NBC

The band is back together, even though they never really parted.

Departed? Sure. The crew that comprised “Inside the NBA” moved from TNT when the cable network lost its NBA broadcast rights to ESPN, NBC and Amazon after last season.

But the ensemble that somehow is greater than the sum of its star-studded parts continues — albeit now under the title “NBA Tip-Off.”

The familiar lineup of Charles Barkley, Kenny Smith, Shaquille O’Neal and Ernie Johnson reunited for a pregame show ahead of ESPN’s doubleheader Wednesday, with the Cleveland Cavaliers visiting the New York Knicks and San Antonio Spurs visiting the Dallas Mavericks.

And they poked fun at themselves and at the Worldwide Leader. Any fears that ESPN suits would tone down the rollicking, often hilarious dynamic the quartet brought to the last decade-plus of the 36-year “Inside the NBA” run were quickly doused.

O’Neal opened by admonishing Johnson for mentioning the NBA‘s opening games Tuesday night, which broadcast on NBC and the Peacock streaming service.

“You are supposed to say, this is TRON — the real opening night,” O’Neal said to laughs. “Don’t forget who we are, boys.”

Johnson gently pushed back, replying, “Don’t be that way!” to more laughs.

O’Neal said Smith was almost late for the show, and Smith said, “I haven’t been that nervous since Game 7 of the NBA Finals.”

Barkley, who had been the most vocal skeptic of leaving TNT for ESPN, seconded that sentiment, saying “I was nervous all day.” But before he could continue in a more serious vein, Johnson interrupted and clips were shown of Barkley expressing doubts about ESPN on the “Dan Patrick Show” and other outlets.

More laughs ensued, although Barkley did his best to toe the company line, saying, “I’m not gonna lie. Every person who ever touched a ball wanted to be on ESPN. They are the greatest sports network ever. And to be working with these guys is an honor and a privilege.”

Johnson echoed Barkley, saying, “It is a dream come true,” and asked Smith if he felt the same way. Smith sighed and replied, “I will answer yes, but do you all want a napkin for all that kissing up?”

The laughs continued when a clip of Barkley earlier expressing worry about the workload at ESPN was followed by a graphic that displayed his Thursday work “schedule,” which included appearances every hour of the day, including during broadcasts of World Axe Throwing League and the American Cornhole League.

Basketball analysis did eventually follow the jokes and jabs, with O’Neal making a somewhat-bold prediction regarding oft-injured former Lakers big man Anthony Davis, who now plays in Dallas: “If A.D. plays 65 games, the Dallas Mavericks will be in the Western Conference finals.”

“NBA Tip-Off” was set to air segments pregame, halftime and postgame during Wednesday’s doubleheader, and ESPN announced it will air 20 days during the regular season around games broadcast on ESPN and ABC.

Formats will be different on each network. Pregame shows on ESPN will begin an hour before tipoff and postgame shows will start right after the final horn. Pregame shows on ABC will begin 30 minutes before tipoff. with postgame shows airing only after Saturday prime-time games. The NBA Sunday Showcase series on ABC also will feature an “NBA Tip-Off” pregame show.

“We’re proud that ‘Inside the NBA’ — one of the most iconic and beloved shows in all of media — will play a leading role in our NBA coverage,” ESPN president of content Burke Magnus said in a statement two weeks ago. “Fans should expect the same great show they’re accustomed to watching as it becomes an essential part of the highest-profile events in the NBA, including the NBA Finals.”

There was talk a few months ago that TNT could produce a separate show with the same cast, since this season’s “NBA Tip-Off” will continue to be produced in TNT’s Atlanta studios. Barkley seemingly put the kibosh on that notion when he said a pilot TNT taped was “just stupid stuff.”

“Number one, we won’t have basketball highlights [on TNT],” Barkley said in June. “But also, we’re probably gonna be going up against an NBA game. And anybody who likes basketball ain’t gonna say, ‘Hey, you know what? Let me turn off an NBA game on Amazon, ESPN or NBC to go watch these four dudes sit around and talk about nothing.’”

Instead, the quartet will continue to talk hoops and trade zingers, but only on ESPN and ABC.

“Inside the NBA” 2025-26 regular season broadcast schedule

2025
Oct. 22: ESPN and ESPN2
Oct. 23: ESPN
Oct. 29: ESPN
Nov. 12: ESPN
Dec. 25: ESPN and ABC

2026
Jan. 24: ABC
Jan. 28: ESPN
Jan. 31: ABC
Feb. 7: ABC
Feb. 20: ESPN
Feb. 21: ABC
Feb. 22: ABC
Feb. 27: ESPN
Feb. 28: ABC
March 1: ABC
March 6: ESPN
March 7: ABC
March 8: ABC
March 14: ABC
April 12: ESPN

Termination notices went out to 150 NBC News Group employees Wednesday as the financial health of the traditional television business continues to erode.

The cuts have been anticipated for months as NBC is seeing declines in TV ratings and ad revenue that are not being fully offset by a growing digital business.

Audience migration to streaming platforms has put pressure on legacy outlets across the media industry, leading to layoffs and cost-cutting.

A representative for the NBC News Group, which produces “Today,” “NBC Nightly News with Tom Llamas” and “Dateline,” declined to comment on the layoffs.

The cuts are also attributed to the spinoff of cable networks MSNBC and CNBC, according to a person briefed on the plans who was not authorized to comment. As of last week, NBC News no longer shares resources with the two outlets, which will become part of a new company called Versant. Some NBC News veterans have decided to join MSNBC, which will be renamed MS NOW.

Versant is the new stand-alone home for most of Comcast’s cable networks, including USA Network, the Golf Channel, CNBC and MSNBC. Comcast is spinning off the channels because it believes the mature outlets face a bleak future due to pay TV cord-cutting and are an albatross weighing down its stock price.

Some of the job losses are expected to be mitigated by a reallocation of resources aimed at bolstering the division’s digital operations. The employees affected by the cuts have been encouraged to apply for 140 jobs currently open across the NBC News Group.

The cuts amount to 2% of the NBC News Group, which also includes local TV stations owned by NBC and Telemundo.

A recent memo from NBC News Group Chair Cesar Conde said the division is launching a subscription streaming service later this year, although details have not been made public. The company already has NBC News Now, a free ad-supported streaming channel.

More cuts across the TV news business are expected through the end of the year. A significant reduction in staffing is expected at CBS News following the merger of parent Paramount with Skydance Media.

ABC News was hit hard by a 6% staff reduction across the ABC TV network enacted in March by parent Walt Disney Co. Those cuts followed a layoff of 40 news staffers in October 2024.

Oct. 11 (UPI) — On this date in history:

In 1811, the first steam-powered ferry in the world, the Juliana, started its run between New York City and Hoboken, N.J.

In 1868, Thomas Alva Edison filed papers for his first invention: an electrical vote recorder to rapidly tabulate floor votes in the U.S. Congress. Edison’s device was issued U.S. Patent 90,646 on June 1, 1869. Members of Congress rejected the apparatus and it was never utilized.

In 1906, the San Francisco Board of Education banned Japanese-American students from attending public schools, ordering that instead they were to be taught in racially segregated schools. A compromise was reached in February 1907, allowing the students back into the schools with the Japanese government accepting new immigration restrictions for its citizens wishing to travel to the United States.

In 1910, President Theodore Roosevelt became the first U.S. president to take flight in an airplane. Piloted by Arch Hoxsey, Roosevelt would stay aloft for 4 minutes in a Wright brothers-built plane at Kinloch Field in St. Louis, Mo.

In 1947, the United States agreed to the United Nations Partition Plan of Palestine, which recommended the creation of independent Arab and Jewish States with the city of Jerusalem placed under direct trusteeship of the United Nations. The resolution was adopted by the General Assembly on Nov. 29, 1947, though a civil war, which would last nearly six months, erupted the next day between Arabs and Jews, resulting in the partition plan failing to be implemented.

File Photo by Stephen Shaver/UPI

In 1950, the Federal Communications Commission gave CBS the first license to broadcast color television.

In 1975, Saturday Night Live premiered on NBC with George Carlin as host and musicians Janis Ian and Billy Preston on the bill.

In 1984, Kathryn Sullivan, flying into orbit aboard the space shuttle Challenger, became the first American woman to walk in space.

In 1986, President Ronald Reagan and Soviet leader Mikhail Gorbachev met in Reykjavik, Iceland, to discuss arms control and human rights. While the talks collapsed at the last minute, work would continue, resulting in the 1987 Intermediate-Range Nuclear Forces Treaty between the two nations.

In 2000, Congress designated Cuyahoga Valley National Recreation Area as a national park, making it the first national recreation area to receive the upgrade in the United States.

In 2002, the Norwegian Nobel Committee awarded the Nobel Peace Prize to former U.S. President Jimmy Carter “for his decades of untiring effort to find peaceful solutions to international conflicts, to advance democracy and human rights, and to promote economic and social development.”

In 2002, Congress gave U.S. President George W. Bush its backing for using military force against Iraq.

Surrounded by members of Congress, President George W. Bush signs the congressional resolution authorizing U.S. use of force against Iraq if needed, during a ceremony in the East Room of the White House on October 16, 2002. File Photo by Chris Corder/UPI

In 2008, the U.S. State Department removed North Korea from its list of state sponsors of terrorism. In return, North Korea agreed to give international inspectors access to its nuclear facilities and to continue disabling its plutonium processing project.

In 2013, the Organization for the Prohibition of Chemical Weapons won the Nobel Peace Prize. The United Nations-backed OPCW, which has headquarters in The Hague, Netherlands, was overseeing the destruction of Syria’s chemical weapons stockpile at the time it won the prize.

In 2024, the Norwegian Nobel Committee awarded the Nobel Peace Prize to Nihon Hidankyo, an organization made up of atomic bomb survivors in Japan for their actions opposing the use of nuclear weapons.

File Photo by Paul Treadway/UPI

Wordle, the addictive digital puzzle game offered daily by the New York Times, could soon be coming to television.

NBC has ordered a pilot based on Wordle, according to people familiar with the project who were not authorized to comment publicly.

“Today” co-host Savannah Guthrie, an obsessive player of the game herself, serves as the emcee in the TV version.

The test program will be used to determine whether the project, which is not yet officially titled, gets ordered for a series. A representative for NBC declined comment.

NBC’s Savannah Guthrie is seen at Rockefeller Center in New York in 2021.

(Jesse Dittmar / For The Times)

The Wordle project is being produced by “Tonight” host Jimmy Fallon’s company Electric Hot Dog, which already has two prime-time game shows on the air at the network, “That’s My Jam” and “On Brand.” Fallon is also a producer on NBC’s version of the classic game show “Password,” which has been ordered for a third season.

As many millions of the game’s fans know, the daily Wordle asks players to guess a five-letter word in six chances through a process of eliminating letters. An individual player’s performance in the game can be posted online without revealing the answer, as the colored tiles are shown without the letters.

Wordle was created by Brooklyn, N.Y.-based software engineer Josh Wardle in 2021. After it became an immediate hit online, the New York Times purchased it for a price reported to be in the low-seven-figure range.

Offered as part of a subscription to a bundle of puzzles on the New York Times web site and app, Wordle has been a major driver of digital revenue for the company. The game was played 5.3 billion times in 2024.

The Times is a production partner on the TV version with Electric Hot Dog.

Jimmy Fallon, left, Keke Palmer and Jon Hamm in “Password” on NBC.

(Jordin Althaus / NBC)

The idea of a TV version had been explored by the Times for awhile, and the company’s timing is fortunate. Game shows have become a staple on broadcast networks such as NBC in recent years as viewers have increasingly made streaming platforms their first stop for scripted comedies and dramas.

Game shows are cheaper to produce than scripted shows. They also appeal to traditional TV viewers with an appetite for programming they can turn on and enjoy without requiring any binge-watching to catch up on plot points.

President Trump has said many things about “Saturday Night Live” over the years. Few of them are favorable, highlighting his disdain for the late-night sketch comedy show, though his previous stints as host would suggest otherwise.

The president hosted the show in 2004 and in 2015, shortly after announcing his first run for president. The decision to have him host “SNL” in 2015 was controversial at the time, but NBC’s top brass defended the move, citing his front-runner status among Republicans and the high ratings it produced. “At the end of the day, he was on the show for 11 minutes and … it wasn’t like the Earth fell off its axis,” said then-NBC Entertainment Chairman Robert Greenblatt during the Television Critics Assn. press tour in 2016. He would later call Trump “toxic” and “demented.”

Trump, meanwhile, has repeatedly said he believes the show is unfunny, lacks talent and is “just a political ad for the Dems” nowadays. The sentiment echoes comments he’s made about late-night talk show hosts Stephen Colbert and Jimmy Kimmel and their respective shows, each known for skewering Trump. With Season 51 of “Saturday Night Live” set to begin Saturday, and recent settlements with media outlets and tech companies making headlines — YouTube settled a Trump lawsuit for nearly $25 million Monday over the suspension of his account — a renewed focus will be on the show and how it spoofs the president and his policies.

Colbert’s series was canceled by CBS in July and will conclude its 10-year run next year in May. While CBS cited financial reasons for its decision to end Colbert’s show, the host was a vocal critic of both Trump and CBS’ parent company, Paramount, which had recently settled a lawsuit with Trump just before the Federal Communications Commission approved its merger with Skydance Media (Colbert called the settlement “a big fat bribe”).

Kimmel was benched by ABC in September after the head of the FCC, a Trump appointee, threatened the network over the host’s comments about Charlie Kirk’s suspected killer. Kimmel has since returned to the air, and used his first episode back to defend free speech. Colbert and Kimmel also appeared as guests on each other’s shows Tuesday, expressing mutual support and cracking jokes at Trump’s expense. Trump has also called for NBC to ax its late-night hosts Seth Meyers and Jimmy Fallon, both of whom are “SNL” alums.

Now, “SNL” could be the next target of the administration’s scrutiny. Trump’s posts on social media have previously aired his disapproval for how the series mocks and satirizes him and his administration, and he has suggested investigating NBC as result.

“Nothing funny about tired Saturday Night Live on Fake News NBC!,” Trump tweeted in February 2019, during his first term in office. “Question is, how do the Networks get away with these total Republican hit jobs without retribution? Likewise for many other shows? Very unfair and should be looked into. This is the real Collusion!”

Donald Trump in 2015, the year NBC cut ties after he made comments about undocumented Mexican immigrants.

(Andrew H. Walker / Getty Images)

Over the years, Trump has had a contentious relationship with the network that once aired “The Apprentice,” the show that made him a reality TV star, and his Miss Universe pageant. In 2015, NBC cut ties with Trump over comments he made about undocumented Mexican immigrants.

“Saturday Night Live,” which celebrated its 50th anniversary earlier this year with multiple specials, has been churning out political parodies for decades, and its comedy has targeted leaders from all political backgrounds.

The first time Trump was portrayed on “SNL” was in 1988 by then-cast member Phil Hartman. Since then, a host of actors and cast members have cycled through with their Trump impressions, with one of the most memorable being Alec Baldwin, who took over from Darrell Hammond in 2016 ahead of the presidential election.

Trump disliked Baldwin’s portrayal, and wrote in 2018 that Baldwin’s “dying mediocre career was saved by his terrible impersonation.” Baldwin won an Emmy for supporting actor in 2017 for playing the president.

The “30 Rock” actor’s stint as Trump on “SNL” lasted through 2020, and he made appearances as Trump even when the show was filming remotely during the early stages of the COVID-19 pandemic. Some of his most memorable moments impersonating the president were in cold opens that mocked the debates between Trump and Hillary Clinton.

Alec Baldwin in 2017 as President-elect Donald J. Trump during a “Saturday Night Live” cold open sketch.

(Will Heath / NBC)

In March 2019, Trump wrote that “SNL” continues “knocking the same person (me), over & over, without so much of a mention of ‘the other side.’” The episode that aired the weekend he wrote that tweet was a rerun. “Like an advertisement without consequences,” he went on.

According to reports from the Daily Beast, Trump took a step beyond airing his grievances over Twitter that time. He reportedly asked advisors and lawyers in early 2019 about what the FCC, the court system, and even the Department of Justice could do to look into “SNL” and other late-night comedy figures who had mocked him. That inquiry did not amount to any actions, according to the outlet.

In 2022, Trump said the show’s ratings were “HUUUGE!” when he hosted, but that they’ve since tapered off. The most recent season of “SNL” was the most-watched in three years, with a season average of more than 8 million viewers.

He went on to write that creator and executive producer Lorne Michaels is “angry and exhausted, the show even more so. It was once good, never great, but now, like the Late Night Losers who have lost their audience but have no idea why, it is over for SNL — A great thing for America!”

Michaels, who rarely gives interviews, reflected on the cancellation of Colbert’s show and what it means for late-night television in an August conversation with Puck News. Michaels said he was “stunned” by CBS’ cancellation of “The Late Show,” but added, “I don’t think any of us are going to ever know” if the decision was political.

“Whatever crimes Trump is committing, he’s doing it in broad daylight,” Michaels went on to say. “There is absolutely nothing that the people who vote for him — or me — don’t know.” He also called Trump a “really powerful media figure” who “knows how to hold an audience.”

“His politics are obviously not my politics, but denouncing [him] doesn’t work,” he added.

While many cold opens and “Weekend Update” segments have been dedicated to skewering the president, often making him the butt of jokes, the cold open in the episode immediately following the 2024 election had a different approach. Trump’s opponent, then-Vice President Kamala Harris, had appeared on an episode just days before the election, but after Trump’s victory, the cast promised they had “been with [him] all along,” adding that they all voted for him and supported him.

“If you’re keeping some sort of list of your enemies, then we should not be on that list,” they said before debuting their new Trump impression, “Hot jacked Trump,” which featured impressionist James Austin Johnson in a muscle tee and a headband.

Johnson began portraying the president on the series in 2021, and Michaels said he will continue in the role for Season 51. His portrayal mirror’s Trump’s speech patterns and his tendency to veer into tangents about pop culture. Since Trump’s inauguration in January, the cold opens have zeroed in on Trump, focusing on his relationship with Elon Musk and his policies.

The “Weekend Update” segment, hosted by Colin Jost and Michael Che, tends to take sharper jabs the president’s policies and comments, as well as other administration officials.

In the Puck interview, Michaels implied the show wasn’t going to back down, and when he was asked whether political comedy will be tougher in the current climate, Michaels said no.

“I don’t think anybody knows what Michael Che’s politics are,” he said, “but they do think he’s funny.”

Brendan Carr, the chairman of the FCC who has been in the headlines for his role in Kimmel’s benching, wrote in 2020 that political satire is one of the “oldest and most important forms of free speech.”

“From Internet memes to late-night comedians, from cartoons to the plays and poems as old as organized government itself — Political Satire circumvents traditional gatekeepers & helps hold those in power accountable,” he continued. “Not surprising that it’s long been targeted for censorship.”

Kansas City Chiefs coach Andy Reid told reporters not to “make too much” of the sideline spat between him and star tight end Travis Kelce during the second quarter of the team’s 22-9 win over the New York Giants on “Sunday Night Football.”

NBC’s cameras caught the two men yelling at each other, with Reid at one point appearing to intentionally give Kelce’s shoulder a hard bump with his own shoulder. The Chiefs were up 6-0 at the time, but the offense had just failed to capitalize on a Giants turnover.

Going into halftime, as the confrontation with Kelce played on viewers’ screens, NBC’s Melissa Stark asked Reid what his message was to the team after seeing “a lot of frustration and emotion from your key players, star players on the sideline.”

“That’s OK, we need some juice,” said Reid, whose team had entered the game 0-2. “So that’s good.”

During his postgame news conference, Reid was asked what he had been trying to get across to Kelce during the exchange.

“I love Travis’ passion, and so I’m OK with that. We didn’t have enough of it,” Reid said. “That second quarter wasn’t where we needed to be. So within reason, you know, he knows — he knows when to back off the pedal, and knows when to push it too. So that’s part I love about him, the guy’s all in. Just sometimes I have to be the policeman.”

Reid added: “Listen, he’s an emotional guy. He’s Irish.”

Asked if the exchange was him telling Kelce to back off a bit, Reid answered: “Don’t make too much of it. He’s a passionate guy, and I love that part. So I’ve been through a lot of things with him, so that’s all part of it. I love that he loves to play the game. That’s what I love. And it’s an emotional game. So I’ll take it.”

Kelce wasn’t made available to speak to reporters after the game.

It’s not the first time the two men made contact during a sideline dispute. Early in the second quarter of Super Bowl LVIII against the San Francisco 49ers on Feb. 12, 2024, Kelce was seen yelling in his coach’s face, grabbing his arm and bumping into him, which appeared to cause Reid to stumble a bit.

After the Chiefs’ 25-22 overtime win in that game, Reid brushed off the incident, telling CBS that Kelce had hugged him and apologized after the incident.

“There’s nobody that I get better than I get him,” said Reid, who was 65 at the time. “He’s a competitive kid and he loves to play.”

Days later, on the “New Heights” podcast, Kelce expressed regret.

“It’s definitely unacceptable,” he said, “and I immediately wished I could take it back.”

On the same podcast, Kelce said: “Unfortunately, sometimes my passion comes out where it looks like it’s negativity, but I’m grateful that [Reid] knows that it’s all because I wanna win this thing with him more than anything.”

The Chiefs hadn’t started 0-2 since 2014, which was Kelce’s first year as a starter and Reid’s second as the team’s coach. The team has since played in five Super Bowls and won three.

This season is off to a slow start also for Kelce, a 10-time Pro Bowl selection. He has 10 catches in 17 targets for 134 yards and one touchdown. During the Chiefs’ 20-17 loss to the Philadelphia Eagles in Week 2, a pass from quarterback Patrick Mahomes bounced out of Kelce’s arms at the goal line and resulted in a game-changing interception by the Eagles’ Patrick Mukuba.

Also during the Philadelphia game, Kelce appeared to point to his crotch as part of a crude gesture aimed toward the opposing sideline after making a 23-yard reception. He was later fined $14,491 by the NFL for unsportsmanlike conduct.

The recent suspension of “Jimmy Kimmel Live!” is an attack on democracy. Though not necessarily the democracy one might think.

Free speech is protected by the 1st Amendment. This grants the late-night host the freedom to say whatever he thinks without fear of arrest or state-sanctioned violence. It does not necessarily guarantee that he will not be censured, or fired, if his remarks violate his employer’s rules or standards.

President Trump discovered this in 2015 when, citing inflammatory remarks the then-presidential candidate made about undocumented Mexican immigrants, NBC — the network that aired “The Apprentice” and Trump’s Miss Universe pageant — cut ties with him.

This is the most obvious explanation for Trump declaring war on television, despite it being the industry that, via “The Apprentice” and a deluge of coverage during his first presidential campaign, helped propel him to the presidency. Paybacks are a b— and this particular president thrives on them.

And it is definitely war. Trump has a long history of attacking various TV networks and personalities, including Kimmel. The regularity, name-checking and vitriol of these attacks far outstrip the anger many presidents have expressed toward the media, but they are in keeping with Trump’s general brand of “whataboutism” and victimization.

A brand that last year a majority of voters decided, in a free and fair election, represented their best interests.

What they did not vote for, because it was not part of Trump’s platform or promises, was the weaponization of his office in general, and the FCC in particular, to destroy the democracy of broadcast television.

First by a spurious suit against “60 Minutes,” which many believe was settled to allow the sale of Paramount Global to Skydance Media to go forward, then with CBS (owned by Paramount) canceling “The Late Show With Stephen Colbert” and now with the suspension of “Jimmy Kimmel Live!”

Television is an industry that relies on a continual public voting system — people watch or they don’t watch, and the networks renew, cancel and tweak their programming accordingly. This is an oversimplification of a byzantine and often mysterious system that often involves the personal preferences of network executives and, increasingly, algorithms, but essentially the viewers are in charge — with their eyeballs and, occasionally, their outrage.

If, as the president claims, “Jimmy Kimmel Live!” had been canceled due to its low ratings or suspended after Kimmel’s recent remarks caused longtime viewers to inundate ABC or the show’s sponsors with messages of outrage, fans would have been upset, but it would have been a mere blip in the news cycle.

But that is not what happened. Instead, a handful of conservative pundits who have made it their business to punish anyone who mentions slain influencer Charlie Kirk with anything but near-sanctification used a few ill-chosen but innocuous lines regarding the crime in Kimmel’s opening monologue Monday to call for swift and terrible retribution.

FCC Chairman Brendan Carr answered the call. On the podcast “The Benny Show,” hosted by right-wing political commentator Benny Johnson, he threatened television affiliates with regulatory action if they did not take action against Kimmel.

He did so knowing that Nexstar, which owns many of those affiliates, was attempting to buy Tegna, in order to gain control of over 80% of U.S. television stations. That merger would require not just FCC approval but Carr’s willingness to eliminate the rule that prevents any media company from owning more than 39% of television stations.

Nexstar appeared to do precisely what Carr demanded of them. As did ABC/Disney, which decided that the loss of revenue from these affiliates, and the animosity of Trump and his supporters, posed a bigger threat than the potential fallout from pulling “Jimmy Kimmel Live!” off the air. (And good luck getting the four-time Oscars host to emcee this ceremony again in the future.)

Perhaps it did. But given that “seize the media” and “silence comedians” are historical hallmarks of totalitarianism, the resulting three-day-and-counting news cycle, in which Carr, Trump and Disney Chief Executive Bob Iger have been regularly accused of dismantling democracy, has given anti-MAGA forces a new and legitimate rallying cry.

All while pushing broadcast television just a bit closer to the edge of extinction.

Nexstar denied that it benched Kimmel due to pressure from Carr.

“The decision to preempt ‘Jimmy Kimmel Live!’ was made unilaterally by the senior executive team at Nexstar, and they had no communication with the FCC or any government agency prior to making that decision,” Gary Weitman, Nexstar’s chief communications officer, said in a statement.

Trump’s obsession with broadcast networks and late-night hosts is perilous, and not just because it underlines his desire to attack culture with every means at his disposal (including those that may not be legal).

Certainly, it exposes his authoritarian bent, but it also reveals his anachronistic view of the world.

First, in these divisive times, having critics allows your supporters to coalesce around hating them. And second, broadcast television, including and especially late night, has been in its death throes for more than a decade.

As alarming, unacceptable and authoritarian as the attacks on “60 Minutes,” Colbert and Kimmel are, media freedom is not going to die on this particular hill for the simple reason that it is no longer the free media’s main residence.

Carr ordered his hit on Kimmel not from the comforts of “Fox & Friends” but on a podcast. Trump still delivers televised speeches, but most of his communications and policy decisions are delivered via social media.

The tsunami of corporate mergers involving television networks and streaming services have occurred not because these things are profitable tools of power but because, at least separately, they are not. YouTube is the most popular media platform in the country.

As Trump points out, Kimmel’s television ratings are very low — less than 2 million on average. Kimmel himself has said that he and other late-night shows get far more viewers from clips on social media than on television. If he and Colbert decide to take their voices straight to social media, well, good luck controlling that.

There is certainly much to fear in Trump’s brazen attacks on venerable institutions like “60 Minutes” and late-night television (though with conservatives like Ted Cruz and Tucker Carlson siding, at least in principle, with Kimmel, things may not be going quite the way Carr or Trump planned), but as Kirk knew, one doesn’t need a television show to be an effective, influential voice.

Seen from one angle, Trump is most certainly attempting to quash what we have come to know as democracy. But from another, it’s a grudge-holding president kicking the industry that helped him achieve power when it’s already struggling for breath.

As the GOP breaks the rules to placate their leader and the Dems play by rules that no longer exist, late-night television is one of the few public platforms left that’s bold enough to challenge President Trump’s policy on a daily basis.

From Jimmy Kimmel to “The Daily Show” to Stephen Colbert (whose contract won’t be renewed by the nervous folks at Paramount), calling out the dangerous actions of the bully in the White House has by default become a public service of late-night TV and its political satirists.

Early Wednesday morning, Trump attempted to spark a new battle against his joke-slinging foes when he took to his own social media site, Truth Social, to address a “sick rumor” that wasn’t a rumor at all.

“Fake News NBC extended the contract of one of the least talented Late Night television hosts out there, Seth Meyers,” Trump wrote. “He has no Ratings, Talent, or Intelligence, and the Personality of an insecure child. So, why would Fake News NBC extend this dope’s contract. I don’t know, but I’ll definitely be finding out!!!”

It will not take Sherlock Holmes, Stephen Miller or even a DOGE flunky to ferret out the truth because the contract was revealed back in May … of 2024. It was hardly a covert operation when NBC extended “Late Night With Seth Meyers” through 2028. “We’re so happy to continue this legacy franchise with Seth at the helm and watch him continue to elevate the success of ‘Late Night,’” announced NBCUniversal Entertainment late-night programming EVP Katie Hockmeyer in a statement.

Mystery solved.

Trump has appeared more triggered than usual over the past month or two, perhaps due to quantifiable rumors surrounding his relationship with the late convicted child sex trafficker Jeffery Epstein, slipping poll numbers or ongoing queries about his health. The internet can’t stop speculating about what appear to be bruises on the backs of his hands, slathered in orange concealer. Is he sick and getting IV transfusions? Or is he punching his computer screen each time California Gov. Gavin Newsom out-trolls him?

Meyers is a frequent critic of the current White House administration, and the president has had it out for the comedian ever since Meyers played news anchor on SNL’s “Weekend Update” and Trump played a successful businessman on “The Apprentice.” It was 2011 when Meyers, then head writer of the sketch show, hosted the White House Correspondents’ Dinner.

“Donald Trump has been saying that he will run for president as a Republican, which is surprising, since I just assumed he was running as a joke,” Meyers said. Seated in the audience was a seething Donald Trump.

“Late Night With Seth Meyers” recently celebrated its 10th year on air, outlasting “The Late Show With Stephen Colbert.” Though Trump reportedly had no direct hand in the cancellation of Colbert’s show, Paramount made the move to end the show after Trump sued its news magazine “60 Minutes” over an interview with former Vice President Kamala Harris. The network paid a $16 million settlement to the president. Paramount at the time also happened to be seeking federal approval for a multibillion-dollar sale to Hollywood studio Skydance, which was approved shortly after the settlement.

Last fall, Trump posted on Truth Social that NBC’s parent company, Comcast, should “pay a BIG price” for shows like Meyers’, which he called “political hits.”

“How bad is Seth Meyers on NBC, a ‘network’ run by a truly bad group of people — Remember, they also run MSDNC,” Trump wrote. “I got stuck watching Marble Mouth Meyers the other night, the first time in months, and every time I watch this moron I feel an obligation to say how dumb and untalented he is, merely a slot filler for the Scum that runs Comcast.”

Meyers has yet to comment on the recent attention paid to his show by the White House, but what’s the rush? The host has another four years, according to his contract. Trump also has until 2028, according to that other contract, the Constitution. It’s anyone’s guess which agreement will hold.

The US television network has been building its own news division separate from NBC News, and will also remove NBC’s peacock symbol from its new logo.

The MSNBC news network has said it will change its name to become My Source News Opinion World, or MS NOW for short, as part of its corporate divorce from NBC.

The TV network, which appeals to liberal audiences with a stable of personalities including Rachel Maddow, Ari Melber and Nicolle Wallace, made the announcement on Monday. It has been building its own separate news division from NBC News and will also remove NBC’s peacock symbol from its logo as part of the change, which will take effect later this year.

The name change was ordered by NBC Universal, which last November spun off cable networks USA, CNBC, MSNBC, E! Entertainment, Oxygen and the Golf Channel into its own company, called Versant. None of the other networks are changing their names.

MSNBC got its name upon its formation in 1996, as a partnership between Microsoft and NBC. Even back then, it was a puzzling moniker to many. But it stuck, even after the NBC partnership with Microsoft that produced it ended.

Versant CEO Mark Lazarus said in the initial days of the spinoff that the name MSNBC would stay, making Monday’s announcement an unexpected about-face.

Name changes always carry an inherent risk, and MSNBC President Rebecca Kutler said that for employees, it is hard to imagine the network under a different name. “This was not a decision that was made quickly or without significant debate,” she said in a memo to staff.

“During this time of transition, NBC Universal decided that our brand requires a new, separate identity,” she said. “This decision now allows us to set our own course and assert our independence as we continue to build our own modern newsgathering organization.”

Kutler said the network’s editorial direction will remain the same. “While our name will be changing, who we are and what we do will not,” she said.

Still, it’s noteworthy that the business channel CNBC is leaving “NBC” in its name. MSNBC argues that CNBC has always maintained a greater separation and, with its business focus, is less likely to cover many of the same topics.

The affiliation between a news division that stresses objectivity and one that doesn’t hide its liberal bent has long caused tension. US President Donald Trump refers to the cable network as “MSDNC,” for Democratic National Committee.

Maddow, in a recent episode of Pivot, noted that MSNBC will no longer have to compete with NBC News programmes for reporting product from out in the field — meaning it will no longer get the “leftovers”.

“In this case, we can apply our own instincts, our own queries, our own priorities, to getting stuff that we need from reporters and correspondents,” Maddow said. “And so it’s gonna be better.”

MSNBC host Joe Scarborough revealed the network’s new logo on his show Monday morning. “It looks very sporty,” he said.

Jimmy Fallon once grabbed a cigarette out of Greg Gutfeld’s mouth, crinkled it up and tossed it to the ground, hollering at the Fox News personality, “Those things will kill you!” But it sounds like the place where they were hanging out had a shot at killing them too.

The two late-night hosts were both “wasted” about 15 years ago when he and Fallon met for the first time at an illegal Hell’s Kitchen bar run by a mutual friend — one who looked like “a cross between a Viking and a larger Viking,” the “Gutfeld!” host said Thursday night on NBC’s “The Tonight Show Starring Jimmy Fallon.”

The bar looked “like a place where special-ops forces waterboard terrorists,” he added. “There was no bar … it was a cooler, like the kind you take to a beach.”

“Dude, you’re not making this up,” Fallon said. “I totally know what you’re talking about. … I think I remember bringing beer into the bar and then him charging me for my own beer.”

The men’s magazine editor-turned-satirist recalled that their mutual friend operated that way. “He is very cheap, but if you want someone dead, he’ll do it.”

So he walks into the illegal bar with his buddy Andy Levy after the two had just finished taping something — perhaps “Red Eye w/Greg Gutfeld” — and Fallon sees him and then tackles him, he said, “like a giant golden retriever.” Then the NBC host grabs Andy and the two fall to the ground wrestling. So Gutfeld decides it’s a good time to spark up a cigarette.

But Fallon leaps up, rips it out of his mouth and shouts the aforementioned you’re-gonna-die warning. “I go … ‘Dude, I’m not rich. You’re rich,’” Gutfeld said. “Cigarettes are expensive in New York City.”

He said Fallon’s face suddenly changed to one of sadness. “And then you left.”

Five minutes later, the “Saturday Night Live” alumnus came back toting a fresh pack of Parliaments, which he handed to the co-host of “The Five.”

“And I go, ‘That was really sweet. You want me to die.’”

Gutfeld, who was on “The Tonight Show” to promote a new game show he’s hosting, then remembered the group piling into Fallon’s car and tooling around to another bar that was, well, in the same building. “We literally drove from one door to another door … I think you wanted to impress that you had a driver.”

These are the things, apparently, that happen to the rich.

“Yeah!” Fallon said. “We had a nice ride, right?”

A nice ride indeed. Short, but nice. Meanwhile, over on “Gutfeld,” fill-in host Kat Timpf was talking about her erstwhile boss taking two full days off work to get a colonoscopy. Oh, how times have changed.

And the tables have indeed turned quite a bit in the last 15 years: “Gutfeld!,” which airs on Fox News at 7 p.m. local time and 10 p.m. Eastern and riffs on politics and the news of the day, is leading the nighttime chat show pack with — according to LateNighter — 3.289 million viewers in the second quarter and 238,000 in the advertiser-coveted demographic of those ages 18 to 49.

Fallon’s “Tonight Show” drew only 1.19 million viewers in the second quarter with 157,000 in the demo. That trails Stephen Colbert’s “Late Show,” which has a year to go before cancellation and leads the 11:35 p.m. broadcast pack with 2.42 million viewers and 219,000 in the demo in the second quarter, followed by “Jimmy Kimmel Live!” with 1.77 million viewers and 220,000 in the demo.

NBC News correspondent Jacob Soboroff will join MSNBC full time once the progressive cable channel is spun off into a new company, which will be called Versant.

Later this year, MSNBC is heading to Versant, which will be the new stand-alone home for current parent company Comcast’s cable networks.

As a result, MSNBC will no longer have the resources of NBC News and is putting together its own editorial operation. The stylized NBC peacock will also disappear from the MSNBC logo.

NBC News correspondents who moved seamlessly between NBC’s broadcast programs and MSNBC will no longer appear on both platforms once the spin-off is complete. (The one exception is expected to be Willie Geist, who has anchor roles on MSNBC’s “Morning Joe” and NBC’s “Sunday Today.”)

Soboroff, a Los Angeles native who earlier this year reported on how his childhood home was lost in the Palisades fire, is the highest profile talent so far to leave NBC News in the split. He will remain based on the West Coast.

Jacob Soboroff is joining MSNBC after the network spun off from Comcast.

(Patrick Randak)

Soboroff, 42, was hired as an MSNBC correspondent in 2015. He was later named an NBC News correspondent and in recent years has frequently appeared as a fill-in co-host on the network’s morning franchise “Today.”

NBC News employees who worked both on the broadcast and cable sides have been asked to choose which entity they will join. Most NBC News staffers are choosing to stick with the network. Steve Kornacki, the number-crunching star of MSNBC’s election nights, chose the broadcast network over cable as he also works for NBC Sports.

But a number of NBC News correspondents, producers and executives are choosing to go to the cable side. The migration to MSNBC is surprising, considering the business environment.

Comcast is spinning off the cable networks because it believes the mature outlets face a bleak future due to pay TV cord-cutting and are an albatross weighing down its stock price. MSNBC, the second most watched cable news channel behind leader Fox News, is seen its reach into pay TV homes decline by 33% over the last 10 years.

That has not kept some significant names from giving the start-up a shot. Earlier this week, Versant announced that “NBC Nightly News” executive producer Meghan Rafferty is joining the company as vice president of news standards.

NBC News correspondents moving to the cable side include Ken Dilanian, who covers the Justice Department. Vaughn Hillyard is moving over to become senior White House correspondent, and David Noriega will be a national correspondent based in Los Angeles.

The new company has also attracted talent and executives from CNN, Politico and the New York Times.

TV news agents say privately that many NBC News staffers are expecting layoffs in the division over the next year as ratings and advertising revenue for broadcast TV decline. (The division has not announced any such plans).

While the channels going to Versant, which include CNBC, Golf Channel and USA Network, face similar challenges, the spinoff group is aggressively hiring and promises substantial investment in the channels that still turn a profit.

Correspondents are also attracted to the platform that a 24-hour cable network provides.

Soboroff, the son of Los Angeles civic leader Steve Soboroff, has focused on issues that appeal to the MSNBC audience.

He aggressively covered the family separation crisis at the southern border in 2018, which earned a Cronkite Award. He wrote a book on the topic and executive produced an Emmy-nominated documentary in 2024.

Most recently in June 2025, Soboroff led MSNBC’s coverage of the U.S. Immigration and Customs Enforcement raids in Los Angeles and the resulting protests. His upcoming book, “Firestorm: The Great Los Angeles Fires and America’s New Age of Disaster,” will be released in January.

Walt Disney Co. is expected to announce that the NFL is taking an equity stake in the Burbank-based entertainment giant’s sports media property ESPN, according to people familiar with the plan who were not authorized to comment publicly.

Disney may reveal the deal during its earnings call Wednesday. Representatives at the NFL and ESPN declined comment Friday.

In return for the equity stake, ESPN is expected, at minimum, to take over the NFL’s cable properties including the NFL Network and Red Zone, the popular channel that continuously updates fans on the slate of Sunday contests. The NFL Network also has the rights to several regular season games late in the season.

In addition, the NFL owns the league’s production unit, NFL Films, and NFL+, the streaming service that enables subscribers to watch games and other related content on mobile devices.

ESPN has the broadcast rights to “Monday Night Football” and two Super Bowl games in the current NFL contract that runs through 2033 but is expected to be reopened in 2029. The impending deal with Disney means the NFL’s other partners — Fox, NBC, CBS, YouTube and Amazon — will be bidding against an entity that the league has a financial interest in next time the media rights come up.

Discussions between the NFL and Disney have been ongoing for more than 18 months as concerns heightened about the viability of ESPN when consumers continue to bypass or cancel pay TV subscriptions.

The NFL accounts for the vast majority of most-watched programming on U.S. television screens every year, according to Nielsen. But as the TV business has been fragmented and disrupted by streaming, there are even more competitors wanting their own package of pro football games.

In 2022, the NFL awarded the rights to its Sunday Ticket package to Google’s YouTube TV. The seven-year deal for the package, which gives viewers access to out-of-market network TV broadcasts of the league’s Sunday afternoon games, underscored the migration of younger viewers to streaming platforms for video viewing.

Netflix, the world’s largest subscriber-based online video service, has the rights to Christmas Day games, which last year drew tens of million of viewers to the streamer, which has been building up its live programming business.

ESPN has long been the most expensive part of the pay TV bundle, currently getting close to $9 per subscriber. It is now in around 73 million homes, down from 98.5 million in 2013.

Traditional television is losing ground to streaming. Earlier this year, Nielsen reported that TV consumption through streaming services had exceeded broadcast and cable viewing combined for the first time.

ESPN is adapting to the streaming landscape, launching its first stand-alone direct-to-consumer product that will give consumers access to all of its channels without a pay TV subscription. The service will cost $29.99 a month.

TV ratings for ESPN have improved and ad sales have remained strong as advertisers value audiences who watch live programming.

Disney’s stock price fell about 2% to $116.59 on Friday as the broader markets absorbed the pain of President Trump’s new tariffs and weak jobs data.

ESPN is run by Jimmy Pitaro, who has been considered a potential internal candidate to replace Disney Chief Executive Bob Iger when he retires at the end of next year. Disney’s share price has risen 5% so far this year.

Bad Bunny is booked and busy. (Now try saying that twice.)

On Tuesday night, the Grammy-winning Puerto Rican singer will make two back-to-back appearances on late-night television shows: “The Late Show With Stephen Colbert” on CBS and “Late Night With Seth Meyers” on NBC.

The 31-year-old artist is in the midst of his historic No Me Quiero Ir De Aquí residency at the Coliseo de Puerto Rico in San Juan. The 30-night concert series is expected to generate $200 million to the local economy, according to the island’s promotional agency, Discover Puerto Rico.

Bad Bunny, who moonlights as an actor, is also promoting the long-awaited “Happy Gilmore 2,” a sequel to the 1996 Adam Sandler comedy, which will premiere July 25 on Netflix. He will play a golf caddy to Happy Gilmore (played by Sandler), an aggro-ex-hockey player turned golf phenom. Both Sandler and Bad Bunny are expected to appear on “Late Night With Seth Meyers.”

It’s an unusual move by the two competing networks to book the same guest on a single night, but as evening newscasts clash with fast-paced content on social media sites like YouTube or TikTok, perhaps the rules can be relaxed for a superstar.

Camaraderie across the TV aisle has grown in recent days, with multiple late-night hosts decrying the cancellation of Colbert’s program for what CBS has cited as financial reasons. News of this cancellation came days after Colbert criticized CBS’ parent company, Paramount, over the $16-million settlement of President Trump’s lawsuit stemming from a “60 Minutes” interview with Kamala Harris.

“And now for the next 10 months, the gloves are off,” said Colbert on Sunday night. His decade-long show will end May 2026.

Earlier this year, Bad Bunny co-hosted “The Tonight Show Starring Jimmy Fallon” to promote his hit album, “Debí Tirar Más Fotos,” which remains on the Billboard 200 chart since its January debut. During the program, the two disguised themselves while busking in a New York Subway station, first performing a cover of the Backstreet Boys’ “I Want It That Way,” then Bad Bunny’s single “Nuevayol.”

For those wondering how Bad Bunny will pull off this New York showdown, fear not: “Late Night With Seth Meyers” films its Tuesday program on Monday.

Bad Bunny will first appear as a guest on “The Late Show With Stephen Colbert” on CBS at 8:35 p.m. PST, followed by “Late Night With Seth Meyers” on NBC at 12:35 a.m. ET/PT.

The Television Academy first embraced Sterling K. Brown nine years ago and has kept him in a loose side hug ever since. Brown’s a contender for lead actor in a drama for his role as a Secret Service agent in “Paradise,” a Hulu thriller that reunites Brown with “This Is Us” creator Dan Fogelman.

10

Emmy nominations Brown has received across …

6

Different projects, including for narrator (“Lincoln: Divided We Stand”) and character voice-over (“Invincible”).

2

Brown’s first two wins came in back-to-back years — for supporting actor in a limited series in 2016, as prosecutor Christopher Darden in “The People v. O.J. Simpson,” and lead actor in a drama series in 2017 for his performance as Randall in NBC’s big-feelings family saga “This Is Us.”

3 x 2

Brown has received two nominations in a single year three times: 2018, 2020, 2021.

4

The Screen Actors Guild Awards also love Brown, who has won four times from 11 nominations, including …

2019

Twice in one year as part of both the winning film (“Black Panther”) and TV drama (“This Is Us”) ensembles.

1

Brown received his first Oscar nomination in 2024 for his supporting role as the hedonistic, hurting brother of Jeffrey Wright’s novelist in “American Fiction.”

Tom Llamas first stepped into NBC’s Rockefeller Center headquarters in 2000 as a fresh-faced intern.

On Monday, he becomes part of television news history as the fifth anchor of “NBC Nightly News” and the first Latino journalist to helm a daily English-language network evening newscast (one of his mentors, Jose Diaz-Balart, handles the Saturday edition of “Nightly”).

Llamas, 45, takes over for Lester Holt, who will move full time to NBC’s “Dateline” after a 10-year run in the anchor chair. Llamas will remain the anchor of “Top Story,” a live, hourlong newscast on the network’s free streaming platform NBC News Now.

The son of Cuban immigrants, Llamas grew up in Miami, where he continues to have strong ties (pop superstar Gloria Estefan and “Sabado Gigante” host Don Francisco attended a party in Florida to celebrate his promotion). He lives in Westchester County, N.Y., with his wife, Jennifer, three children aged 12, nine and seven, and a dedicated room for his vinyl record collection built from a decade of crate-digging while traveling around the world on assignment.

He recently spoke with The Times about his new role.

You’ve known Lester Holt since you were a 21-year-old production assistant at NBC News. What advice did he give you for your new role?

He’s been married to this job. And so I asked him about that, because my kids have always known me as a network correspondent and a network anchor. But he told me, “Your life is going to change.” And he explained to me that everyone’s going to want a piece of you and there’s going to be a lot of demands, even more than you’ve ever experienced.

And he’s been right about that. He said, “You have to make the right decisions when it comes to your career and your family.” My wife and my kids have known that sometimes I’ll be at a little league game or I’ll be at a school play, and I have to run and jump on a plane because there’s breaking news. And they understand that their dad does that. But we always have conversations about it. And it’s tough.

Do your children watch “NBC Nightly News” and “Top Story”?

Oh yeah.

I had my 7-year-old explaining the election to his classmates. He was walking them through when President Biden stepped down and Kamala Harris took over the nomination. Sometimes it’s tough. They were watching that night during Hurricane Milton last summer when a transformer exploded over my head, and that is a little scary. There were some text messages and calls to me quickly.

Sometimes they watch a little too much and we have to turn it off. But they are very plugged-in; they know the world around them. It’s just the same way I was raised. We watched news in English and Spanish as far back as I can remember. Because my parents were always searching for news out of Cuba.

Tom Llamas reporting from Kyiv in March 2022.

(NBC News)

What are your early news viewing memories?

I can really remember any time Fidel Castro was going to be interviewed. It was always a major moment, right? I remember my parents watching the interview and then deciding if it was a fair interview or not and having an open conversation about that. So I’m hearing about conversations of fairness my entire life. And I see what it means and how viewers react to that.

Did that inspire you to go into the profession?

I don’t know if it was an inspiration as much as it was a testament of how important the news is. It’s just that my family relied on the news. They wanted to know what was happening in their home country. They wanted to know what was happening in America. And they listened, and they trust these people.

What made the powers that be decide that you should keep doing “Top Story” while doing “Nightly”?

It was actually my idea.

Right now, in this country, you’ve got to be everywhere. And I didn’t want to lose what we’ve established for three and a half years. We just got nominated for an Emmy up against amazing legacy shows like “Nightly News,” “ABC World News Tonight” and the “CBS Evening News.” To be in that circle with a streaming show that is three years old, that’s been one of the greatest achievements of my career. Because this was a startup. And a lot of people said we couldn’t do this, and we have.

President Trump basically declared war on diversity, equity and inclusion policies. [The Federal Communications Commission has called for an investigation into NBC’s parent firm Comcast for what it describes as “DEI discrimination.”] Has that muted the achievement of being the first Latino to anchor an English-speaking nightly newscast?

I don’t think I got this job because I’m Hispanic; I think I got this job because I’m the best person for the job. And I know that’s what NBC believes, too.

My life story is something I’m very proud of. [My parents] essentially came to this country with nothing. They had no money, they barely spoke the language, and this incredible country gave them a second chance. It gave them a new home. And they taught me hard work, but they also taught me to love this country. And I do, I think this is the greatest place in the world, hands down. To become the anchor of “Nightly News” tells me that the American dream is still very alive.

NBC’s Tom Llamas in Rome, covering the death of Pope Francis in April 2025.

(NBC News)

You’re from the streaming music generation, but you have a vinyl record collection. How did that happen?

Ten or 12 years ago, I went to my friend’s house in Los Angeles and he has a record player. I think he played “Sticky Fingers” from the Rolling Stones. We just chilled and we listened to the album. And I thought, “What a great experience.”

Then I realized the other fun part about records is just finding them and collecting them, and trying to get original pressings. I have Wilson Pickett records that were made in Spain. I have Beatles records where the liner notes and the album covers are in different languages. I have a room where I have them — it feels like you’re walking into a jukebox. It’s where I read the paper sometimes. It’s where I prepare for big election nights. I’ll be in there for hours. It’s how I relax.

What’s on your turntable at the moment?

I’m in a bit of a hard-bop phase, so I’m listening to a lot of Art Blakey, a lot of Cannonball Adderley. I’ve been trying to find great live albums. I picked up this great five-record set from Bruce Springsteen, the run he had in the late ’70s through the ’80s. And a great album, which I got turned on to, is Elvis Presley’s “From Elvis in Memphis.” He recorded that in 1969, when Jimi Hendrix was taking off and Woodstock was happening. And it’s just a very country Americana album with beautiful songs. It’s got the Memphis Boys backing him.

You have good taste in music.

I appreciate it.

Welcome to Screen Gab, the newsletter for everyone in need of a European getaway on a budget.

If you’re not taking a big summer trip this year, or if you are and want something to make the stress of traveling feel relaxing by comparison, NBC’s new reality competition series might be up your alley. “Destination X” features a mix of known reality stars and civilians as they put their geography knowledge and deduction skills to the test in Europe for a chance at a cash prize. Executive producer Andy Cadman stopped by Guest Spot to discuss the latest entrant in the travel-competition genre.

Also in this week’s Screen Gab, TV critic Robert Lloyd unpacks the appeal of Netflix’s new series about a traumatized Edinburgh detective tasked with investigating cold cases, and film editor Josh Rothkopf explains why a quartet of travelogue comedy films featuring improv impresarios Steve Coogan and Rob Brydon as they road-trip across Europe makes for an enjoyable binge.

Plus, a service announcement: The Emmys season of The Envelope video podcast launched this week. The premiere episode features Cooper Koch and Nicholas Alexander Chavez, the stars of “Monsters: The Lyle and Erik Menendez Story,” as well as “Andor” actor Diego Luna. You can watch here or listen wherever you get your podcasts.

ICYMI

Must-read stories you might have missed

Elisabeth Moss as June in the series finale of “The Handmaid’s Tale.”

(Steve Wilkie / Disney)

‘The Handmaid’s Tale’ showrunners on the unattainable finale reunion: ‘It was heartbreaking’: Co-showrunners Eric Tuchman and Yahlin Chang spoke about the finale of Hulu’s dystopic drama and the show’s parallels to the real world.

‘The Last of Us’: Kaitlyn Dever breaks down explosive finale, teases ‘crazier’ Season 3: The actor pulls back the curtain on the Season 2 finale, teases Season 3 and reveals why the reaction to Joel’s death defied her expectations.

After one legendary moment, actor Rolf Saxon chose to accept another ‘Mission’: His role in the first ‘Mission: Impossible’ was small but memorable. Now Rolf Saxon has been called back into action for ‘The Final Reckoning’ and a more substantial part.

Elizabeth Banks and Jessica Biel on ‘The Better Sister’ finale and taking control: The co-stars and executive producers discuss making the Prime Video limited series and their decades of experience.

Turn on

Recommendations from the film and TV experts at The Times

Jamie Sives, left, and Matthew Goode in Netflix’s “Dept. Q”

(Justin Downing / Netflix)

“Dept. Q” (Netflix)

In this dark yet strangely warm series adapted by Scott Frank (“The Queen’s Gambit”) from a book series by Danish writer Jussi Adler-Olsen and transplanted from Copenhagen to Edinburgh, Matthew Goode plays Carl Morck, a moody police detective recovering from an incident, arguably his fault, that left him wounded, a partner partially paralyzed and a rookie dead. Talking his way back into service, he’s given a basement storage space for an office and a cold case involving a missing prosecutor (Chloe Pirrie), whose distressing circumstances we see without learning why. (It’s the mystery!) The primary pleasure of the series is in the team of fellow misfits who gather around Morck — a civilian expat (Alexej Manvelov) keeping mum on his experiences in the Syrian police; a chirpy cadet (Leah Byrne) back from a breakdown and tired of pushing pencils; and Morck’s recovering partner (Jamie Sives), joining from a hospital bed. It feels like the beginning of a beautiful second series. (With Shirley Henderson and Kelly Macdonald as a bonus for Scots watchers.) — Robert Lloyd

Steve Coogan, left, and Rob Brydon in “The Trip to Greece.”

(BBC / Revolution Films)

“The Trip: The Complete Series” (Criterion Collection, starting June 1)

Intensely bingeable (the movies actually got their start as four six-episode BBC runs), “The Trip” makes beautiful sense as an afternoon of viewing, maybe one accompanied by different cuisines as you go. The central premise: Actor-comedians Steve Coogan and Rob Brydon, playing barely altered versions of themselves, take to the road for epic conversations behind the wheel and at dinners, where the contours of their hyper-competitive friendship take shape, as does a parade of celebrity impressions. Director Michael Winterbottom steers the duo toward a deeper appreciation of life viewed through the rearview mirror, though honestly, you’re there for the vicious backbiting. For anyone wanting to dip in selectively: 2010’s “The Trip” features the guys’ classic dueling Michael Caines; 2014’s “The Trip to Italy” takes on “The Godfather”; 2017’s “The Trip to Spain” unleashes a killer, preening Mick Jagger; and 2020’s “The Trip to Greece” goes for Dustin Hoffman. — Joshua Rothkopf

Guest spot

A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching

“Destination X” contestants Rick Szabo, left, Allyson “Ally” Bross and Rachel Rosette during a challenge from the show.

(Helmut Wachter / NBC)

Imagine the pressure of trying to figure out where you are in the world while a man known for carrying a bat studded with barbed wire watches on. NBC’s new reality competition show, “Destination X,” follows 12 players who are whisked around Europe in a blacked-out bus — no windows or GPS to guide them — and tasked with trying to decipher their mystery locations through clues and challenges for a chance to win a cash prize. There’s plenty of alliances and rivalries that get formed along the way. The show is hosted by actor Jeffrey Dean Morgan, known for his chilling turn as charismatic villain Negan in “The Walking Dead.” New episodes air every Tuesday on NBC, and can be streamed the next day on Peacock. Executive producer Andy Cadman stopped by Guest Spot via email to discuss the show’s mix of known reality TV personalities and civilians and more. — Yvonne Villarreal

“Destination X” is adapted from a Belgian format. How true to the original version is it? How much needed to be changed to suit American audiences?

The DNA of the original Belgian format is still present: the idea of being lost and trying to work out where you are. To this we added elements of strategy, giving the players more opportunities to mislead one another, forcing them to make difficult decisions, keep secrets, form alliances and ultimately allowing the players to decide who was at risk of elimination in each episode. Pitting the players more directly against one another transformed the show from a game about geography into a strategic, social competition, more accessible to an American audience and ultimately a more dramatic and exciting reality competition show.

The first season of the U.S. version of “Traitors” featured a mix of reality TV personalities and civilians, but quickly pivoted to an all–celebrity lineup. “Destination X” features a mix of reality personalities and civilians. Is the hope to keep that kind of combo? And is that kind of blend becoming more important in today’s reality competition landscape?

I believe that there’s a real benefit in the mix between civilians and established reality personalities. With “Destination X,” we wanted to do a couple of things. Firstly, discover and get to know some amazing new reality personalities that we’ll see on our screens for years to come. We have some brilliant characters in this season that are new, unique and surprising. Secondly, we wanted to see how some of the established reality faces might react to this incredible adventure. It was an opportunity to see some familiar faces taken out of their comfort zones and challenged in totally new ways. I think that this combination is a very valuable tool — it gives viewers the chance to meet some new favourites, while still giving them the comfort of some old friends dropping in.

What’s the game or competition series that hooked your interest in the format as a viewer and led to you pursuing a career in it?

I grew up on the original “Big Brother” and then made that show for many years here in the U.K. It was such a groundbreaking show and has survived the test of time like nothing else. Many of the production techniques that we still use today came from “Big Brother.” The lure of the genre for me lies in the way that people react to difficult situations. The entertainment can often be in the competition, but for me the greatest interest lies in the social politics, relationships people make, what people will do when faced with a dilemma and how far people will go to win. We used all of these levers in “Destination X” to create the most dramatic and engaging show possible.

What have you watched recently that you’re recommending to everyone you know?

“Slow Horses” [AppleTV+], [a] British spy thriller; “The Glass Dome” [Netflix], [a] Scandi noir, and if you like tricky puzzles and social strategy, the U.K. version of “Genius Game” is worth a look.

What’s your go-to comfort watch, the film or TV show you return to again and again?

I genuinely don’t have one; I find comfort in new seasons of my favourites though. I’m very excited for the next [season of] “Stranger Things” [Netflix]!