Mike

Nine years on, Flynn is anxiously watching on as a fan, having left the world of football for a new job in media and marketing in the Newport office of CDM Media, his city centre base just across the River Usk within spying distance of his old club.

Christian Fuchs’ team are two points above the relegation zone after Saturday’s crucial 1-0 win over Shrewsbury Town and, with six games to go, Flynn hopes there will be no need for a repeat of his final-day rescue act.

“I hope Christian can keep them up because there will be a big after-effect if things go wrong,” said the 45-year-old, who was born in the city and played for County before managing them from 2017 to 2021.

“My son is in the academy at Newport and if we go down… that could go. That would be catastrophic in terms of how we’re going to bring young players through.

“I think football in the city will drop. It would hit hospitality around match days. It’s going to leave a bad aftertaste.

“If they go down, I think it could be a long, long road back. If they get back.”

Flynn, though, is optimistic about their survival hopes. After all, they’re not 11 points adrift of safety as his 2017 side were after he accepted what looked an impossible survival mission by replacing the sacked Graham Westley as boss.

HOUSTON — Mike Trout, Josh Lowe and Zach Neto hit home runs and the Angels beat the Houston Astros 6-2 on Friday night.

In his second game with the Angels, Lowe broke a 1-1 tie in the second when he hit a first-pitch fastball from Mike Burrows for a three-run homer. Lowe was acquired by the Angels in a trade from the Tampa Bay Rays on Jan. 16.

Trout’s fifth inning solo home run was part of a three-hit game, and it marks the first time in his 16-year major league career that he’s gone deep in his first two games of a season.

Neto added a solo shot leading off the ninth inning for his second extra base hit of the night.

The long balls were in support of an Angels staff led by Yusei Kikuchi, who allowed two runs on eight hits over 4⅓ innings. The bullpen quartet of Chase Silseth, Ryan Zeferjahn (1-0), Sam Bachman and Jordan Romano combined for 4⅔ scoreless innings.

Burrows (0-1), who was making his Astros debut after he was traded from the Pittsburgh Pirates on Dec. 19, surrendered five runs on nine hits over 5⅔ innings. He struck out six.

Yordan Alvarez hit a home run for the Astros, while Carlos Correa went two for three with a walk.

Jeremy Peña, who missed Thursday’s season opener, had two hits, a stolen base and scored a run.

The Angels are off to a 2-0 start for the first time since 2007. The Astros have started 0-2 for the second time in three seasons under manager Joe Espada.

Up next: Astros RHP Cristian Javier faces Angels LHP Reid Detmers when the series continues Saturday.

HOUSTON — Mike Trout homered to launch what he hopes will be a bounce-back year, leading the Angels to a season-opening 3-0 win over the Houston Astros on Thursday.

Trout also walked three times and played center field for the first time since April 2024. The three-time MVP played 130 games last season, his most since 2019 because of various injuries.

Making his franchise-record 14th opening day start, the 34-year-old Trout broke a scoreless tie in the seventh inning when he sent a 96 mph fastball from reliever AJ Blubaugh (0-1) 403 feet onto the train tracks in left center. It was his fifth opening day homer, also a club record.

The Angels snapped an eight-game road losing streak in season openers, starting 1-0 on the road for the first time since 2013.

Oswald Peraza hit an RBI single in the eighth and Nolan Schanuel homered in the ninth.

José Soriano (1-0) allowed two hits and four walks in six innings while striking out seven. Four relievers completed the three-hitter, with Jordan Romano working the ninth to earn the save in his Angels debut.

Hunter Brown started for Houston and allowed four hits and four walks in 4⅔ innings. He struck out nine.

The Astros went 0 for 7 with runners in scoring position while stranding nine runners.

Houston designated hitter Yordan Alvarez may have been robbed of a home run in the first inning because the retractable roof at Daikin Park was closed. Alvarez hit a towering shot toward the right-field foul pole, but it ricocheted off a horizontal rafter and landed in foul territory.

It was ruled a foul ball. The Astros challenged, and the call was upheld after a review. Alvarez later struck out swinging.

Up next: The teams resume the four-game series on Friday, with lefty Yusei Kikuchi starting for the Angels opposite right-hander Mike Burrows.

Coaching high school basketball since the 1979-80 season and being the second-winningest coach in state history with 1,127 victories, Mike LeDuc is one of those old-school coaches who likes to push his players forward and fade into the background when team success comes.

This season at Damien, LeDuc can take a bow for guiding the Spartans to the state Division I championship with little size but a group of players who loved to shoot threes, never stopped hustling on defense and executed close to perfection on the biggest stage at Golden 1 Center and during his team’s playoff run.

For turning a group of players he fondly called “overachievers” into champions, LeDuc is The Times’ boys’ basketball coach of the year.

Through his many years of coaching at Damien and previously at Glendora, he’s mentored such outstanding players as Tracy Murray, Casey Jacobsen and Cameron Murray. Now Cameron’s sophomore son, CJ, plays for Damien. It’s a full circle moment for LeDuc, who was holding his granddaughter at the awards ceremony in Sacramento.

As the years go by and the game keeps changing, LeDuc continues to adapt, adjust and power on.

LeDuc‘s answer is, “Basketball is a real simple game. It’s a game of repetition and if you do it over and over, you expect it to be done perfectly.”

USC has settled a lawsuit with a former high-ranking athletic department official who alleged the university allowed former athletic director Mike Bohn to racially harass and discriminate against her, then fired her when she voiced concerns about Bohn’s behavior.

Joyce Bell Limbrick was the highest-ranking Black and female official in USC’s athletic department when she was fired by the university in September 2023, four months after Bohn resigned amid an internal investigation into his conduct and the culture of the department. Bell Limbrick filed suit early last year, accusing USC of wrongful termination.

That dispute was settled out of court this week. Terms of the settlement were not disclosed.

When reached by The Times, Bell Limbrick declined to comment. Bohn has never publicly addressed the allegations.

While the lawsuit never made it to trial, it nonetheless offered the most detailed account yet of the conduct that led to Bohn’s resignation.

Bell Limbrick filed a Title IX complaint with the university against Bohn in October 2022, after an incident in which she says Bohn punched her on the arm at a USC volleyball match. That complaint ultimately compelled an investigation, during which, according to her complaint, Bell Limbrick told USC officials of “Bohn’s history and rumors of inappropriate and unwanted touching involving … other females at both Cincinnati and USC.”

The university hired an outside law firm that specializes in institutional responses to racial and sexual harassment and discrimination to investigate Bohn five months later. The Times learned of that investigation shortly thereafter, as well as a previous investigation into Bohn’s conduct at Cincinnati, and in May, asked both Bohn and USC about those concerns.

Bohn resigned a day later.

Soon after that, the university fired Bell Limbrick, citing “a pattern of poor performance.” She was the only member of an 11-member executive team to lose her job and, according to the complaint, had just been awarded a “merit increase” on account of her “overall job performance.”

Bell Limbrick worked at USC for nine years, initially as the director of athletic compliance, before Bohn was hired in 2019. Shortly after he became athletic director, Bohn promoted Bell Limbrick to senior woman administrator, one of the highest-ranking positions in the department. According to her complaint, she had been one of the few Black women to hold such a position at a major American university.

“Ms. Bell Limbrick had a thriving career at USC and she loved her work. Then, Mike Bohn arrived,” her attorney, J. Bernard Alexander, said in a statement in 2025.

”[Bohn’s] incessant, racially charged remarks made Joyce feel uncomfortable and undervalued, but more than that — he actively isolated her from the executive team and undermined her work. She already was vulnerable as the only Black woman on the team, and rather than support her, the university allowed Bohn to make her life hell.”

Her complaint detailed inappropriate comments made in front of USC donors and staff, as well as insensitive or discriminatory remarks made in her presence. At the time, The Times spoke with six people with knowledge of the department’s inner workings who largely corroborated her claims about Bohn’s conduct.

Bohn declined to respond to The Times’ questions about his conduct leading the athletic department, but he provided a statement to The Times on the day of his resignation in May 2023 stating he would “always be proud of leading the program out of the most tumultuous times in the history of the profession.”

“In moving on, it is important now that I focus on being present with my treasured family, addressing ongoing health challenges, and reflecting on how I can be impactful in the future,” Bohn said in the statement.

Everyone’s getting into podcasts — even demons.

“undertone,” a muted, personal and static microbudget horror debut by Ian Tuason, takes place in the writer-director’s actual childhood home where he tended to both of his parents before they died. Both hospice and inspiration, it’s a stifling place decorated with floral wallpaper and crucifixes. The pain and exhaustion and grief are so real and oppressive, the camera never dares set a foot outside.

Upstairs, Evy (Nina Kiri), watches over her own terminally ill mother (Michèle Duquet). Tuason funneled his emotional gloom into this movie; Evy co-hosts a horror podcast with her overseas best friend Justin (voiced by Adam DiMarco). “This is the only thing keeping me sane right now,” she says. They’re words she’ll regret within the week.

Kiri and DiMarco have the comfortable, convincing chemistry of two old pals who have done a show for a while. One snippet seems to be an episode on Elisa Lam, the real-life tourist found dead in the rooftop water tank of Los Angeles’ Cecil Hotel. There’s also a reference to a website with a red-faced ghoul who hypnotizes victims into cutting off their ears. The latter may be Tuason seeding his idea for a sequel.

Here the central story is that Justin, who lives in London, has received an email with 10 audio files recorded by a couple named Mike and Jessa (Jeff Yung and Keana Lyn Bastidas) who are trying to understand what she’s saying in her sleep. The sender is unknown. (Possibly an evil spirit hoping for the exposure of a mattress ad?) Justin, the believer, is instantly alarmed by how these eerie tapes escalate from cute banter to ghostly crying babies and backward incantations. Evy is the skeptic who dismisses the noises as either an online hoax or bad plumbing.

Due to the time zone differential, Evy and Justin record their show just before he heads out to work in the morning, which for her is 3 a.m. Most of the movie takes place in that witching-hour window, an airlessly silent time where an at-home podcaster doesn’t worry about being interrupted by a leaf blower, an ice cream truck or a dog. Sound-designed by David Gertsman, “undertone” is so quiet that a tea kettle sounds like a fire alarm. Story-wise, it’s equally inert. One of the biggest action shots in the first hour comes when — eek! — a sink turns on.

I’d love to understand why horror films that I find excruciatingly dull give others the heebie-jeebies. My working theory is that they tap into audiences with a preexisting suspicion that the world is wicked — they prove paranoia to be well-founded. My mental default is that the world is neutral-good, and that may be why I prefer movies with active villains scaring me out of my complacency. I spent “Paranormal Activity” and “Skinamarink” restlessly admiring the production design; here, my main thrill came from the soundscape, like when a vibrating cellphone made my chair rattle like it was a tractor, or a noise that can only be described as death-rattle ASMR.

When Evy slips her on headphones, she’s so focused making sense of the latest scary tape, playing it forward, reversed and slowed-down, that she’s oblivious to the bumps in the night in her own house, upstairs near her comatose mother’s bedroom. I suspect Tuason deeply relates to Evy, to the disassociation of living with death every day, and uses her resistance to explore denial. She refuses to admit that the supernatural is real, even as she repeatedly takes a break to steady herself and, as she puts it, “get back into character.” Her stifled panic makes it obvious that fear is taking over.

The screenplay also has a passing reference to Evy’s useless, off-screen boyfriend Darren (voiced by Ryan Turner). Their miserable dynamic is compelling but overall comes off like a plot point Tuason stuffed in his pocket and never got around to using. Our one peek into it comes when Darren phones Evy to pressure her to ditch her mom and come to a party. He claims he’s throwing a kegger to cheer her up. (A frozen lasagna on the doorstep would be better, dude.)

Evy does reluctantly leave the house — we don’t follow her there — and that one moment says as much about crossed-signals communication as anything else in the movie. It’s bullseye-accurate about how isolating it is to lose a parent earlier than your peers.

The film is so committed to its rigors — the two-person cast, the glacial camera pivots, the moody lighting — that it teeters on the line of becoming monotonous. When Tuason eases up a bit, say in a scene in which Evy pops on a sleep podcast that begins by describing a babbling brook and rapidly becomes a nightmare tale of bobbing corpses, he finally shows you that he has the potential for range.

But “undertone” is rooted in that slow-and-still horror discipline that holds its breath waiting for something to happen. It requires the audience to bring their own bad vibes to shots of religious icons on the wall and long takes of Evy clacking on her laptop, unaware of a flickering light behind her. (Rumor is Tuason has already signed on to shoot the next “Paranormal Activity” sequel.)

Mostly it puts the audience in the position of watching a protagonist so passive that chunks of the running time are watching her sit at a table waiting for Justin to look up things for her on Wikipedia. Like amateur detectives, we learn alongside them as they click around pages about Sumerian devils, Catholic saints and the origin of the nursery rhymes “London Bridge” and “Baa, Baa, Black Sheep.”

As visuals go, “undertone” is so far removed from anything resembling the cinematic experience that I left with a fresh appreciation for campfire storytelling. At least then the listener gets to use their own imagination. But production designer Mercedes Coyle does dig up two satisfyingly creepy props: one, an antique speaking doll, the other, a small white statue that appears to be the Virgin Mary until we get a better look at her mouth, deformed by a hungry scream.

Despite my quibbles with how her character reacts when things really go awry, Kiri’s Evy has a clarity of purpose that holds our attention despite not having that much to do. In her strongest sequence, she and Justin take a few live callers on their podcast, some of whom bear bad news about Mike and Jessa, and another who phones up in the middle of a crisis that’s too big for these self-positioned experts to handle. Real violence is coming and these armchair ghosthunters are totally out of their depth. Yes, everyone is into podcasts. Maybe they shouldn’t be.