Liam Gallagher

LIAM Gallagher has become a grandfather for the first time after his daughter Molly Moorish gave birth to a baby boy.

The Oasis frontman, 53, had Molly, 27, in 1998 following a short-lived romance with her mum Lisa.

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The pair were estranged for 19 years but have become close and now Molly has given the rocker his first grandchild.

Molly shared the news of her son Rudi’s arrival on Instagram on Saturday, although it appears she gave birth a few weeks ago in September.

One picture featured her long term partner – footballer Nathaniel ‘Nat’ Phillips – holding their son while he wore a little red jumper with a big R initial on the back.

Another snap showed Rudi in his Moses basket facing the window with the sun coming in in front of him.

She also showed off some of the monogrammed items she had around the house for her baby boy.

She captioned the images: “a message to you, rudy.”

BY rights, I shouldn’t really be talking to The Black Keys duo, Dan Auerbach and Patrick Carney.

But here they are on a Zoom call with me to discuss their thirteenth studio album, No Rain, No Flowers.

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The 11 tracks are coming kicking and screaming into the sunlight earlier than expected — and for good reason.

Last September, The Black Keys were supposed to start a North American arena tour in support of their previous album, Ohio Players, noted for songs written with Noel Gallagher and Beck.

But, to their dismay, the dates were scrapped, prompting the pair to fire their management team.

Without going into detail, Auerbach says: “The first thing I wanted to do was kill somebody and the second thing I wanted to do was kill somebody.”

Carney adds: “I don’t want to get into it too much because we’ve gotten letters telling us not to talk about it by one of the most powerful people in the music industry.

“We got f***ed by the person who was supposed to be looking out for us.

“So, because of some bad advice, we were left with no plans for the summer. We had to take one on the chin.”

The situation was a rare mis-step in The Black Keys’ upward trajectory, which stretches back nearly 25 years.

Starting out in a dingy basement in Akron, Ohio, childhood friends Auerbach and Carney took their exhilarating mix of bluesy garage rock to the world stage, drawing on soul, hip hop, psychedelia, you name it, along the way.

Their new album, however, is the product of unplanned time on their hands. Still smarting from losing their tour, they convened at Auerbach’s Easy Eye Sound studio in his adopted hometown of Nashville — and set about turning adversity into triumph.

‘Reminder of the power of our music’

“We realised that maybe we’d better do something positive with this free time,” says the singer/guitarist.

“So we dove head first into working with people we’d never met and trying things we’d never tried before as a band. Ultimately, it really helped us.”

For drummer Carney, it was a natural reaction to what had happened.

“When Dan and I are not on the road, we’re in the studio,” he says.

“So we thought, ‘Let’s just get back in there and reboot’.”

One thing that remains undiminished is the cast-iron bond between Auerbach and Carney.

The latter affirms: “We’ve been doing this together for almost 25 years — from the struggle to the big s**t.

We got f***ed… so we thought we should do something positive

Carney

“Dealing with being broke, dealing with getting money, headlining Coachella, dealing with getting married, getting divorced, having kids, we’ve been through it all.

“As screwed up as last year was, it had very little to do with us so we got back on it, to prove to ourselves what we can do.”

As we speak, The Black Keys have been back on tour — on this side of the Atlantic.

Carney says it can be “brutal chasing the festivals, sleeping on the bus or in hotel rooms.

“But getting out here and getting in front of these crowds has been the biggest reminder of the power of our music.

“Seeing the fans flip out has helped us to get our heads out of music-business bulls*t and back into what it’s all about”.

Auerbach agrees: “The show in London [at Alexandra Palace] was the biggest headliner we’ve ever played.

“It was great after the year we had. Whatever happens, we know the fans are still there for us.”

Another thrill was playing Manchester’s Sounds Of The City festival two days before the first Oasis homecoming gig at the city’s Heaton Park.

“The atmosphere was electric. Our audience was so up for it,” says Auerbach.

Noel and Liam are both incredible — we’re really happy for them

Auerbach

He credits Oasis with lifting the mood. “I feel like they’ve transformed the continent. We’ve never seen anything like it.”

And he couldn’t resist visiting the Oasis Adidas store. “I had one of the black soccer jerseys made — Oasis on the front and AUERBACH on the back. Had to do it, man, they’re the kings.”

It was in 2023 that The Black Keys visited Toe Rag Studios in Hackney, East London, to write three songs with Noel Gallagher, who they describe as “the chord lord”.

Auerbach says: “It was amazing. We just sat in a circle with our instruments and we worked things up from nowhere.

“Not too long after that we played a song with Liam [in Milan] and hung out with him afterwards. He gave us some really good advice about our setlist.

“Noel and Liam are both incredible — we’re really happy for them.”

‘We’d never written with a piano player’

We return to the subject of their new album, No Rain, No Flowers, which involved a new approach for The Black Keys.

Instead of big-name guests like Noel and Beck and, before them, ZZ Top’s Billy Gibbons, they turned to acclaimed songwriters — the unsung heroes — for their collaborative process.

They welcomed into their world Rick Nowels (Madonna, Stevie Nicks, Lana Del Rey), Scott Storch (Dr Dre, Nas) and Daniel Tashian (Kacey Musgraves).

Auerbach had encountered Nowels while producing Lana Del Rey’s 2014 third album Ultraviolence and had long been impressed with his keyboard skills.

He says: “We’d never written with a piano player before. After 20-plus years in the band, it was cool to try something new in the studio.”

Carney adds: “The way we worked with each one of these people was completely different.

“With Daniel, for instance, we’d start with a jam session. With Rick, it was all about getting the title of the song.”

And Auerbach again: “Scott’s all about instrumentation. He didn’t want to think about the words. He just lets you do that stuff afterwards.”

One of the co-writes with Nowels is the life-affirming title track which begins the album.

With lines like, “Baby, the damage is done/It won’t be long ’til we’re back in the sun”, you could be forgiven for thinking it reflects on the band’s recent woes.

Auerbach says it does, but only up to a point. “It started with the title and we built it from there.

“We tend to shy away from diary-type songs. It gives us ‘the ick’ when it sounds like somebody’s reading from their diary.

“But there’s a lot of truth in the song. It’s us trying to be positive, which maybe wasn’t how we were feeling.

“It was a nice thought to write a positive anthem but still have blood in the eye.”

If The Black Keys’ go-to sound has been the blues, this album is remarkable for its funky, airy and soulful vibe.

Auerbach says: “We were heavily influenced by soul growing up, maybe more than anything, and it really shows.

“With us, it’s all about the feel. When we started out, we didn’t know what the hell we were doing, but we knew when it felt right.”

Another strong touchstone has been hip-hop, which is why Auerbach and Carney are thrilled to have worked with Scott Storch, another dazzling keyboard player, who started out in the Roots and went on to work with Dr Dre, 50 Cent, Beyonce and Nas.

“We are a product of where we were raised,” affirms Auerbach. “We grew up in the golden age of hip- hop. That’s what pop music was for us.

“The first time I heard the Geto Boys was at the middle- school dance and it affected us.

That’s the s**t on those blues records I love so much. You hear Son House grunting when he’s playing slide guitar

Auerbach

“But then my mom’s family played bluegrass — I would listen to my uncles sing. And when The Stanley Brothers sing, it’s white soul music. I love it all.”

As for Storch, Auerbach continues: “We’ve obsessed over videos of him since we were in high school. Seeing him play all the parts of his hits makes our jaws hit the floor.

‘You can hear Scott physically grunting’

“The idea of getting him in the studio seemed crazy because he seemed like a larger-than-life figure.”

Auerbach was mesmerised by Storch when he arrived at Easy Eye Sound.

He says: “Scott’s a real player, an absolute musical savant. As a hip-hop producer, he tends to spend 99.9 per cent of the time in the control room.

“But we have all these acoustic pianos, harpsichords and analogue synthesisers. He was in heaven, and so were we watching him go from keyboard to keyboard.

“On Babygirl, he’s on an acoustic piano with microphones and you can hear him physically grunting in time with his playing. That’s got to be a first for Scott Storch on record.

“That’s the s**t on those blues records I love so much. You hear Son House grunting when he’s playing slide guitar.”

The No Rain, No Flowers album is loaded with hook-laden songs — the exhilarating rocker Man On A Mission, the psychedelic Southern rock swirl of A Little Too High.

One explanation for their eclectic approach is The Black Keys’ regular Record Hang in Nashville, which involves Auerbach and Carney hosting all-vinyl DJ dance parties.

For these, they scour online marketplaces and record shops for obscure but revelatory old 45s.

Carney explains: “We end up exposing ourselves to thousands of songs that somehow we’ve never heard.

“It’s really cool to be so deep into our career and uncovering all this incredible music. It’s totally reinvigorating — particularly when one of us finds a record that the other hasn’t heard and it’s a banger.” So check out Carney’s discovery Nobody Loves Me But My Mama by Johnny Holiday, which he describes as “f*ing insane — psychobilly fuzz rock”.

Then there’s Auerbach’s fave, Yeah Yeah by Blackrock, “a rare 45 instrumental which rearranged our minds. It still hits like crazy”.

We just fell right into it, started playing it and luckily we were recording

Auerbach

With The Black Keys, you always get a sense of passion for their craft, and for other people’s.

Auerbach says: “Pat and I were talking about this earlier — music can hypnotise you. You can use it for good or for evil. It’s a very powerful tool.”

And Carney: “It’s my biggest passion and it has been since I was 11.

‘Sensitive about what we listen to’

“I also think about the delicate balance you need when you do it for a living. You’re taking the thing you love the most but you never want to ruin it for yourself.

“Dan and I are very sensitive about what we listen to. We were at a music festival in a spot in between seven stages. It sounded horrible. I said, ‘This is the kind of thing that could make me hate music’.”

Finally, we talk about another of their own songs, the sublime, festival-primed anthem Neon Moon, which closes No Rain, No Flowers.

Written with Daniel Tashian, Auerbach modestly calls it a “first-take jam” but that doesn’t really do it justice.

“I think it just started with the ‘neon moon’ lyric,” he says. “We just fell right into it, started playing it and luckily we were recording.”

As the song gets into its stride, he sings: “Don’t let yourself get down too long.”

It’s a line that The Black Keys have taken to heart.

THE BLACK KEYS

No Rain, No Flowers

★★★★☆

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AN OASIS fan says she slipped over just yards from where a man plunged to his death at the reunion concert.

The man – aged in his 40s – was understood to be sitting in the upper tier of the stadium when he plunged to his death at Wembley on Saturday night.

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The highest stands in the 90,000-seat venue are some 170ft above the ground.

Police and paramedics attended to the man but he was pronounced dead at the scene.

The Gallagher brothers said they were “shocked and saddened” to hear about the fan’s death.

Now, other fans have blasted the “deathtrap” Wembley stadium, calling for the venue to be “held accountable”.

Gig-goers who danced the night away to Wonderwall say they were forced to hobble along low railings with a steep drop and a “lethal” slippery floor that was “like an ice rink.”

Some are labelling it “horrendous” given “the amount of money they’ve spent on this new Wembley”.

Jade, 31, from Essex, was at the gig and stumbled in a domino effect of falling fans, suffering minor injuries.

A man a few rows up from her fell down, tumbling into her and knocking her down too.

“The floor was slippery from loads of spilled drinks,” she told The Sun.

“My bag got soaked. Everyone in the seated section was jumping and dancing and way drunker than other concerts.”

She fell onto the row in front of her about halfway through the concert, and people helped her up.

“I just got up and carried on. But today I have a dodgy ankle, a few bruises and hurt knees.”

“People were absolutely w***ered,” recalled another on Reddit.

“A bloke near us collapsed, tumbled over a couple of seats and had to be evacuated by the medics – everywhere you looked people were out of their minds.

“It occurred to me that all it would take is one wrong step up there and you’d be a goner.”

One fan said on Facebook: “You’d think a modern venue like Wembley would have sufficient guards for this kind of thing.”

“The top tier is bloody steep. It’s dreadful the barrier is so low,” added another on Facebook.

Not everyone agrees that the stadium is to blame.

One fan said on a fan group: “18 years worth of events, most with 90,000 people attending, and never an incident like it. It’s a tragic accident, and blaming it on the venue or security is ridiculous.”

An eyewitness to the fatal fall wrote on Facebook: “He fell from the top tier into our block. My friend’s daughter did CPR until the paramedics arrived.”

Another shaken onlooker, who was sitting just three seats away, recalled: “Hearing the bang and seeing the aftermath was just something that will stay with you forever.”

“The atmosphere was incredible,” commented a third on Facebook.

“We were nearing the end of the concert, when in the middle of Wonderwall, he fell right in front of us, a few metres away.

“It was very shocking and we left Wembley very upset.”

Oasis released a statement about the man, saying that they are “shocked and saddened to hear of the tragic death of a fan at the show last night.

“Oasis would like to extend our sincere condolences to the family and friends of the person involved.”

Before singing Live Forever on Sunday, Liam Gallagher appeared to pay his respects to the late fan.

He said: “This one’s for all the people who can’t be here tonight, but who are here if you know what I mean, and aren’t they looking lovely.”

But Liam has used that line before singing that hit song on the other tour dates.

In the gig after Ozzy Osborne passed away, the Britpop duo paid tribute by displaying an image of the Black Sabbath singer on stage during Live Forever, then dedicated Rock ‘n’ Roll Star, to Ozzy.

In a statement on Sunday, the Metropolitan Police confirmed a man in his 40s was pronounced dead at the scene after sustaining “injuries consistent with a fall”.

A Wembley Stadium spokesperson said: “Last night, Wembley Stadium medics, the London Ambulance Service and the police attended to a concert goer who was found with injuries consistent with a fall.

“Despite their efforts, the fan very sadly died.

“Our thoughts go out to his family, who have been informed and are being supported by specially trained police officers.

“The Police have asked anyone who witnessed the incident to contact them.

“Tonight’s Oasis concert will go ahead as planned.”

Saturday’s gig was the fourth of seven London shows on Oasis’ blockbuster reunion tour.

The band crashed ticket sites when they announced they were making a comeback last year – as more than 14 million fans tried to secure a seat at the highly-anticipated gigs.

Last month Liam and Noel reunited on stage in Cardiff for the first time since a backstage bust-up broke up the band 16 years ago.

The Britpop icons returned to their hometown of Manchester for five dates in July.

They performed a 23-song setlist of classic hits, including Wonderwall, Don’t Look Back in Anger and Live Forever to a roaring crowd of 80,000 people at Heaton Park.

They will head to America later this month before returning to London for two more gigs in September.

Wembley Stadium said in a statement to The Sun: “Wembley Stadium operates to a very high health and safety standard, fully meeting legal requirements for the safety of spectators and staff, and is certified to and compliant with the ISO 45001 standard.

“We work very closely and collaboratively with all relevant event delivery stakeholders – including event owners, local authorities, the Sports Ground Safety Authority and the police – to deliver events to high standards of safety, security and service for everyone attending or working in the venue.”

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Sandbanks has been named the UK’s most expensive seaside town again after a new survey found that the average asking price for a home is an eye-watering £1,282,565

City-dwellers dreaming of coastal escapes during the sweltering summer heat want to think twice before setting their sights on Sandbanks.

The exclusive Dorset enclave has once again been named the most expensive seaside town in the UK, with property prices soaring well above the million-pound mark.

According to new figures released by Rightmove, the average asking price for a home in Sandbanks is now £1,282,565 – making it the only seaside location in Britain where average house prices break the £1 million barrier. That figure is more than three times the UK average of £378,240.

Despite the eye-watering price tag, the data also reveals that even Sandbanks hasn’t been immune to the wider market downturn. Prices in the coastal hotspot have dipped three percent compared to 2024. But that hasn’t dented buyer interest.

READ MORE: Tourists on Spanish island directed to fake beaches in ‘dirty’ ploy by fed-up locals

“Sandbanks now stands out as the only seaside spot with an average asking price of over the million-pound mark,” said Colleen Babcock, property expert at Rightmove.

The figures reflect a broader trend as buyer demand is up eight percent in the UK’s most desirable coastal areas, even as prices drop. Across the top 50 most expensive seaside towns, average asking prices have fallen one per cent year-on-year.

Long established as Britain’s answer to Monte Carlo, Sandbanks’ allure lies in its rare mix of golden beaches, luxury properties, and close proximity to London.

Nestled on a tiny peninsula at the mouth of Poole Harbour, the town boasts some of the most coveted real estate in the country – and it’s a magnet for celebrities.

Harry Redknapp, Karl Pilkington, and Liam Gallagher are among the A-listers believed to own homes in the area, which is known for its upscale dining, sleek modern builds, and sweeping views of the Jurassic Coast.

Just two miles up the road, the nearby neighbourhood of Canford Cliffs also made the list, claiming the second most expensive coastal town spot.

Properties there command an average price of £974,635, despite a nine per cent drop from last year.

In third place is Milford-on-Sea, a picture-postcard village in Hampshire, where buyers can expect to pay around £728,460 on average.

While the south coast dominates the luxury end of the market, bargain-hunters should look north.

The most affordable seaside town in the UK, according to Rightmove, is Saltcoats in Ayrshire, where average asking prices are less than a quarter of a million pounds – well below the national average.

Other budget-friendly options include Peterlee in County Durham, further underlining the North-South divide when it comes to coastal property prices.

“Lower-priced seaside spots like Saltcoats and Peterlee offer home-movers a sea view at a fraction of the price,” Babcock said.

READ MORE: Tesco’s £19 black dress offers ‘Nobody’s Child luxury’ but for less

COOL Britannia is back – and that’s official. 

High society bible Tatler is among those making the declaration on its new edition, which features the offspring of Nineties music legends Liam Gallagher and Richard Ashcroft. 

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Heralding the rebirth of the Britpop-era movement, the magazine pictures Molly Moorish-Gallagher and musician Sonny Ashcroft proudly standing in front of a giant Union Jack. 

Anyone over the age of 40 is likely to spot the obvious homage being paid to a similar front cover published by Vanity Fair in 1997. 

That iconic picture saw Oasis singer Liam sharing a bed with his then girlfriend, actress Patsy Kensit. 

The couple married a few months later when Oasis were arguably the biggest music stars of the decade. 

And it is no coincidence the new magazine cover comes just days before the Oasis reunion tour, which will have Richard Ashcroft as the support act. 

But Tatler did not go for another “power couple”, like Liam and Patsy were, and instead took the nepo baby route. 

But as the new faces of Cool Britannia take centre stage, it’s less champagne supernova, more alcohol-free explosion.

Tatler

However, editors still think the duo are living proof of a second coming.

The mag claims: “Ahead of the Oasis reunion, Liam’s daughter Molly Moorish-Gallagher and The Verve scion Sonny Ashcroft are leading the Britpop revival. 

“They’re the next generation of Britpop: Molly Moorish-Gallagher and Sonny Ashcroft are gracing the cover of Tatler as their fathers, Liam Gallagher and Richard Ashcroft, prepare for an earth-shattering Oasis reunion. 

“But as the new faces of Cool Britannia take centre stage, it’s less champagne supernova, more alcohol-free explosion.” 

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The piece continues: “She is the daughter of Lisa Moorish and Liam Gallagher; he is the eldest son of Richard Ashcroft and Kate Radley. 

“Together, they are the new faces of the (Br)it crowd. 

“But what do the pair make of Cool Britannia 2.0?” 

It turns out that neither of the nepo babies shares their parents’ hellraising ways, and the revival will not be based around downing pints of lager or being “chained to the mirror and the razor blade”, as Oasis once sang. 

Sonny proudly tells the magazine he’s not one for a night out.

He said: “I’m very much a night-in person.

Seeing friends, some good food and drinks and playing games of some kind.

Molly Moorish-Gallagher, Liam’s daugher

“A nice meal with friends and then gathering over some sort of board game or film at home.” 

While Molly says her idea of a wild night is: “Seeing friends, some good food and drinks and playing games of some kind.” 

But if the Cool Britannia nepo kids aren’t keeping the Nineties hedonistic vibe going, it seems Gen Z-ers are keeping the momentum going through fashion. 

Love Island host Maya Jama recently recreated Liz Hurley’s famous Versace safety pin dress that she wore to the Four Weddings And A Funeral premiere in 1994. 

Singers Dua Lipa and Lola Young have been inspired by other huge names of the Nineties in their fashion choices. 

And Liam’s son Lennon was pretty much an identikit copy of his dad when he attended a Burberry pub takeover last week. 

A new study has also revealed that youngsters are now huge fans of some of the decade’s greatest hairstyles, including The Rachel from Friends, the floppy hair of actor Johnny Depp and Victoria Beckham’s Posh bob. 

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The study, commissioned by Funkin Cocktails, also found a fondness for Doc Marten boots and baggy jeans, famously sported by the likes of Mark Wahlberg when he was rapper Marky Mark. 

Ashley Birch-Ruffell, from Funkin Cocktails, said: “Nineties fashion is very on trend, and it’s fun to see what our official favourite styles are. 

“There are clearly many iconic hairstyles and memorable moments from this decade that live on in the public consciousness. 

“It seems clear that Nineties trends aren’t going anywhere anytime soon — and why would we want them to?” 

“It’s clear that the whole culture of the Nineties is still considered unapologetically iconic.” 

Gen Z can’t match our hellraising era 

IT was a sensational whirl of bucket hats, Union Jacks, lads’ mags, boozy bands and more than a whiff of the old marching powder, writes Rod McPhee.

The late Nineties were a hellraising golden age not seen since the Swinging Sixties. 

But despite being due another period of partying, I’m sorry to say we’ll never quite be able to match the magic of the original Cool Britannia. 

Trust me, I was there, I did it. I got the T-shirt – and the dodgy Liam Gallagher shaggy haircut

What’s more, I loved it all. From music to fashion, and movies to models, the run-up to the year 2000 was the perfect blend of sex and, yes, drugs, plus lashings of rock ’n’ roll. 

Of course, it’s great to get a taste of the good old days when Oasis stage their comeback tour next week, plus there’s the prospect of the Spice Girls doing a similar celebratory event next year. 

But nothing can once again live up to a period in modern pop culture history which I believe was genuinely unique. Maybe I’m looking back at the past through rose-tinted glasses. 

But no pop groups, artists, catwalk stars or actors these days come close to the tearaway Primrose Hill crowd that kept us entertained and shocked three decades ago. 

That said, no one would love reliving some of the brilliance of the Nineties more than me. 

So let’s make the most of summer 2025. 

Unlock even more award-winning articles as The Sun launches brand new membership programme – Sun Club.

IT is the biggest reunion in rock – but Oasis’s comeback may not have ­happened at all if it hadn’t been for some delicate, behind-the-scenes diplomacy by one particular person.

Step forward Anais Gallagher, Noel’s eldest daughter, who has been revealed as the gutsy go-between who has seemingly pulled off what years of fan pleading and big-money offers failed to do.

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And the plucky model has even had a hand in helping shape the band’s set list, by providing crucial insight into what the Mancunian legends’ Gen-Z fans might want to hear on the 41-date reunion tour.

The Sun can reveal that Anais, who is from Noel’s first marriage to Meg Mathews, worked tirelessly to reconcile her dad and uncle following Noel’s split from Sara MacDonald.

So Anais, 25, figured the breakdown of her dad’s marriage could be an opportunity to get her old man back together with his feisty brother and the band that made him a ­megastar.

An insider said: “Anais was one of the biggest sources of comfort and support for Noel following his divorce.

“She was the one that was helping him get back on his feet and return to doing things he loved that had fallen by the wayside.

“Over the years, Noel had offered an olive branch to Liam, but he’d never taken it up.

“Anais could tell her dad really wanted both his brothers, Liam and Paul, by his side after the split so was determined to get them back in touch.

Fighting with Noel

“She gets on great with Liam’s sons Gene and Lennon so she asked them if their dad would be willing to hear her out.

“They said they thought he would be receptive, so she then asked Liam to reach out to his brother to lend support.

“Liam’s always wanted Oasis back together so he got in touch.”

Ironically, the Wonderwall crooners fell out back in May 2000 because Liam allegedly questioned the paternity of Anais while fighting with Noel in Spain — leading Noel to leave the band for a second time.

Anais has maintained a close relationship with outspoken Liam, who is saved in her phone as “uncle”.

Anais, who has modelled for Dolce and Gabbana, is close friends with her cousins Gene, 23, and Lennon, 25, and the group often go on nights out together.

Anais was one of the biggest sources of comfort and support for Noel following his divorce

Insider

Fans had hoped Noel’s divorce would lead to a reconciliation for the band, but they were left hanging for more than a year.

The source said: “It was all very slow-going behind the scenes to get the brothers talking again.

“Anais spending so much time with her dad allowed her to realise how much he missed his brother, despite  the jibes they both made.

“It enabled her to plant the idea of a reconciliation on both sides. Thanks to her close ­relationship with Liam, she was able to call him.

“She worked hard to make sure they didn’t look back in anger, if you like.

 “Once Liam called Noel, the rest was left up to them.”

The brothers announced their reunion in August last year, sparking a frenzy as  fans went into overdrive to get their hands on ­tickets.

It’s expected that the band will make millions from their world tour, which kicks off in July.

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And in further good news for Liam, he is about to become a grandfather for the first time.

His daughter Molly Moorish, 27,  announced two weeks ago she was expecting her first child with Liverpool  footballer boyfriend Nathaniel Phillips.

Molly, whose mother Lisa had a short-lived relationship with Liam in 1998, was estranged from her dad for 19 years but they are reconciled.

In interviews, Anais said: “With my family, what you see is what you get. They are really hard-working people.

“With my dad, I would always go to him for help or advice — it’s very funny that a rock star from the 90s is like the most level-headed person I know.

“He’s definitely the guiding force in my life.”

Liam’s always wanted Oasis back together so he got in touch

Insider

And it’s safe to say that Anais has Noel’s ear.

Last month, The Sun revealed that she had encouraged her dad to distance himself from disgraced comedian Russell Brand.

Limit hangovers

Brand has been charged with rape and sexual assaults relating to four women. He has denied all the allegations.

A source said: “Anais realised that her dad’s close links to Brand wasn’t a good look.

“She’s very PR savvy. There was a discussion and Noel agreed cutting ties was best.

“Anais, Noel, and the rest of the family are horrified at Brand’s alleged behaviour and had no idea what was going on.”

And her influence on Noel doesn’t end there.

She is helping to run her dad’s social media and is on his company’s payroll.

The source said: “Anais does a lot on social media to make money, so it’s a natural fit for her to help her dad out.

“She knows what does and doesn’t work for Generation Z, whereas Noel doesn’t.

“It’s given them more of a chance to bond.

“Noel hired her because she is genuinely good at her job, not because she is his child.”

The dedicated daughter is also helping with the song selection for the tour.

The source added: “Anais has helped with the tour set list by looking at what has done well on TikTok with the younger generation.

“As a result, [the song] Bonehead’s Bank Holiday will be played live by Oasis for the first time.

“They’ll also play Digsy’s Dinner, and Talk Tonight.

“She wants to help Oasis gain younger fans as well as their long-standing fans.”

The Oasis reunion announcement has been marred by older fans hitting out at younger people getting tickets, something Anais has been very vocal about on social media.

On TikTok, she wrote: “One thing I won’t stand for is the ageism and the misogyny around people getting tickets.

“Sorry, if a 19-year-old girl in a pink cowboy hat wants to be there, I will have my friendship bracelets ready.”

Grumpy fans have claimed that the band would hate stuff put up by young people on TikTok.

Sometimes people put this hyper-aggressive masculine ideology into what they think that my dad and my uncle are going to be like

Anais Gallagher

In an interview with Hello! Anais hit back, saying they were wrong.

She told the magazine: “I see this all the time, actually, where someone will post a funny video or a cover song and people would say ‘[Oasis] would hate this’.

“No, no, you hate this.

“Sometimes people put this hyper-aggressive masculine ideology into what they think that my dad and my uncle are going to be like.

“They’re actually a lot more accepting than the fans are.”

Anais plans to be stage-side to support her father throughout the reunion run.

She joked in an interview that her aims for the year were to: “Limit the amount of hangovers I have after all the Oasis concerts, remember to take my supplements and drink a lot of water.”

Whether she can manage to keep her dad and uncle in a similar state remains to be seen.

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