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Paramount’s David Ellison addresses his role in the studio

Billionaire Larry Ellison ponied up the money for his family to acquire the controlling stake in Paramount two months ago, and the tech titan would need to write another huge check should Paramount buy Warner Bros. Discovery.

So, in Hollywood circles, the question has been: How involved is the elder Ellison in Paramount’s strategy and operations?

Paramount Chief Executive David Ellison said he speaks with his father every day, but he drew an important distinction:

“Look, I run the company day to day. Make no mistake about that,” David Ellison said Thursday at Bloomberg’s Screentime media conference in Hollywood, adding that his father had been a “phenomenal” mentor and “we couldn’t have a better relationship.”

“He is the largest shareholder in the business,” Ellison said. “What’s important for everybody to know is the way he approaches this is: How do we maximize value for our shareholders? … I think he’s best in the world for doing that.”

Since the Ellison family and RedBird Capital Partners acquired Paramount in August, its stock is up more than 50%. Much of the run-up came last month after news leaked that Paramount was interested in acquiring Warner Bros. Discovery, which owns CNN, TBS, Food Network and one of Hollywood’s most prolific film and television studios.

Ellison refused to comment on Paramount’s pursuit of Warner Bros. Discovery or whether his team had already made a bid.

But he did shed light on the business strategy behind any pursuit, while trying to tamp down fears that another big merger would result in more cost-cutting, more job losses and a reduction in content spending.

“The way we approach everything is, first and foremost: What’s good for the talent community, what’s good for our shareholders and value creation, and what’s good for basically storytelling at large?” Ellison said. “We’re looking at actually producing more movies [and] more television series … because you need that content.”

Paramount staffers are bracing for a massive workforce reduction next month, part of the company’s goal of finding more than $2 billion in spending cuts.

But, since the takeover, Paramount’s Ellison has made a priority of beefing up relationships with talent through a series of big bets, including agreeing to pay $7.7 billion for media rights to UFC’s mixed martial arts events in the U.S. in a seven-year deal with TKO Group Holdings.

The company also invested in the construction of a Texas-based production hub for prolific “Yellowstone” creator Taylor Sheridan and agreed to pay $1.5 billion over five years for streaming rights for “South Park,” the Comedy Central cartoon. And Paramount lured Matt and Ross Duffer, who created “Stranger Things,” away from Netflix with an exclusive four-year television, streaming and film deal.

Earlier this week, Paramount spent $150 million to acquire Bari Weiss’ the Free Press news site, while also naming Weiss editor in chief of CBS News.

Warner Bros. Discovery, led by Chief Executive David Zaslav, also has declined to discuss Paramount’s interest, although people close to the company have suggested Zaslav would like to see bidding war.

No other studios have publicly expressed interest and, on Wednesday, Netflix Co-Chief Executive Greg Peters downplayed such speculation.

“We come from a deep heritage of being builders rather than buyers,” Peters said during a separate appearance at the Screentime conference, adding the track record for big mergers was not great.

But Wall Street widely expects more consolidation among entertainment firms.

“Ironically, it was David Zaslav last year who said that consolidation in the media business is important,” Ellison said, adding “there are a lot of options out there.” But he declined to elaborate.

Analysts have speculated that, beyond Paramount, few other media companies have financial firepower to pull off a bid. And Paramount has an “in” that several other media companies, including Brian Roberts’ Comcast, lack: a good relationship with President Trump and his administration.

Trump has called Larry Ellison a good friend. After David Ellison spoke with Trump at a June UFC fight, the previous managers of Paramount got traction in their efforts to settle Trump’s lawsuit over a “60 Minutes” interview last fall with Kamala Harris. Paramount paid $16 million in July to settle the suit and weeks later the Federal Communications Commission approved the Ellison takeover of Paramount.

“We have a good relationship with the administration,” David Ellison said.

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Paramount’s David Ellison tells employees to return to the office

In one of his first company-wide directives, Paramount Chief Executive David Ellison announced that employees must work in the office five days a week, beginning in January.

In a Thursday email, Ellison outlined the company’s phased-in approach for office attendance — including offering a severance package to Los Angeles- and New York-based vice presidents and lower-ranking employees if they wish to leave the company rather than return to the office.

The move sets the stage for what’s expected to be deep staff cuts later this year. Ellison and his RedBird Capital Partners investors have promised Wall Street more than $2 billion in cost savings as they take over the storied media company, install their own teams and integrate Skydance Media businesses, including video games and animation, into Paramount’s operations. Paramount previously cut several hundred jobs this summer.

Paramount representatives have declined to comment on the pending layoffs beyond saying they hope to achieve the cuts with one large round.

The Ellison family and RedBird finalized their $8-billion takeover of Paramount last month after months of turmoil as federal regulators chewed over the deal until Paramount agreed to pay President Trump $16 million to settle his lawsuit over “60 Minutes” interview edits.

Since then, Ellison and his lieutenants have moved quickly to remake Paramount with big bets, including agreeing to pay $7.7 billion for media rights to UFC’s mixed martial arts events in the U.S. in a seven-year deal with TKO Group Holdings. The company also invested in the construction of a Texas-based production hub for prolific “Yellowstone” creator Taylor Sheridan. It agreed to pay $1.5 billion over five years for streaming rights for “South Park,” the Comedy Central cartoon.

On Thursday, Paramount said it had reached a three-year global film distribution deal with “Dune” studio Legendary, beginning with next year’s “Street Fighter.” Paramount will market and distribute Legendary films throughout the world, except in China, where Legendary East oversees releases.

Financial terms were not disclosed. The deal allows Warner Bros. to continue to distribute some films, including co-productions “Dune: Part Three” in 2026 and “Godzilla x Kong: Supernova” in 2027.

CBS News also is bracing for change. Paramount’s new chief is reportedly in negotiations with journalist Bari Weiss to buy her center-right news site, the Free Press, and join CBS News in an undisclosed role. A Paramount spokesperson on Thursday declined to comment on the talks.

Until now, Paramount staffers were expected to be in the office a couple days a week, but it was not consistently applied, according to people with knowledge of the matter but not authorized to comment.

Ellison is attempting to reset Paramount’s culture after years of under-investment, layoffs and management turmoil. In the email, he wrote the return-to-office directive was aimed at “building a stronger, more connected, and agile organization that can deliver on our goals and compete at the highest level.”

“We have a lot to accomplish and we’re moving fast,” Ellison said. “We need to all be rowing in the same direction. And especially when you’re dealing with a creative business like ours, that begins with being together in person.”

Media companies have had varying policies after the initial “work-from-home” policies imposed at the start of the COVID-19 pandemic nearly five and a half years ago. Sony Pictures Entertainment brought its employees back to the Culver City lot relatively quickly. Disney Chief Executive Bob Iger ordered a return to the office in January 2023, less than two months after he returned to lead the company.

“As I said during our town hall, some of the most formative moments of my life happened in rooms where I was a fly on the wall, listening and learning,” Ellison wrote in his email. “I’ve never seen that happen on Zoom. Being together in-person isn’t just about showing up — it’s about actively engaging with the business, supporting one another and the team’s efforts, and contributing to our shared momentum.”

Times Staff Writer Sam Masunaga contributed to this report.

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