nomination

Bentsen Tells America: Wake Up, Go to Work : Depicts Democrats as New Party of Competence, Frugality in Speech Accepting VP Nomination

Lloyd Bentsen, a tall Texan with a mission to protect the Democratic Party’s right flank, was nominated for vice president Thursday night, and he had a message for America: It is time to wake up and go to work.

“My friends, America has just passed through the ultimate epoch of illusion: An eight-year coma in which slogans were confused with solutions and rhetoric passed for reality, a time when America tried to borrow its way to prosperity,” the 67-year-old U.S. senator told the Democratic convention delegates.

‘Epoch of Illusion’ Ending

In a speech that depicted the Democrats as a new party of competence and frugality, Bentsen said: “At long last the epoch of illusion is drawing to a close. America is ready for the honest, proven, hands-on leadership of Michael Dukakis backed up by the power of a united, committed Democratic Party.”

A Texas-Size Night

It wasn’t just a big night, it was a Texas-size night for Bentsen, a dapper politician who until now has seen more of the inner sanctums of the Senate than the national spotlight. Suddenly he is in the spotlight and on the ticket with the presidential nominee, Michael S. Dukakis, in what many believe is the most united Democratic Party in 24 years.

But Bentsen was ready, striding into the gaze of a curious public with the looks, the soothing voice and the self-assurance of a senator who might have been created by Hollywood. In the audience was his 94-year-old father, “Big Lloyd,” who reared his son to shoot straight and ride fast in the Rio Grande Valley.

Also in the audience were some delegates whose concern about Bentsen reflected what an odd couple he and Dukakis make. The senator disagrees with the governor on a number of major issues, including the MX missile and aid for the Nicaraguan Contras, both of which Bentsen supports and Dukakis opposes.

“I will support Bentsen on the ticket,” said Vernice Garrison, a California delegate who held up a “No on Contra Aid” sign. “But I want him to know how I feel about Contra aid.”

Lack of Enthusiasm Noted

There was a noticeable lack of enthusiasm for Bentsen among some supporters of the Rev. Jesse Jackson, who believed that their man should have been picked as vice president because he got 7 million votes, and won more than 1,200 delegates in the primaries and caucuses.

Some Jackson supporters in the New Jersey delegation wanted to stage a protest over Bentsen’s position on the Contras, but Jackson’s floor leaders were instructed to prevent that, according to Newark Mayor Sharpe James.

It was also clear that Bentsen’s plain speaking style will not upstage Dukakis in this campaign. Some delegates chatted through the entire address.

Dukakis picked the more conservative Bentsen in part to offset his more liberal Northeastern image. He also wants him to take the battle to Texas, the adopted home state of the expected GOP nominee, Vice President George Bush, where 29 electoral votes are at stake.

But Bentsen has never been known as an attacker and that was evident in his speech. He criticized the Reagan-Bush Administration without ridiculing it, zeroing in on what he believes are its flaws without dwelling too long on the downside.

And, although Bentsen has made fun of Bush on occasion and says he looks forward to challenging him on their home turf in the oil-producing states, his speech indicated that he does not intend to be overly harsh.

“Lloyd Bentsen is not going to be the hatchet man of this campaign,” said Texas political consultant George Christian, who helped Bentsen draft his speech.

‘They’re Good Friends’

“I was involved in Lloyd’s 1970 Senate race with Bush and to my knowledge he never did really attack Bush,” Christian said. “They’re good friends. But there is going to be good honest criticism of the Administration in this campaign, and it has to be done sharply.”

“Democrats agree that the American worker who has struggled for 20 years to support his or her family has earned 60 days’ notice if management plans to shut down that plant. But the Reagan-Bush Administration insists that a pink slip in the mail is notice enough,” Bentsen said in a reference to a plant-closing bill that the Reagan Administration recently opposed.

Bentsen and Dukakis believe the differences between the two political parties on that legislation could be crucial in luring back many working-class Democrats who supported Ronald Reagan in 1980 and 1984 and are expressing doubts about Bush in opinion polls.

Bentsen and Dukakis are aware, however, that they may have trouble convincing some middle class voters that these are difficult times, given the sustained economic growth and low unemployment under Reagan.

Targeting Specific Group

So, as Bentsen’s speech showed, they are aiming for that portion of the middle class that is struggling or is at least apprehensive about the future.

“I see the charts and numbers that suggest prosperity,” Bentsen said. “But I also talk with people and I hear what they have to say.

“I know that if you are a teacher or a factory worker, or if you are just starting a family, it’s almost impossible to buy a house–no matter how hard you work or how carefully you plan. A college education is slipping beyond the reach of millions of hard-working Americans.”

Then, in a sales job for Dukakis and his record as governor, Bentsen said: “Michael Dukakis . . . turned around the economy of Massachusetts, not by writing hot checks but by careful management of the taxpayers’ dollar and a healthy respect for the entrepreneurial system.”

Bentsen was nominated for vice president by longtime Bentsen ally Rep. Dan Rostenkowski of Illinois, chairman of the House Ways and Means Committee.

The nomination was seconded by former Texas Rep. Barbara Jordan, a widely admired black leader whom Bentsen aides described as one of the senator’s home state heroes, and by Sen. Tom Daschle of South Dakota, one of a group of young senators elected recently by the Democrats. Daschle’s home state is where Bentsen’s Danish forebears settled in the 19th Century. His father, Lloyd Sr., moved from South Dakota to Texas in the 1920s and built a ranching and real estate empire from scratch.

Introduced by Glenn

Bentsen was introduced by Ohio Sen. John Glenn, the No. 1 “bridesmaid” among those other Democrats Dukakis was considering for vice president. “I just knew I’d be making a speech tonight about the vice presidency,” Glenn joked, and then went on to praise his Senate colleague as “a real Texan” who is “superbly qualified for the job.”

Ironically, Glenn’s short, tough speech, which cheered Bentsen and ridiculed Bush, appeared to be one of the best he has ever given, the kind that, delivered sooner, could have put to rest the doubts of Dukakis’ aides about Glenn’s campaigning ability.

Glenn received a very enthusiastic reception, better than Bentsen’s. The delegates also cheered Jordan, who described Bentsen as a man with “an instinct for doing what is right,” an allusion to his civil rights record, which is much better than that of many Southern white leaders of his generation.

With the senator’s father in the convention hall were Bentsen’s wife, Beryl Ann, their sons, Lloyd III and Lan, and their daughter, Tina Bentsen Smith.

Bentsen wrote his speech with the help of his former Senate aide Stephen Ward. Christian, former press secretary to President Lyndon B. Johnson, helped hone the address. According to Christian and Jack DeVore, Bentsen Senate press secretary, the Dukakis campaign offered little in the way of suggestions.

Defers to Senator

“Dukakis trusts Lloyd,” Christian said. Reporters following the two men in the last week have found that, despite their differences on some key issues, they seem comfortable, if not gregarious, together. Dukakis has been seen deferring to the senator in several situations involving members of the House and Senate who are attending the convention.

At the end of his speech, Bentsen, a multimillionaire, thanks to real estate and other businesses, told his audience that his forebears had started out in a sod hut in South Dakota.

“They made their way in America,” Bentsen said. “That’s the American dream we have nourished for 200 years, the dream of freedom and opportunity, the chance for a step up in life. I want to help Michael Dukakis protect that dream for the next generation.”

Staff writers John Balzar, Bob Drogin, Patt Morrison, David Lauter and Henry Weinstein contributed to this story.

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Rob Reiner’s best films: ‘This Is Spinal Tap,’ ‘A Few Good Men’ & more

Rob Reiner was born into the lineage of comedy thanks to his father, television pioneer Carl Reiner, and he first gained recognition as an actor, including his Emmy-winning role on “All in the Family.” And while there is certainly a streak of humor through almost all of his films, what marks Reiner’s work as a director is his astonishing versatility, able to switch styles from one project to the next with remarkable ease. The run of films that begins with his feature directing debut, 1984’s “This Is Spinal Tap,” on through 1986’s “Stand by Me,” 1987’s “The Princess Bride,” 1989’s “When Harry Met Sally…,” 1990’s “Misery,” 1992’s “A Few Good Men” and 1995’s “The American President” is simply breathtaking for its mastery across the specrum of popular Hollywood moviemaking.

‘This Is Spinal Tap’ (1984)

Rockers appear on television in the late 1960s.

Harry Shearer, left, Christopher Guest and Michael McKean in the movie “This Is Spinal Tap.”

(Archive Photos / Getty Images)

Though not strictly the first to explore the form, Reiner’s first feature as director more or less cemented the concept of the “mockumentary,” presenting itself as a documentary on the (fictional) rock band Spinal Tap. Reiner appeared onscreen as Marty DiBergi, director of the faux film-within-the-film, forming a neat transition from his career as an actor to director. And while this year’s sequel “Spinal Tap II: The End Continues” was not particularly well received, the legacy of the original, still among the most quotable comedies ever made, remains untouchable. — Mark Olsen

‘The Sure Thing’ (1985)

Made amid the teen sex comedy craze of the 1980s, Reiner’s second film, about two college students sharing a cross-country car trip together, had something special and different about it — namely the performances of John Cusack and Daphne Zuniga, who both brought an openhearted tenderness to a story that might have toppled into cynicism. The emotional earnestness that would often come through in Reiner’s work first emerged here, making what could have been a run-of-the-mill exercise into something more. — M.O.

‘Stand by Me’ (1986)

Four boys stand in the woods, noticing something.

Wil Wheaton, left, River Phoenix, Jerry O’Connell and Corey Feldman in the movie “Stand by Me.”

(Columbia Pictures)

Based on a novella by Stephen King, “Stand by Me” is about four boys — played by Wil Wheaton, Corey Feldman, Jerry O’Connell and River Phoenix — who find their friendship tested during a particularly eventful Labor Day weekend of 1959. Approaching the story with a mix of dewy nostalgia and incisive clarity, the film earned Reiner the first of three nominations from the Directors Guild of America. — M.O.

‘The Princess Bride’ (1987)

A man passionately embraces a woman in red on the grass.

Robin Wright and Cary Elwes in the movie “The Princess Bride.”

(20th Century Fox / Kobal / REX / Shutterstock)

It would be inconceivable to not include “The Princess Bride” in any consideration of Reiner’s best, as the swashbuckling fantasy romance embodies a sense of playful inventiveness and anything-can-happen ethos. An elderly man reads a story to his grandson as the action comes to life in the tale of a farm boy and a princess who are fated to be together, if only they can overcome all manner of trials and challenges. The movie has now enchanted multiple generations of children and adults alike. — M.O.

‘When Harry Met Sally…’ (1989)

A woman in a hat and a man have a conversation in a New York City park.

Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”

(Castle Rock Entertainment)

As much as any other movie, “When Harry Met Sally…” (scripted by Nora Ephron) has come to embody the modern romantic comedy with its will they-won’t-they tale of two good friends who come to realize they may also work as something more. Grounded by the charming performances of Meg Ryan and Billy Crystal, as well as a strong supporting cast including Carrie Fisher and Bruno Kirby, the film has a rare warmth. It was Reiner’s mother Estelle who delivered the unforgettable punchline, “I’ll have what she’s having.” — M.O.

‘Misery’ (1990)

Kathy Bates and James Caan in "Misery."

Kathy Bates and James Caan in “Misery.”

(Archive Photos / Getty Images)

Reiner named his production company Castle Rock Entertainment in honor of his deep love for Stephen King’s fiction and after making a splash with “Stand by Me,” there was no way he wasn’t going do something scarier as a follow up. (You get a hint in “When Harry Met Sally” — look at the hardcover Crystal is skimming.) King’s captive-author nightmare gets classed up by two knockout performances calibrated in perfect harmony: Kathy Bates’ psycho fan, a turn that earned her an Oscar, and James Caan as the bedbound writer. At the time, Caan was an actor in need of a second chance. Reiner was it. — Joshua Rothkopf

‘A Few Good Men’ (1992)

Two Navy officer have a showdown in a courtroom.

Jack Nicholson, left, and Tom Cruise in the movie “A Few Good Men.”

(Mondadori Portfolio / Mondadori via Getty Images)

Reiner seemingly conquered yet another movie genre with this tightly wound military courtroom thriller and received his only Academy Award nomination, for best picture. Reiner was also recognized with nominations from the Directors Guild, Producers Guild and Golden Globes for the film. Written by Aaron Sorkin and featuring a cast that includes Tom Cruise and Demi Moore, this has Jack Nicholson’s volcanic delivery of the now-legendary line, “You can’t handle the truth!” — M.O.

‘The American President’ (1995)

Michael Douglas and director Rob Reiner on the set of "The American President."

Michael Douglas and director Rob Reiner on the set of “The American President.”

(Archive Photos / Getty Images)

A president as a romantic lead? Such things actually happened during the Clinton era. Reiner injects warmth and realism to Sorkin’s swaggering original script, loaded with wonky dialogue and walk-and-talks. But it’s the careful steering of Michael Douglas as a widowed U.S. leader and rising star Annette Bening as an extra-persuasive eco-lobbyist that distinguish this gentle comedy, one that seems positively alien to our current climate. Widely known for his vigilant activism in later years, Reiner’s on-screen politics were no less optimistic. — J.R.

‘Rumor Has It’ (2005)

A woman and a man share a pitcher of beer.

Jennifer Aniston and Kevin Costner in the movie “Rumor Has It.”

(Melissa Moseley / Warner Bros. Pictures)

Not many would dare to take on a sort-of sequel to a movie as beloved as “The Graduate,” but Reiner brought a casual ease to the tale of a woman, played by Jennifer Aniston, who believes her mother and grandmother were the inspiration for Charles Webb’s original source novel. Though reviews at the time largely savaged the movie, it now seems just the kind of self-assured studio comedy audiences yearn for, buoyed by Shirley MacLaine’s outrageous performance as a woman who may be the real Mrs. Robinson. — M.O.

‘Albert Brooks: Defending My Life’ (2023)

Two men sit across a restaurant table.

Albert Brooks, left, and Rob Reiner in the documentary “Albert Brooks: Defending My Life.”

(HBO)

Reiner received two Emmy nominations for this documentary tribute to comedian, actor and filmmaker Albert Brooks, a friend of Reiner’s since the two met as teenagers at Beverly Hills High. It’s captured as an expansive conversation with the two sharing a meal in a restaurant. As much as the film is a portrait of Brooks, it also reflects Reiner’s own unique position as someone who knew show business and its ups and downs with a rare intimacy. — M.O.

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