Liu

U.S. figure skater Alysa Liu made quite an impression at the Milan-Cortina Olympics with her unique style, her compelling backstory and, of course, her gold medals in the women’s singles competition — the first for an American woman since 2002 — and in the team event.

Her feats captured the attention of local artist Gustavo Zermeño Jr. He wanted to be sure to capture all of it in his new mural paying tribute to the 20-year-old athlete in Gardena.

“Obviously her winning gold was the main factor” in his choosing to paint Liu, Zermeño said.

But once the Mexican-American artist learned more about the Chinese-American skater, he found inspiration in other aspects of her life as well. That includes the Oakland native’s two-year retirement from the sport starting at age 16, her enrollment at UCLA and her decision to express herself in her own way.

“She’s first-generation American, just like myself,” Zermeño said. “So I feel like that tie, her going to UCLA, her stopping skating for awhile and then jumping back in and more being herself — you know, growing up in Venice, I feel like that’s what kind of made me an artist. Venice allowed me to be myself, be wacky on the boardwalk, artists, performers, stuff like that.

U.S. figure skater Alysa Liu poses with the gold medal she won in the women’s singles Feb. 19 at the Milano-Cortina Winter Olympics.

(Matthew Stockman / Getty Images)

“So I feel like there were a lot of connections beyond her just winning the gold medal. But ultimately, I think she just deserves her flowers, man. She accomplished something, and I feel like her personality is what’s really garnering all this support from people.”

Zermeño was driving to get dinner near his home earlier this week and noticed a wall he thought would be perfect for his Liu-inspired project outside the Coe’s Glass & Mirror building at 15532 Crenshaw Blvd. It turned out that Zermeño casually knew the business owner, although Alex Lopez said he never realized his former next-door neighbor was a mural artist.

Still, Lopez approved the project immediately upon seeing samples of Zermeño’s work and a digitally created version of his idea for the Liu painting.

“I mean, I probably should have gone up the chain of command and asked the landlord’s permission, but I knew it was going to come out amazing,” Lopez said. “I just said, ‘Let’s go for it.’ The landlord came by this morning and loved the piece. He was really glad that we did it.”

Artist Gustavo Zermeno Jr. said he was inspired to paint a mural dedicated to U.S. skater Alysa Liu for reasons ‘beyond her just winning the gold medal.’

(Ronaldo Bolanos / Los Angeles Times)

Zermeño started painting Tuesday and hopes to be finished early next week. The mural will feature three images of Liu, including two of her skating, but the centerpiece is a larger-than-life headshot of her from the women’s singles medal ceremony.

In it, the halo-haired athlete smiles broadly as she pretends to take a bite out of her gold medal, putting on full display her now-famous “smiley” piercing in the tissue connecting her upper lip to her gums.

‘I think it really represents her personality and where she’s from, the Bay Area,’ artist Gustavo Zermeño Jr. said of his mural dedicated to U.S. skater and Oakland native Alysa Liu.

(Ronaldo Bolanos / Los Angeles Times)

“I like that it’s a little rough around the edges, but beautiful at the same time,” Zermeño said of the portrait. “I think it really represents her personality and where she’s from, the Bay Area. And so I feel like it just looks, you know, a little hood but at the same time, her being a figure skater, has that softness to it. And that’s kind of what I wanted.”

Lopez added: “I love it. Just her in general, as a person, I think she’s great. What she was able to accomplish in the Olympics is amazing for the United States and just for California. I’m honored to have her mural here. I feel like it represents the community and our business really well.”

MILAN — She flipped her hair. She shrugged. She dusted her hands off.

Alysa Liu makes winning an Olympic gold medal look easy.

The 20-year-old became the first U.S. woman to win the Olympic singles title since 2002, electrifying the crowd at Milano Ice Skating Arena with her “MacArthur Park” program Thursday and overtaking Japanese rivals Kaori Sakamoto and Ami Nakai, who won second and third, respectively.

Liu scored a monster 150.20 points in her free skate, the highest mark for a women’s free skate all season in international competition to win by a total of 1.89 points. Her choreographer Massimo Scali’s jaw dropped when he heard the score read in Italian. A beat later when the screen caught up to the public address announcement in the stadium, Liu nodded confidently and cracked a subtle smirk.

American gold medalist Alysa Liu hugs Japanese bronze medalist Ami Nakai after their final scores were revealed at the Winter Olympics on Thursday in Milan.

(Jamie Squire / Getty Images)

She doesn’t care about the scores.

Liu, who grew up in Oakland, has floated through her second Olympics as if she had not a single care in the world. A two-year retirement during which she climbed Mt. Everest, got her driver’s license and started college at UCLA made skating feel inconsequential. Now so unbothered, Liu spent part of her six-minute warmup cheering on teammate Amber Glenn in the leader’s chair. Minutes before taking the ice, Liu snapped a selfie with her coaches. She gives her coaches a high-five right before taking her starting position.

“She’s not like us,” her coach Phillip Diguglielmo said. “The rest of us here would be like, ‘Oh my God, I’m nervous. Oh, I can’t do this. I have a million voices in my head.’ She has one voice in her head, and it says, ‘I got this.’”

The only emotions Liu felt during her program were “calm, happy and confident.” When she sees the faces in the crowd smile, Liu said she can’t help but smile, too. And there was a lot of smiling. Her Donna Summer disco program had fans clapping within the first minute. Diguglielmo and Scali held their hands overhead to join the roar. Liu’s pre-program message to the crowd on the video board was “Y’all better turn up!”

Liu, who won the 2025 world championship with the same crowd-pleasing program, returned to the sport in 2024 with the sole objective of sharing her art. She wanted to make as many programs as possible. Winning never seemed to matter. With the gold medal hanging around her neck, Liu stopped short of saying she even wanted it. She surely didn’t need it, she said.

“What I needed was the stage,” Liu said. “And I got that.”

Once Liu processed the final scores, she rose to her feet and turned toward Nakai, clapping for the 17-year-old. Nakai, skating in her first Olympics, was shocked. She held up three fingers to Liu, asking if she had finished on the podium. Overjoyed, they hugged. Liu picked Nakai, who had entered the free skate in first place, up off the ground.

Sakamoto was less than a point ahead of Liu entering Thursday’s free skate, but small mistakes from the three-time world champion, in addition to Liu’s strong technique and infectious energy made Liu the first U.S. woman to win the Olympic gold medal since Sarah Hughes in 2002. The United States’ 20-year drought without a medal — since Sasha Cohen took silver in 2006 — was the country’s longest.

Liu held her palms up in disbelief after finishing the program of her life that put her in the lead with two competitors remaining. She leaned into the camera and pointed to the piercing on the inside of her upper lip. She did it herself.

With blond horizontal stripes dyed in her dark brown hair, bold black eyeliner and the smiley lip piercing, Liu has cut an alternative path to the top of a sport that long valued a specific kind of femininity. But the slick back bun, classical music and balletic dress was not Liu’s brand.

Her brand is joy.

And now as just the second figure skater in history to win two Olympic gold medals at the same Olympic Games — joining U.S. star Nathan Chen — Liu has the stage, and the attention, to display her joy for the next generation of athletes.

“People will be able to see how she approaches the sport now versus before and see how much more successful it is now in a healthy way,” Glenn said. “And I’m hoping people can really learn from that.”

Glenn got redemption after the short program, putting up a season’s best 147.52 during her free skate that vaulted her from 13th to fifth with a 214.91 total score. The only blemish was when Glenn put one hand down on her final jump — the same triple loop that cost her in her short program. But as she held one leg behind her during a spiral in her last sequence, Glenn smiled as she looked into the crowd. After the program, she whipped her fist through the air triumphantly.

The performance put a positive punctuation mark on Glenn’s winding Olympic journey. She has faced intense scrutiny at the Games. The same pressure that consumed Glenn and teammate Ilia Malinin could not even touch Liu’s glowing aura.

When asked Thursday if she felt any “Olympic pressure,” Liu smiled.

“You would have to explain what Olympic pressure is,” she said.

Then she bounced away, the gold medal around her neck blending perfectly with her gold dress.

When women take the ice for Thursday’s Olympic free skate in the global fashion capital of Milan, five skaters will compete in dresses made by Los Angeles-based designer Lisa McKinnon.

McKinnon has become the must-have name in figure skating couture, dressing the entirety of the U.S. and South Korea women’s teams. Americans Alysa Liu, Amber Glenn and Isabeau Levito wore McKinnon’s designs in the short program and will do so again in the free skate.

And one of those dresses may be featured on the medal podium. Liu stands in third place after Tuesday’s short program, while Levito is in eighth and Glenn tumbled to 13th with the free skate still to come.

McKinnon knows exactly how clothing needs to fit on bodies moving across the ice — for spins, for jumps, for everything it takes to win. The fabric must be able to stretch in all directions, which necessitates a four-way stretch fabric. Design with a two-way stretch and a skater might not be able to lift their arm. Dress skaters in spandex, power mesh and stretch velvet, and they’ll move like they do in training.

American Amber Glenn competes in the figure skating short program at the Winter Olympics in Milan on Tuesday.

(Robert Gauthier/Los Angeles Times)

McKinnon sources most of the fabric locally from the fashion district in downtown L.A.

“It’s really great to just go in person because sometimes it’s the fabric that can inspire you to create something with,” McKinnon said.

McKinnon’s time on the ice that taught her how to create fashion for an athlete tailored for movement and aesthetic appeal. She grew up as a competitive figure skater in Sweden, and she started making bodysuits and dresses — which she wore to practice — for herself at age 11 or 12. By 16, she was designing dresses for elite skaters in her hometown, Mariestad, Sweden, including a Swedish national champion. At the time, they shared a coach, and the coach asked McKinnon to design a dress for the skater.

“They had seen the dresses that I made for other skaters,” she said. “They were just — you know — putting their faith in my hands that I could do this.”

After high school, McKinnon skated in tours in Europe and then North America. In the United States, she first settled in Las Vegas, where she designed dresses for local skaters. When she moved to L.A., bigger name skaters started calling. She designed for Ashley Wagner, three-time U.S. champion, and Karen Chen, who competed in her dresses at the 2018 Olympic Games. McKinnon says they were the ones who “got her noticed.” Noticed to the point that Milan is by no means the designer’s Olympic debut. In 2018, she outfitted pairs gold medalists Aljona Savchenko and Bruno Massot from Germany.

Since then, McKinnon has become the go-to designer for elite women’s figure skaters in the United States. At U.S. nationals in St. Louis in January, eight of the 18 senior women competed in McKinnon’s dresses. In the final warm-up alone — composed of the six skaters leading after the short program — five wore McKinnon designs. There, Glenn, Liu and Levito stood on the podium in her dresses.

In St. Louis, McKinnon hand delivered a dress to Liu, the reigning world champion who debuted a long-awaited Lady Gaga free skate routine. Liu practiced in the dress and McKinnon was able to make on-the-spot adjustments.

Surprisingly, hand delivery isn’t the norm for the dresses that run from $3,000-$8,000, averaging around $5,000 (McKinnon charges by the hour). Because McKinnon designs for skaters who train all over the country — Liu in Oakland, Glenn in Colorado Springs, Colo., and Levito near Philadelphia in southern New Jersey — FedEx shepherds the dresses across the country. Skaters make sure the dresses fit OK before McKinnon and her four-person seamstress team add sparkle, which usually means a crystal count in the thousands. Beads, paillettes and pearls are often mixed into the shine. Each crystal is hand affixed with E6000 glue.

American Christina Carreira and partner Anthony Ponomarenko compete during the ice dancing free skate at the Winter Olympics on Feb. 11 in Milan.

(Robert Gauthier/Los Angeles Times)

McKinnon affixed faux rose pedals to a dress for American ice dancer Christina Carreira to debut during the skater’s own Olympic debut. Midway through the skating season, Carreira and partner, Anthony Ponomarenko, returned to their free dance from two years ago, “Perfume: The Story of a Murderer.” They needed new costumes to differentiate from their performances two years ago, and McKinnon had already designed costumes for the team’s rhythm dance to La Bouche’s “Sweet Dreams.” McKinnon made the new dress in a little over a week, and it was set to arrive three days before Carreira left her training base in London, Canada, for the Games.

Except the dress didn’t arrive.

McKinnon learned that the package was stuck at a FedEx facility in Memphis, Tenn., after Winter Storm Fern pummeled the region.

“We would call and sometimes they’d say it’s in L.A., sometimes they’d say it’s in Memphis, so we didn’t know where it was,” Carreira said. “We weren’t getting answers, but going on social media actually helped.”

Carreira woke up after her flight to Milan to find an Instagram message with a photo of her dress. A woman told Carreira that her husband had found the package and put it on the first plane to Detroit, where Carreira’s coach, Scott Moir, retrieved the package to bring to Milan.

Carreira first tried on the dress in Milan. “It fit perfectly,” she said. “Lisa has never met me. She’s only seen me over FaceTime, and the two dresses she’s made fit perfectly.”

Carreira and Ponomarenko placed 11th in their Olympic debut.

“I wanted a dress that made me feel special at the Olympics,” Carreira said. “And both of those dresses did that.”

Carreira came to McKinnon’s designs through Glenn, who skated her short program to Madonna’s “Like a Prayer” wearing a McKinnon design based on the 1989 music video. After admiring McKinnon’s designs, Carreira talked it over with Glenn at an early season competition in Oberstdorf, Germany.

“She said Lisa was super easy to work with,” Carreira said. “The dresses fit perfectly.”

McKinnon designs from her studio, which occupies the first floor of her apartment in West Hollywood. There, McKinnon and her team watch their dresses take the runway in Milan. Except the runway is made of ice and the skaters will do much more than walk.

MILAN — She’s the only U.S. skater still in medal contention. Alysa Liu is the last person to care.

The unbothered 20-year-old is the only American who finished in the top six of the women’s short program Tuesday and is holding the weight of an Olympic medal drought that’s as old as she is. But after placing third in the short program, she said she hadn’t even looked at the standings. She is angling more for an invitation to the post-competition gala than a medal.

“A medal?” Liu asked with a sarcastic scoff and giggle. “I don’t need a medal. I just need to be here, and I just need to be present. And I need people to see what I do next.”

Next will be the women’s free skate Thursday, where Liu will try to be the first U.S. woman to stand on an Olympic podium for singles figure skating since Sasha Cohen in 2006.

The United States entered the Milan-Cortina Games with three strong contenders to end the drought, but will need comeback performances from the other two “Blade Angels.”

Alysa Liu is the top hope for the U.S. in women’s singles figure skating after finishing third in the short program.

(Robert Gauthier / Los Angeles Times)

Isabeau Levito skated cleanly in her Olympic debut but finished the short program in eighth with 70.84 points, almost eight points back from leader Ami Nakai’s 78.71.

Amber Glenn appeared poised to join Liu in medal contention after she started her “Like a Prayer” program with a steady triple axel. Looking inspired from a good luck message from Madonna this week, Glenn executed a strong triple-triple combination with her second jumping pass. The crowd at Milano Ice Skating arena roared.

Then Glenn popped her last planned triple jump. She earned zero points on the element. Her face fell immediately.

Glenn went through the motions of her step sequence but she looked lifeless, and after her program, she clutched the necklaces on her burgundy lace dress and knelt at center ice. She broke down in tears when she hugged her coach.

“I had it,” Glenn said through sobs.

With 67.39 points in 13th place, the three-time national champion is well outside the medal race led by Nakai and three-time world champion Kaori Sakamoto, who is in second with 77.23 points. Levito, skating in her mother’s hometown and paying homage to iconic Italian actress Sophia Loren with her short program, is less than six points out of podium position behind Liu’s 76.59 points.

Snoop Dogg and Martha Stewart, wearing bedazzled headphones in a booth at the top of the arena, were shown on the video screen after Glenn’s skate clapping for her performance. U.S. teammate Ilia Malinin cheered behind them.

Malinin could empathize as Glenn held back tears on the ice. The United States won the team figure skating competition with a dramatic one-point victory but hasn’t secured any of the individual gold medals that appeared likely. Malinin, whose free skate collapse was one of the most stunning moments of the Milan-Cortina Games, cited the intense Olympic pressure.

Isabeau Levito competes during the women’s short program Tuesday.

(Robert Gauthier / Los Angeles Times)

After a shaky performance in the team competition, Glenn tried to escape the spotlight by training with U.S. teammates at a facility in Bergamo, 50 minutes outside of Milan. She tried to commit to rest and recovery and shy away from social media. She said after training Monday that she felt physically strong and had refocused enough to make the competition feel like any other world championship.

Knowing how hard it was for Glenn to get one jump away from putting herself into medal contention made the sight of her mistake all the more painful for Liu.

“She works so freaking hard,” Liu said after seeing Glenn’s skate on TV screens in the interview area. “Genuinely, such a hard worker, and she’s overcome a lot, and I just want her to be happy.”

Liu received some of the loudest applause of the night. Before beginning her program, she skated by the boards and high-fived both of her coaches, who hugged and hopped for joy when Liu executed her tricky triple lutz-triple loop combination jump. After hitting her ending pose, Liu covered her face to hide the tears that often well up in her eyes after her program set to “Promise.”

The reigning world champion returned to her second Olympics seemingly oblivious to any sort of pressure after a two-year retirement changed her perspective on skating. In Beijing, she was a 16-year-old who skated as she was told. She executed the jumps, performed to the music and wore the costumes that she was given.

But she laid the road to Milan all by herself and on her own terms.

One strong free skate away from her first individual Olympic medal — and second overall after helping the United States to team gold last week — Liu can’t be bothered to fret about how she’ll prepare for her last Olympic competition. Instead, she said she wants fans to see her new gala program.

A new dress just arrived and the choreography is almost done. All she needs is an invitation.

MILAN — Alysa Liu wore a hollow smile on the ice. She had achieved a dream, skating at the Beijing Olympics at just 16, but in a mostly empty arena, few were there to see the moment.

Perhaps that was what Liu secretly wanted.

“It’s not that I didn’t want to be seen,” Liu said. “It’s just I had nothing to show.”

The 20-year-old now proudly presents Alysa Liu 2.0.

Four years after shocking the sport by retiring as a teenage phenom, the Oakland native could win two gold medals at the Milan-Cortina Olympics. She is a title contender in her individual event that begins Jan. 17 as the United States tries to end a 20-year Olympic medal drought in women’s singles figure skating, and she will skate Friday in the women’s short program of a team competition the United States is favored to win.

Armed with a new perspective from her two-year retirement, Liu now smiles genuinely on and off the ice, no matter if there’s a medal around her neck or not.

“I have so much I want to express and show, whether that’s through skating or just through my presence,” said Liu, who placed sixth in Beijing. “It’s exciting to think about that being seen.”

When she made her Olympic debut, Liu didn’t feel like her career belonged to her. Her father, Arthur, was a driving force in her skating career. In a sport where coaches and choreographers often call the shots for young athletes, Liu entered the Olympic stage with programs she didn’t like and clothes she didn’t pick. She was behind a mask and couldn’t express herself. She barely knew how to.

Skating had consumed her entire life. She felt “trapped and stuck” in the sport. So she left.

After retiring following the 2022 world championships — where she won a bronze medal — Liu got her driver’s license. She hiked to Mount Everest base camp with friends. She went shopping for not-skating clothes, played Fortnite until 4 a.m. with her siblings and enrolled at UCLA. She loved studying psychology.

“I found what I like and what I didn’t like,” said Liu, who took time off from UCLA to prepare for the Olympics but hopes to return before her friends graduate. “Really got to know myself, because [when] I had skating, I didn’t really know myself. I couldn’t know myself. I only ever did one thing.”

Alysa Liu practices in Milan on Thursday ahead of the Olympic team competition, which starts Friday.

(Robert Gauthier / Los Angeles Times)

After a casual ski trip reminded her of the joys of skating, Liu made the decision to return to the sport that shaped, and nearly stole, her childhood. But she would only do it on her terms.

The choreography, the music and the costumes would all be her choice. She doesn’t compete to win. She skates to show her art, she said.

In the process, she’s winning more than ever.

She won the world championship in 2025, becoming the first U.S. woman to win the world title since 2006. She won the Grand Prix final in Japan in December, the last major international competition before the Milan-Cortina Games to announce herself as a potential Olympic champion.

The day before her last performance at the U.S. championships, the final competition that would decide her Olympic bid, Liu ran to a St. Louis salon to dye her hair to match a new skating dress. Unbothered by the pressure of the moment, she debuted a Lady Gaga free skate that brought fans to their feet and earned her a silver medal.

“When you are an Olympic athlete that has a chance in front of the world every four years, it literally is your life’s work that’s on the line,” NBC analyst and two-time Olympian Johnny Weir said. “And she has found a way to compartmentalize that and put it down. … I just think it’s so wonderfully healthy and brave and strong to be doing what she is, because it takes a lot of bravery to put down the pressure that the sport naturally has.”

Liu is just a natural talent in the sport, 2022 Olympian Mariah Bell said. Bell remembered during the Stars on Ice tour in 2022 when the skaters rolled into a new city, tired, groggy and sore from the long bus ride, Liu, dressed in a baggy hoodie and billowing sweatpants, could go on the ice and throw perfect jumps without warning. Bell stood in awe.

U.S. figure skater Alysa Liu practices on Thursday in Milan.

(Robert Gauthier / Los Angeles Times)

After Liu’s short program at the U.S. championships last month set a national championship record, Bell was blown away for different reasons.

“She’s so sophisticated and mature and emotional,” Bell said. “When she was younger, she was incredible. But when you’re 13, you don’t skate the way that you do like how she did the short program [at the U.S. championships].”

Skating to Laufey’s “Promise,” a haunting piano ballad, Liu glided through a flawless short program that she said nearly moved her to tears. Fans showered her with stuffed animals.

Liu has always commanded attention in the sport. She was the youngest skater to perform a triple axel in international competition at 12, became the youngest U.S. champion at 13 and followed with another national title at 14. She was the first U.S. woman to complete a quad lutz in competition, doing so in the 2019 Junior Grand Prix in Lake Placid, N.Y.

Six years later, back in that same arena for Skate America in 2025, Liu told her coaches she didn’t remember her historic accomplishment.

“It feels like I’m watching or I got someone else’s memories,” said Liu, who had similar, disconnected, but overall positive memories of her Olympic experience in Beijing. “It feels like a totally different person, but we are definitely the same person.”

U.S. figure skater Alysa Liu practices in Milan on Thursday as she prepares for the team competition, which starts Friday.

(Robert Gauthier / Los Angeles Times)

Exchange the delicate, ballerina-like skating dresses with bold, modern asymmetrical designs. Undo the tight, slicked back bun and bring in halo dyed hair, dark eyeliner and the piercing she did herself on the inside of her upper lip. With three horizontal stripes dyed into her hair, each layer represents a year of the new life Liu is finally happy to put on display.

“I want to be seen more because I like what I have going on,” Liu said. “I like what I’m doing.”