miniature

AUDLEY End is home to family-favourite miniature railway that has been running for 60 years.

It’s now announced a new electric steam locomotive – which is the first-of-its kind in the country.

The team behind Audley End Enchanted Railway in Essex has announced that a “brand-new fully electric steam-outline locomotive” will be joining its fleet.

The electric steam locomotive will be the first-of-its-kind in the UK and visitors can hop onboard from March 17, 2026.

The new train, nicknamed part of the “Steamless Revolution” will combine timeless railway romance with cutting-edge green technology.

The miniature train will be fully electric, but designed to look and sound like a traditional scale steam engine.

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Other locomotives at Audley End include Electra which was introduced on the 60-year anniversary.

Henrietta Jane is its long-standing diesel train and Robin, which is a diesel engine.

The attraction that has been open for more than six decades takes visitors along a mile and a half journey through Fulfen Forest on the Audley End estate.

Visitors can head along to Woodland Adventure Days from March 17, when the miniature railway reopens for the season, until October 4, 2026.

Families can hop onboard the train, but also explore themed play areas, hunt for hidden forest treasures, go on a fairy or elf walk, and join in eco-crafts.

Adults can take a pit-stop at the Woodland Café for a hot drink, and pick up a bite to eat there too.

The menu changes seasonally but visitors can pick up sandwiches, jacket potatoes, pizza, pies, salads and ice cream which can be enjoyed at one of the picnic tables on the grounds.

Throughout the year are seasonal events like Mother’s Day Weekend, Easter Special, and the Summer Festival with live music and dancing.

Later in the year is the Halloween Spooky Special and Christmas events.

Prices vary from free to £20.50 depending on dates, times and events.

Audley End itself is a 17th-century Jacobean country mansion in Saffron Walden, managed by English Heritage

It’s managed by English Heritage and visitors can go back in time to see how a great house worked in the past.

In the 1830s nursery, kids can try on costumes and play with replica toys.

Upstairs in the Coal Gallery, see how servants kept the house stocked with coal and hot water.

The Service Wing offers a unique insight into life ‘below stairs’ during the 1880s.

Audley End is on the outskirts of Saffron Walden, which in 2025 was declared the UK’s ‘best place to live’.

The Times has declared Saffron Walden as their winner based on schools, transport, broadband speed, mobile signal to culture, green spaces and high street health.

It’s even been dubbed a Cotswolds-alternative with a pretty high street and historic market square.

Saffron Walden dates back to the 1130s and while it is 15 miles from the nearest city of Cambridge, it still has plenty to offer.

In the town centre is a market that has been running since 1141 and is still going strong today.

One Sun Writer spent a night on the Audley End grounds…

Senior Consumer Reporter, Adele Cooke, headed to Audley End for a stay in the Victorian Gardener’s House…

“Before I boarded the train for my weekend break, Essex conjured up images of Gemma Collins rather than a refined getaway.

“So it was a pleasant surprise to arrive at our cottage set in the splendour of Audley End House and Gardens, just outside Saffron Walden.

“If you are looking for a place to get away from it all, it’s perfect. Arriving after dark, we explored the handsome red brick property – formerly the Victorian Gardener’s House – and it seemed to be gloriously isolated.

“So, flinging open the curtains the next morning, I was slightly surprised to see an elderly couple taking a stroll outside the window.

“Turns out the cottage is not just on the estate – but in the middle of it.

“While Audley End House is a splendid Jacobean mansion, cared for by English Heritage, a £1.25million refurbishment has transformed the former Gardener’s House.

“If you have kids, you can watch them enjoy the adventure playground through the window.

“Refreshed after a night’s sleep, we explored the estate. The 17th-century manor has been visited by everyone from Elizabeth I to screen royalty Olivia Colman, who filmed scenes from the Netflix hit The Crown at the house.”

For more on Essex, here’s the other side to the county with beautiful sandy beaches and biggest pleasure pier in the UK.

And here’s Britain’s smallest town named one of the coolest spots in the country with cosy pubs and coastal walks.

Lyndon J. Barrois Sr. always knew he wanted to be an artist, even as a child.

From crafting figures out of chewed gum stuck underneath the pews at his Catholic school’s church after he was forced to scrape them as punishment from teachers to collecting his mother’s discarded gum wrappers, Barrois felt a creative itch to make something out of nothing.

“I had seen too much art [and thought to myself], ‘Someone had to be doing this, why not me?,’” Barrois said with a chuckle. “I always dreamt of doing this. Other kids played with Play-Doh. I made stuff with anything I could get my hands on like clay, aluminum foil and discarded phone wire.”

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Now the 61-year-old New Orleans native is debuting his latest project at the Los Angeles County Museum of Art: “Fútbol Is Life.” It depicts some of the most iconic plays and political moments in the 95-year history of the FIFA World Cup, coming to L.A. this summer, with “humble” gum wrappers.

Barrois and LACMA curator Britt Salvesen assembled 60 works, including 40 vignettes from past World Cups and four animated short films, among them the movie “Fútballet,” which re-creates 21 famous scenes on a 50-inch soccer pitch.

Suspended artwork of Brazilian Swedish footballer Marta Vieira da Silva, known mononymously as Marta, made by Barrois. He made a conscious effort to feature women’s contributions to soccer.

(Allen J. Schaben / Los Angeles Times)

A large-scale projection of a miniature of French footballer Kylian Mbappé hangs on the wall. Two life-size replicas of Argentina’s Lionel Messi and Brazil’s Marta Vieira da Silva hang from the ceiling, the first of their kind for the artist, who has done miniatures of NBA legend Kobe Bryant and NFL star Patrick Mahomes.

The exhibition is laid out to resemble a playing field.

“We really wanted to create that environment that you feel like you’re in a separate world, and my colleague Darwin Hu took a personal and creative interest in this,” Salvesen told The Times. “He did a bunch of visual research on soccer fields in schools and prisons, where fields were improvised in whatever spaces were available. We wanted to wrap the lines up the walls and have the turf. Your sense of the space changes when you go from a hard floor to a softer floor.”

With a suspended Lionel Messi at right, Noa Carter, 4, and dad Darius L. Carter of Pasadena get a preview of artist Lyndon J. Barrois Sr.’s LACMA exhibition, “Fútbol Is Life.”

(Allen J. Schaben / Los Angeles Times)

Barrois’ 1-inch tall “sportraits” are carefully painted to capture even the tiniest detail. The majority of the installations include a mirror, allowing the viewer to see themselves as part of the moments “frozen in time,” he said.

A total of 325 individual mini soccer and football players, including Portugal’s Cristiano Ronaldo, are included in the show.

“I had so much fun making the sculptures that when I was done, it was like hitting a wall after all that adrenaline,” Barrois said. “Now we get to hang it. Install it. You just start to see all the things we envisioned just come to life. I love this s—.”

Before sculpting, Barrois did “tons of research, a lot of reading, [looking at] photography and video.” He and a friend rewatched the most famous plays and examined the history surrounding the World Cup, stretching back to the 1930s, and before the Women’s World Cup started in 1970.

A “Sportraits” work shows the German soccer team highlighting migrant workers’ rights ahead of the 2021 World Cup. “I chose moments that I personally thought would be important, there’s a lot of politics involved,” Barrois said.

(Allen J. Schaben / Los Angeles Times)

“I just wanted to tell a story with the politics involved, like in 1938, the German team was all Nazis, and they’re doing the salute, and by 2022, the German team has human rights on their T-shirts,” Barrois said. “We also had the Iranian women project. All these things happened on such a huge platform. So it was a tough editing process to bring that down to 40.”

Barrois spent seven months completing his pieces.

Curator Sandra Jackson-Dumont, former director and CEO of the Lucas Museum of Narrative Art, applauded Barrois’ use of gum wrappers.

“I like that Lyndon is using materials that are a part of our everyday lives that we take for granted and we discard,” Jackson said. “He’s using those materials to make something creative.”

Barrois was surrounded by family and friends for the exhibition’s preview, most of whom grew up with the artist. Dany Wilson, who went to elementary school with Barrois, said he was “proud of him.”

The exhibition also features works from scientist Harold Edgerton and photographer Eadweard Muybridge that explore the history of motion studies and time-lapse photography.