laist

Public media outlets around the country were preparing for the worst. Early Thursday morning, the worst arrived.

The U.S. Senate voted to approve the Trump White House’s proposal to claw back $9 billion in federal funding previously allocated for foreign aid and public broadcasting. The 51-48 Senate vote means that the Corp. for Public Broadcasting, which administers the funds for NPR radio stations and PBS TV affiliates, is on track to lose $1.1 billion that had been budgeted for the next two years.

The House of Representatives is expected to give final approval for the Trump administration’s request later Thursday.

The reaction from NPR was swift. The Washington, D.C.-based nonprofit has two major affiliates serving the Los Angeles area: LAist, or KPCC-FM (89.3), and KCRW-FM (89.9).

In a statement after the vote, NPR Chief Executive Katherine Maher warned of dire consequences for smaller communities that depend on public broadcasting outlets. “Nearly 3-in-4 Americans say they rely on their public radio stations for alerts and news for their public safety,” she said.”We call on the House of Representatives to reject this elimination of public media funding, which directly harms their communities and constituents, and could very well place lives at risk.”

PBS leaders sounded a similar alarm.

“These cuts will significantly impact all of our stations, but will be especially devastating to smaller stations and those serving large rural areas,” PBS President Paula Kerger said in a statement. “Many of our stations which provide access to free unique local programming and emergency alerts will now be forced to make hard decisions in the weeks and months ahead.”

PBS and NPR have both filed suit against President Trump and other administration officials over the president’s May executive order calling for the funding cutbacks. They say the order is a case of “viewpoint discrimination” driven by the White House’s unhappiness with the content of public media. Trump has called NPR and PBS government-funded “left-wing propaganda.” Republicans have for decades called for cuts to public broadcasting because of the perceived liberal slant of its programming.

Public media outlets in Southern California’s urban areas are less dependent on federal funding than stations in smaller, rural markets, which don’t get the same kinds of donations from wealthy locals, for example. But they will feel an immediate impact as the money TV and radio stations expected from Corp. for Public Broadcasting in October is now on the verge of disappearing.

Connie Leyva, executive director of KVCR Public Media in San Bernardino, which operates PBS and NPR affiliates, said earlier this week that the Senate action will mean losing $540,000, about 6% of its operating budget. Thus, she has to consider cutting five positions on an already lean staff.

In addition to serving the Inland Empire, KVCR operates a service called First Nations Experience (FNX), which produces programming for and about Native Americans and world Indigenous cultures. Such initiatives are endangered by the funding cuts.

“We just created an app, which is free to download and get Indigenous material wherever you are,” Leyva said. “But without funding, how do we continue to keep that relevant and fresh?”

Leyva said KVCR will likely have to reduce its block of PBS children’s TV programming that reaches her community through over-the-air antennas. “I heard one senator say, ‘You can have Disney or Nickelodeon,’” she said. “He doesn’t understand you have to purchase that. All of our programming is free, and these cuts harm our poor communities.”

LAist, based in Pasadena, was set to receive $1.7 million, about 4% of its annual budget. Alejandra Santamaria, president and chief executive of LAist, said the money is equivalent to 13 journalist positions at the local news operation.

“We have to make some tough choices,” Santamaria said.

Santamaria said the station has already reached out to donors to cover the expected shortfall. “We may not ever again get federal funding, so you have to fundraise the money to fill that gap in perpetuity,” she said.

Classical California, which operates radio stations KUSC-FM (91.5) in Los Angeles and KDFC-FM (90.3) in San Francisco, receive around $1 million annually in government funding. KCRW in Santa Monica, which produces tastemaking noncommercial music programs as well as news content, was expecting $264,000 from the CPB.

NPR is receiving a highly symbolic financial boost days before Congress is expected to vote on the fate of federal funding that supports the news and culture nonprofit.

Ann Philbin, former director and current director emeritus of the Hammer Museum at UCLA, has been named this year’s Getty Prize recipient. The honor comes with a $500,000 grant for a nonprofit of the winner’s choice, and Philbin has selected NPR and its Los Angeles member stations, KCRW and LAist.

The prize is considered the Getty’s highest honor and recognizes what the institution calls “cultural leaders whose work expands human understanding and appreciation of arts and culture.” Previous awardees include Frank Gehry, Mark Bradford, Ed Ruscha, Yo-Yo Ma and Thelma Golden.

“I wanted to shine a light on one of the most pressing issues of our day,” Philbin said in a phone interview. “And that’s freedom of speech and freedom of the press.”

Philbin said she requested that half of the Getty grant go to NPR and the other half to be split between KCRW and LAist.

“Those two radio stations for me — and I think for so many Angelenos who spend so much time in their cars — are constant companions,” Philbin said. “We listen to them all the time, and they’re precious to us. To even think about the fact that they might not exist is unbearable.”

NPR Chief Executive Katherine Maher in May filed a lawsuit against President Trump after he issued an executive order directing the Corp. for Public Broadcasting to freeze all funding to NPR and PBS. She said Philbin’s decision to split the donation between NPR and its local affiliates showed a level of understanding about the interdependency of the local and national radio platforms not often mirrored in the national conversation.

“It is an extraordinary gift at an extraordinary time with real, material impact for the stations,” Maher said.

Congress has until the end of the week to vote on a White House proposal known as the rescission bill that would claw back $9 billion in foreign aid and more than $500 million per year in federal funding already approved for the Corp. for Public Broadcasting, which funnels financial support to NPR and PBS as well as local public radio and TV stations across the country.

Trump has been adamant that his allies vote in favor of the rescission package, writing on Truth Social last week that he will withhold support and endorsements from any Republican who doesn’t vote in its favor. He called the Corp. for Public Broadcasting, NPR and PBS “a monstrosity.”

The proposed cuts to the Corporation for Public Broadcasting would total $1.1 billion over the next two years. Federal funding accounts for about 15% of PBS’ budget and 1% of NPR’s budget, according to NPR, but local stations would be the hardest hit and some may not survive, Maher said. If they vanished, she added, they would take with them the kind of hyper-local, community-based reporting that helps forge and maintain a sense of place, identity and purpose, particularly in rural communities.

“That impact is something that is hard to conceptualize, even when you are a member of Congress who represents some of these communities,” Maher said. “Because you spend so much time living with one foot in the world of places like Washington, D.C., and very little time in the areas of the country where broadband services are not reliable or easily available, and cellphone service is not necessarily consistent and universal.”

Philbin noted that NPR’s mission statement is to create a more informed public and to celebrate the diversity of the human experience, and that those values are being challenged by a storm of misinformation.

The Getty Prize was founded in 2013 as the Getty Medal. It was initially given to several individuals each year, but last year it transformed into its current incarnation, honoring a single person who chooses the “pay-it-forward” grant recipient.

Last year’s honoree was Mark Bradford, who chose to steer the grant money to the Arts for Healing and Justice Network, which brings arts programming to minors in the juvenile justice system.