children.”

Collins held up a packet of Ready-to-Use Therapeutic Food used to treat malnutrition in babies and young children.

Sen. Lindsey Graham, the Republican serving South Carolina, said he was surprised that millions of dollars were being spent to support abortions and gender care under PEPFAR. The AIDS-fighting program has been credited for saving millions of lives since President George W. Bush launched it more than 20 years ago.

Graham said he would approve the measure though he backs the program.

“And to my Democratic colleagues: There is a consequence to this crap,” Graham said. “The first thing I thought about: How is PEPFAR fraud, waste and abuse? Well, I had no idea there was one dollar spent like this.”

GOP members in the House and Senate have voiced concerns about the potential impact cuts would have on local stations and rural radio.

“We have Native American radio stations in South Dakota. They get their funding through NPR,” Sen. Mike Rounds, R-S.D., said during the hearing. “Ninety-some percent of what they use.”

The director called PBS and NPR “radical far-left networks,” and “there is no longer any excuse for tax dollars to subsidize” them.

Bad Bunny has chimed in on the ongoing Immigration and Customs Enforcement raids that are taking place in his native Puerto Rico and all over the country.

The 31-year-old “Nuevayol” singer posted to Instagram a video, with commentary, of ICE agents conducting a raid on the island.

“Look, those mother— are in these cars, RAV4s. They’re here on [Avenida] Pontezuela,” he said of the officials arriving in the Puerto Rican city of Carolina, “instead of leaving the people alone and working.”

Since the onset of President Trump’s second term, the U.S. territory has been subjected to ICE raids, which have targeted the island’s largely Dominican immigrant population. For years, immigrants from the neighboring Caribbean island have been allowed to open bank accounts and obtain special driver’s licenses that indicate their immigration status. The Associated Press estimates that over 55,000 people from the Dominican Republic live in Puerto Rico.

Rebecca González-Ramos, ICE’s top investigator in Puerto Rico, told NPR that the agency has made nearly 500 arrests, of which roughly 75% have involved Dominicans. NPR further noted that fewer than 80 of the 500 people arrested have a criminal record, with the most common charge being reentry into the country following a deportation.

An added barrier for those apprehended on the island is that they must be transferred to the U.S. mainland to be processed.

“It’s something that creates a great difficulty because people who had ongoing immigration cases here have been detained — meaning their legal representation is in Puerto Rico,” ACLU lawyer Annette Martínez Orabona said in a news conference earlier this month. “I know it’s terrible anywhere in the United States, but in Puerto Rico’s case, it’s worse because we are not contiguous to the mainland. It’s not a matter of just getting in a car and getting there.”

Bad Bunny’s calling out of ICE’s activities comes as other major Latin American music acts have used their platforms to condemn the ICE raids and align their sympathies with immigrants. Becky G, Ivan Cornejo, Fuerza Regida, Junior H, Grupo Frontera and Maná are among the acts to have voiced concerns recently for the immigrant community.