Gogglebox favourites Jenny and Lee took to Instagram to share a Halloween prank
Gogglebox favourites Jenny and Lee took to Instagram to share a Halloween prank (Image: Channel 4)
Gogglebox fans were all quick to say the same thing as Jenny Newby and Lee Riley shared a Halloween prank.
Taking to Instagram on Friday 31 October, Jenny and Lee posted a hilarious video to their account, which boasts an impressive 873K followers, which was also shared on Gogglebox’s page.
In the clip, it sees Jenny with a white blanket over her head pretending to be a ghost while she wears her glasses on top of the costume.
Instructing Jenny in the video, Lee says: “I don’t know… why you’ve got your glasses on that?” to which Jenny replies: “Cos I can’t see without them!”
A giggling Lee then hands Jenny a jar of sweets, insisting: “Here, now there’s the goodies… right? I’ll take the lid off, right, just wait for the kids to come and shout ‘here’s your sweets, trick or treat! Trick or treat!'”
To which the two repeat ‘trick or treat’ and ‘here’s your sweets’ before Lee hilariously declares: “You just keep doing that… I’m off in now. You’ve only got a couple of hours to wait.”
However, Jenny is quick to insist: “I ain’t standing here like this! Where are you?” as she attempts to reach out and go back indoors while still wearing the costume.
As Jenny attempts to find the door, Lee can be heard hysterically laughing in the background as he adds: “Happy Halloween everybody!”
Responding in the comments, the duo’s 873K followers were all quick to say the same thing.
One person said: “You two” with laughing emojis, a different account put: “I love these two, very natural!”, another wrote: “These two” with laughing emojis while a different account added: “Love you two.”
Elsewhere, another fan put: “You two crack me up” with laughing emojis while another account wrote: “Jenny is hilarious without even trying to be funny. Her innocence makes her hilarious”.
A different follower commented: “You two are the best can’t stop laughing at Jenny’s glasses” while another added: “Love’s these 2 so much hilarious.”
Jenny and Lee have been Gogglebox staples since 2014, where they joined during series four.
They weren’t the only Gogglebox duo sharing Halloween videos as Annie and Ronnie also shared a fun video too.
Gogglebox continues on Friday nights at 9pm on Channel 4.
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Fortunately for avid bibliophiles, Harper Lee was an inveterate pack rat. Born in rural Monroeville, Ala., in 1926, the author of “To Kill a Mockingbird” — whose first name is Nelle, her grandmother Ellen’s name spelled backward — spent much of her adult life in Manhattan after moving there in 1949.
First, she lived in a cold-water flat on the Upper East Side (subsisting on peanut butter sandwiches and meager bookstore and airline ticket agent salaries); then in a room in a Midtown hotel where Edith Wharton and Mark Twain once resided; a third-floor York Avenue walk-up ($20 a month for five years, where “Go Set a Watchman” and “To Kill a Mockingbird” were written); and, finally four decades at 433 E. 82nd St. There, amid “piles of her correspondence and practically every pay stub, telephone bill and canceled check ever issued to her, were notebooks and manuscripts” and eight previously unpublished early short stories and eight once-published essays and magazine articles. Those writings, discovered in her New York City apartment after she died in her Alabama hometown nine years ago, have been gathered into the welcome hybrid compendium “The Land of Sweet Forever.”
The short stories take up the first half of the collection, but it’s an unusual selection in the second half, “Essays and Miscellaneous Pieces,” that may reveal as much about the burgeoning author as the fictional juvenilia. In a contribution to “The Artists’ & Writers’ Cookbook” (1961), along with entries by Lillian Hellman, William Styron and Marianne Moore, Lee offered a one-page recipe for crackling bread, complete with the authorial observation, “some historians say by which alone fell the Confederacy.” The opening instruction is, “First, catch your pig.” After that, the ingredients (water-ground white meal, salt, baking powder, egg, milk) and directions might just as well function as an analogy for the process of writing and editing a manuscript.
In her introduction, Lee’s appointed biographer Casey Cep observes that it “takes enormous patience and unerring instincts to refine a scrap of story into something … keen and moving.” Lee admits to being “more of a rewriter than a writer.” In a 1950 letter to one of her sisters, she outlines her typical writing day, working through at least three drafts:
From around noon, work on the first draft. By dinnertime, I’ve usually put my idea down. I then stop for a sandwich or a full meal, depending on whether I’ve got to think more about the story or just finish it. After dinner, I work on a second draft, which involves sometimes tearing the story up and putting it together again in an entirely different way, or just keeping at it until everything is like I want it. Then I retype it on white paper, conforming to rules of manuscript preparation, and run out & mail it. That sounds simple, but sometimes I have worked through the night on one; usually I end up around two or three in the morning.
It’s all rather like testing, perfecting a recipe. If the product was these eight short stories, then “yes, chef” has baked a perfect loaf.
Each story illuminates Lee’s quintessential talents as the “balladeer of small-town culture” and the chronicler of city life. They display narrative skills, an acute ear for dialogue (especially the vernacular), development of fully rounded characters and vivid descriptions of settings. They also introduce subjects and significant themes — family, friendship, moral compass — that reappear in her nonfiction and novels.
Country life imposes restrictions on childhood characters in the first three stories. In “The Water Tank” anxious 12-year-old Abby Henderson, reacting to schoolyard rumors, believes she’s pregnant because she hugged a boy whose pants were unbuttoned. Anti-authoritarian first grader Dody (one of Harper’s nicknames) in “The Binoculars” is chastised for not tracing but writing her name on the blackboard. Early glimpses of “Mockingbird’s” Scout and Atticus Finch appear in the amusing “The Pinking Shears” when third grader “little Jean Louie” (without the later “s”) undermines gender rules when she whacks off a rambunctious minister’s daughter’s lengthy locks.
In New York City, where “sooner or later you meet everybody you ever knew on Fifth Avenue,” urban stress leads to a shocking monologue with an incendiary conclusion about feuding neighbors in “A Roomful of Kibble,” a frivolous kind of parlor game involving movie titles in “The Viewer and the Viewed,” and a humorous parking incident when one friend agrees to help another with lighting for a fashion show in “This Is Show Business?”
The closing title short story, “The Land of Sweet Forever,” adeptly merges locations and themes. It opens with a satirical nod to Jane Austen’s “Pride and Prejudice”: “It is a truth generally acknowledged by the citizens of Maycomb, Ala., that a single woman in possession of little else but a good knowledge of English social history must be in want of someone to talk to.” When adult Jean Louise (now with the “s”) leaves the city for home, she has a hilarious church encounter with someone she hadn’t seen since they were children, 21-year-old Talbert Wade, now with the taint of three years as an economics major at Northwestern University and a patina full of Europe, looking “suspiciously as if he had returned from a tour and had picked up a Brooks Brothers suit on the way home.” Together, they are trying to understand why the doxology, always sung “in one way and one way only” suddenly has been “pepped up” with an energetic organ accompaniment. Before it’s resolved there is an amusing anecdote about a cow obituary in verse and a concluding bow to Voltaire’s “Candide” when Jean Louise concedes that “all things happen for the best in this, the best of all possible worlds.” The story is a resounding example of Lee’s scintillating sense of wry humor.
Big themes of love, family and friendship recur in the eight previously published essays and articles (from 1961 to 2006) that appeared in Vogue, McCall’s, an American Film Institute program (about Gregory Peck), a Book of the Month Club newsletter (on the “little boy next door” Truman Capote and “In Cold Blood”), Alabama History and Heritage Festival, and O, the Oprah Magazine (a letter about the joy of learning to read). In addition to the crackling bread recipe that serves as a fingerpost to Lee’s writing process, the standout essay “Christmas to Me” details how she received a generous gift that changed her life, allowing her to become an accomplished, published writer. In 1956, best friends, lyricist-composer Michael Brown and his wife, Joy, surprised her with an envelope on the tree with a note, “You have one year off from your job to write whatever you please. Merry Christmas.” That meant $100 every month, covering more than five times her rent.
Juvenilia is tricky. It can be evanescent, exposing weaknesses or revealing strengths and talent. “The Land of Sweet Forever” reinforces Lee’s indelible voice, contributing a rewarding addition and resource to the slim canon of her literary legacy.
The recipe for crackling bread:
First, catch your pig. Then ship it to the abattoir nearest you. Bake what they send back. Remove the solid fat and throw the rest away. Fry fat, drain off liquid grease, and combine the residue (called “cracklings”) with:
1 ½ cups water-ground white meal 1 teaspoon salt 1 teaspoon baking powder 1 egg 1 cup milk
Bake in very hot oven until brown (about 15 minutes).
Result: one pan crackling bread serving 6. Total cost: about $250, depending upon size of pig. Some historians say by this recipe alone fell the Confederacy.
Papinchak, a former English professor, is a freelance book critic in Los Angeles. He has also contributed interviews to Bon Appetit.
St Helens managed to fight back in the second half and went on to turn things around with a 16-14 victory.
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St Helens coach Paul Wellens revealed the baby wasn’t due before Sunday but had an agreement with his player that if things changed he would be allowed to leave.
Wellens said after the game with the Rhinos: “His partner was due to be induced tomorrow but things transpired [differently].
“You can’t have a word with the baby inside and ask it just to hold off for a few hours, so things gathered pace quicker than thought.
“I spoke with Matty in the week and it was really important that he’s there for the birth of his child.
“It’s an important rugby game and yes we’d love him to be there, but he makes sacrifices to perform for us and the most important thing is he was there.
“We had a very clear plan during the week and we were comfortable that if he had to leave, he would leave. When that moment came, we made what I feel is the right decision.
“It’s difficult for him in that situation. You need to be there for your partner, but at the same time you think you’re letting the boys down.
“He needs to know he’s not letting the boys down, because he never does.”
Aug. 18 (UPI) — President Trump, as you sit down with President Lee Jae Myung on Aug. 25, you must not be swayed by his dangerously naive stance on “respect” for North Korea‘s political system. I say this not as a politician or a pundit, but as a soldier and practitioner/strategist who has spent his life confronting the nature of authoritarian regimes and understanding what it takes to resist them. President Lee’s position, that South Korea should affirm “respect” for the North’s totalitarian system and renounce unification by absorption, is not only strategically misguided but also morally bankrupt. It plays directly into Kim Jong Un‘s political warfare playbook, undermines the very purpose of the ROK/U.S. alliance, and sends a chilling message to 25 million oppressed Koreans living under tyranny.
Let’s be crystal clear: North Korea (with its Workers Party of Korea) is not a legitimate political system (which is why many of us write “north” in the lower case, though our editors often correct this). It is not a state that deserves our diplomatic courtesies or rhetorical deference. It is a mafia-like crime family cult masquerading as a government. It is a totalitarian regime that has committed, and continues to commit, crimes against humanity, as documented exhaustively in the 2014 United Nations Commission of Inquiry report. These are not allegations. They are facts backed by satellite images, eyewitness testimony, and escapee accounts. We are talking about gulags, torture chambers, public executions, and enforced starvation. To “respect” such a system is to betray the Korean people in the North who suffer daily under its jackboot.
President Lee’s argument is that by affirming respect and renouncing absorption, he can create space for inter-Korean dialogue and reduce tensions. But this is a fantasy built on hope, not strategy. The Kim family regime does not seek coexistence. It seeks domination. It does not want peace. It wants submission. It does not seek reconciliation. It seeks leverage. Every time a South Korean leader or American president makes conciliatory gestures without demanding reciprocal action, Kim Jong Un sees it not as good faith, but as weakness. He exploits it to gain legitimacy, extract economic concessions, and drive wedges into our alliance.
President Lee says he is not seeking unification by absorption. Fine. But he also says he “respects” the North’s political system. That is where the real danger lies. Because the more we normalize the abnormal, the more we embolden the regime to harden its rule. What the Korean people in the North deserve is not the international community’s respect for their captors, but solidarity with their longing for liberation. They deserve a unified Korea, not by force, but by freedom. That is not absorption. That is self-determination.
President Trump, you know what it means to negotiate from a position of strength. You know how dangerous it is to give away leverage before the other side has made a single concession. Do not allow your personal rapport with Kim Jong Un, or your desire for a legacy-defining deal, to cloud your judgment. You called Kim “rocket man” before you exchanged “love letters.” But love letters won’t free the Korean people, and respect for the regime won’t bring peace.
President Lee’s gestures, halting propaganda broadcasts, telling activists to stop sending leaflets and restoring the 2018 military agreement, may seem like confidence-building measures. But without reciprocity, they are simply appeasement. Kim Yo Jong, Kim Jong Un’s sister and a key regime mouthpiece, has already dismissed Lee’s outreach as a “pipe dream.” That should tell us everything we need to know about Pyongyang’s intentions.
The ROK/U.S. alliance must remain grounded in shared values, freedom and liberty, human rights, and the rule of law. Any strategy that begins by legitimizing the enemy’s political system undermines those very values. You would never “respect” ISIS’s caliphate or al-Qaeda’s ideology. Why offer respect to a regime that systematically enslaves its own people and threatens nuclear war?
To be clear, no one is advocating war. We are advocating clarity of purpose and unity of message. Our strategic objective must remain what it has always been: the peaceful unification of the Korean Peninsula under a liberal democratic system that guarantees the rights and dignity of all Koreans. That does not require invasion. It requires principled resistance to tyranny and a long-term strategy to support internal change, what some might call a Korean-led, values-based unification.
You have the power to set the tone for this summit. Do not give Kim Jong Un the propaganda victory of seeing the leader of the free world align with a South Korean president who chooses appeasement over accountability. Instead, reaffirm the alliance’s moral foundation. Remember the image of Ji Seung Ho holding up his crutches at your first State of the Union address to inspire all of us with his escape from the North. Speak directly to the Korean people in the North: We have not forgotten you. We will not abandon you. We do not “respect” your oppressors. We believe in your future.
Mr. President, history will remember what you say in that room with President Lee. Will you echo his message of concession? Or will you stand firm on the principles that made America great and the alliance strong?
I urge you, do not be persuaded by words that excuse oppression. Instead, speak truth. And let that truth be a beacon to all Koreans, North and South, who still believe in freedom.
David Maxwell is a retired U.S. Army Special Forces colonel who has spent more than 30 years in the Asia Pacific region. He specializes in Northeast Asian security affairs and irregular, unconventional and political warfare. He is vice president of the Center for Asia Pacific Strategy and a senior fellow at the Global Peace Foundation. After he retired, he became associate director of the Security Studies Program at Georgetown University. He is on the board of directors of the Committee for Human Rights in North Korea and the OSS Society and is the editor at large for the Small Wars Journal.
Former S Club 7 star emotionally opened up about his father’s death during tonight’s Celebs Go Dating, and how he didn’t speak to his mum for two years while he was grieving
21:17, 14 Aug 2025Updated 21:22, 14 Aug 2025
Jon emotionally opened up about his father’s death during last night’s episode(Image: Channel 4)
It was former S Club 7 star Jon Lee who became emotional during tonight’s episode of Celebs Go Dating, as he opened up about his father’s tragic death.
Jon’s sadly lost his father in 2014, after he was diagnosed with Motor Neurone Disease. The star, who was very close to his dad, told dating experts Anna Williamson and Dr Tara that he “lost the plot” after his fathers death.
Opening up to the agents in Ibiza, the star opened up about how his dad had been diagnosed with Motor Neurone Disease at the same time he found out his boyfriend had been unfaithful the entire time they were together.
Jon joined the agency after not having dated for six years(Image: E4)
“I had an emotional slap from this relationship, and then that happened. And I hadn’t quite recovered myself from that, and then that happened as well and everything fell apart.”
Opening up further, Jon expressed how close he was to his father, as he was seen tearing up in front of the agents. “Within the first year, he’d completely lost the ability to move, he couldn’t speak, he had to be fed through a tube in his stomach. He couldn’t talk to me. To go out like that, I literally lost the plot. I thought, ‘What the f**k is the point?’ It broke my heart.
Explaining on how he dealt with the grief, Jon continued: “I went out, I was taking loads of drugs. I went completely off the rails. That got to a point where I had to make a decision. I had to sort myself out or it wasn’t going to end well.”
Jon then recalled packing a bag, and never going back to his home. “I wrote to my mum, I sent her my front door key. I wrote her a note saying I don’t know where I’m going, I don’t know what I’m doing, but I need to sort myself out.”
The former popstar then left the country for four years, telling the agents how he didn’t even speak to his mum for two of them. “She didn’t know where I was. She said every time the phone rang she thought it was going to be the police saying, ‘We found Jon and he’s dead.’ That’s my biggest regret, that I caused her…” he said as he broke down in tears.
Jon went on his first date during last night’s episode(Image: Channel 4)
Earlier in the conversation, Jon opened up about how he felt he had to hide his sexuality while in the band, and didn’t really get to experience dating until they broke up in 2003. Jon was just 15 when the band started, as he told the agents he didn’t have an opportunity to figure out who he was in the real world.
Although Jon’s S Club 7 bandmades and his family knew he was gay, the star never spoke about it publicly. “Throughout the band, I wasn’t comfortable with my sexuality at all, so it would happen when I was drunk,” he explained.
“I didn’t feel comfortable enough to be in a relationship until after the band and when I went back into musical theatre,” he admitted. “It felt like I was out of the limelight then and no one cared about me anymore. That’s when I started my dating life, so I was massively behind and very emotionally immature.”
Jon’s time in the agency comes after a six year break from dating, as he told the cameras during the first episode that he had been celibate for six years.
“Jon has had a really interesting journey since S Club and I know a lot of it hasn’t been shared anywhere else. It’s a really interesting and insightful investigation into what really has been happening in his life since S Club and what he’s been doing in the recent years,” she told us.
“One of his revelations I was shocked,” Tara exclaimed, as she revealed Jon was the celebrity who surprised her the most in the agency. “I thought Jon would come in a lot more guarded but he’s not,” Tara said. “He’s ready to bare it all emotionally and it’s a beautiful thing. I’ve been learning a lot about him already, and I have to say it’s a very touching story.”
