Maya Hawke sits at a picnic table in Griffith Park with an iced tea and a small notebook and happily reports that she still likes her new record.
“Every other album cycle I’ve done, by the time I got to the point where the album came out, I hated it,” says the 27-year-old singer and actor. “I was just exhausted by the internet and by being public, and I wouldn’t want to post about it. So I kind of tried to build this rollout where it could be enjoyable. And it seems to be working.”
On this recent morning, she’s about a week and a half from releasing “Maitreya Corso,” a set of deep-thinking folk-pop songs about love and art and how the two intersect; to help drum up interest in the LP, Hawke’s fourth, she’s on tour playing intimate live gigs like the one she did last night at the Troubadour, where she was accompanied by Christian Lee Hutson, with whom she made the record.
Hutson, who’s known for his work with Phoebe Bridgers, is also Hawke’s husband: After collaborating on her 2022 album “Moss” and 2024’s “Chaos Angel,” the two were married this past Valentine’s Day in Hawke’s hometown of New York. (You may have seen the pictures in People magazine of the couple on the street with Hawke’s parents, Ethan Hawke and Uma Thurman, and her castmates from “Stranger Things.”)
As we talk, Hawke wears the same vintage Beastie Boys T-shirt she had on at the Troubadour; when we’re finished, she’s got a flight to catch to Denver for her and Hutson’s next show.
I was struck last night by the intense eye contact between you and your husband. I’ve never played guitar before onstage, and so I think a lot of that is me being nervous and wanting to keep rhythm. I’m looking at his eyes but also at his hands. His chordal shapes are different than mine but I’m following the rhythm to make sure I’m staying in the pocket.
Why didn’t you play guitar before? I’ve been playing since I was 11, but I reached a point where I was getting better a lot slower than my brother was or than other people in my life. You pick up the guitar to play and then a bunch of guys sit down next to you and they’re like, “Oh, can we jam?” And you’re like, “I don’t know if I can jam. I was trying to write a song and now you’re noodling all over me. You know what? I’ll just put it down.” Later, when I started making music professionally, I met all these extraordinary musicians, and I thought: Why would I play guitar when I’m not as good as you are? Then I really hated doing shows.
Because of that? I’m not a dancer — I don’t want to be a pop star and do dance moves. I don’t have a big Adele voice. And standing up there and just singing — I was like, I should be at a poetry reading. So I made myself a promise that if I made another record I would have to play guitar and write songs that I can play.
It’s funny: You were both super locked-in during the songs, but then between them your banter was extremely loose. I wanted to build a show that was a concert I would want to go see. I’m weird — I don’t love concerts, but I do I like it when people talk. I can hear the record at home — what I don’t get at home is a sense of the person.
Who would you say are some of music’s great between-song talkers? Hmm.
I think Adele might be the best I’ve seen. She’s really good. I saw her once when I was younger — I had a year where my dad took me to see all the biggest women of that year. I remember thinking: When I leave the theater, I’m filled only with joy and no jealousy because I could never do what she’s doing. That’s a gift from God, and I’m not in competition with that gift.
But after she hits you with that, she’ll just freestyle for three or four minutes. That’s what I want too — I want to see some humanity, especially these days when everybody is being force-fed so much perfection and so much unattainable grace.
There are a tremendous number of words on this record. It’s very verbose.
Why? I love words — lyrics are my favorite part of songs. One of the first songs that got written for this record was “Devil You Know,” which was like an experiment where I wrote this poem in free verse. I’ve been in a fight with my husband about free verse versus poetic form. He’s pro-free-verse, I’m anti-free-verse.
What’s your beef? My beef is: Free verse is great — I wish you could have spent a little more time making it rhythmically sound.
To you it feels like — Like a first draft. The confines of a structure make your brain work in a different way: How do I get this idea across in a sonnet or a villanelle? But I tried writing this free verse thing, and I really liked it and wanted to write more things like that. Normally, I love the arrow of a Willie Nelson lyric, which is: What’s the simplest way I can say the most complicated thing? And I have some of that on this record, like in “Bring Home My Man.” But I also was like, What’s the most complicated way I can say the simplest thing?
OK, speaking of that: I read the essay you had this philosopher Justin Smith-Ruiu write about the album. I understood probably 11% of it. I’m obsessed with him. I read his Substack religiously — it’s called the Hinternet. He’s just a brilliant genius, and I was like, I don’t know what he’s gonna say, and I don’t know if it’ll make sense to anyone, but it’ll make sense to me.
Honestly, some of the songs might also have gone over my head. How important is it to you that the listener grasps everything that’s going on in your music? Zero percent important. I want people to take from it what they take from it. One of the coolest things in my life has been putting out songs and having people form crazy personal attachments — sometimes communal attachments, where all the people think it’s about the same thing and they’re all wrong. That’s so much more interesting to me than if they just thought it was exactly what I thought it was.
How do you listen to the songs you love? Are you trying to figure out where they came from? Yes, but I don’t care if I’m right. I’ve had many a debate about what [Elliott Smith’s] “Say Yes” is about — gone through the lyrics with friends and been like, “Wouldn’t you say that this supports my theory?” But it doesn’t matter to me what it is. It’s just fun to try to connect all the dots.
Maya Hawke and Christian Lee Hutson in New York in March.
(Ilya S. Savenok / Getty Images for Tibet House US)
Break down the chronology of your and Christian’s relationship. You made this record not as married people but — As engaged people.
How did that compare to the previous album? When we made “Chaos Angel” we were maybe in a slightly uncanny valley of being friends who were in love but not together at all. But our working dynamic has always been pretty amazing, even from when we met doing “Moss.” Christian was really the person who made me want to play guitar and write music. He was like, “What do you mean your music isn’t good enough? Why, because you didn’t go to jazz school? I didn’t go to jazz school.” That kind of belief really shaped my journey from “Moss” until this record.
Are you the type of person who needs a facilitator? I really enjoy support and encouragement, and I often need permission.
I wonder why. Just a couple of weeks ago, I was talking to someone, and I was like, I want to spend less time with this person, but I want them to want to spend less time with me. I don’t want to be the one to draw the boundary — I need their permission to draw a boundary between us. My therapist was like, “We can work on that.”
Is this classic child-actor people-pleasing stuff? I wasn’t a child actor.
When did you start? I did my first audition at 15 but I didn’t get the part. Then I didn’t end up working until I was 18.
I’d argue that at 18 the world still sees you — As a young person, yeah.
But I take your point. I don’t know what it has to do with. It’s not exactly people-pleasing. There’s definitely an oldest-sibling thing I have a bit. I’m very interested in sibling-order theory. I think it’s extremely influential to who people are — better than astrology, for sure.
You’re older? I’m oldest of five. Generally, when I meet eldest siblings, there’s a kind of interesting energy of someone who both needs to be in charge and needs a lot of permission.
Has anything changed about the way you and Christian collaborate since you got married? We’re really happy, and we’ve been really happy. It’s awesome that we were friends for a long time first. When I got into relationships in the past, I would kind of pick the person that liked me the least. I didn’t like myself very much, and I thought that someone who didn’t like me must be a genius and that I could overcome my inherent ineptitude by getting them to like me. And in order to get them to like me, I would transform myself into becoming a person that they would like. Then we’d have a very happy couple of months until I got bored of not being myself. What being friends with someone first did was that it made it very hard to trick them.
Some of these new songs seem very clearly to be about the two of you. Totally. A lot of this record is about how much I learned about what love really is — what it could be and how to be good to another person. My ideas about those things really transformed in the last couple of years.
As a child of divorce, were you ambivalent about marriage? I think if anything it was the reverse. I wanted to get married twice in my life. Once was when I was 18 years old, and it was definitely mental illness: I want the nuclear family that I didn’t have, and I want it now. Then I was kind of neutral on whether or not I would get married. Then I met Christian, and I was like, “I don’t know if I’m ready to be in this kind of relationship, but you’re my person.” And we stayed in each other’s lives until it ended up being the right time.
Plenty of people find their person without wanting to have a wedding. Are you a romantic?
I’m not sure I know. When I was younger, I imagined myself in a sort of French marriage where we both cheated on each other but didn’t talk about it and had a lot of mutual respect. But I didn’t find a French marriage — I found my best friend. You know what a piece of s— I am and you still love me? I wake up every morning still happy to see you? That’s a miracle — we gotta have a party.
Last thing: Did finishing “Stranger Things,” which had defined the structure of your life for so long — did that change the way you think about making music? It’s changed the way I think about everything. Basically, from about four months before the show wrapped until a year after that, I was pretty freaked out.
Because you knew a big change was coming? Because I didn’t know how I would be reborn out of it. Even when I was resentful of being like, “I’m booked, and I can’t do this other thing that I want to do,” the show was so grounding. I was really lost without it. I’m not freaked out about it anymore, but I’m in a renegotiation of the structure of what I want my life to look like.
Do you feel some kinship with your former castmates on that? Everyone freaked out in different amounts and at different times and to different degrees of wanting to talk about it. But we all collectively had a very, very intense time moving through the last season.
You’ve got upcoming acting projects — I didn’t actually die like I thought I was going to.
But did the end of that job create space for music to play a bigger role in your life? In some ways, it could become smaller. I had an ensemble part in a show that takes a year to film, which creates a tremendous amount of waiting-around time. I think that’s why so many “Stranger Things” actors have musical projects: You can’t film anything else but you can sit in your house with your keyboard. What I’ve really been feeling since the show ended was an invigorated desire to double down on acting. I’ll never not make music, but the music industry is difficult for me. I don’t know if it’s just that I was raised in the acting industry and I understand the things that are f— up about it better.
The music biz feels more opaque to you? I struggle with some of the things that one should do in that industry to grow their project. When you’re promoting a movie, you’re on a team promoting an external item. When you promote a record, you’re doing self-promotion: “Buy my stuff. Do my thing. Put me on your chest.” It feels a little too “Look at me,” which isn’t my comfort zone.
Better start making those TikToks. Yeah, I can’t. I really can’t.
Love Island presenter and Entrepreneur Maya Jama is heading in to the Traitors castle for the new series for Celebrity Traitors but she is pleading with fans to do this one thing…
Maya is begging fans to do one thing as she heads into the Traitors castle(Image: Getty Images for Netflix)
Maya, who is currently on a break from filming Love Island, took to Instagram to react to the news of her being a part of the iconic TV game show, which will air later this year.
Posting the announcement on her Instagram Story, she said: “Secret’s out,” before pleading with fans with a hand over the eye emoji and said: “wish me luck”.
This message suggests that the star might not be the most confident, with the presenter herself unaware just yet whether she will be a goodie or a baddie in this game.
From then on, their objective will be to identify which participants are making nocturnal trips to the turret dressed in those distinctive hooded cloaks – selecting which remaining contestants will be murdered.
Also taking part is BBC presenter Amol Rajan, The Last of Us actress Bella Ramsey and comedian James Acaster – not to be mixed up with You’re Beautiful singer James Blunt, who has also signed up.
This comes after Maya recently admitted she “is ready to move on” from presenting, as she eyes up a new career in acting. Drama was actually the TV star’s first love, with Maya, 31, auditioning for Channel 4‘s hit teen series Skins when she was just 15.
Despite getting to the final stages, she didn’t make it into the cast, which launched the careers of the likes of Nicholas Hoult, Dev Patel and Daniel Kaluuya. And now the Bristol-born star, who is in a relationship with Man City footballer Ruben Dias, is ready to leave presenting to go back into acting.
Speaking to the BBC, Maya revealed she got “disheartened” after having to many unsuccessful auditions as a teen, leading her to give up on her dream. But now, after filming has wrapped for the upcoming release of the second season of Netflixcrime thriller The Gentlemen, Maya’s love for the art has been reignited.
She told the broadcaster that her “dream role” would be to play a villain, but she “naturally fell into presenting roles” after starting out on YouTube. After a few years on social media, she made the move to TV to co-host ITVgame show Cannonball, as well as MOBO Awards in 2017.
The year after she booked to host reality show The Circle and then ITV2 panel show Don’t Hate the Playaz. Of course, Jama’s big break came in 2022 when she replaced Laura Whitmoreas the host for hit ITV reality dating show, Love Island.
Maya added: “I always remember when I started being like ‘how on Earth am I going to get on primetime TV as a girl from Bristol doing YouTube videos’ – it seemed like a massive reach.”
She added: “I naturally fell into presenting when I was young because I got to be myself on camera and I’m interested in humans”, adding: “Now it just feels like the doors opened up again [to get into acting]”. Maya said she is “ready to do something else after presenting for so long.”
Maya reportedly plays the glam wife of a friend of lead character Eddie Horniman, alongside the likes of Vinnie Jones and Ray Winstone. She spent time in 2025 filming at Gloucestershire’s Grade II listed building Badminton House, which is Eddie’s home.
The TV personality soft-launched her new gig with the streamer on social media at the start of last year. She teased her followers on Instagram when she posted a snap of a cast list with the Netflix logo on it.
She also shared a peek of a Netflix script, and posted a photo of her and Skins star Kaya, who plays mob boss Susie Glass in the show. Further adding to the speculation around what is next for Maya, she posted a photo of a Netflix mug, with fans then certain she was working on something big.
MAYA Jama has shared a health update after being told by doctors she had to receive more tests following a smear test.
The Love Island presenter sent a warning out to fans to get checked, as she admitting to feeling “very nervous” over the trip.
Sign up for the Showbiz newsletter
Thank you!
Maya Jama has revealed that she has had to undergo tests after having a smear test scareCredit: InstagramThe Love Island presenter admitted she was feeling nervous as she headed to get checked after an abnormal test resultCredit: Instagram
Taking to her Instagram Stories on Thursday, Maya shared a snap of her feet as she sat in the waiting room at the doctors.
She explained: “At the drs now as a follow up from my smear test the other day.
“I have to get those cells burned off, feeling nervous but this is why smears are so important!”
In the next picture, she explained that the cells actually didn’t have to be burned off in the end, but she did have to undergo more tests.
Maya headed straight to the doctors upon landing home from a quick trip to IbizaCredit: InstagramThe star hopped over to the White Isle after a romantic few days in Rome with her boyfriend Ruben DiasCredit: Instagram
Sharing a mirror selfie from the bathroom following the appointment, Maya said: “So turns out I didn’t need the cells burned off but a mini biopsy to monitor the cells further.
“Again reminder to go in if you are putting it off.”
Cells are removed or “burned off” to stop them from developing into cervical cancer in the future.
Smear tests can determine whether any abnormal cells are present and whether this needs to be done.
The medical trip came as Maya had just touched down back home after a quick trip to Ibiza, with the star sharing that it was a “fun 24h” before returning home.
Before that, she spent a romantic few days in Italy with boyfriend Ruben Dias.
Maya shared an Instagram photo dump of the break to Rome, which included visits to the Sistine Chapel and the classical Vatican Gardens with with her Man City star boyfriend.
And she gushed about the trip to her three million fans, writing: “Can you tell I love it here?”
Maya Jama wore a slinky black dress to pose at the classical Vatican GardensCredit: InstagramMaya’s Instagram photo dump of a romantic Rome break included her clutching a bunch of keysCredit: Instagram
Maya’s Instagram photo dump of a romantic Rome break included her clutching a bunch of keys and at the Sistine Chapel with Man City star boyfriend Ruben Dias.
And she gushed about the trip to her three million fans, writing: “Can you tell I love it here?”
Maya, who, like Ant and Dec, is a pro at live TV, has now given her verdict on the huge on-air bust-up.
Taking to X/Twitter, the popular presenter, 31, shared a clip of the fallout between Ant and Dec and Jimmy, and penned: “Didn’t watch but from this clip alone (laughing emoji).
“This is why I love live tv so much and hosting the (Love Island) Aftersun show because barely any channels do it anymore out of fear of what can go wrong but people want real reactions and an edited show will never compete to the live experience!”
Showing her support for the I’m A Celebrity hosts, she added: “Ant and Dec I love you forever also.”