killing

On Sunday, Mexican security forces killed 59-year-old Nemesio Ruben Oseguera Cervantes, alias “El Mencho”, the leader of the notorious Jalisco New Generation Cartel (CJNG), based in western Mexico’s Jalisco state.

The Mexican defence ministry acknowledged that the lethal operation had been conducted with “complementary information” from the United States, whose “peacemaker” president, Donald Trump, has repeatedly threatened to attack Mexico to combat the drug cartels.

Mind you, these are organisations that owe their very existence to US policy and drug consumption in the first place.

US Deputy Secretary of State Christopher Landau greeted the news of El Mencho’s death with glee, taking to X to proclaim: “This is a great development for Mexico, the US, Latin America, and the world.”

And yet things aren’t looking quite so “great” thus far.

As anyone who has ever paid remote attention to global affairs might have predicted, violence has broken out across several Mexican states in the aftermath of the killing – which is generally what happens when you take out a cartel kingpin.

Gunmen have torched vehicles and blocked highways in various locales while various US media have reported sensationally on the plight of American tourists “stranded” in Mexican resort cities on account of the upheaval.

Shortly after his initial enthusiastic post, Landau returned to X with a “PS, I’m watching the scenes of violence from Mexico with great sadness and concern.” But no matter: “We must never lose our nerve.”

The deputy secretary of state ended his “PS” with some words of encouragement in Spanish for the Mexican nation: “¡Animo Mexico!” (Cheer up, Mexico!)

But again, there is hardly room for cheer given that there is not a single example in pretty much the entire history of the world in which the killing of one cartel boss has resolved the narcotrafficking problem – or anything else, for that matter.

Recall the case of Pablo Escobar of the Medellin Cartel, killed in 1993 by Colombian police with a whole lot of help from the US Drug Enforcement Agency (DEA).

Despite Escobar’s absence, the international drug trade proceeded apace, and ensuing decades played host to spectacular levels of violence in Colombia – much of it coincidentally perpetrated by heavily US-backed state security forces.

In one particularly memorable episode, members of the Colombian army slaughtered an estimated 10,000 civilians and passed the cadavers off as left-wing “terrorists”.

To this day, Colombia remains the world’s top producer of cocaine.

In other words, to hail El Mencho’s demise as a “great development” for Mexico or anyone else is at best preposterously delusional.

On Sunday I phoned a Mexican friend in the southern state of Oaxaca, a supporter of Mexican President Claudia Sheinbaum, for our requisite argument over the day’s events. In his view, Mexico’s government had simply been “doing its job” in the “war on drugs” by eliminating El Mencho, and the US had nothing substantial to do with it.

Indeed, much like her predecessor and mentor Andres Manuel Lopez Obrador, Sheinbaum has perfected the art of doing the gringos’ dirty work while purporting to act in a “sovereign” fashion – and even to defy the imperial overlords to the north.

Granted, she does not have a whole lot of room to manoeuvre given the recent kidnapping by the US of Venezuelan head of state Nicolas Maduro – and the fact that Trump has made it known that he is beholden to no law, whether domestic or international.

But while Sheinbaum may have seen no choice but to temporarily placate the Americans and satisfy Trump’s need for blood, Mexicans will pay a heavy price.

A brief review of contemporary Mexican history confirms as much. No sooner did then-Mexican President Felipe Calderon launch his “drug war” under US guidance in 2006 than homicides and enforced disappearances skyrocketed in the country.

Well over half a million people have since been killed and disappeared, many of them victims of militarised agents of the state who often operate in cahoots with organised crime.

Nary a dent has been put in the northward flow of drugs while the southward flow of US-manufactured weapons continues unabated.

The state of Jalisco itself happens to have the highest number of enforced disappearances in all of Mexico and made headlines last year with the discovery of a clandestine crematorium on a ranch outside Guadalajara, one of the host cities of the upcoming World Cup.

The ranch was reportedly used by the CJNG as a recruitment and training centre as well as an extermination site.

And the removal of El Mencho from the equation will do precisely nothing in terms of pacifying the landscape – just as the respective extraditions to the US of Sinaloa cartel leaders Joaquin “El Chapo” Guzman and Ismael “El Mayo” Zambada merely set off an ongoing violent battle for power.

Contrary to lofty soundbites from US officials, the empire is not at all interested in getting rid of either drug trafficking or violence south of the border as both phenomena provide a perennial excuse for US interference in Mexico and beyond.

Were the gringos actually serious about ridding “Mexico, the US, Latin America, and the world” of the whole cartel problem, a decriminalisation of drugs would do much to nip the business in the bud by rendering the movement of drugs far less fantastically lucrative.

A moratorium on the US’s obsessive manufacture of weapons would also help.

Obviously, nothing so much as resembling those potential solutions is even on the horizon. If it were, that would be one hell of a “great development” indeed.

The views expressed in this article are the author’s own and do not necessarily reflect Al Jazeera’s editorial stance.

Mexican security forces have killed Nemesio Ruben Oseguera Cervantes, the notorious drug lord widely known as “El Mencho”, in a major military operation, the country’s Secretariat of National Defence confirmed.

The Mexican government said that seven members of Oseguera’s Jalisco New Generation Cartel (CJNG) were killed in the raid in Tapalpa on Sunday.

Reports of road blocking and violence by drug cartels emerged in Jalisco and other states after news of the operation became public.

“At this time, elements of the Mexican National Guard and Mexican Army troops from the centre of the country and states neighbouring Jalisco are mobilising to reinforce the security of this state,” the Defence Secretariat said in a statement.

“With these actions, the Secretariat of National Defence reaffirms its commitment to contributing to the strengthening of Mexico’s security.”

Oseguera, the leader of the powerful CJNG, one of Mexico’s most violent and dominant criminal organisations, spent decades evading justice.

Washington, which had a $15m reward for information leading to Oseguera’s arrest, was quick to laud the raid.

“I’ve just been informed that Mexican security forces have killed ‘El Mencho,’ one of the bloodiest and most ruthless drug kingpins,” US Deputy Secretary of State Christopher Landau said in a post on X, calling the operation “a great development for Mexico, the US, Latin America, and the world”.

Of the seven cartel members killed on Sunday, four had been injured but later succumbed to their wounds. Three others were arrested, according to the Secretariat of National Defence.

Three military personnel were wounded during the operation and hospitalised, according to the statement.

As news of the killing spread, cartel-linked violence erupted in response, with reports of roadblocks, burning vehicles, and other acts of intimidation in Jalisco and surrounding areas – tactics the CJNG has used in the past to disrupt security operations.

President Claudia Sheinbaum said her government was responding to the unrest, stressing that in the “vast majority of the national territory, activities are proceeding with complete normality”.

“There is absolute coordination with the governments of all states; we must remain informed and calm,” Sheinbaum wrote on X.

According to The New York Times, the violence erupted in at least five Mexican states, and
the Spanish newspaper El Pais also reported “blockades” in central Mexico.

An Al Jazeera witness shared photos of a burned-out bus on a major highway in Guadalajara, the capital of Jalisco, which will host several matches in the upcoming FIFA World Cup.

The US Embassy in Mexico warned American citizens in Jalisco and other central states to stay at home until further notice due “to ongoing security operations, associated roadblocks and related criminal activity”.

Landau, the US diplomat, also expressed concern about the events. “It’s not surprising that the bad guys are responding with terror. But we must never lose our nerve,” he said.

While airports across Mexico remain operational, the US embassy later noted that “some domestic and international flights cancelled” in Guadalajara and Puerto Vallarta, a coastal city in Jalisco.

The Reuters news agency reported that several major airlines, including Air Canada and United, have temporarily halted flights to Puerto Vallarta.

Oseguera’s fall was a priority target for the US, and is the biggest blow to drug trafficking in recent years.

Oseguera had built an aura of mystery around himself, drawing on the overwhelming power of the CJNG and his limited media presence: All photos of him were decades old, according to Al Pais.

Oseguera crossed over the border in the US several times in the late 80s, and lived illegally in San Francisco.

At the age of 19, he was arrested for the first time by local police for stolen property and carrying a loaded gun.

In 1989, he was arrested again and deported to Mexico. But he re-entered the US and was again arrested on drug charges in 1992 . He was prosecuted and sentenced to five years in prison after pleading guilty.

After spending three years in a federal US prison, El Mencho was released on parole and deported to Mexico, where he joined the local police.

A former police officer and avocado farmer, he rose through the ranks of the Milenio Cartel before founding the CJNG.

The FBI has described him as one of the most wanted fugitives in Mexico, and the CJNG as one of the most violent cartels in the country.

“It has been assessed to have the highest cocaine, heroin, and methamphetamine trafficking capacity in Mexico, and over the past few years, includes the trafficking of fentanyl into the United States,” the FBI said in a 2024 statement.

“Under Oseguera Cervantes’ leadership, CJNG has been responsible for many homicides against rival trafficking groups and Mexican law enforcement officers.”

Aston Merrygold of JLS fame has opened up about the devastating toll of his recent ankle injury during an appearance on Sunday Brunch

JLS star Aston Merrygold has gotten candid about his recent leg injury, admitting the emotional toll is “killing me”.

The Peterborough-born boyband icon, 38, underwent surgery late last year after suffering a painful injury on his ankle during rehearsals.

However, Aston has continued to perform with the band, which also includes Marvin Humes, Oritsé Williams, and JB Gill, either seated or using crutches.

During an interview with Simon Rimmer and Tim Lovejoy on today’s (22nd February) edition of Channel 4’s Sunday Brunch, Aston shared some more insight into his injury and recovery.

“I broke everything in my ankle, apart from the bone,” he shared. “So, I’m still here.

“Basically, jumping off a platform to end the show, I vanished through the stage and landed on some crash mats. Obviously, I got excited and probably jumped a bit too high, trapped my leg between the crash mats and my body kept going.

“So I had to have full ankle reconstruction surgery.” Tim quipped: “Got a team of lawyers on that?”, prompting laughter from Aston.

After revealing he had continued with the tour on crutches, Aston was asked about his history playing football and how his injury has affected his exercise regime.

“You used to be a good footballer years ago, didn’t you?” Tim asked. “So this must be killing you.”

Aston agreed: “It’s killing me. But everything, even in the week, going away with the kids for a few days is lovely.”

Tim interjected, “Can you do anything?” and Aston revealed: “I can’t run yet. So that’s kind of the extent of it. Stairs are good now, for the ankle progression.”

The presenter then mused: “You know what they say, and this is so true, a well man has 10,000 wishes and an ill man has one.”

“100 percent,” Aston agreed. “And the worst, worst part of the whole thing was that I had to be bed-bound at one point.

“Then, when I could stand up, it had to be no weight. So no picking up the kids, no kind of running around.

“Obviously I didn’t listen,” he then confessed. “You can’t have those special moments just taken away fully, so I was a bit like, ‘No, there are some things…’”

Simon then asked when Aston will be fully recovered, with the JLS star explaining: “The operation was in December. December 5th. And he said over six months.”

Sunday Brunch airs Sundays from 10am on Channel 4.

Hours before filmmaking legend Rob Reiner and his wife Michele were found stabbed to death in their Brentwood home, they attended a holiday party at Conan O’Brien’s house.

Now, two months after the tragedy, the comedian has broken his silence about the death of his good friends.

“To have that experience of saying good night to somebody and having them leave and then find out the next day that they’re gone … I think I was in shock for quite a while afterward,” O’Brien said in an interview for “The New Yorker Radio Hour” podcast. “I mean, there’s no other word for it. It’s just very — it’s so awful. It’s just so awful.”

As host of the Dec. 13 party, O’Brien was among the last people to see the Reiners alive. Their 32-year-old son, Nick, was arrested the following night and charged with murdering his parents. Two sources who attended the party described witnessing a loud verbal exchange between Nick Reiner and his parents.

In an interview published Friday, O’Brien said he and his wife were very close with the couple, describing them as “just such lovely people.”

O’Brien praised Rob Reiner’s talent as a director and his tireless advocacy efforts. The “When Harry Met Sally …” director was a prominent Democratic donor, noted critic of President Trump and a champion for causes such as early childhood education and gay marriage.

“I think about how Rob felt about things that are happening in the country, how involved he was, how much he put himself out there — and to have that voice go quiet in an instant is still hard for me to comprehend,” O’Brien told The New Yorker.

O’Brien said he considers Reiner “one of the greats” given his impressive track record of directing a series of blockbuster movies.

“To make seven — in, like, a nine-year, 10-year, 11-year period — is insanity,” O’Brien said. “With ‘Spinal Tap’ alone, if that’d been the only thing he ever did, he influenced my generation enormously.”

O’Brien fondly recalled first watching the rock mockumentary “This is Spinal Tap” in college, calling it a “splitting-the-atom moment.”

The pair were not only friends, but also collaborators. Reiner was a guest on a 1999 episode of “Late Night with Conan O’Brien,” and also appeared on episodes of O’Brien’s podcast, “Conan O’Brien Needs a Friend,” in 2023 and 2025.

Authorities allege Nick Reiner fatally stabbed his 78-year-old father and 70-year-old mother at their Brentwood home sometime in the early morning hours of Dec. 14. The couple’s bodies were discovered in the master bedroom by their daughter around 12 hours later, and Nick Reiner was arrested that night in South L.A. by Los Angeles police.

Nick Reiner was charged with two counts of first-degree murder on Dec. 16 and has yet to enter a plea. In January, his arraignment was postponed to Monday after his lawyer, famed defense attorney Alan Jackson, stepped down and was replaced by a public defender.

Nick Reiner has a history of struggles with mental health and substance use. It is unclear how prominently those struggles will feature in criminal proceedings.

Times staff writers James Queally and Richard Winton contributed to this report.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

This week we lost two towering figures with the deaths of Robert Duvall and Frederick Wiseman.

Duvall, who died at 95 at his home in Virginia, was known as an actor for roles in films such as “The Godfather,” “Apocalypse Now,” “To Kill a Mockingbird” and countless more. As a director, his work included “The Apostle” and a handful of other projects.

Robert Duvall in the movie “Apocalypse Now.”

(CBS Photo Archive / Getty Images)

The movies team published a list of 10 of our favorite performances, including “Tender Mercies,” for which he won an Academy Award, as well as “Network,” “The Great Santini” and “Widows.”

Wiseman, who died at 96 in Cambridge, Mass., directed more than 45 documentary features beginning with 1967’s “Titicut Follies” on through 2023’s “Menus-Plaisirs — Les Troigros.” His work was known for its rigorous examinations of systems and institutions, giving viewers insights into why things functioned the way they did.

Frederick Wiseman, photographed at the Venice Film Festival in 2014.

(David Azia / Associated Press)

“The institution is also just an excuse to observe human behavior in somewhat defined conditions,” Wiseman told the Associated Press in 2020. “The films are as much about that as they are about institutions.”

Tribute screenings have already started to pop up in tribute to Duvall, with presumably more for both men on the way.

‘Sunshine’ in 35mm

Rose Byrne in the 2007 movie “Sunshine.”

(Alex Bailey / Twentieth Century Fox)

The collaboration between director Danny Boyle and screenwriter Alex Garland has yielded an ongoing examination of societies in varying stages of collapse, lately in their recent revival of the “28 Years Later” series. Among their other works is 2007’s “Sunshine,” which, while seen as something of a disappointment on initial release, has only grown in esteem in the years since. The Academy Museum will screen the movie on 35mm Friday in the Ted Mann Theater.

In 2057, Earth is freezing as the sun has begun to die. An international crew of astronauts — including Cillian Murphy, Michelle Yeoh, Rose Byrne, Hiroyuki Sanada, Benedict Wong and Chris Evans — are dispatched with the improbable mission of reigniting the sun. When they encounter another ship along the way, things begin to go very wrong.

In his review, Kenneth Turan wrote, “Not reflected in a synopsis is the way screenwriter Garland has made ‘Sunshine’ a thoughtful genre film, one with philosophical concerns about God, man and morality. It’s not for nothing that Icarus’ talking computer echoes Hal of Stanley Kubrick’s ‘2001: A Space Odyssey.’ Garland and Boyle also have devoted time and effort to character psychology, to making the members of the Icarus’ crew into recognizable people and not Hollywood stick figures. … All these good things enable us to buy into ‘Sunshine’s’ story for a considerable span, creating a palpable tension that underlines that no one should feel safe in the far reaches of space.”

John Horn also wrote an extensive production story on the film. Referring to delays in the editing process, which caused a delay in the film’s release, Boyle said, “No director, unless they are contractually obligated, will ever go back and do a sequel set in space. When I finished it in January, I would have said no, it wasn’t worth it. Because I fell out with everybody. To make these movies, you have to be so uncompromising and scorch all of the ground in front of you.”

Slamdance Film Festival

Vondie Curtis-Hall in the movie “The Projectionist,” the opening night film of the 2026 Slamdance Film Festival.

(Slamdance Film Festival)

The Slamdance Film Festival has launched its second year in Los Angeles, running through Feb. 25 with screenings at the DGA, Landmark Sunset and 2220 Arts + Archives. The virtual edition of the festival will run from Feb. 24–March 6 on the Slamdance Channel.

The festival opened with the world premiere of Alexandre Rockwell’s “The Projectionist.” Starring Vondie Curtis-Hall along with Kasi Lemmons and Kevin Corrigan, the film tells the story of a lonely film projectionist confronting his past.

Rockwell, who, in 1992 won the Grand Jury prize at Sundance with “In the Soup,” lauded Slamdance as “a festival that embodies the vital spirit of independent film better than anywhere.”

Among other notable titles in this year’s program is “The Untitled Ruby Slippers Documentary” directed by Seth Gordon and Nikki Calabrese, the story of the theft and recovery of one of the most famous pieces of Hollywood movie memorabilia. Gordon’s “The King of Kong” premiered at Slamdance in 2007.

Points of interest

‘A Thousand and One’

Teyana Taylor in the movie “A Thousand and One.”

(Aaron Ricketts / Focus Features)

Teyana Taylor is an Oscar nominee for her performance in “One Battle After Another.” (She’s also a recent guest on “The Envelope” podcast.) She got that role after “One Battle” director Paul Thomas Anderson saw Taylor’s performance in “A Thousand and One,” written and directed by A.V. Rockwell. Vidiots will show the movie Saturday.

In the film Taylor plays Inez, recently released from jail in New York City and attempting to reconnect with her son who has been in the foster system. When an opportunity presents itself, she impulsively abducts him and tries to get them set up in a new life together.

In her review of the film, Katie Walsh noted that Taylor “brings to her astonishing performance the coiled physicality of a panther ready to pounce.” Walsh added, “The film is utterly absorbing, anchored by the unpredictable performance of Taylor, playing a hopelessly complicated, but deeply caring woman. When faced with dire circumstances, she survives, then dares to imagine a life for Terry beyond the cycle she’s experienced, forging a family unit she never had.”

Sonaiya Kelley spoke to both Rockwell and Taylor about the film. Taylor said of the part, “I was drawn to the role before I even read the whole script. … A lot of the emotions I put onto Inez were real emotions from real triggers.”

‘Dont Look Back’

Bob Dylan in the documentary “Dont Look Back.”

(Criterion Collection)

As part of an ongoing series, the Academy Museum will show D.A. Pennebaker’s 1967 “Dont Look Back” in the David Geffen Theater with doc director Joan Churchill in person to introduce the film.

A pioneering work of cinema verité, the film tags along on Bob Dylan’s 1965 tour of England, capturing a period of heady creative evolution. As Dylan plays a series of shows, he is also seen in various hotel rooms, cutting down journalists and others with a self-regarding wit.

As Charles Champlin said in his 1967 review, “The technical shortcomings deliberately enhance the atmosphere of claustrophobic chaos surrounding a pop idol on tour. And this, after all, is what the film is about. … [Dylan’s] milieu and its hangers-on are by no means uniformaly attractive. But after this skillful and exhaustive piece of film reportage, no one need ask what it and they and he are really like. The camera has become an X-ray.”

“How to Make a Killing” boasts an opening so strong that it buys enough audience goodwill to coast through nearly its entire running time. That’s priceless in a screwball murder movie in which everyone’s soul is for sale.

Death row inmate Becket Redfellow (Glen Powell) is four hours away from execution. A priest (Sean C. Michael) solemnly arrives to take his final confession and finds the condemned man lounging in a sleeping eye mask, griping that his last meal served him the wrong flavor of cheesecake. “Kill me now,” Becket quips.

This will be a tale of crime and punishment told in flashback, rewinding to Becket’s mother, an heiress excised from an eleven-figure fortune for giving birth as an unwed teenager. And it will be, as Becket insists, “a tragedy.”

But while the story’s framework is familiar, what gives this intro sequence zip is Powell’s sly nonchalance, the little bounce he makes on his cot when Becket pivots to give the flabbergasted priest his full attention. He has ours, too. Powell has yet to find his perfect role (this one’s close) but his confidence is why the industry is convinced that he’s the reincarnation of a classic leading man: Tom Cruise or Cary Grant if we’re lucky, or at least Bugs Bunny.

Writer-director John Patton Ford’s morally bleak comedy is itself a reincarnation of the 1949 British caper “Kind Hearts and Coronets,” which egged on an exiled sire as he avenges himself upon his royal family by murdering everyone between himself and dukedom. The 21st century American privilege that Becket is chasing in the remake doesn’t rely on formal titles. He wants cold hard cash, plus a couple of private islands, planes and ultra-luxury yachts. Besides, he’s already got a first name that sounds like a last name, signifying the American upper crust.

This Dickensian vengeance setup gives us an awful lot of people to murder, all caricatures of the elite. The original “Coronets” offed a posh feminist who scattered political leaflets across London from a hot air balloon, Ford spins that passé joke into a gag where Becket’s spoiled cousin (Raff Law) hovers in a helicopter sprinkling money over a pool party and then for good measure, cannonballs into the water to stuff bills in the crowd’s open and appreciative mouths. (For his next trick, perhaps Ford will remake Terry Southern’s outlandish satire “The Magic Christian,” which has a scene like that but five times filthier.)

Lore goes that when Alec Guinness received the “Coronets” script with an offer to play four of the ill-fated tycoons, he wrote back greedily and said, “Why not eight?” To our good fortune, Guinness did play all eight, even the suffragette. “How to Make a Killing” shares the wealth, giving cameos to a very funny Zach Woods as the scion who fancies himself a hipster artist (he takes photos of the unhoused) and Topher Grace as the Redfellow who found faith or, rather, a more sanctimonious spin on grift as a megachurch pastor. Likening himself to Jesus, Grace’s bleached blond huffs, “Don’t hate on me just because my dad’s a big deal.”

There’s a tease of real-world critique in how the preacher has decorated his office with framed photos of himself with various presidents and drug-runners, alluding to the inescapable suspicion that the world is run by a powerful club whose only admissions requirement is a bank balance with plenty of zeros. The jabs stop at allusions — they’re entertaining but as thin as a communion wafer. Still, I guffawed when Becket popped back into his present-day cell to poke fun at his audience, the Catholic priest: “The last thing the Church wanted was an investigation,” he says with a smirk. “I’m sure you know all about that.”

Like his lead character, Ford himself had to ascend in clout to direct this script, which he launched on the Black List in 2014. He instead made his debut with the much-smaller 2022 indie “Emily the Criminal,” which starred Aubrey Plaza as an art student desperate to pay off her student loans. His heart is with the strivers who find that our K-shaped economy makes it impossible to go straight.

Yet he hasn’t cracked whether the corpses in “How to Make a Killing” are victims themselves. The rich Redfellows get dispatched one by one in scenes that are fun but empty — neither cathartic nor comic, simply boxes to be checked off to great big poundings of thunder and harpsichords.

Surely, I thought, the film will figure out how it feels by the time it offs a Redfellow who’s merely ordinary-terrible: Bill Camp’s drunken, cowardly banker. But it doesn’t and the real victim of the indecision is Powell, who is rarely given a reaction to play. (Guilt? Rage? Glee?) He needs to give us an extra hint how he’s feeling — as an actor, Powell is so slick that even his regular smile comes across phony. I’d say he couldn’t be sincere if he tried, except Powell actually does try for one scene and the bleary, terrified look in his eyes is devastating.

While the promise of that gangbusters opening sequence goes a tad unfulfilled, “Killing” has two strong twists and plenty of reasons to enjoy the romp. I suspect that the movie might be too smart for its own good, or perhaps hemmed in by a cynicism that, everywhere we look lately, it appears that crime does pay. As Becket says early on, “We’re all adults here.” Ford sees all the wrong moves and isn’t sure-footed in choosing the right one, even though I think he has. Today’s crowd wants to smash Marie Antoinette’s cake and eat it, too.

At least along the way, there’s a playful love triangle between Julia (Margaret Qualley), the privileged nightmare who’s had Becket wrapped around her pinky finger since grade school, and Ruth (Jessica Henwick), a humble school teacher. Both characters stake out their polarized corners — the rich bitch versus the sweetheart — with Qualley somehow always arranging her legs to be seductively horizontal in her too-few scenes. Henwick is saddled with the more prosaic role and dialogue (“It’s scary to dream small,” she says). Nevertheless, her presence is so compelling that we root for Ruth every time she’s onscreen.

I’m glad that Ford is part of today’s guillotine crew making capers about economic inequality. But the best shot in the movie shows his promise as a romantic comedian: Becket and Ruth bump into each other in the rain and just as they make eye contact, the sun comes out and they share a smile. It’s a tiny moment of magic that gives you hope that these young lovers can work it out. Better still, it even gives you hope for humanity, even if the movie’s overall forecast for society is stormy.

Corrie fans joked ‘someone is getting fired’ after the groundbreaking flashforward episode was uploaded to YouTube on Friday, giving away vital details ahead of tonight’s show

Bosses at Coronation Street were left reeling after accidentally leaking tonight’s flashforward episode days before the top secret show was due to air.

Fans were stunned after finding out which five characters are in the firing line early, with one set to be murdered in April. This morning, Corrie put out the names of those at risk of a grisly death as the identities of the ITV soap’s stars who could meet their end were announced.

Groomer Megan Walsh, manipulative Theo Silverton and family-wrecker Carl Webster could soon be getting their comeuppance with quirky landlady Maggie Driscoll and suspicious newcomer Jodie Ramsey also picked as possible murder victims. But some viewers found out days ago.

The programme, which is set to air tonight, was briefly uploaded on the YouTube on Friday before being hauled offline. It didn’t go unnoticed as one fan took to X to write: “Someone at Corrie leaking Mondays episode on a Friday afternoon oh dear someone’s getting fired.”

The groundbreaking episode begins with a police interview taking place on April 23. A a shocked and Betsy Swain is seen telling detectives about finding the dead body of someone she knows.

Dressed in wedding clothes, the cop’s daughter explains that she had been at the marriage of her mum Lisa Swain to Carla Connor, but was heading into town when she made the shocking discovery. As the episode returns to the present day we begin to see how the behaviour of the five characters could lead to their possible death two months later.

Twisted teacher Megan is caught up in a web of lies as she continues to groom impressionable teen Will Driscoll. Doing anything to protect her family, Maggie gives a fake alibi for Will to stop him being charged with the Christmas Day attack on Daniel Osbourne.

Carl has burnt all his bridges when he let Debbie take the blame for the Corriedale accident which saw Billy Mayhew perish. Since finding out Debbie is actually his mum and not his sister, Carl has pressed the self-destruct button and as he continues to goad both family and neighbours – he would have no shortage of people looking to settle a score.

Theo’s coercive control over Todd has reached new lows and with their wedding looming, will Todd finally confide in his friends about what has been going on before it is too late?

Despite initial reservations, the Platts have welcomed Shona’s estranged sister Jodie Ramsey into their home. But Jodie has been keeping secrets from them, and it seems she has got mixed up with some pretty shady characters in her past. Will trouble follow Jodie to Weatherfield, or could she upset people closer to home with her behaviour?

As the episode comes to a close we flash forward again to April 23 and the five characters are on the cobbles as Lisa and Carla’s wedding fireworks light up the night sky.

As the lights flicker a battered and bruised Carl, frantic Jodie, a menacing Maggie, a bloody-nosed Megan and a furtive Theo stare into the darkness. In the final moments the terrified scream of Betsy Swain fills the air – but which Weatherfield resident will be the murder victim?

Coronation Street airs weeknights at 8:30pm on ITV1 and ITV X.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Movies that had limited awards releases last year are seeing their full-fledged openings this week. Top among them is “Pillion,” the debut from British writer-director Harry Lighton, starring Alexander Skarsgård and Harry Melling as two men who become engaged in a dominant-submissive relationship.

Alexander Skarsgård, left, and Harry Melling in the movie “Pillion.”

(A24)

In her review, Amy Nicholson writes of the film, “This fetishy adventure is a minimalist romantic comedy in which submissive meets dominant, and submissive explores his physical and emotional vulnerabilities. Marriage and a baby carriage are off the table; the journey matters, not the destination. … Lighton’s biker BDSM rom-com might sound niche, but free yourself to see it and you’ll discover it’s a universal romance.”

Emily Zemler asked Skarsgård about what has been guiding his decisions lately when choosing roles. As he said, “People think there’s this invisible ladder and you have to get to the next rung of the ladder. It’s easy to forget to check in with yourself and ask, ‘Well, what do I want to do?’ You can get swept away. I’m trying to get down the ladder to the ground.”

Some other notable openings this week are “Dracula,” “Scarlet,” “The President’s Cake,” “Natchez” and “The Love That Remains.”

Points of interest

‘Porn Chic’ revival at the New Beverly

Sylvia Kristel in the movie “Emmanuelle.”

(Severin Films)

For most of the month of February, the New Beverly will refashion itself into the Eros, the adult movie theater it was called throughout much of the 1970s. (There’s even a commemorative T-shirt.) Married film dudes throughout the city are presumably coming up with inventive rationales and/or excuses as to why they simply must attend some of these screenings.

The programming leans into what was referred to in The Times as “porn chic” — movies that were meant to work as cinema, even appealing to couples, while also fulfilling the needs of the raincoat crowd. This Friday and Saturday will be a double bill of Just Jaeckin’s 1974 “Emmanuelle,” starring Sylvia Kristel, and Bitto Albertini’s 1975 “Black Emmanuelle,” starring Laura Gemser.

When The Times’ Charles Champlin reviewed “Emmanuelle” after it opened in 1975 at the Fine Arts in Beverly Hills, he noted, “It may be the first porno film designed for people who don’t really want to see one.”

Other notable titles during the New Bev’s Eros month include “The Opening of Misty Beethoven,” directed by Radley Metzger under the pseudonym Henry Paris, Russ Meyer’s “Vixen” (with star Erica Gavin in-person), Ingmar Bergman’s “Summer With Monica,” Roger Vadim’s “Pretty Maids All in a Row,” “The Fireworks Woman,” directed by Wes Craven (credited as Abe Snake), Nagisa Oshima’s “In the Realm of the Senses” and Gerard Damiano’s “Deep Throat.”

Quentin Tarantino’s “Once Upon a Time … in Hollywood” will be playing on Fridays at midnight, which includes a knowing line about the Eros when Margot Robbie asks, “What’s happening at the dirty movie place?”

A 1976 article in The Times by Barry Siegel states that there were then 47 adult theaters operating within the city limits of Los Angeles, even while charting the rapid rise and quick decline of porn-chic movies in the wake of the success of “Deep Throat” in 1972.

‘sex, lies and videotape’ with star Laura San Giacomo

Laura San Giacomo in the movie “sex, lies and videotape.”

(Criterion Collection)

The Los Angeles Film Critics Assn. continues its 50th anniversary series at the Egyptian Theatre on Tuesday with a screening of Steven Soderbergh’s 1989 debut feature “sex, lies and videotape,” a key title in kicking off the independent filmmaking scene of the 1990s. Actor Laura San Giacomo, who won LAFCA’s New Generation Award for her performance, will be there for a Q&A moderated by Lael Loewenstein.

Soderbergh was all of 26 years old when the film premiered at what was then called the U.S. Film Festival (the precursor to Sundance), where it won the audience award before heading to Cannes, where it won the Palme d’Or. (James Spader picked up an acting prize there too.) Among the film’s many other accolades, Soderbergh would also be nominated for an Academy Award for original screenplay.

Spader plays Graham, an enigmatic wanderer who inserts himself into the lives of his old friend John (Peter Gallagher), his wife Ann (Andie MacDowell) and her sister Cynthia (San Giacomo), drawing out all manner of confessions and revelations.

In her original review of the film, Sheila Benson called the film an “electrifying psycho-sexual comedy … the funniest and saddest American movie since Jim Jarmusch landed straight in the middle of our consciousness, and it’s possibly the most compelling.”

Benson added, “What is not apparent from a thumbnail description is the film’s lacerating wit, its beautiful look and sound, and the bravura quality to each performance. Or the terrible vein of melancholy that Soderbergh touches.”

‘In the Soup’ in 35mm

Steve Buscemi and Seymour Cassel in the movie “In the Soup.”

(Factory 25)

Winner of the Grand Jury prize at 1992’s Sundance — the same year “Reservoir Dogs” premiered there — is “In the Soup.” Directed and co-written by Alexandre Rockwell, the film follows an aspiring filmmaker (Steve Buscemi) who falls in with an irresistibly charming gangster (Seymour Cassel, who won Sundance’s first acting award) as his erstwhile producer. A recently restored 35mm print of the film will be playing in L.A. for the first time Sunday at Brain Dead Studios.

The cast of the film also features Carol Kane, Jim Jarmusch and Jennifer Beals, the last married to director Rockwell at the time. Reviewing the film in November 1992, Kenneth Turan called it “a charming pipsqueak of a movie, a playful film of ragged and shaggy appeal.”

Director Michael Almereyda on the ’90s vampires of ‘Nadja’

Elina Löwensohn in the movie “Nadja.”

(Arbelos Films)

As much a survey of late-night diners, bars and 3 a.m. conversations, Michael Almereyda’s “Nadja” is very much a vampire film. It is also a wonderful example of the creative freedom of the ’90s indie boom — everything from its cast to its look to its deadpan humor.

Executive produced by David Lynch (who paid for the film out of his own pocket and appears in a small role), “Nadja” combines the 1936 horror film “Dracula‘s Daughter” with Andre Breton’s 1928 surrealist novel “Nadja.” In the movie, a New York City vampire (Elina Löwensohn) looks to avenge the death of her father at the hands of Dr. Van Helsing (Peter Fonda) while also dealing with a complicated swirl of relationships involving her brother (Jared Harris), his nurse (Suzy Amis), Van Helsing’s nephew (Martin Donovan) and his wife (Galaxy Craze).

Re-released by Grasshopper Film and Arbelos Films with a streaming and home video release to follow, the new 4K restoration of the film’s original version that premiered at the 1994 Toronto International Film Festival is a few minutes longer than what played at Sundance just a few months later. (It was there that Almereyda also made the documentary “At Sundance,” interviewing filmmakers for their thoughts on the future of movies.) This new “Nadja” is playing on Feb. 6 and 8 at the Philosophical Research Society, then at Vidiots on Feb. 21 and 22 and Frida Cinema on Feb. 25 and 26.

On the phone from Sao Paulo, Brazil, where he is prepping an adaptation of Don DeLillo’s 2016 novel “Zero K,” the thoughtful and reflective Almereyda shared some of his memories of making the film.

Peter Fonda, left, Jared Harris, Martin Donovan and Galaxy Craze in the movie “Nadja.”

(Arbelos Films)

How did you get the idea of combining “Dracula’s Dracula” with Breton’s “Nadja”?

Michael Almereyda: It was fairly spontaneous. David Lynch had offered to help me make a movie if I could come up with something that was definably genre. And I went to [NYC movie theater] Film Forum at a time when — do you remember [film historian] William K. Everson? He would show up at Film Forum unannounced to start talking before the movie. This was one time when I showed up late and he was talking and they read a raffle ticket and there was silence. And I reached in my pocket: I had won the raffle. And that was to get a book of William K. Everson’s about horror movies. And so it was kind of a gift that I read about “Dracula’s Daughter.” I’d never seen it and I liked the outline of the plot and I chased it down and it felt like I could retrofit a number of ideas I had about New York with that story. It felt like the two things talked to each other.

One thing about vampire movies is that the best ones are always about something else. For you with “Nadja,” what’s the something else?

Almereyda: It’s not really a scary movie and it wasn’t really designed to be. It’s certainly atmospheric but the emotion of it, when I saw it again recently, had to do with both the comic aspects of being in love and the miserable aspects. It’s kind of a side-winding answer, but that’s partly what it’s about. It’s about family ties, obviously. I think I made or wrote enough scripts about tangled families that I began to sort of get over it. But we all come from these families.

David Lynch in the movie “Nadja.”

(Arbelos Films)

Did David Lynch‘s presence impact the tone at all? Do you feel the movie became in any way Lynchian?

Almereyda: Well, David’s impact on me and my whole generation of filmmaking and the generation behind us is vast. And I wouldn’t want to pretend it’s not, but direct influence is kind of minimal. It might be more fair to say that David’s art school background rhymes with mine. And that we had similar influences. People don’t really talk about how much David did or didn’t know about Maya Deren and Cocteau, but it’s kind of hard to miss. And there was just a certain sensibility and attitude. I felt close to David’s Midwestern-ness, and you combine that with some fondness for and knowledge of French culture, including surrealism, and you’re halfway to David Lynch without specifically thinking about it.

I really haven’t addressed this question much, but when he died, I ended up writing a fair bit of my memories and it’s moving to me how much impact he had when he died. There was such a wave of mourning and celebration, too, that it felt more phenomenal than he could have anticipated. It was clear how famous he was — how recognizable he was — within the time I knew him. But the love of David Lynch is really moving to me and it’s still something we’re swimming in, I hope, in a dark time.

For all the difficulties of being an independent filmmaker, what keeps you doing it?

Almereyda: I’m stumped. I was just going through my head and I know you just interviewed Ethan Hawke and he’s a true comrade that I’ve been lucky to work with a few times. And he was in the interview with Rick Linklater when we did our “At Sundance” movie. They had “Before Sunrise” at the festival and Rick started by quoting Truffaut, talking about the future of film is the personal film.

Even if it’s a fantasy, even if it’s a vampire movie, you’re still relating to your experience and your sense of an emotional reality. So that feels like a candle that doesn’t go out for me. And despite all the derailments and dead ends, I don’t question continuing. It just feels like a natural path, even if it’s winding and difficult.

In other news

Timothée Chalamet, tributee

Timothee Chalamet in the movie “Marty Supreme.”

(A24)

I will leave the ins and outs of this year’s awards campaigns to my trusted colleague Glenn Whipp at The Envelope, but one event jumped out as worth noting: Announced this week and immediately selling out is an eight-film American Cinematheque retrospective of Timothée Chalamet‘s movies, with the actor in person for all screenings.

Chalamet is currently an Oscar nominee as both actor and producer for “Marty Supreme.” And he has an impressive roster of collaborators who will be appearing with him to show their support, including Edward Norton with “A Complete Unknown,” Denis Villenueve with “Dune” and “Dune: Part Two,” Christopher Nolan with “Interstellar” and Elle Fanning with “Beautiful Boy.”

If there were some murmurs last year that Chalamet didn’t do enough conventional campaigning to win for his turn as Bob Dylan in “A Complete Unknown,” this year he seems to be pulling out all the stops.

Finneas O’Connell took to social media to defend Billie Eilish and her Grammys acceptance speech from a specific demographic that was angered by her remarks.

“Seeing a lot of very powerful old white men outraged about what my 24 year old sister said during her acceptance speech,” O’Connell wrote Wednesday on Threads. “We can literally see your names in the Epstein files.”

The sibling duo won the Grammy for song of the year Sunday, becoming the first ever three-time winners of the category. The “Wildflower” songwriters were among those wearing “ICE Out” pins at the 2026 Grammy Awards as a statement against the Department of Homeland Security’s immigration-enforcement agency and its tactics after the killings of Renee Good and Alex Pretti in Minnesota sparked a national outcry.

“No one is illegal on stolen land,” Eilish said while accepting the award. “It’s just really hard to know what to say and what to do right now. I feel really hopeful in this room and like we just need to keep fighting, speaking up and protesting. Our voices really matter.”

While some of her speech was censored during the live broadcast, Eilish was also heard saying “F— ICE,” drawing cheers from those in attendance.

Eilish was one of many artists who used their moment on the Grammys stage to speak out against the Trump administration and the federal immigration raids that have been happening in multiple states, including California. Some, including R&B song and performance winner Kehlani, were just as direct in their language condemning ICE. Other winners, including Bad Bunny and Shaboozey, used their speeches to celebrate immigrant communities.

Survivors, including a seriously injured child, taken to hospital as state governor declares three days of mourning.

A bus returning from a religious festival in northeast Brazil has veered off the road on a curve and overturned, killing at least 16 people, including four children, officials said.

The bus had been carrying about 60 people when it tipped over in the rural interior of Alagoas state on Tuesday, ejecting some passengers while others were trapped beneath the wreckage.

The Alagoas regional government said in a statement that seven women, five men and four children were among those killed. The accident remains under investigation and was described as “highly complex”.

Brazilian media reported that the bus had been returning from celebrations for Our Lady of Candelaria, a religious festival in the state of Ceara that attracts thousands of devotees every February 2.

“The bus went off the road on a curve, overturned, and some people were thrown out,” said Colonel Andre Madeiro, director of the Alagoas Aviation Department, which took part in the rescue operation.

“Some were trapped under the vehicle. It was a very bad accident, even atypical,” he told a news conference.

Images posted on the X social media platform of the reported crash site featured a severely-mangled bus lying on its side as injured passengers sat nearby waiting for help.

Survivors of the crash, including a seriously injured child, were taken to hospital, where they remain under medical care.

“I express my solidarity with the families and friends at this time of such great pain,” Governor Paulo Dantas wrote on social media. Three days of mourning will be observed in the state, he said.

Deadly road accidents are common in Brazil.

In October, 17 people died in the northeastern state of Pernambuco when a driver lost control of a bus.

More than 10,000 people died in traffic accidents in Brazil in 2024, according to the Ministry of Transportation, including in December 2024, when at least 32 people were killed when a passenger bus and a truck collided on a highway in southeastern Brazil’s state of Minas Gerais.

Also in 2024, a bus carrying a football team flipped on a road, killing three people.

PROVO, Utah — Graphic videos showing the killing of conservative activist Charlie Kirk while he spoke to a crowd on a Utah college campus quickly went viral, drawing millions of views.

Now, attorneys for the man charged in Kirk’s killing want a state judge to block such videos from being shown. A hearing was held Tuesday. Defense attorneys also want to oust TV and still cameras from the courtroom, arguing that “highly biased” news outlets risk tainting the case.

Prosecutors, attorneys for news organizations, and Kirk’s widow urged state District Court Judge Tony Graf to keep the proceedings open.

“In the absence of transparency, speculation, misinformation, and conspiracy theories are likely to proliferate, eroding public confidence in the judicial process,” Erika Kirk’s attorney wrote in a Monday court filing. “Such an outcome serves neither the interests of justice nor those of Ms. Kirk.”

But legal experts say the defense team’s worries are real: Media coverage in high-profile cases such as Tyler Robinson’s can have a direct “biasing effect” on potential jurors, said Cornell Law School Professor Valerie Hans.

“There were videos about the killing, and pictures and analysis [and] the entire saga of how this particular defendant came to turn himself in,” said Hans, a leading expert on the jury system. “When jurors come to a trial with this kind of background information from the media, it shapes how they see the evidence that is presented in the courtroom.”

Prosecutors intend to seek the death penalty for Robinson, 22, who is charged with aggravated murder in the Sept. 10 shooting of Kirk on the Utah Valley University campus in Orem. An estimated 3,000 people attended the outdoor rally to hear Kirk, a co-founder of Turning Point USA, who helped mobilize young people to vote for Donald Trump.

To secure a death sentence in Utah, prosecutors must demonstrate aggravating circumstances, such as that the crime was especially heinous or atrocious. That’s where the graphic videos could come into play.

Watching those videos might make people think, “‘Yeah, this was especially heinous, atrocious or cruel,’” Hans said.

Further complicating efforts to ensure a fair trial is the political rhetoric swirling around Kirk, stemming from the role his organization played in Trump’s 2024 election. Even before Robinson’s arrest, people had jumped to conclusions about who the shooter could be and what kind of politics he espoused, said University of Utah law professor Teneille Brown.

“People are just projecting a lot of their own sense of what they think was going on, and that really creates concerns about whether they can be open to hearing the actual evidence that’s presented,” she said.

Robinson’s attorneys have ramped up claims of bias as the case has advanced, even accusing news outlets of using lip readers to deduce what the defendant is whispering to his attorneys during court hearings.

Fueling those concerns was a television camera operator who zoomed in on Robinson’s face as he talked to his attorneys during a Jan. 16 hearing. That violated courtroom orders, prompting the judge to stop filming of Robinson for the remainder of the hearing.

“Rather than being a beacon for truth and openness, the News Media have simply become a financial investor in this case,” defense attorneys wrote in a request for the court to seal some of their accusations of media bias. Unsealing those records, they added, “will simply generate even more views of the offending coverage, and more revenue for the News Media.”

Prosecutors acknowledged the intense public interest surrounding the case but said that does not permit the court to compromise on openness. They said the need for transparency transcends Robinson’s case.

“This case arose, and will remain, in the public eye. That reality favors greater transparency of case proceedings, not less,” Utah County prosecutors wrote in a court filing.

Defense attorneys are seeking to disqualify local prosecutors because the daughter of a deputy county attorney involved in the case attended the rally where Kirk was shot. The defense alleges that the relationship represents a conflict of interest.

In response, prosecutors said in a court filing that they could present videos at Tuesday’s hearing to demonstrate that the daughter was not a necessary witness since numerous other people recorded the shooting.

Among the videos, prosecutors wrote, is one that shows the bullet hitting Kirk, blood coming from his neck and Kirk falling from his chair.

Brown and Schoenbaum write for the Associated Press.

WILMINGTON, Del. — The first husband of former First Lady Jill Biden has been charged in the killing of his wife at their Delaware home in late December, authorities announced in a news release Tuesday.

William Stevenson, 77, of Wilmington was married to Jill Biden from 1970 to 1975.

Caroline Harrison, the Delaware attorney general’s spokesperson, confirmed in a phone call that Stevenson is the former husband of Jill Biden.

Jill Biden declined to comment, according to an emailed response from a spokesperson at the former president and first lady’s office.

Stevenson remains in jail after failing to post $500,000 bail after his arrest Monday on first-degree murder charges. He is charged with killing Linda Stevenson, 64, on Dec. 28.

Police were called to the home for a reported domestic dispute after 11 p.m. and found a woman unresponsive in the living room, according to a prior news release. Lifesaving measures were unsuccessful.

She ran a bookkeeping business and was described as a family-oriented mother and grandmother and a Philadelphia Eagles fan, according to her obituary, which does not mention her husband.

Stevenson was charged in a grand jury indictment after a weekslong investigation by detectives in the Delaware Department of Justice.

It was not immediately clear if Stevenson has a lawyer. He founded a popular music venue in Newark called the Stone Balloon in the early 1970s.

Jill Biden married U.S. Sen. Joe Biden in 1977. He served as U.S. president from January 2021 to January 2025.

Los Angeles police solved more than two thirds of all homicides citywide in 2025, a year that ended with the fewest number of slayings in six decades, according to statistics presented by local authorities on Thursday.

Of the 230 homicides logged in areas patrolled by the LAPD, officials said that 156, or 68%, were considered solved. By the department’s definition, a homicide can be “cleared” through an arrest or other factors, including if the killing was deemed legally justified or the suspect dies. Whether the case results in criminal charges or a conviction is not part of the department’s methodology.

Factoring in the 78 homicides from past years that were solved in 2025, the clearance rate rose to 101%, officials said.

LAPD Chief Jim McDonnell said the department’s success in solving homicides was the result of more data-driven actions against the relatively small number of individuals responsible for an outsize proportion of violent crimes, as well as collaboration with federal law enforcement and other agencies.

McDonnell pointed to an 8% reduction in the number of gunshot victims citywide, a decline he attributed to a significant increase in the number of guns seized by police. In 2025, LAPD officials recovered 8,650 firearms, 1,000 more than the previous year, he said. Gang killings still account for most of the city’s homicides, but are far below where they were in years past, officials said.

The chief said police need to remain diligent since “every life lost was one too many.” The trends for other categories of violent crime were a “mixed bag,” he said, and concerns about property crimes such as burglary and vehicle thefts remain ongoing.

He said that the declining numbers were proof that a depleted department, stretched thin by low recruitment numbers and recent protests and wildfires, was still performing admirably. At the same time, he acknowledged that the decline was likely also the result of other factors that govern the ebb and flow of crime.

Historically, experts have cast a skeptical eye on police-driven explanations for clearance rates, arguing that community attitudes and behaviors, prosecutors’ thresholds for filing homicide charges, and other variables may have more to do with solving homicides more than any particular law enforcement model.

The homicide tally marked the city’s lowest total since 1966, when the city’s population was nearly a third smaller. The downturn mirrors precipitous drops in many other large cities nationwide last year — and has sparked a range of theories about what’s going on.

LAPD Chief Jim McDonnell, right, points to statistics showing an increase in the homicide clearance rate, a measure of how often detectives are marking investigations as closed.

(Genaro Molina / Los Angeles Times)

For those who view violent crime as a public health issue, the steep decrease is rooted in powerful social forces that are far beyond the control of law enforcement. Those factors include the return of social services that declined during the pandemic, and fatigue from decades of bloodshed.

Still others say it’s simply a matter of numbers: with lighter caseloads, homicide detectives have more time to thoroughly investigate each new killing.

Sal Labarbera, a former supervisor of detectives in South Bureau homicide, called the citywide solve rates a “beautiful” achievement.

“This is how it’s supposed to be. When murders are down, reinforce the teams and solve the older cases. In the past, when homicides were down, they sometimes took detectives away from homicide investigations,” he said. “It’s especially extraordinary considering the number of sworn officers are decreasing.”

According to statistics maintained by the state Department of Justice, homicide clearance rates statewide have hovered around 60% over the past decade, with a high of 64.6% in 2019 and a low of 54.5% in 2021. In Los Angeles, the percentage of slayings that have been solved rose slightly from 2024, but was down from the 79.9% clearance rate that the department achieved in 2023.

The data presented at a news conference Thursday didn’t offer a breakdown of how last year’s solve rates differed geographically in the department’s 21 patrol areas.

DES MOINES, Iowa — President Trump is headed to Iowa on Tuesday as part of the White House’s midterm year pivot toward affordability, even as his administration remains mired in the fallout in Minneapolis over a second fatal shooting by federal immigration officers this month.

While in Iowa, the Republican president will make a stop at a local business and then deliver a speech on affordability, White House press secretary Karoline Leavitt said. The remarks will be at the Horizon Events Center in Clive, a suburb of Des Moines.

The trip is expected to also highlight energy policy, White House chief of staff Susie Wiles said last week. It’s part of the White House’s strategy to have Trump travel out of Washington once a week ahead of the midterm elections to focus on affordability issues facing everyday Americans — an effort that keeps getting diverted by crisis.

The latest comes as the Trump administration is grappling with the weekend shooting death of Alex Pretti, an ICU nurse killed by federal agents in the neighboring state of Minnesota. Pretti had participated in protests following the Jan. 7 killing of Renee Good by an Immigration and Customs Enforcement officer. Even as some top administration officials moved quickly to malign Pretti, the White House said Monday that Trump was waiting until an investigation into the shooting was complete.

Trump calls Pretti killing ‘sad situation’

As Trump left the White House on Tuesday to head to Iowa, he was repeatedly questioned by reporters about Pretti’s killing. Trump disputed language used by his own deputy chief of staff, Stephen Miller, who on social media described Pretti as an “assassin” who “tried to murder federal agents.” Vice President JD Vance shared the post.

Trump, when asked Tuesday if he believed Pretti was an assassin, said, “No.”

When asked if he thought Pretti’s killing was justified, Trump called it “a very sad situation” and said a “big investigation” was underway.

“I’m going to be watching over it, and I want a very honorable and honest investigation. I have to see it myself,” he said.

He also said Homeland Security Secretary Kristi Noem, who was quick to cast Pretti as a violent instigator, would not be resigning.

Republicans want to switch the subject to affordability

Trump was last in Iowa ahead of the July 4 holiday to kick off the United States’ upcoming 250th anniversary, which morphed largely into a celebration of his major spending and tax cut package hours after Congress had approved it.

Republicans are hoping that Trump’s visit to the state on Tuesday draws focus back to that tax bill, which will be a key part of their pitch as they ask voters to keep them in power in November.

“I invited President Trump back to Iowa to highlight the real progress we’ve made: delivering tax relief for working families, securing the border, and growing our economy,” Rep. Zach Nunn, R-Iowa, said in a statement in advance of his trip. “Now we’ve got to keep that momentum going and pass my affordable housing bill, deliver for Iowa’s energy producers, and bring down costs for working families.”

Trump’s affordability tour has taken him to Michigan, Pennsylvania and North Carolina as the White House tries to marshal the president’s political power to appeal to voters in key swing states.

But Trump’s penchant for going off-script has sometimes taken the focus off cost-of-living issues and his administration’s plans for how to combat it. In Mount Pocono, Pennsylvania, Trump insisted that inflation was no longer a problem and that Democrats were using the term affordability as a “hoax” to hurt him. At that event, Trump also griped that immigrants arriving to the U.S. from “filthy” countries got more attention than his pledges to fight inflation.

Competitive races in Iowa

Although it was a swing state just a little more than a decade ago, Iowa in recent years has been reliably Republican in national and statewide elections. Trump won Iowa by 13 percentage points in 2024 against Democrat Kamala Harris.

Still, two of Iowa’s four congressional districts have been among the most competitive in the country and are expected to be again in this year’s midterm elections. Trump already has endorsed Republican Reps. Nunn and Mariannette Miller-Meeks. Democrats, who landed three of Iowa’s four House seats in the 2018 midterm elections during Trump’s first term, see a prime opportunity to unseat Iowa incumbents.

This election will be the first since 1968 with open seats for both governor and U.S. senator at the top of the ticket after Republican Gov. Kim Reynolds and Republican U.S. Sen. Joni Ernst opted out of reelection bids. The political shake-ups have rippled throughout the state, with Republican Reps. Randy Feenstra and Ashley Hinson seeking new offices for governor and for U.S. senator, respectively.

Democrats hope Rob Sand, the lone Democrat in statewide office who is running for governor, will make the entire state more competitive with his appeal to moderate and conservative voters and his $13 million in cash on hand.

Kim and Fingerhut write for the Associated Press. Kim reported from Washington. AP writer Michelle L. Price in Washington contributed to this report.

WASHINGTON — The killing of a second U.S. citizen by federal agents in Minneapolis is sharply complicating efforts to avert another government shutdown in Washington as Democrats — and some Republicans — view the episode as a tipping point in the debate over the Trump administration’s immigration enforcement policies.

Senate Democrats have pledged to block funding for the Department of Homeland Security unless changes are made to rein in the federal agency’s operations following the killing of Alex Pretti, a 37-year-old intensive care unit nurse.

The Democratic defections now threaten to derail passage of a broad spending package that also includes funding for the State Department and the Pentagon, as well as education, health, labor and transportation agencies.

The standoff has also revealed fractures among GOP lawmakers, who have called for a federal and state investigation into the shooting and congressional hearings for federal officials to explain their tactics — demands that have put unusual pressure on the Trump administration.

Senate Republicans must secure 60 votes to advance the spending measure in the chamber — a threshold they cannot reach on their own with their 53 seats. The job is further complicated by a time crunch: Lawmakers have until midnight Friday to reach a compromise or face a partial government shutdown.

Senate Democrats had already expressed reservations about supporting the Department of Homeland Security funding after Renee Good, a mother of three, was shot and killed this month by federal agents in Minneapolis. But Pretti’s killing has led Democrats to be more forceful in their opposition.

Sen. Adam Schiff (D-Calif.) said Sunday he would oppose funding for the agencies involved in the Minneapolis operations.

“I’m not giving ICE or Border Patrol another dime given how these agencies are operating. Democrats are not going to fund that,” he said in an interview with NBC’s “Meet the Press.” “I think anyone who votes to give them more money to do this will share in the responsibility and see more Americans die in our cities as a result.”

Sen. Alex Padilla (D-Calif.) said in a statement last week that he would not “give more money to [Customs and Border Protection] and ICE to continue terrorizing our communities and breaking the law.” He reiterated his stance hours after Pretti’s killing.

“I will vote against any additional funding for Trump’s ICE and CBP while they act with such reckless disregard for life, safety and the Constitution,” Padilla wrote in a post on X.

While Senate Republicans largely intend to support the funding measure, some are publicly raising concerns about the Trump administration’s training requirements for Immigration and Customs Enforcement agents and calling for congressional oversight hearings.

“A comprehensive, independent investigation of the shooting must be conducted in order to rebuild trust and Congressional committees need to hold hearings and do their oversight work,” Sen. Lisa Murkowski (R-Alaska) wrote in a post on X. “ICE agents do not have carte blanche in carrying out their duties.”

Similar demands are being made by House Republicans.

Rep. Andrew Garbarino (R-N.Y.), the chairman of the House Homeland Security Committee, has formally sought testimony from leaders at ICE, Customs and Border Protection and U.S. Citizenship and Immigration Services, saying his “top priority remains keeping Americans safe.”

Homeland Security has not yet provided a public confirmation that it will attend the hearing, though Garbarino told reporters Saturday that he has been “in touch with the department” and anticipates a full investigation.

Many Republican lawmakers expressed concern over federal officials’ saying Pretti’s killing was in part due to him having a loaded firearm on his person at the time of the encounter. Pretti had a permit to carry, according to the Minneapolis police chief, and videos show him holding a cellphone, not brandishing a gun before officers pushed him down to the ground.

“Carrying a firearm is not a death sentence, it’s a constitutionally protected God-given right, and if you don’t understand this you have no business in law enforcement of government,” Rep. Thomas Massie (R-Ky.) wrote on X.

Following the pushback from the GOP, President Trump appears to be seeking ways to tone down the tensions. The president said Monday he had a “very good call” with Minnesota Gov. Tim Walz, a Democrat he has clashed with in recent weeks, and that they “seemed to be on a similar wavelength” on next steps.

If Democrats are successful in striking down the Homeland Security spending package, some hinted at comprehensive immigration reforms to follow.

California Rep. Ro Khanna (D-Fremont) detailed the plan in a social media post over the weekend, calling on Congress to repeal the $75 billion in supplemental funding flagged for ICE in the “One Big Beautiful Bill Act” last year. The allocation roughly tripled the budget for immigration enforcement.

The shooting came as a slate of progressives renewed demands to “abolish ICE” and replace it with an agency that has congressional oversight.

“[Congress must] tear down and replace ICE with an agency that has oversight,” Khanna said. “We owe that to nurse Pretti and the hundreds of thousands on the streets risking their lives to stand up for our freedoms.

Democrats are also focusing on removing Homeland Security Secretary Kristi Noem. Earlier this month, Rep. Robin Kelly (D-Ill.) introduced a measure to impeach Noem, saying she has brought about a “reign of terror to Minneapolis.” At least 120 House Democrats have supported the measure, according to Kelly’s office.

Democrats also urged a stop to controversial “Kavanaugh stops,” which allow agents to detain people based on perceived race, and have set their sites on the reversal of qualified immunity protections, which shield agents from misconduct lawsuits.

Rep. Ilhan Omar (D-Minn.) backed the agenda and called for ICE and Border Patrol agents to “leave Minnesota immediately.”

“Voting NO on the DHS funding bill is the bare minimum. Backing Kristi Noem’s impeachment is the bare minimum. Holding law-breaking ICE agents legally accountable is the bare minimum. ICE is beyond reform. Abolish it,” she wrote in a Sunday post on X.

As federal immigration tactics face mounting legal and political scrutiny after a U.S. Border Patrol agent fatally shot a Minneapolis man over the weekend, Donald Trump announced Monday he was dispatching his border czar Tom Homan to Minnesota.

Until now, Border Patrol Commander Gregory Bovino has overseen the federal government’s immigration crackdown in Minnesota. But as the Trump administration’s Department of Homeland Security faces widespread criticism for its aggressive tactics since it launched Operation Metro Surge in December, Trump signaled Monday that he could be shifting strategy as he deploys Homan to the region.

“He has not been involved in that area, but knows and likes many of the people there,” Trump said of Homan on TruthSocial. “Tom is tough but fair, and will report directly to me.”

Trump’s deployment of Homan comes as a federal judge hears arguments Monday on whether to temporarily halt the Trump administration’s immigration enforcement in Minnesota. Meanwhile, Democratic senators plan to oppose a funding bill for DHS, raising the possibility of a partial government shutdown, and a small but growing number of Republicans have joined Democratic calls for a thorough investigation into the killing of Alex Pretti

The Department of Homeland Security said Pretti, a 37-year-old intensive care unit nurse, approached federal officers on the street Saturday morning with a 9 mm semi-automatic handgun and “violently resisted” when officers tried to disarm him. But cellphone videos recorded by eye witnesses contradict that account.

According to videos taken on the scene, Pretti was holding a phone, not a handgun, when he stepped in front of a federal agent who was targeting a woman with pepper spray. Federal agents pulled him to the ground and shot him.

Pretti is the second U.S. citizen in Minneapolis to be killed by immigration officers this month. On Jan. 7, Renee Good, a 37-year-old mother, was shot in the head by an Immigration and Customs Enforcement officer.

Secretary of Homeland Security Kristi Noem raised criticism this weekend when she said that her agency would lead the investigation into Pretti’s killing.

After federal officials denied Minnesota state investigators access to the shooting scene in South Minneapolis, local and state officials in Minnesota accused DHS of mishandling evidence. Late Saturday, the Minnesota Bureau of Criminal Apprehension asked a federal court to block Homeland Security and Justice Department officials from destroying or concealing evidence.

It is not immediately clear how Bovino’s role could change as Homan arrives in Minneapolis.

Noem, who has backed Bovino’s aggressive tactics, said Monday it was “good news” that Homan was going to Minneapolis.

“I have worked closely with Tom over the last year and he has been a major asset to our team,” Noem wrote on X. Homan’s “experience and insight,” she said, would “help us to remove even more public safety threats and violent criminal illegal aliens” off Minneapolis streets.

But some Democrats in Minnesota oppose sending Homan to Minnesota. Minneapolis City Council member Soren Stevenson said the move would only aggravate tension.

“They are losing the battle in people’s minds,” Stevenson told CNN, noting that people could see video evidence contradict federal accounts of border patrol agents’ actions.

“They’re losing this narrative battle, and so he’s sending in his top guard,” Stevenson added. “And really, it’s escalating, because we just want to be left alone. The chaos in our community is coming from ICE. It’s coming from this invasion that we’re under … and it’s got to stop.”

In a short interview with The Wall Street Journal Sunday, Trump criticized Pretti for carrying a gun during protest activity.

“I don’t like any shooting. I don’t like it,” Trump said. “But I don’t like it when somebody goes into a protest and he’s got a very powerful, fully loaded gun with two magazines loaded up with bullets also. That doesn’t play good either.”

The President declined to comment on whether the agent who shot Pretti had done the right thing. “We’re looking,” Trump said when pressed. “We’re reviewing everything and will come out with a determination.”

Democratic officials, including Minnesota Gov. Tim Walz and Minneapolis Mayor Jacob Frey, have called on federal immigration officers to leave Minneapolis. On Sunday, Trump suggested they could withdraw, but he did not give a timeline.

“At some point we will leave,” the president said. “They’ve done a phenomenal job.”