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The now two-time defending World Series champion Dodgers made their first move of the offseason on Thursday.

It will ensure a familiar face is back for their pursuit of a three-peat next year.

The team picked up its $10-million club option for third baseman Max Muncy, according to a person with knowledge of the situation not authorized to speak publicly, bringing the now longest-tenured member of the roster back for what will be his ninth season in Los Angeles.

The decision was not surprising. This year, Muncy had perhaps his best all-around season at the plate since a 2021 campaign in which he received MVP votes. He hit .243, his highest mark since that 2021 season, with 19 home runs, 67 RBIs and an .846 OPS in 100 games. He atoned for a relatively quiet postseason by hitting a crucial home run in the eighth inning of Game 7 of the World Series, setting the stage for the team’s ninth-inning comeback and eventual extra-innings, title-clinching victory.

Muncy was in the final season of a two-year, $24-million extension he signed in the 2023 offseason. And injuries have been a problem for the 35-year-old in recent years (he was limited this past season by a knee contusion in July and an oblique strain in August).

However, the $10-million option was a relative bargain for a player who, prior to second-half injuries, had shaken off a slow start to the year by being one of the hottest hitters in the majors in May and June.

His return will also help keep a key part of the club’s veteran core intact, bringing back a player who — in the wake of Clayton Kershaw’s retirement — has been with the Dodgers longer than anybody else.

Muncy’s 2025 season did not start well. After an offseason in which trade rumors involving Nolan Arenado swirled, and a spring training spent working through the lingering after-effects of an oblique and rib injury that limited him in 2024, Muncy hit .176 through his first 34 games, and had only one home run.

In early May, however, he started wearing glasses to address an astigmatism in his right eye. Around that same time, he also found a breakthrough with his swing, one that helped him begin punishing fastballs up the zone. From May 7 to the end of June, he hit .315 with 12 home runs and a 1.039 OPS, one of the best stretches of his 10-year, two-time All-Star career.

That streak was derailed on July 2, when Muncy suffered his knee injury after being slid into at third base. His return a month later was cut short, too, when his oblique began bothering him during a batting practice session in August.

Those IL stints preceded a September slump that carried into the postseason, when Muncy hit just .173 entering Game 7 of the World Series.

But that night, he collected three hits, had the pivotal eighth-inning home run off Trey Yesavage that got the Dodgers back within a run, and became one of six players to contribute to all three of the Dodgers’ recent World Series titles.

“It’s starting to get a little bit comfortable up here,” he joked from atop the stage at the Dodgers’ World Series celebration on Monday. “Let’s keep it going.”

On Thursday, the team ensured his run with the Dodgers will, for at least one more season.

Alex Vesia’s option also picked up

The Dodgers on Thursday also picked up their $3.55-million club option for reliever Alex Vesia in 2026, according to multiple people with knowledge of the situation not authorized to speak publicly. That was also not a surprise, though Vesia still would’ve been under team control and eligible for arbitration if they hadn’t.

Vesia was one of the few consistent performers in the Dodgers’ bullpen this year, posting a 3.02 ERA in a career-high 68 appearances. He was also one of their most trusted relief arms in the playoffs, bouncing back from a two-run outing in the wild-card series opener with 4 ⅓ scoreless innings the rest of the way.

Vesia was not available for the World Series as he and his wife dealt with what the team described as a “deeply personal family matter.” But he figures to be a key cog in their bullpen again next season, in what will be his last before reaching free agency.

Heartbreak doesn’t feel so good in a place like this. Longtime Hollywood power couple Nicole Kidman and Keith Urban have gone their separate ways, according to several reports.

The Oscar-winning actor and the country music star separated and have been living “apart since the beginning of the summer,” TMZ reported Monday. People also confirmed the stars’ split, with a source saying that that Kidman “has been fighting to save the marriage.”

Representatives for Kidman, 58, and Urban, 57, did not respond immediately Monday to requests for comment.

Beloved AMC Theatres spokesperson Kidman and Grammy winner Urban tied the knot in June 2006 and share two teenage daughters who have been under the actor’s care “since Keith has been gone,” TMZ reported. The “Blue Ain’t Your Color” musician has been on the road for his High and Alive world tour, which launched in May. After the American leg of the tour concludes in Nashville in October, he will bring his music overseas beginning March 2026.

Kidman celebrated 19 years of marriage to Urban on social media in June, sharing a black-and-white photo of them backstage. “Happy Anniversary Baby,” she captioned the tender Instagram photo. Urban, who did not post an anniversary photo to the grid, has mainly used his Instagram to promote his musical endeavors in recent months. In May, he shared photos of him and Kidman celebrating his win at the American Country Music Awards.

The Australian stars married in an intimate ceremony in Sydney. Kidman was previously married to “Mission: Impossible” action star Tom Cruise from 1990 to 2001. Kidman is Urban’s first wife.

It’s currently unclear whether the spouses will file for divorce.

President Trump again suggested that films made outside the U.S. should be subject to a 100% tariff, a move he said would help rejuvenate film production in America but that has been greeted with skepticism by many in Hollywood.

“Our movie making business has been stolen from the United States of America, by other Countries, just like stealing ‘candy from a baby,’” Trump wrote in a post Monday morning on his Truth Social platform. “California, with its weak and incompetent Governor, has been particularly hard hit! Therefore, in order to solve this long time, never ending problem, I will be imposing a 100% Tariff on any and all movies that are made outside of the United States.”

The post did not include details on how such a tariff would work or how it would be levied. The White House did not immediately respond to a request for comment.

This is not the first time Trump has floated a tariff on films made overseas to combat so-called runaway production.

In May, Trump said he was authorizing the Commerce Department and U.S. Trade Representative to begin the process of instituting a 100% tariff on “on any and all Movies coming into our Country that are produced in Foreign Lands.”

That announcement surprised studio executives, who said at the time that they had no advance notice of the move. Shortly after, California Gov. Gavin Newsom reached out to the White House, offering to work together to create a federal film tax incentive, which many in the industry have said they would prefer over a tariff.

Newsom responded to Trump’s dig by sharing on X a screenshot of a news headline detailing the recent increase in applications for California’s revamped film and TV tax credit program next to a headline about Hollywood studios’ stock performance after Trump’s initial call in May for a 100% tariff on films made outside the U.S. “Almost like we know what we’re doing,” Newsom wrote in his post. “Almost like Donald Trump absolutely does not.”

Countries including Canada, the U.K. and New Zealand have developed generous film tax credit programs, which, along with lower costs, have increasingly lured productions out of the U.S. California has been particularly hard hit by the production exodus.

In response, states have also upped their individual tax credit programs, including California, which has now more than doubled the annual amount allocated to its film and TV tax credit program and expanded its eligibility criteria.

The Motion Picture Assn., the lobbying arm of Hollywood’s major studios, was not immediately available for comment.

On Monday, California congressional representatives reiterated their support for a federal film tax incentive program to support the U.S. film business.

Noting that a tariff could have “unintended and damaging consequences,” Sen. Adam Schiff (D-Burbank) said he was “ready to work with this administration” and colleagues “on both sides of the aisle” to pass a major federal film tax credit.

The California senator is currently working on a proposal for a federal film incentive, a Schiff spokesperson said.

Rep. Laura Friedman (D-Glendale), a former film producer, also called for movement on a federal tax incentive, saying that a 100% tariff on films made overseas would only increase costs for consumers.

“I’m relieved President Trump recognizes that we are losing a signature American product: the domestic film and TV industry,” she said in a statement. “I hope the President will join us in pioneering a real solution that levels the playing field with international competition.”

Rihanna and ASAP Rocky have welcomed the latest addition to their growing family: their first baby girl.

The “Love on the Brain” singer announced the arrival of her daughter with the “Highest 2 Lowest” star on Wednesday, sharing a photo of her newest bundle of joy to Instagram. In the picture, Rihanna cradles her newborn, who is wearing a baby-pink jumpsuit.

“Rocki Irish Mayers,” she says in the Instagram caption, which also reveals the date of birth, Sept. 13.

Baby Rocki is the third child for the celebrity pair, who began dating in 2019. They also share sons RZA, born in May 2022, and Riot, who was born in August 2023. Rocki’s name is a twist on her father’s stage name, but it also continues the stars’ tradition of choosing names that begin with the letter “R.” Notably, Rihanna’s and ASAP Rocky’s birth names also begin with that letter: Robyn and Rakim.

The Fenty Beauty mogul shared the first public photos of her daughter months after her splashy pregnancy reveal at the 2025 Met Gala in May. At the event, the singer cradled her baby bump as she posed for photographers in a custom-made Marc Jacobs suit. She walked solo down the red carpet. ASAP Rocky, who was one of the co-chairs of the annual event, had arrived earlier in the evening. Even before hitting the carpet, the “Umbrella” and “Don’t Stop the Music” hitmaker publicized her pregnancy on social media.

“It feels amazing, you know,” ASAP Rocky told CBS News in May, confirming the pregnancy on the red carpet. “It’s time that we show the people what we was cooking up.”

For Rihanna, 37, and ASAP Rocky, 36, the arrival of their baby girl is the latest event in a busy year that also included a legal victory for the “Sundress” rapper and Hollywood projects for both.

In a 2024 cover story for Interview magazine, the singer expressed her desire for a large family, saying that having children with ASAP Rocky “was the best thing that ever happened to us.”

Rihanna also said at the time that she wanted as many kids as “God wants me to have.”

WASHINGTON — Use of solitary confinement in immigration detention is soaring under the Trump administration, according to a report published Wednesday by Physicians for Human Rights using federal data and records obtained through Freedom of Information Act requests.

Immigration and Customs Enforcement placed at least 10,588 people in solitary confinement from April 2024 to May 2025, the report found. Contributors also included experts from Harvard University’s Peeler Immigration Lab and Harvard Law School.

The use of solitary confinement during the first four months of the current Trump administration increased each month, on average, at twice the rate found between 2018 and 2023, researchers found, and more than six times the rate during the last several months of 2024.

“Every month from February through May, which are the full calendar months of the new administration, the number of people placed in solitary in ICE [custody] increased by 6.5%,” said Dr. Katherine Peeler, medical advisor for Physicians for Human Rights, and assistant professor of pediatrics at Harvard Medical School. “That was really dismaying.”

Solitary confinement, in which detainees are held alone for at least 22 hours a day, is used in ICE detention facilities as a form of punishment or to protect certain at-risk immigrants.

In a statement Thursday, assistant Homeland Security secretary Tricia McLaughlin said ICE prioritizes the safety and security of people in its custody.

Detainees are placed into disciplinary segregation “only after they are found guilty by a disciplinary hearing panel,” she said.

Any detainee scheduled for removal, release, or transfer is also placed into administrative segregation for 24 hours, she added. According to ICE’s National Detention Standards, “such segregation may be ordered for security reasons or for the orderly operation of the facility.”

The United Nations has called solitary confinement longer than 15 consecutive days a form of torture.

ICE defines vulnerable detainees as those with serious medical or mental health conditions, disabilities, and those who are elderly, pregnant or nursing, at risk of harm due to sexual orientation or gender identity, or victims of abuse.

Among those categorized as vulnerable, the report states that solitary confinement lasted twice as long, on average, during the first three months of 2025 compared with the first fiscal quarter of 2022, when the agency started reporting those statistics.

This year, vulnerable detainees spent an average of 38 consecutive days in isolation, compared with 14 days in late 2021, according to the report.

The report notes that use of solitary confinement in immigration detention has risen “at an alarming rate” over the last decade, and that billions of dollars authorized earlier this year by Congress to expand detention will likely exacerbate the issue. It calls on the federal government to end the practice against immigrants who are detained for civil deportation proceedings, and for states and members of Congress to exercise oversight.

Nearly 59,000 immigrants were held in ICE custody as of Sept. 7, according to TRAC, a nonpartisan data research organization.

The researchers at Physicians for Human Rights analyzed individual cases in New England and found “systemic use of solitary confinement for arbitrary and retaliatory purposes,” such as requesting showers, sharing food or reporting sexual assault.

In California, detainees were placed in solitary confinement 2,546 times from September 2018 to September 2023, said Arevik Avedian, a lecturer and director of empirical research services at Harvard Law School.

Last year, ICE changed the way it reports that data. Instead of placements, in which the same person could be counted multiple times for different stints in solitary confinement, ICE now reports the number of individuals.

In California, ICE reported that 596 people were placed in solitary confinement from April 2024 to May 2025, she said.

During the period of 2018-2023, two California facilities ranked in the top five with the highest number of solitary confinement placements, she said — the Adelanto ICE Processing Center in San Bernardino County, and the Otay Mesa Detention Center in San Diego.

This year, the data reflect ICE’s investment in Republican-led states. According to the report, facilities with the most solitary confinement stints included Moshannon Valley Processing Center in Pennsylvania, Montgomery Processing Center in Texas, Buffalo Service Processing Center in New York, South Texas ICE Processing Center, and Eloy Detention Center in Arizona tied with Central Louisiana ICE Processing Center.

A previous report by the same authors found that ICE had used solitary confinement more than 14,000 times between 2018 and 2023, including one Otay Mesa detainee who was held for 759 days.

There are certain first names that are also businesses that tap into the Angeleno collective unconsciousness and bring a smile of familiarity even to those who’ve never patronized the place.

Tommy’s Burgers, especially. Frederick’s of Hollywood. Phillippe the Original. Nate’n Al’s. Lupe’s and Lucy’s.

And, of course, Leonardo’s.

The nightclub chain with five spots across Southern California has entertained patrons since 1972. Its cumbia nights, Mexican regional music performances and a general air of puro pinche parri bridged the gap in the cultural life of Latino L.A. between the days of the Million Dollar Theater and today’s corrido tumbado stars.

Its namesake, Leonardo Lopez, came to Santa Monica from Mexico in the late 1960s, at age 17, to work as a dishwasher and proceeded to create a cultural empire.

On Friday, the Los Angeles City Council honored him in a celebration that reflected the joy and diversity — but especially the resilience — of Latino LA.

His family members count at least 40 businesses among them, including restaurants, banquet halls, concert venues, equestrian sports teams, political firms that work Southern California’s corridors of power, and the Pico Rivera Sports Arena, Southern California’s cathedral of Mexican horse culture. They were one of the main forces in the 2023 fight that carved out exemptions for traditional Mexican horse competitions such as charrería and escaramuza when the L.A. City Council banned rodeos.

“Our family is like a pyramid, with every person supporting each other at every level,” said Leonardo’s son, Fernando. “And my dad is at the very top.”

A resplendent celebration

He and about 40 other relatives went to Friday’s City Council meeting to see their patriarch recognized. They strode through City Hall’s august corridors in charro outfits and Stetsons, berets and hipster glasses, leopard-print blouses and sharp ties — the diversity of the Mexican American experience in an era where too many people want to demonize them.

Leonardo was the most resplendent of them all, sporting an outfit with his initials embroidered on his sleeves and his back. A silver cross on his billowing red necktie gleamed as much as his smile.

“You work and work and work to hope you do something good, and it’s a blessing when others recognize you for it,” Lopez told me in Spanish as we waited in a packed conference room for the council meeting to start. He gestured to everyone. “But this is the true blessing in my life.”

Sitting at the head of a long table, Lopez doted on his grandson but also greeted well-wishers like Esbardo Carreño. He’s a historian who works for the government of Durango, the state where Lopez was born in 1950.

“Don Leonardo came with a bigger vision than others,” Carreño said in Spanish. “But he never left his people back home,” noting how Lopez has funded restoration projects in Durango’s eponymous capital, a welcome arch at the entrance to the entrepreneur’s hometown of La Noria and more.

“My tío and dad and my other tíos made it in L.A. because there was no Plan B,” said Lopez’s nephew, Lalo Lopez. He was shepherding guests toward his uncle while also talking up a fundraiser later that evening at the Sports Arena for L.A. County Supervisor Lindsey Horvath. “That’s a lesson all us kids learned fast.”

Spanish-language reporters pulled Don Leonardo into the City Hall press room for an impromptu conference, where he talked about his career and offered child-rearing advice.

“Get them busy early,” he joked, “so they don’t have that free time to do bad things.”

Lopez motioned to Fernando and his son Fernando Jr. — both wearing charro suits — to join him at the podium.

“I got them to follow me” to be proud of their Mexican heritage. “Today, it’s the reverse — now I follow them!”

Councilmember Monica Rodriguez then grabbed Lopez. The meeting was about to start.

Always the sharpest-dressed member of the council, Rodriguez didn’t disappoint with a taupe-toned tejana that perfectly complemented her gray-streaked hair, black-framed glasses and white outfit.

Her introduction of Lopez was even better.

“His spaces have created a place where we [Latinos] can be authentically who we are,” said Rodriguez, who represents the northeast San Fernando Valley. She praised Lopez’s life’s work as an important balm and corrective “at a time especially when our community is under attack.”

“I want to thank you, Don Leonardo, for being that example of how we can really be the force of resilience and strength in the wake of adversity,” the council member concluded. “It’s a reminder to everyone who’s feeling down that we will persevere.”

Lopez offered a few words of thanks in English, tipping his sombrero to council President Marqueece Harris-Dawson, who had previously honored him in 2017 when each council member recognized an immigrant entrepreneur in their district.

Harris-Dawson returned the respect.

“You are such angels in this city — L.A. is not L.A. without the Lopez family,” he said, noting how two Leonardo’s stood in his South L.A. district and “y’all never left” even as other live music venues did. Harris-Dawson told attendees how the Lopez family had long catered jazz festivals and youth sports leagues without ever asking for anything in return.

“The only time I’ve seen you closed was that weekend of the terrible ICE raids,” Harris-Dawson said. “And you all were back the next week ready to go and you had security out. … Thank you all for treating us like family.”

The Lopez clan gathered around their jefe at the podium for one final photo op. Doctors and contractors, retirees and high schoolers: an all-American family and as Angeleno as they come. See ustedes soon at — where else? — Leonardo’s.

Today’s top stories

Colorado River water flows in the Central Arizona Project aqueduct beside a neighborhood in Phoenix.

(Kelvin Kuo / Los Angeles Times)

The dwindling Colorado River

• A group of experts say Western states urgently need to cut water use to avert a deepening crisis on the Colorado River.
• The river’s major reservoirs are less than one-third full, and another dry winter would push reservoirs toward critically low levels.
• They say the Trump administration should act to ensure reductions in water use.

Trump’s $1.2-billion call to remake UCLA

• A Times review of the Trump administration’s settlement proposal to UCLA lays out sweeping demands on numerous aspects of campus life.
• The government has fined UCLA nearly $1.2 billion to settle allegations of civil rights violations.
• Hiring, admissions and the definitions of gender are among the areas the Department of Justice seeks to change.

A looming fight over vaccines

• After Robert F. Kennedy Jr. ousted vaccine experts at the Centers for Disease Control and Prevention, California is now making its own vaccine guidance.
• The CDC is no longer a trusted source for vaccine guidance, some experts now say.
• California and medical groups are urging more people to get vaccinated against COVID-19 compared with the Trump administration.

Your utility bills

The Emmys were last night

What else is going on

Commentary and opinions

• There will be cooling in all L.A. rentals by 2032. Here’s how contributors Sophia M. Charan and Hye Min Park suggest you survive the heat until then.
• Wait, what happened to saving the children? California columnist Anita Chabria points out that California congressmen dodge the issue.

This morning’s must-read

Other must-reads

For your downtime

(Amir Mrzae / For The Times)

Going out

Staying in

And finally … your photo of the day

(Allen J. Schaben / Los Angeles Times)

Today’s great photo is from Times photographer Allen J. Schaben of ctor Kathy Bates on the red carpet at the 77th Primetime Emmy Awards. See Allen’s photos from the awards show here.

Have a great day, from the Essential California team

Jim Rainey, staff writer
Diamy Wang, homepage intern
Izzy Nunes, audience intern
Kevinisha Walker, multiplatform editor
Andrew Campa, Sunday writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

The Angels reinstated reliever Robert Stephenson from the 60-day injured list on Friday.

Stephenson, 32, had been on the IL since May 31 because of right biceps inflammation. He has pitched one scoreless inning over two appearances with the Angels this season.

Stephenson agreed to a $33-million, three-year contract in January 2024. He missed all of last year after having Tommy John surgery.

Right-hander Chase Silseth was optioned to triple-A Salt Lake before the opener of a weekend series against the Chicago Cubs.

Everyone can use an editor, and Shakespeare is no exception. Fortunately, he married one.

Tired of being cooped up with the kids in Stratford-upon-Avon, Anne (Teal Wicks), wife of the great playwright, pops down to London to see the first performance of “Romeo and Juliet.” The new tragic ending that Shakespeare (Corey Mach) proudly previews to the company strikes her as completely wrongheaded.

“What if … Juliet doesn’t kill herself?” she proposes. As strong-willed as her husband, she doesn’t wish to argue the point. She merely wants to put her idea to the test.

Behold the premise of “& Juliet,” the euphoric dance party of a musical that updates Shakespeare with a dose of 21st century female empowerment. The production, which opened Friday at the Ahmanson Theatre under the fizzy direction of Luke Sheppard, reimagines a new post-Romeo life for Juliet while riding a magic carpet of chart-toppers from juggernaut Swedish producer Max Martin, who has spun gold with Katy Perry, Britney Spears and the Backstreet Boys, among other pop titans.

Teal Wicks, left, and Rachel Webb in the North American Tour of “& Juliet.”

(Matthew Murphy)

This good-time jukebox musical relies as much on its wit as on its catalog of pop hits. The show’s music and lyrics are credited to Max Martin and friends — which sounds like a low-key cool table at the Grammy Awards. The clever book by Emmy winner David West Read (“Schitt’s Creek”) creates a world that can contain the show’s musical riches without having to shoehorn in songs in the shameless fashion of “Mamma Mia!”

Take, for instance, one of the early numbers, “I Want It That Way,” a pop ballad made famous by the Backstreet Boys. Anne starts singing the song when Shakespeare initially resists her idea of giving Juliet back her life. She wants him to go along with her suggested changes not because she’s sure she’s right but because she wants him to trust her as an equal partner. The song is redeployed in a way that has little bearing on the lyrics but somehow feels coherent with the original emotion.

Obviously, this is a commercial musical and not a literary masterpiece on par with Shakespeare’s tragedy of ill-starred lovers. “& Juliet” would have trouble withstanding detailed scrutiny of its plot or probing interrogation of Juliet’s character arc. But Read smartly establishes just the right party atmosphere.

Juliet (a vibrant Rachel Webb), having survived the tragedy once scripted for her, travels from Verona to Paris with an entourage to escape her parents, who want to send her to a nunnery for having married Romeo behind their backs. Her clique includes Angélique (Kathryn Allison), her nurse and confidant; May (Nick Drake), her nonbinary bestie; and April, her newbie sidekick out for fun who Anne plays in disguise. Shakespeare casts himself as the carriage driver, allowing him to tag along and keep tabs on the cockeyed direction his play is going.

In Paris, the crew heads directly to the Renaissance Ball, which has the look and feel of a modern-day mega-club. Entry is barred to Juliet, but not because she’s ridiculously underage. Her name isn’t on the exclusive guest list. So through the back door, Juliet and her traveling companions sashay as the production erupts in “Blow,” the Kesha song that encourages everyone to get their drink on and let loose.

Rachel Webb and the North American Tour Company of “& Juliet.”

(Matthew Murphy)

The dance setting — kinetically envisioned by scenic designer Soutra Gilmour, lighting designer Howard Hudson, sound designer Gareth Owen and video and projection designer Andrzej Goulding into a Dionysian video paradise — provides the all-purpose license for Martin’s music. It’s the atmosphere and the energy that matter most. Paloma Young’s extravagant costumes raise the level of decadent hedonism.

In this welcoming new context — imagine “Moulin Rouge! The Musical” suffused with girl power — there’s never anything odd about the characters grinding and wailing like karaoke superstars. The ecstatic motion of Jennifer Weber’s choreography renders dramatic logic irrelevant.

But love is the name of the game, and both Juliet and May fall for François (Mateus Leite Cardoso), a young musician with a geeky sense of humor who’s still figuring out his identity. May doesn’t expect romance to be part of their fate. In the Spears song “I’m Not a Girl, Not Yet a Woman,” they give powerful expression to an inner confusion this musical romance is determined to sort out with an appropriate partner.

Unlike for the original characters, a happy ending is no longer off-limits. Shakespeare and Anne wrestle to get the upper hand of a plot that seems to have a mind of its own. Shakespeare pulls a coup at the end of the first act that I won’t spoil except to say that what’s good for the goose proves dramaturgically viable for the gander.

Teal Wicks, left, Rachel Webb, Nick Drake and Kathryn Allison in the North American Tour of “& Juliet.”

(Matthew Murphy)

This spirited competition stays in the background, but their marital happiness matters to us. Mach’s Shakespeare has the cocky strut of a rapper-producer with a long list of colossal hits. Wicks gives Anne the heartfelt complexity of one of her husband’s bright comic heroines. There’s a quality of intelligent feeling redolent of Rosalind in “As You Like It” in Wicks’ affecting characterization and luscious singing.

But the musical belongs to Juliet, and Webb has the vocal prowess to hijack the stage whenever she’s soaring in song. If Juliet’s character is still a work in progress, Webb endows her with a maturity beyond her years. She makes us grateful that the Capulet daughter is getting another crack at life. When the big musical guns are brought out late in the second act (“Stronger,” “Roar”), she delivers them as emancipatory anthems, fueled by hard-won epiphanies.

Allison’s Angélique is just as much a standout, renewing the bawdy earthiness of Shakespeare’s nurse with contemporary sass and rousing singing. If the supporting cast of men doesn’t make as deep an impression, the festive comic universe is nonetheless boldly brought to life.

“& Juliet” bestows the alternative ending everyone wishes they could script for themselves — a second chance to get it right. This feel-good musical is just what the doctor ordered in these far less carefree times.

Tory Lanez’s attempt to submit new evidence and challenge his 2022 felony conviction has collapsed.

Lanez, whose legal name is Daystar Peterson, brought forward two petitions in his case, which concerns the 2020 shooting of hip-hop artist Megan Thee Stallion. According to Complex, one involved Peterson’s driver not testifying and the other sought to bring forward a new statement from a security guard for Kelsey Harris, the victim’s former best friend. Both were subsequently denied Tuesday by the California Court of Appeals.

Peterson’s legal team alleged at a press conference in May that Bradley Jennings, who was working as a bodyguard and driver for Harris, approached them and said he had witnessed a conversation in which Harris said “she had the gun, she fired it three times, Mr. Peterson grabbed her arm and knocked it down, and the gun fired two more times.”

An attorney for Lanez added, “In essence, Mr. Peterson never shot anybody.”

Megan Thee Stallion’s team was quick to respond, issuing a statement the next day.

“Tory Lanez was tried and convicted by a jury of his peers and his case was properly adjudicated through the court system,” they wrote, per XXL Magazine. “This is not a political matter — this is a case of a violent assault that was resolved in the court of law.”

Peterson is serving a 10-year sentence after being convicted of assault with a firearm, possession of a concealed firearm and negligent discharge of a gun. He has an active main appeal set for oral argument Aug. 18.

This is not the first time the 30-year-old rapper has seen his efforts to revive the case shot down. In May 2023, a Los Angeles Superior Court judge denied his motion for a new trial.

Judge David Herriford rejected arguments from Peterson’s defense team, which claimed that evidence had been wrongly submitted in the December 2022 trial he presided over. “I could be your son. I could be your brother,” the rapper pleaded, but to no avail.

Three months later, in August 2023, he received his 10-year sentence.

A high-profile law firm representing the city of Los Angeles in a sweeping homelessness case submitted an $1.8-million invoice for two weeks of work in May, according to records reviewed by The Times.

The invoice from Gibson Dunn & Crutcher LLP comes as the city is already under serious financial pressure, caused in part by rapidly growing legal payouts.

With at least 15 of Gibson Dunn’s lawyers billing at nearly $1,300 per hour, the price tag so far equates to just under $140,000 per day over a 13-day period.

Gibson Dunn, while representing the city of Grants Pass, Ore., recently secured a landmark ruling from the U.S. Supreme Court that upheld laws barring homeless encampments in public spaces.

Los Angeles officials retained the law firm in May, roughly a week before a seven-day evidentiary hearing to determine whether control over the city’s homelessness programs should be taken away from Mayor Karen Bass and the City Council and turned over to a third-party receiver.

A month later, U.S. District Judge David O. Carter issued a scathing ruling, saying the city failed to adhere to the terms of a three-year-old settlement agreement with the L.A. Alliance for Human Rights, which calls for the creation of 12,915 homeless beds or other housing opportunities by June 2027.

Still, Carter also concluded that “this is not the time” to hand control of the city’s roughly $1 billion in homelessness programs to a third party.

Matthew Umhofer, an attorney representing the Alliance, said the city paid big money to Gibson Dunn in a failed attempt to wriggle out of its legal obligations.

“The city should be spending this money on complying with the agreement, and/or providing services to the people who need them,” he said. “Instead, they are paying a law firm to fight tooth and nail against obligations that are clear in the settlement agreement — and that a judge has affirmed they are in violation of.”

The invoice, which The Times obtained from the city attorney’s office, lists a billing period from May 19 to May 31, covering a week of preparations for the high-stakes federal hearing, as well as four of the seven trial days — each of which typically lasted eight or more hours.

Theane Evangelis, head of the Gibson Dunn team representing the city, referred questions about the invoice to the city attorney’s office.

Karen Richardson, a spokesperson for City Atty. Hydee Feldstein Soto, said in a statement that Gibson Dunn “did an outstanding job of stepping into a crucial matter that had been in litigation for nearly 5 years before they were hired,” compressing “what would normally be years worth of work into a very short time period.”

“We are grateful for their service and are in the process of reviewing the expenditures … to ensure that we go back to Council with a complete picture of what was done and charged,” she said in a statement.

The city retained Gibson Dunn just as council members were signing off on hundreds of employee layoffs, part of a larger strategy for closing a nearly $1-billion budget shortfall. The first batch of layoff notices was scheduled to go out this week.

The City Council initially appropriated $900,000 for Gibson Dunn, for a period not exceeding three years, according to the firm’s contract. Going over $900,000 required prior written approval from the city attorney, according to the contract.

The law firm quickly surpassed that threshold, eventually billing double the specified amount.

During the seven-day hearing, Gibson Dunn took a highly aggressive posture, voicing numerous objections to questions from attorneys representing the Alliance, as well as two organizations that intervened in the case.

Councilmember Bob Blumenfield, who serves on the council’s homelessness committee, said the city attorney’s office did not advise him that Gibson Dunn’s legal costs had reached $1.8 million in such a short period. Blumenfield, who represents part of the San Fernando Valley, said he is “not happy” but is reserving further comment until he receives more specifics.

Three months ago, Blumenfield co-authored a motion with Councilmember Tim McOsker seeking regular updates on the Alliance litigation — both from Gibson Dunn and the city attorney’s office.

McOsker, who serves on the budget committee and spent several years running the city attorney’s office, also did not receive notification of the Gibson Dunn $1.8-million invoice from the city’s legal team, according to Sophie Gilchrist, his spokesperson.

Gilchrist said her boss had asked for regular updates to “prevent any surprises in billing” related to the Alliance case.

“That’s why the Councilmember is requesting that this matter be brought to City Council immediately, so the City Attorney can provide a full accounting and discuss all invoices related to the case,” she said.

Gibson Dunn has filed a notice of the city’s intent to appeal at least portions of Carter’s ruling, which ordered a third-party monitor to review and verify the data being produced by the city on its housing and encampment goals.

Carter signaled that he probably would order the city to pay the legal fees of the Alliance and homeless advocacy groups that have intervened in the case. So far, the Alliance has sought $1.3 million from the city to cover its legal expenses incurred since April 2024.

In a statement to The Times earlier this week, Evangelis, the Gibson Dunn lawyer, cited the judge’s “suggestion that the Alliance may recover attorneys’ fees” as one reason for the appeal.

“The City believes that its resources should be spent providing services to those in need, not redirected to the Alliance’s lawyers — particularly when the district court has rejected most of their arguments,” she said.

Fox 11 anchor Elex Michaelson is one of the nice guys in L.A. media. His tough-but-fair-and-especially-polite lines of questioning made him a natural to help moderate debates for the L.A. mayoral and sheriff’s races three years ago. The 38-year-old Agoura Hills native is so nice that he’s known not just for his work but also … his mom’s cookies and brownies.

Michaelson gifts every guest who treks up to Fox 11’s West L.A. studios for his weekly public affairs show “The Issue Is” a box of the desserts. We’re talking former California Gov. Arnold Schwarzenegger, billionaire Rick Caruso, L.A. County Dist. Atty. Nathan Hochman, Democratic Rep. Nancy Pelosi and dozens of other political heavyweights on both sides of the proverbial aisle. U.S. Sen. Alex Padilla (D-Calif.) once brought a bag of Porto’s to Michaelson’s team in gratitude for all the cookies and brownies he had received over the years. Former Congress member and current California gubernatorial candidate Katie Porter sent Elex’s mom, Crystal, a handwritten thank-you note.

“Every single time I see [L.A. County Sheriff] Robert Luna, he brings them up without fail,” Michaelson said with pride in a phone interview.

One not-so-famous person who has been lucky enough to enjoy them? Me.

Elex recently gave me a box when I appeared on “The Issue Is” just after U.S. Border Patrol sector chief Gregory Bovino, who took time off from bloviating about the border to accept the goodies because even la migra gets sweets, I guess.

Crystal Michaelson’s cookies and brownies are worthy of a stall at the Hollywood farmers market, and I’m not saying that just so I can appear on “The Issue Is” again soon.

The cookies last time around were blondies studded with chocolate chips and M&Ms. Slightly toasted on the outside, chewy on the inside, thick yet airy and spiked with an extra dash of vanilla, the blondies were beautiful. Just as delicious were the brownies, all about the firm, dark-chocolate-derived fudge that crackled with each bite. Both featured a generous sprinkling of sea salt, the crystals perfectly cutting through all the sugar and butter.

They didn’t last the drive back to Orange County.

Cookie diplomacy at the highest level of California politics

When Elex took his mom to a holiday party hosted by then-Vice President Kamala Harris some years back, most of the movers and shakers greeted her with the same enthusiasm they showed her son because of what she bakes.

“I’m not really a baker!” insisted Crystal, an artist by trade. She makes the goodies every Thursday afternoon, the day before “The Issue Is” tapes, with an occasional assist by Elex. “But it’s turned into a whole thing!”

The tradition dates back to elementary school, when Crystal treated Elex’s teachers and classmates to them as “a thank you.” Elex took some to the first and last day of his college internship for Fox 11 to hand out to the newsroom, then repeated the gesture when he worked at XETV in San Diego and ABC 7 in Los Angeles before returning to Fox 11.

“Their first and last impression of me,” he said, “were these cookies.”

Michaelson repeated the move every day for the first week of “The Issue Is.” The inaugural guests were Newsom, then-Democratic Rep. Adam Schiff (now California’s junior U.S. senator), and commentator Areva Martin.

“Everyone loved the cookies so much that they joked, ‘We won’t return unless we get more cookies,’” Michaelson said.

The crew insisted they get treated to them one more week, “and my mom just never really stopped since then,” even baking and shipping them to regular guests during the COVID era as a Christmas gift.

“One of the only things that seems to unite Republicans and Democrats [in California] is these cookies and brownies,” Elex said. “There’s nothing like the unifying power of food to bring people together to not just talk, but listen to each other.”

Crystal gets a shout-out in the show’s closing credits for “cookies, brownies and moral support.” She learned the recipes as a teen, from a family friend. They’re baked in a Pyrex baking dish, sliced into squares, then put in cardboard boxes that she decorates by writing, “The Issue Is … ”

People have suggested Crystal sell them, but she declines: “I’m not a baker.”

For now, she’s flattered by all the attention — Newsom once wrote a letter on his official letterhead raving about them. The only issue she sees with them …is Elex.

“He eats them too much,” Crystal said. “I’ve said before that maybe I should make them a little bit healthier. And everyone said, ‘No, don’t do that!’”

Today’s top stories

(Christian Murdock / Associated Press)

In-N-Out leaves California

• Billionaire In-N-Out owner Lynsi Snyder announced last month her move from California to Tennessee.
• The departures of several major companies from California have contributed to a narrative that the state is unfriendly to businesses.
• But despite challenges, including steep taxes, the state remains the fourth-largest economy in the world, boasts a diverse pool of talent and is a hub of technological innovation, economists said.

L.A.’s water wars

• Los Angeles gets 2% of its water supply from creeks that feed Mono Lake.
• Environmental advocates are calling for the city to take less water to help the lake reach a healthy level.
• The fully exposed tufa spires show L.A. remains far from meeting its obligation to restore the lake’s health.

Olympic drama

• A proposed ballot measure could force a citywide vote on L.A. 2028 Olympic venues.
• Organizers with the hotel workers union turned in a ballot proposal to require citywide voter approval of “event centers,” including sports facilities and concert halls.
• City officials fear the proposal, if it reaches the ballot and voters approve it, would force elections on several 2028 Olympic venues.

What else is going on

Commentary and opinions

• In America’s hardest-fought congressional district, voters seem to agree on one thing, says columnist Mark Z. Barabak: Release the Epstein files.
• Under Trump, the U.S. has returned to treating violence against women as a “private matter,” argues contributor Karen Musalo.

This morning’s must-reads

Other must-reads

For your downtime

(Eckhaus Latta CAAM at Art + Practice)

Going out

Staying in

And finally … your photo of the day

Image July 2025 Substack Spa Reading

(Tyler Matthew Oyer / For The Times)

Today’s photo of the day is from photographer Tyler Matthew Oyer of a 200-person literary reading inside of a pool at the Korean Spa.

Have a great day, from the Essential California team

Jim Rainey, staff writer
Diamy Wang, homepage intern
Izzy Nunes, audience intern
Kevinisha Walker, multiplatform editor
Andrew Campa, Sunday writer
Karim Doumar, head of newsletters

How can we make this newsletter more useful? Send comments to [email protected]. Check our top stories, topics and the latest articles on latimes.com.

Billy Joel reassured fans about his health on Monday.

The 76-year-old musician had previously canceled all of his scheduled concerts after announcing in May that he was diagnosed with normal pressure hydrocephalus (NPH). NPH occurs when excess cerebrospinal fluid accumulates in the brain’s ventricles, with patients experiencing cognitive decline, difficulty walking and urinary incontinence, according to the Alzheimer’s Assn.

Joel’s recent concert performances worsened his symptoms, leading to hearing, vision and balance problems, he shared in a May 23 statement. While on Bill Maher’s podcast, “Club Random,” the “Piano Man” crooner said he often feels like he’s on a boat, but otherwise, he’s doing just fine.

“I feel good,” Joel said, seated at a piano. “They keep referring to what I have as a brain disorder so it sounds a lot worse than what I’m feeling.”

Joel noted that the condition is idiopathic, meaning no one knows the cause.

“I thought it must be from drinking,” he said, adding that he doesn’t drink anymore. “I used to, like a fish.”

Joel finished his decade-long residency at Madison Square Garden in July 2024 after 104 monthly shows at the venue. His now-canceled tour included dates across the U.S. and performances with Stevie Nicks, Rod Stewart and Sting.

The first installment of Joel’s documentary, “Billy Joel: And So It Goes,” premiered Friday on HBO. The two-part series takes a deep dive into the pianist’s journey from a bullied kid in Long Island to a legendary hitmaker, and features appearances from Paul McCartney, Bruce Springsteen, Pink and Sting.

Part 1 “is notable in how it reframes the narrative around his relationship with his former wife and manager Elizabeth Weber, explaining how she was instrumental in guiding his career and helping him become a superstar — and how songs like ‘Big Shot’ and ‘Stiletto’ were inspired by the rocky times in their marriage,” wrote Times television editor Maira Garcia. “It’s a compelling and nuanced portrait of an imperfect person who created timeless music and whose influence continues to reverberate.”

Part 2 of “And So It Goes” premieres Friday on HBO and HBO Max.

Max Muncy knew he had gotten lucky, after his ugly-looking knee injury earlier this month proved to be nothing more than a bone bruise.

But, when doctors explained how close he came to suffering something so much worse, from when Michael A. Taylor slid into his leg at third base on July 2, even Muncy was amazed by the infinitesimal margins.

“If the timing was just a millisecond different either way,” he was told, “you’re probably looking at surgery, and done for a long time.”

Instead, barely two weeks removed from having the outside of his knee bent inward on that play, Muncy was out doing early work at Dodger Stadium on Friday afternoon; running in the outfield, playing catch with coaches and performing agility drills in front of trainers without any obvious signs of pain or discomfort.

“We’re pleasantly, not surprised, but happy with the spot that I’m in right now,” Muncy said afterward, having also taken swings for the first time since his injury earlier on Friday afternoon. “It feels great. I’m moving well. Progressing quickly. We’re trying to be smart about it, and understand where we’re at, and what it’s gonna take to get back on the field. But we’re in a really good spot … We’re kind of right where we think we should be at.”

If not, it seems, already a few steps ahead.

While Muncy was initially expected to miss roughly six weeks with his left knee bone bruise, manager Dave Roberts struck a more optimistic tone as the Dodgers opened the second half of their season.

“He’s in great shape right now,” Roberts said Friday. “I don’t really know a timeline. But I do know … it’s going to be a lot sooner than anticipated, which is good for all of us.”

Since Muncy — who was one of the hottest hitters in baseball in May and June — got hurt, the Dodgers have not looked like the same offense. In their last 11 games entering Saturday, the club was 3-8, averaging less than three runs per game, and struggling to fill the gaping hole their slugging third baseman has left in the middle of the lineup.

Since the start of July, only the penny-pinching Pittsburgh Pirates have been worse than the Dodgers in batting average (.205) and OPS (.594).

“We’ve still got a lot of good players,” Roberts said. “But yeah, there’s a certain line of demarcation when Max is not in the lineup, what happens to our offense.”

The Dodgers’ problems, of course, go beyond Muncy’s absence. Shohei Ohtani, Mookie Betts and Freddie Freeman have all been slumping of late (or, in Betts’ case, for much of the season). Teoscar Hernández and Tommy Edman have been nowhere near their typical standard since returning from injuries in May. And the depth options the Dodgers have called upon have provided few sparks of life.

Still, Muncy figures to be a linchpin in the Dodgers’ long-term potential at the plate — with his recovery growing ever-steadily in importance as the rest of the lineup flounders in his wake.

“We got to figure out how to get something going,” said outfielder Michael Conforto, chief among the Dodgers’ underachievers this season. “Every time we go out there, we expect to score, and that’s what we’ve been doing all year. It’s just one of those stretches [where it’s] a little bit tougher to get runs in. But, you know, obviously, we have faith in our guys, and some big names in here that made their careers on scoring runs and driving guys in. I think we’ll be OK.”

Muncy, of course, is one of those proven names.

And in another fortunate stroke with his recovery, he remains confident his injury won’t significantly impact his swing once he does come back.

“If [the injury] was on the inside of the knee, it’d probably be a different story,” Muncy said. “But just being on the outside, I think it’s a good spot, knowing that I don’t feel it at all when I’m pushing off on the backside.”

Muncy tested that theory for the first time Friday, taking some light swings in the cage that he said “felt fine.”

“It’s a lot of work, more work than actually playing in the game, which always sucks,” Muncy said of his rehab process. “But it’s that way for a reason … You don’t want to have any other injuries that are a side effect from it.”

So far, even that latter concern has been quelled, with Muncy noting that “there’s no lingering side effects with it.”

“All in all,” he reiterated, “we’re about as lucky as we could be.”

A sequel? For spring? Groundbreaking.

After 19 years and some mixed messages from the cast, “The Devil Wears Prada 2” is officially in production and set to hit theaters in May.

The original film, based on the 2003 bestselling novel by Lauren Weisberger, is set in the cutthroat New York City fashion industry. Here’s everything we know so far about the upcoming sequel.

Who‘s returning from the original cast?

Meryl Streep, Anne Hathaway, Emily Blunt and Stanley Tucci will be reprising their roles for the highly anticipated sequel.

Joining the stars onscreen will be Tracie Thoms — who played Lily, the best friend of Anne Hathaway’s character, Andy Sachs — and Tibor Feldman, who is reprising his role as Irv Ravitz, chairman of Runway’s parent company, Elias-Clarke.

Director David Frankel, who led the first film to a $326 million worldwide box office haul, will be returning, as will screenwriter Aline Brosh McKenna (co-creator of “Crazy Ex-Girlfriend”).

Who isn’t returning?

Adrian Grenier’s Nate Cooper, Andy’s boyfriend who’s since been dubbed by the internet as the “real villain” of the film, reportedly won’t be back for the sequel.

Who’s joining the cast?

Kenneth Branagh will join the cast to play the husband of Streep’s character, Miranda Priestly. Other notable additions include actors Lucy Liu, Justin Theroux, B. J. Novak and Pauline Chalamet.

What‘s “Devil Wears Prada 2” about?

While plot details are being kept under wraps, the movie reportedly follows Streep’s Miranda as she navigates a floundering magazine publishing industry. and reunites with Blunt’s character, Emily Charlton, who is now a high-powered executive. The movie is set nearly 10 years after the original and may also borrow from the book’s 2013 sequel, “Revenge Wears Prada: The Devil Returns.” Let’s hope there’s a nod to Vogue editor-in-chief Anna Wintour, the inspiration for Miranda’s character, stepping down from her post.

What’s the release date for the sequel?

Disney’s 20th Century Studios announced the start of production with a stylish teaser on June 30. The movie will open in theaters May 1, giving fans plenty of time to get ready.

If you’re itching for a refresh, you can stream the original “The Devil Wears Prada” on Disney+ and Hulu. The movie is also available to rent on Prime Video.

Who says you can’t go Home Box Office again?

Warner Bros. Discovery renamed its streaming service HBO Max on Wednesday, formally reversing its decision from two years ago to dump the prestigious HBO brand in a bid to make the service more appealing to a mainstream, meat-and-potatoes crowd.

The gambit to chase Netflix with a service called Max didn’t work. Warner Bros. Discovery’s leaders eventually recognized the tremendous value in the HBO name, and sheepishly brought it back for an encore.

The company announced the switch in May.

“The good news is I have a drawer full of stationary from the last time around,” HBO Chairman Casey Bloys said in May, making light of Warner Bros. Discovery’s about-face during the company’s annual programming upfront presentation to advertisers at Madison Square Garden in New York.

The move marks the fifth name for the service in 15 years.

HBO’s first digital offering, introduced in 2010, was called HBO Go. Eventually the company added an HBO Now app. Then, in 2020, when the company launched its comprehensive streaming service with Warner Bros. movies and television shows, executives decided the HBO Max name would play to the company’s strengths while beckoning customers with a souped-up product and moniker to match.

That lasted until Chief Executive David Zaslav stepped in. The company truncated the name to Max because Zaslav and other executives felt the need to create some distance from HBO’s signature shows to make room for the nonscripted fare of Discovery’s channels, including HGTV and Food Network.

Now it’s back to HBO Max.

The company has said the shift was a response to audiences’ desire for quality over quantity.

“No consumer today is saying they want more content, but most consumers are saying they want better content,” the company said in May.

The change also represents a recognition that Warner Bros. Discovery, a medium-sized media company with a huge debt burden, couldn’t compete with Netflix, which tries to offer something for everyone.

And while some of the Max-branded shows, including “The Pitt,” are critically acclaimed, it was the HBO fare, including “The White Lotus,” that has been the most consistent draw for subscribers.

HBO built its legacy as a premium cable channel that required an additional fee on the monthly cable bill. Such groundbreaking series as “The Sopranos,” “Game of Thrones” and “Sex and the City” put the channel at the vanguard of prestige programming.

Most subscribers who currently have Max won’t need to download a new app, company insiders said.

An app update will eventually change the blue Max logo to a black HBO Max one.

Staff writer Stephen Battaglio contributed to this report.

Dave Roberts had some goals in mind for starting pitcher Dustin May on Thursday. And they had little to do with the final result.

“The first thing is his ability to go deeper in games,” the Dodger manager said. “The sweeper has got to be a more effective pitch. His sinker has got to be more effective.

“I know he’s working through some delivery things with the pitching coaches. I’m kind waiting to see what to expect tonight.”

May would give Roberts far more than he asked for, setting down the first 16 batters in order and pitching into the eighth inning for the first time in his career in a 6-2 win over the Chicago White Sox.

The win was the Dodgers’ fourth in a row and ninth in their last 10 games.

The start was May’s 16th of the season and the seven innings he threw gave him 89.2 for the year, both career highs. Consistency, however, has been an issue. He won just once in June, when his 5.67 ERA was highest among Dodger starters.

His first start in July was a different story, with May (5-5) giving up just two hits and striking out nine — one shy of his career high — in seven shutout innings before tiring in the eighth.

The Dodgers needed just three batters to give the right-hander the lead with Shohei Ohtani drawing a lead-off walk, then scoring on Freddie Freeman’s one-out double into the right-field corner.

Freeman padded that lead in the third, going the other way and looping a two-run double into the left-field corner. It was Freeman’s first three-RBI game in nearly two months. When Michael Conforto followed two batters later with a two-run homer, it was 5-0 Dodgers.

And the lead could have been larger: Freeman lost a homer of his own in his next at-bat when Chicago right fielder Michael Tauchman reached a couple of rows into the right-field bleachers near the foul pole to bring his fifth-inning drive back.

Mookie Betts closed the Dodgers’ scoring with a one-out solo homer in the seventh, just his second since May 19.

May, meanwhile, was cruising, talking a perfect game into the sixth before Brooks Baldwin singled sharply to right. He took a shutout into the eighth before Baldwin ended that, too, with a two-run homer.

May got help from a couple of sterling defensive plays, with Conforto taking a hit away from Miguel Vargas with a sliding catch in left to the start the fifth and Freeman diving to his right to stab Josh Rojas’ low line drive to start the sixth.

Relievers Tanner Scott and Kirby Yates followed May to the mound, throwing a hitless inning apiece to close out the win.

The Dodgers’ Clayton Kershaw’s road to 3,000 strikeouts started in his very first game, when he struck out Skip Schumaker of the St. Louis Cardinals on May 25, 2008. His illustrious career reached another peak in 2015 when he became one of only 19 pitchers in baseball history to reach 300 strikeouts in a season.

(Anne Cusack / Los Angeles Times)

Clayton Kershaw made his major league debut and pitched six innings against the St. Louis Cardinals at Dodger Stadium on May 25, 2008, striking out seven.

(Wilfredo Lee / Associated Press)

Clayton Kershaw delivers a pitch during the first inning against the Marlins on May 17, 2009, in Miami. Kershaw struck out nine in seven innings.

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1. (Chris Carlson / Associated Press) 2. (Chris Carlson / Associated Press)

Kershaw celebrates his no-hitter with his teammates against the Rockies on June 18, 2014. Kershaw struck out a career-high 15 batters.

(Mark J. Terrill / Associated Press)

Clayton Kershaw tips his cap to fans after being taken out in the fourth inning against the Padres on Oct. 4, 2015. Kershaw reached 300 strikeouts in a season during the third inning.

(Wally Skalij / Los Angeles Times)

Clayton Kershaw drops to the ground after giving up a home run to the Cubs’ Anthony Rizzo in the fifth inning of Game 6 of the NLCS at Wrigley Field on Oct. 22, 2016.

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1. Clayton Kershaw comes into the game for a relief appearance against the Astros in Game 7 of the World Series at Dodger Stadium on November 1, 2017 (Wally Skalij / Los Angeles Times) 2. Clayton Kershaw (22) throws a strike against Astros second baseman Jose Altuve (27) in the fourth inning of Game 1 of the World Series at Dodger Stadium on October 24, 2017. (Gina Ferazzi / Los Angeles Times) 3. Clayton Kershaw strikes out Yuli Gurriel to end the third inning for the Astros in Game 7 of the World Series at Dodger Stadium on November 1, 2017. (Robert Gauthier / Los Angeles Times)) 4. Dodger fans cheer as pitcher Clayton Kershaw gets a strikeout against the Astros in the first inning in Game 1 of the World Series at Dodger Stadium on October 24, 2017. (Wally Skalij / Los Angeles Times)

Kershaw wasn’t able to lift the Dodgers past the Astros in the 2017 World Series. It was later discovered the Astros were cheating.

(Robert Gauthier / Los Angeles Times)

Clayton Kershaw celebrates after striking out the Washington Nationals’ Adam Eaton in relief to end the seventh inning in Game 5 of the NLDS at Dodger Stadium on Oct. 9, 2019.

(Wally Skalij / Los Angeles Times)

(Wally Skalij/Los Angeles Times)

Clayton Kershaw throws a pitch against the Tampa Bay Rays in the sixth inning in Game 5 of the World Series at Globe Life Field in Arlington, Texas, on Oct. 25, 2020.

(Luke Johnson / Los Angeles Times)

Clayton Kershaw throws a strike to the White Sox’s Vinny Capra for his 3,000th strikeout during the sixth inning at Dodger Stadium on Wednesday night.

Nicolas Batum plans on re-signing with the Clippers on a two-year contract for $11.5 million with a team option for the second season, according to people with knowledge of negotiations not authorized to discuss it publicly.

Batum, 36, had declined his option of $4.9 million with the Clippers for next season that made him an unrestricted free agent, but he always had intention of returning to the organization that he says saved his career.

Viewed as one of the Clippers’ top role players and veteran presence in the locker room, Batum averaged 4.0 points, 2.8 rebounds and 1.1 assists last season. He shot 43.7% from the field, 43.3% from three-point range and played in 78 regular-season games.

After the Clippers were knocked out of the first round of the playoffs in May, Batum was asked if he wanted to return to the team.

“If they want me to,” the 18-year veteran said.

COMMERCE CITY, Colo. — Djordje Mihailovic and Calvin Harris scored four-minutes apart in the first half and the Colorado Rapids beat the Galaxy 2-0 on Wednesday night in a game delayed two hours due to weather.

Colorado (7-8-4) snapped a three-game losing streak.

The Galaxy (1-13-5) lost to the Rapids for the first time since May 6, 2023.

Mihailovic headed in Sam Vines’ cross for his eighth goal of the season to end Colorado’s a 261-minute goal drought. Harris, in his first start of the season, scored his second goal in 12 appearances.

Harris nearly made it 3-0 in the 55th on a shot that hit off the post.

Rookie Nico Hansen, standing in for the injured Zack Steffen since May 17, recorded his third clean sheet in just seven starts.

WASHINGTON — A federal appeals court in New York on Tuesday ordered the Trump administration to facilitate the return of a man who was deported to El Salvador roughly 30 minutes after the court suspended an order to remove him from the U.S.

The ruling in Jordin Alexander Melgar-Salmeron’s case marks at least the fourth time this year that President Trump’s administration has been ordered to facilitate the return of somebody mistakenly deported.

The government said “a confluence of administrative errors” led to Melgar-Salmeron’s deportation on May 8, according to the decision by a three-judge panel from the 2nd U.S. Circuit Court of Appeals.

The panel said administration officials must facilitate his return to the U.S. “as soon as possible.” The judges gave them a week to identify his current physical location and custodial status and to specify what steps they will take to facilitate his return.

Kilmar Abrego Garcia, whose mistaken deportation in March became a flashpoint in Trump’s immigration crackdown, was returned from El Salvador this month to face human smuggling charges in Tennessee.

In April, a Trump-nominated judge in Maryland ordered his administration to facilitate the return of a man who was deported to El Salvador in March despite having a pending asylum application. U.S. District Judge Stephanie Gallagher ruled that the government violated a 2019 settlement agreement when it deported the 20-year-old man, a Venezuelan native identified only as Cristian in court papers.

And in May, another judge ordered the administration to facilitate the return of a Guatemalan man whom it deported to Mexico despite his fears of being harmed there. U.S. District Judge Brian Murphy found that the removal of the man, who is gay, likely “lacked any semblance of due process.”

Kunzelman writes for the Associated Press.