Matt Damon

Are we in for a new age of scripted basic cable television? Given the successes of the old age, which threaded its way between broadcast and premium cable TV, a little bolder than the former, less pricier than the latter, making up what it lacked in resources with invention and charm — producing such shows as “The Detour,” “Halt and Catch Fire,” “Lodge 49” and “The Closer,” to name just a few of my favorites — I’d be all for it.

Premiering Friday on the USA Network, lately devoted to sports, reality shows and reruns, the legal drama “The Rainmaker” is the first fruit of an intentional return to the network’s self-styled “blue sky” era, when its slogan was “Characters Welcome” and “optimism” in storytelling was a stated goal. “Psych,” “In Plain Sight,” “Monk” and “Suits” — whose recent success after being recycled onto Netflix would seem to be a factor in this turnaround — were among the series born in that period.

Based on John Grisham’s 1995 novel, faithfully adapted by Francis Ford Coppola into a 1997 film starring Matt Damon and Claire Danes, the TV “Rainmaker” has been kitted out with some new and altered characters and a novel focus, and in order to keep you on the hook across 10 episodes, it stirs in a case of arson and a serial murderer. (And surely some additional complications — only five episodes out of 10 were available for review, so even though I wouldn’t tell you about what’s coming later, I couldn’t.) Serial killer notwithstanding — nothing drearier than a serial killer — the nuts and bolts and girders and panels of a USA show are here — colorful characters, one part comedy to one part drama, a mystery to solve, and just a tiny bit of sex. (This is basic cable, remember.)

We meet hot-headed good guy Rudy Baylor (Milo Callaghan) and his cheery girlfriend Sarah Plankmore (Madison Iseman), both not long out of law school, both yet to take the bar exam, at a legal-aid event, providing free advice to the sort of people who could never afford a lawyer, wouldn’t know where to start or maybe just want someone to listen to their stories. They meet Dot Black (Karen Bryson), who is very much not over the death of her son while in a hospital whose name I can’t recall but for my own convenience will just call Bad Hospital. Badspital. That the hospital — the Badspital — has offered her $50,000 while their motion to dismiss is still pending, sets Rudy to wondering what they might be trying to hide. Anyway, Dot, whom we’ll see again, finds the offer insulting and also needs an apology.

Rudy and Sarah have both been hired by the 800-pound gorilla law firm Tinley Britt. On their first day, he arrives late to work — and bloody, having gotten into a fight with his mother’s shiftless, but large, boyfriend. He proceeds to get into another fight, abstractly, with senior partner Leo F. Drummond (John Slattery), who fires him. (In the novel, Rudy is merely laid off in a merger — not so dramatic!) Moaning to friend and bar-owning sometime boss Prince Thomas (Tommie Earl Jenkins) that he’s been turned down by every other respectable firm in town, Thomas suggests “a not so respectable one.”

John Slattery stars as Leo Drummond, a senior partner at Tinley Britt, the law firm where Rudy is hired and subsequently fired.

(Christopher Barr/USA Network)

Here things depart significantly from the text, and the fun begins.

Rudy is delivered to the law offices of glamorous Jocelyn “Bruiser” Stone (Lana Parrilla) and associates, located in a partly converted Mexican restaurant — though past the receptionist the only associate in sight is “paralawyer” Deck Shifflet (P.J. Byrne). A purely comic character, Deck has failed the bar seven times but has many useful skills and qualities, not least a flexible sense of professional ethics. He insists on calling Rudy “Boo Boo.” It takes him a minute to realize it, but Rudy has found his people.

Gender flipped from the novel’s J. Lyman Stone, Bruiser (when not in court) favors animal prints, plunging necklines and short skirts. “I only need three things,” she says. “Kentucky bourbon, a bloody steak and a man who won’t spend the night.” You get the picture.

But there’s more to her than that. When Rudy, who has been with Deck trolling the Badspital for clients, suggests he wasn’t cut out to be an “ambulance chaser,” she also has this to say.

“You know where the term ambulance chaser came from? It was used by white shoe firms in the ’20s to crap on any lawyer that wasn’t a member of their club. When the contingency-fee law was enacted, small firms rose up full of attorneys who were just like their clients, the ones on the Statue of Liberty, the tired, poor, the huddled masses — those same people are our clients now, and if you think you’re better than them, you’re not. You are them.”

It’s good to know someone still takes Emma Lazarus seriously.

Among the figures Rudy and Deck encounter at the hospital, or the Badspit — oh, never mind — is Melvin Pritcher (Dan Fogler), whom we have seen in the series’ opening scene, escaping a house fire that kills his mother. There are several things to say about him that probably constitute spoilers, so I’ll just note that though Melvin is quite unpleasant, Fogler is very good.

With Sarah working for the Empire and Rudy embedded with the rebels, their relationship has been engineered by the writers to be problematic, possibly to break down — though each does seem to be trying. (They’re good kids.) She’s got a trust fund; he’s doesn’t own a suit of his own, dressing rather in one passed down from a dead brother. They’ll wind up in court opposite one another like Tracy and Hepburn in “Adam’s Rib,” for Tinley Britt is defending the hospital from Dot, who has become a client of Bruiser’s firm. Their future together is also potentially complicated by Kelly Riker (Robyn Cara), a woman who lives in Rudy’s building who is obviously being abused, and Drummond’s smarmy lieutenant Brad Noonan (Wade Briggs) — of course he’d be named Brad — who has been assigned to weaponize Sarah against Rudy.

Callaghan gives off a scintilla of Matt Damon vibes, but is his own Rudy, keeping his naive idealist free from leading-man tics. Parrilla finds the balance between Bruiser’s sauciness and seriousness; Byrne plays the clown adeptly; and Slattery, a boss again after “Mad Men,” softens his villainy with some Roger Sterling insouciance.

Developed by Michael Seitzman and Jason Richman, it’s a very watchable show — serial killer passages notwithstanding. There’s nothing fancy in the execution — it’s the opposite of stylish — but everything’s clearly defined and dialed up a step past normal into that space we call entertainment. Welcome back to the blue sky.

Project Hail Mary is one of the most talked about upcoming blockbusters for next year, but there’s another gripping science fiction thriller you should check out first

Science fiction fans can stream this critically acclaimed blockbuster right now ahead of the new Ryan Gosling-led thriller, Project Hail Mary.

The upcoming space epic will be hitting cinemas next March and a recent trailer has teased a high-octane thrill ride beyond the solar system.

Starring Gosling as school science teacher Ryland Grace, he’s plunged headfirst into a dangerous outer space mission to protect the Earth from catastrophe – but can he save his own life in the process?

Helmed by the genius directors behind 21 Jump Street and Into the Spider-Verse, Phil Lord and Christopher Miller, this jaw-dropping adaptation of Andy Weir’s bestselling novel is guaranteed to be a must-watch cinematic experience.

Sci-fi readers will already be well-acquainted with Weir as the author of the equally gripping novel The Martian, which was adapted into a major film directed by Ridley Scott and starring Matt Damon back in 2015.

10 years later, this nail-biting space survival thriller remains one of the most beloved sci-fi films of the century so far – and fans can stream it right now.

Whether you’ve already experienced this riveting space adventure or it’s somehow passed you by, make sure you stream The Martian on Disney+ at some point before March to get yourself well-prepared for Project Hail Mary.

One five-star Google review calls it: “An Absolute Masterpiece of Sci-Fi Cinema.”

They went on: “Adapted from Andy Weir’s equally captivating novel, this film takes you on an exhilarating journey to the red planet, Mars.

“From the very first scene to the closing credits, The Martian is a thrilling and suspenseful rollercoaster of human ingenuity, resilience, and survival.

“Matt Damon’s portrayal of Mark Watney, an astronaut stranded on Mars, is brilliant. His charismatic and witty performance keeps you engaged throughout the film.”

Someone else raved: “What makes The Martian so rewatchable is its tone. It’s intense when it needs to be, but never loses that touch of optimism and wit that makes it so enjoyable.

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“The soundtrack fits perfectly, the pacing keeps you engaged, and the visuals of Mars are stunning without ever feeling overwhelming.

“It’s a film that makes space feel both terrifying and oddly comforting, a rare mix. Whether you’re into science fiction, survival stories, or just well-made cinema, The Martian is the kind of film you’ll gladly watch more than once.”

The accolades continued over on Letterboxd, where yet another five-star review says: “An effortlessly engrossing and excellently rendered science fiction epic of survival, Ridley Scott’s Martian immediately ranks as one of the director’s most satisfying works.

“A love letter to the power of science, problem solving, and human will, the film provides a smart and soaring experience that rivets as much as it satisfies.

“Scott and company tell a story that is buoyant, nail-biting, and life affirming.”

This modern masterpiece isn’t leaving Disney+ any time soon, so there’s plenty of time and absolutely no excuse not to stream one of Damon’s best blockbusters before the torch is passed to Gosling next year.

The Martian is available to stream on Disney+.

Ryan Gosling puts the “not” in “Astronaut” in the new trailer for “Project Hail Mary.”

The upcoming sci-fi film, based on Andy Weir‘s novel of the same name, stars Gosling as middle school teacher turned reluctant astronaut Ryland Grace, who’s tasked with saving humanity from the effects of a dimming sun. However, when he wakes up from a coma as the sole survivor aboard a spaceship, he must overcome his amnesia to remember where he is and why he was sent there.

“It’s an insanely ambitious story that’s massive in scope and it seemed really hard to make, and that’s kind of our bag,” Gosling said of “Project Hail Mary” at CinemaCon in April, where he debuted footage from the film, according to Variety. “This is why we go to the movies. And I’m not just saying it because I’m in it. I’m also saying it because I’m a producer on the film.”

The trailer, released Monday by Amazon MGM Studios, opens with Gosling startling awake on the spacecraft, his hair and beard uncharacteristically long. “I’m several light-years from my apartment,” he proclaims, “and I’m not an astronaut.”

It then jolts back in time to show Grace pre-launch as he learns from Eva Stratt (Sandra Hüller) that if he does not journey into space, everything on Earth will go extinct. According to Stratt, who heads the mission, Grace is the only scientist who might understand what is happening to the sun and surrounding stars.

The trailer, which progresses through an intense montage set to Harry Styles’ “Sign of the Times,” teases Gosling’s signature humor. “I can’t even moonwalk!” the “Barbie” actor declares at one point. (Gosling portrayed moonwalker Neil Armstrong in another recent space movie, Damien Chazelle’s “First Man.”)

Everything leads up to Grace meeting an alien, who isn’t shown in full — but fans of the book know it plays an integral role in saving planet Earth and beyond.

The film, directed by Phil Lord and Christopher Miller, marks the second book-to-movie adaptation for Weir, whose novel “The Martian” became an Oscar-nominated 2015 blockbuster starring Matt Damon. An adaptation for his book “Artemis” is also in development with the same directing team.

“Project Hail Mary” hits theaters March 20.