killing

MINNEAPOLIS — Already shaken by the fatal shooting of a woman by an immigration officer, Minnesota’s Twin Cities on Sunday braced for what many expect will be a new normal over the next few weeks as the Department of Homeland Security carries out what it called its largest enforcement operation ever.

In one Minneapolis neighborhood filled with single-family homes, protesters confronted federal agents and attempted to disrupt their operations by blowing car horns and whistles and banging on drums.

There was some pushing and several people were hit with chemical spray just before agents banged down the door of one home Sunday. They later took one person away in handcuffs.

“We’re seeing a lot of immigration enforcement across Minneapolis and across the state, federal agents just swarming around our neighborhoods,” said Jason Chavez, a Minneapolis City Council member. “They’ve definitely been out here.”

Chavez, the son of Mexican immigrants who represents an area with a growing immigrant population, said he is closely monitoring and gathering information from chat groups about where residents are seeing agents operating.

While the enforcement activity continues, two of the state’s leading Democrats said Sunday that the investigation into the shooting death of Renee Nicole Good shouldn’t be overseen solely by the federal government.

Minneapolis Mayor Jacob Frey and U.S. Sen. Tina Smith said in separate interviews that state authorities should be included in the investigation because the federal government has already made clear what it believes happened.

“How can we trust the federal government to do an objective, unbiased investigation, without prejudice, when at the beginning of that investigation they have already announced exactly what they saw — what they think happened,” Smith said on ABC’s “This Week.”

The Trump administration has defended the officer who shot Good in her car, saying he was protecting himself and fellow agents and that Good had “weaponized” her vehicle.

Homeland Security Secretary Kristi Noem during an interview with CNN dismissed complaints from Minnesota officials about local agencies being denied any participation in the investigation.

“We do work with locals when they work with us,” she said, criticizing the Minneapolis mayor and others for not assisting Immigration and Customs Enforcement operations.

Frey and Noem each pointed fingers at the other for their rhetoric after Good’s killing, and each pushed their own firm conclusions about what video of the incident shows. The mayor stood by his assertions that videos show “a federal agent recklessly abusing power that ended up in somebody dying.”

“Let’s have the investigation in the hands of someone that isn’t biased,” Frey said on NBC’s “Meet the Press.”

The killing of Good on Wednesday by an ICE officer and the shooting of two people by federal agents in Portland, Ore., led to dozens of protests across the country over the weekend, including thousands of people who rallied in Minneapolis.

Santana, Householder and Vancleave write for the Associated Press. AP journalists Thomas Strong in Washington, Bill Barrow in Atlanta and John Seewer in Toledo, Ohio, contributed to this report.

WASHINGTON — The killing of a Minnesota woman by an Immigration and Customs Enforcement officer is reverberating across Capitol Hill where Democrats, and certain Republicans, are vowing an assertive response as President Trump’s aggressive deportation operations spark protests nationwide.

Lawmakers are demanding a range of actions, including a full investigation into Renee Nicole Good’s shooting death, policy changes over law enforcement raids, the defunding of ICE operations and the impeachment of Homeland Security Secretary Kristi Noem, in what is fast becoming an inflection point.

“The situation that took place in Minnesota is a complete and total disgrace,” House Democratic leader Hakeem Jeffries of New York said as details emerged. “And in the next few days, we will be having conversations about a strong and forceful and appropriate response by House Democrats.”

Yet there is almost no consensus among the political parties in the aftermath of the death of Good, who was behind the wheel of an SUV after dropping off her 6-year-old at school when she was shot and killed by an ICE officer.

The killing immediately drew dueling narratives. Trump and Noem said the ICE officer acted in self-defense, while Democratic officials said the Trump administration was lying and they urged the public to view the viral videos of the shooting for themselves. The videos appear to contradict at least some aspects of the Trump administration’s assertions.

Vice President JD Vance blamed Good, calling it “a tragedy of her own making,” and said the ICE officer may have been “sensitive” from having been injured during an unrelated altercation last year.

But Good’s killing, at least the fifth known death since the administration launched its mass deportation campaign, could change the political dynamic.

“The videos I’ve seen from Minneapolis yesterday are deeply disturbing,” Sen. Lisa Murkowski (R-Alaska) said in a statement last week.

“As we mourn this loss of life, we need a thorough and objective investigation into how and why this happened,” she said. As part of the investigation, Murkowski said she is calling for policy changes, saying the situation “was devastating, and cannot happen again.”

Homeland Security funding up for debate

The push in Congress for more oversight and accountability of the administration’s immigration operations comes as lawmakers are in the midst of the annual appropriations process to fund agencies, including the Department of Homeland Security, to prevent another federal government shutdown when money expires at the end of January.

As anti-ICE demonstrations erupt in the aftermath of Good’s death, as seen in many U.S. cities this weekend, Democrats have pledged to use any available legislative lever to apply pressure on the administration to change the conduct of ICE officers.

“We’ve been warning about this for an entire year,” said Rep. Maxwell Frost (D-Fla.).

The ICE officer “needs to be held accountable,” Frost said, “but not just them, but ICE as a whole, the president and this entire administration.”

Congressional Democrats saw Good’s killing as a sign of the need for aggressive action to restrain the administration’s tactics.

Several Democrats joined calls to impeach Noem, who has been under fire from both parties for her lack of transparency at the department, though that step is highly unlikely with Republicans in control of Congress.

Other Democrats want to restrict the funding for her department, whose budget was vastly increased as part of Republicans’ sweeping tax and spending bill passed last summer.

Connecticut Sen. Chris Murphy, the top Democrat on the subcommittee that handles Homeland Security funding, plans to introduce legislation to rein in the agency with constraints on federal agents’ authority, including a requirement that the Border Patrol stick to the border and that Homeland Security enforcement officers be unmasked.

“More Democrats are saying today the thing that a number of us have been saying since April and May: Kristi Noem is dangerous. She should not be in office, and she should be impeached,” said Democratic Rep. Delia C. Ramirez, who represents parts of Chicago where ICE launched an enhanced immigration enforcement action last year that resulted in two deaths.

Immigration debates have long divided Congress and the parties. Democrats splinter between more liberal and stricter attitudes toward newcomers to the United States. Republicans have embraced Trump’s hard-line approach in trying to portray Democrats as radicals.

The Republican administration had launched the enforcement operation in Minnesota in response to an investigation of the nonprofit Feeding Our Future. Prosecutors said the organization was at the center of the country’s largest COVID-19-related fraud scams, when defendants exploited a state-run, federally funded program intended to provide food for children.

Heading into the November midterm election, which Democrats believe will hinge on issues such as affordability and healthcare, national outcry over ICE’s conduct has pressured lawmakers to speak out.

“I’m not completely against deportations, but the way they’re handling it is a real disgrace,” said Rep. Vicente Gonzalez (D-Texas), who represents a district along the U.S.-Mexico border.

“Right now, you’re seeing humans treated like animals,” he said.

Other ICE shootings have rattled lawmakers

In September, a federal immigration enforcement agent in Chicago fatally shot Silverio Villegas Gonzalez during a brief altercation after Gonzalez had dropped off his children at school.

In October, a Customs and Border Protection agent also in Chicago shot Marimar Martinez, a teacher and U.S. citizen, five times during a dispute with officers. The charges the administration had brought against Martinez were dismissed by a federal judge.

To Rep. Chuy Garcia (D-Ill.), Good’s death “brought back heart-wrenching memories of those two shootings in my district.”

“It looks like the fact that a U.S. citizen, who is a white woman, may be opening the eyes of the American public, certainly of members of Congress, that what’s going on is out of control,” he said, “that this isn’t about apprehending or pursuing the most dangerous immigrants.”

Republicans expressed some concern at the shooting but most stood by the administration’s policy, defended the officer’s actions and largely blamed Good for the altercation.

“Nobody wants to see people get shot,” said Rep. Rich McCormick (R-Ga.).

“Let’s do the right thing and just be reasonable. And the reasonable thing is not to obstruct ICE officers and then accelerate while they’re standing in front of your car,” he said. “She made a mistake. I’m sure she didn’t mean for that to happen, nor did he mean for that to happen.”

Brown and Mascaro write for the Associated Press.

Protesters demand justice for Renee Nicole Good, a mother of three shot dead by an ICE agent in Minneapolis this week.

Protests against US President Donald Trump’s militarised anti-immigration push are sweeping the United States, after the killing of a Minneapolis woman by an Immigration and Customs Enforcement (ICE) agent sparked outrage this week.

Indivisible, a social movement group, said hundreds of demonstrations were scheduled in Texas, Kansas, New Mexico, Ohio, Florida and other US states on Saturday.

“ICE’s violence is not a statistic, it has names, families, and futures attached to it, and we refuse to look away or stay silent,” Leah Greenberg, Indivisible’s co-executive director, said in a statement.

Steven Eubanks, 51, said he felt compelled to attend a protest in Durham, North Carolina, because of what he called the “horrifying” killing of Renee Nicole Good by the ICE agent in Minneapolis on Wednesday.

“We can’t allow it,” Eubanks told The Associated Press news agency. “We have to stand up.”

Senior Trump administration officials have justified Good’s killing, saying she “weaponised” her vehicle and threatened the life of the ICE officer who shot and killed her.

But video footage from the scene showed Good attempting to drive away before being shot by ICE agent Jonathan Ross.

The incident has renewed scrutiny of Trump’s push to deploy heavily armed law enforcement officers to carry out an anti-immigrant crackdown across the US, with local authorities demanding that ICE agents leave their cities.

The killing of Good, a 37-year-old mother of three, came as the US Department of Homeland Security pushes ahead with what it has called its largest-ever immigration enforcement operation in the Twin Cities of Minneapolis and Saint Paul.

‘ICE Out For Good’

Many of Saturday’s protests were dubbed “ICE Out for Good”, with organiser Indivisible saying the rallies aimed to “mourn the lives taken and shattered by ICE and to demand justice and accountability”.

In Minneapolis, a coalition of migrant rights groups called for a demonstration at Powderhorn Park, a large green space near the residential neighbourhood where the deadly shooting occurred on Wednesday.

They said the rally would call for an “end to deadly terror on our streets”.

Reporting from a rally in Minneapolis on Saturday afternoon, Al Jazeera’s Manuel Rapalo said the protesters have been expressing outrage “but overwhelmingly, we hear people say they’re here to demonstrate peacefully.”

“We’re also hearing a lot of calls for justice. What I’m not hearing is too much optimism that there will be justice in this case,” Rapalo said, referring to Good’s killing.

Minneapolis Mayor Jacob Frey, who demanded that ICE leave the city after the deadly incident, said on Saturday that 29 people had been arrested overnight as police responded to continued protests.

Frey stressed that while most protests have been peaceful, those who damage property or endanger others will be arrested.

Minneapolis ​Police ‌Chief Brian O’Hara said one police officer ‌was injured ‌during the ⁠protest response.

Meanwhile, three US lawmakers representing Minnesota attempted to tour an ICE facility in the Minneapolis federal building on Saturday morning but were told to leave after initially being allowed to enter.

US Congresswomen Ilhan Omar, Kelly Morrison and Angie Craig accused ICE agents of obstructing members of Congress from fulfilling their duty to oversee operations there.

“They do not care that they are violating federal law,” Craig said after being turned away.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

One of the bummer parts of any awards season is how it leads to a narrowing down of what movies are getting talked about and subsequently remembered from any given year. There are always way more than five or 10 titles from any given year that deserve the spotlight.

Which is why it was so exciting this week when Envelope editor Matt Brennan chose Mona Fastvold’s “The Testament of Ann Lee” and Angus MacLachlan’s “A Little Prayer” as his favorite movies of the year. “A Little Prayer” first premiered at Sundance in 2023, but didn’t get a theatrical release until this past summer. The delicate jewel of a film features warm, tender performances by David Strathairn and Jane Levy as a man and his daughter-in-law both reconciling themselves to the fallout of problems in her marriage. The movie is available now on digital platforms and is well worth seeking out.

David Straithairn and Jane Levy in the movie “A Little Prayer.”

(Music Box Films)

And we talked about “Ann Lee” here last week and will likely have more to say about it as awards season moves on. Matt’s list also included films such as “Sinners,” “One Battle After Another,” “Sentimental Value” and “Sirāt” along with “Sorry, Baby,” “Nouvelle Vague,” “Hedda,” and “The Alabama Solution.”

Meanwhile, with 2026 so fresh and new, it’s almost sacrilegious to start thinking about a future best-of-year list. But we’ve got one anyway: Here are the 14 movies we’re most excited to see in 2026. Christopher Nolan, Greta Gerwig, Steven Spielberg doing aliens again — at least on paper, there’s a lot of promise here.

4K premiere of Friedkin’s ‘Sorcerer’

An image from William Friedkin’s 1977 movie “Sorcerer.”

(Criterion Collection)

On Friday night, the American Cinematheque at the Egyptian Theatre will host the West Coast premiere of a new 4K restoration of William Friedkin’s 1977 thriller “Sorcerer” scanned from the original camera negative.

The film was a notorious flop when first released, in part because it had the misfortune of opening a week after the first “Star Wars.” An adaptation of the same novel that spawned Henri-George Clouzot’s 1953 adventure “Wages of Fear,” “Sorcerer” follows four desperate men tasked with transporting a truckload of volatile nitroglycerine through a South American jungle.

Friedkin, who died in 2023, spoke to The Times’ Kenneth Turan in 2013 before receiving a lifetime achievement award from the Venice Film Festival. The only movie shown as part of the tribute was “Sorcerer.” As Friedkin said at the time, “Every one of the films that I made, even the ones that haven’t worked, are films that I had to envision, that I had to see in my mind’s eye. And ‘Sorcerer’ is the film that came closest to my vision of what I wanted to make.”

In a January 1977 interview conducted when he had just completed filming, star Roy Scheider said that working with Friedkin “was not always to my liking as an actor. He is organized and meticulous but difficult, opiniated and tough. He can even be cruel at times. When Friedkin works on a film, nothing gets in his way, including the actors.”

Roy Scheider in the movie “Sorcerer.”

(Criterion Collection)

The film’s initial reception is perhaps well summarized by Charles Champlin’s originalLos Angeles Times review, in which he writes, “William Friedkin’s ‘Sorcerer’ is one of those movies that must make executives, no less than critics, shake their heads in stunned glum wonder. What the hell went wrong?

“A first-rate and proven piece of material. Executed with loving and meticulous care on a damn-the-cost basis by a prize-winning director with two large commercial successes behind him. But it all ends up a swollen, leaden and almost totally uninvolving disappointment that seems fairly unlikely to be saved commercially by its detonations, special effects and strenuous physical sequences.”

Champlin did seem to enjoy one element: the synthesizer score by Tangerine Dream (later of “Thief” and “Risky Business”), music that he calls “a new flavor, Latin Anxious, that works well.”

‘The Godfather Part II’

Al Pacino in the 1974 sequel “The Godfather Part II.”

(Paramount Pictures)

On Friday, Saturday and Sunday, an original I.B. Technicolor 35mm print of Francis Ford Coppola’s “The Godfather Part II” will screen at the New Beverly. It’s a rare and unusual way to see a great movie that can sometimes be flattened by overfamiliarity but remains as fresh and revealing as ever. The movie would go on to win six Oscars including best picture (the first sequel to ever do so).

The story cross-cuts between Al Pacino as Michael Corleone in the 1950s and Robert De Niro playing his father Vito Corleone in the early 1900s. The film shows the growth of the Corleone family empire and what it takes to keep it running.

In a January 1975 interview, Coppola talked about his motivations in approaching the sequel, saying, “The finished film makes what I consider a tough statement for a $13 million mass-audience picture. It says that this country is in danger of losing its soul, like Michael did. That power without humanity is destructive. … I didn’t want Michael to be destroyed by another gang or by a Senate investigation of organized crime. I wanted him to destroy himself. And to juxtapose his fall with flashbacks of his father’s rise a half-century earlier.”

Coppola, candid as ever, continued, “And, to be completely honest, there was the possibility of my making so much money I could bankroll some of my other projects.”

In his original Dec. 1974 review of the film, our Charles Champlin wrote, “In its way, ‘Godfather II’ is more daring than the original … The risks were worth taking, and the reward is that a single monumental segment of the American experience is neither glorified nor patronized, but made comprehensible and real, transmuted into drama of both scope and depth.”

Points of interest

‘The Birds’ in 35mm

Tippi Hedren and children are attacked by crows in a scene from Alfred Hitchcock’s “The Birds.”

(Screen Archives / Getty Images)

On Monday the Academy Museum will show Alfred Hitchcock’s 1963 “The Birds” in 35mm. The film is showing as part of a series about nature’s revenge on humans — a fun group of titles that also includes “Jaws” and “Orca” (both playing in 35mm), “Creature from the Black Lagoon” in 3D, “Alligator” with director Lewis Teague in person and “The Revenant” in 4K.

Transporting Daphne du Maurier’s original story to the setting of Bodega Bay in Northern California, “The Birds” presents a classic, apocalyptic what-if scenario when humans are suddenly attacked from above.

Star Tippi Hedren, who turns 96 later this month, made her movie debut in the film and over the years she has been open about how difficult the process of shooting was for her. In an April 1963 interview with Hedda Hopper, she said, “The Humane Society was there to protect the birds but there was no one to protect me.”

In a March 1963 review, The Times’ Philip K. Scheuer wrote, “Are actors people? No matter. Alfed Hitchcock, who filmed ‘The Birds’ at Universal, was once widely quoted as saying he hated actors. After his 1960 ‘Psycho’ and now ‘The Birds,’ it must be fairly obvious that he has extended his abhorrence to the whole human race.”

Oliver Lax’s ‘Fire Will Come’

Amador Arias, left, and Benedicta Sánchez in ‘Fire Will Come’

(KimStim)

Spanish filmmaker Oliver Laxe’s “Sirāt” has become one of the most celebrated films of the year, popping up on critics list and making a strong showing on the recent Oscars shortlists. On Tuesday, Acropolis Cinema will present the Los Angeles premiere of Laxe’s 2019 film “Fire Will Come” at 2220 Arts + Archives (its original release was curtailed by the pandemic). Laxe is scheduled to attend in person.

In the film, Amador (Amador Arias) has just been released from prison for arson, after having started a wildfire that ravaged the local mountains. Living with his mother, he has to overcome the suspicions and distrust of everyone in the community.

Reviewing the film in 2020 for a digital release, Carlos Aguilar called the film “quietly phenomenal,” adding, “Its discourse on forgiveness simmers in one’s mind inextinguishably.”

Joachim Trier tribute

Director Joachim Trier, photographed at the Los Angeles Times Studios at RGB House during the Toronto International Film Festival in September.

(Christina House / Los Angeles Times)

The American Cinematheque is launching a tribute to Norwegian filmmaker Joachim Trier this week. He will be appearing person with co-writer Eskil Vogt following screenings of “The Worst Person in the World” and his current movie “Sentimental Value.”

These are also rare opportunities to see two of Trier’s earlier films — his 2006 debut “Reprise” and 2011’s devastating “Oslo, August 31st” — in a theater.

“Sentimental Value” directly engages with the legacy of Scandinavian cinema, with Stellan Skarsgård playing an arthouse filmmaker trying to get a new project off the ground with his daughter (“Worst Person” star Renate Reinsve).

Going all the way back to “Reprise.” Trier has been making a case for a new kind of Scandinavian cinema: “I would hope young people would see this not as the old, dreary, dandruff-on-the-shoulders, slow European film,” he said in 2008. “I wanted to make something more sexy and relevant to people.”

Mexico’s Navy says the train was carrying 250 people when it derailed partially near the town of Nizanda in Oaxaca.

A train carrying 250 people has derailed partially in southern Mexico, killing at least 13 people and injuring 98, according to officials.

The Mexican Navy said that the Interoceanic Train linking the states of Oaxaca and Veracruz went off the rails on Sunday as it passed a curve near the town of Nizanda.

It said that 98 people were injured and that, “unfortunately, 13 people lost their lives”.

The train was carrying nine crew members and 241 passengers at the time of the accident. Of those on board, 139 were reported to be out of danger, while 36 of the 98 injured were still receiving medical assistance.

In a statement posted on X, Mexican President Claudia Sheinbaum said that at least five of those injured were in “serious” condition.

Sheinbaum said she has directed the secretary of the navy and other senior personnel to travel to the area and assist the families of those affected. She added that the Ministry of Interior is coordinating the response to the incident.

Mexico’s Attorney General’s Office said it was opening an investigation to determine the cause of the accident.

Uno Noticias Television, a Mexican channel, reported that emergency units were near the site of the accident but faced difficulty in accessing the area.

Images circulating on social media and posted by Mexican news outlets showed one of the carriages of the train on its side, while another was completely separated from the train tracks.

Translation: Passenger train derailed. Interoceanic in the Isthmus. This Sunday, the Interoceanic passenger train derailed, 5 kilometres south of Nizanda, belonging to Asuncion Ixtaltepec, Oaxaca. Injuries have been reported; the train had departed from Salina Cruz, Oaxaca, and was heading to Coatzacoalcos, Veracruz. Emergency units are near the area, but the difficult access to the site is complicating rescue efforts.

Video clips posted online also showed some of the passengers trapped in the derailed carriages.

A passenger was quoted by Mexico’s La Razon newspaper as saying that before the derailment, the train “was coming very fast”.

“We don’t know if it lost its brakes,” the passenger told La Razon.

In a statement posted on X, Oaxaca Governor Salomon Jara Cruz expressed his government’s “heartfelt condolences to the families of those who lost their lives in this unfortunate accident”.

The train runs between the Gulf of Mexico and the Pacific Ocean, and carries both passengers and freight.

On December 20, a train on the same route collided with a cargo truck attempting to cross the tracks, although the incident did not result in any deaths.

The line was inaugurated in 2023 as a major infrastructure project under then-President Andres Manuel Lopez Obrador to develop southeast Mexico.

The initiative was designed to modernise the rail link across the Isthmus of Tehuantepec, a land bridge connecting Mexico’s Pacific port of Salina Cruz with Coatzacoalcos on the Gulf Coast.

The Mexican government has sought to develop the Isthmus into a strategic trade corridor, expanding ports, railways and industrial infrastructure with the goal of creating a route that could compete with the Panama Canal.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Even as the year winds down, there are still some exciting new releases hitting theaters.

Few films this year are arriving on quite the wave of expectation behind Josh Safdie’s “Marty Supreme,” in part because of the unhinged, go-for-broke promo push from its star Timothée Chalamet. The film tells the story of Marty Mauser, a shoe salesman in 1950s New York who dreams of becoming a champion table tennis player and will stop at nothing to make it happen.

As Amy Nicholson put it in her review, “Like Marty, Chalamet was raised in New York City, and since he arrived on the scene, there’s never been a doubt he’ll win an Oscar. The only question is, when? To Chalamet’s credit, he’s doing it the hard way, avoiding sentimental pictures for pricklier roles about his own naked ambitions. … The movie’s moxie makes it impossible not to get caught up in Marty’s crusade. We’re giddy even when he’s miserable.”

The surprise winner of the Golden Lion at this year’s Venice Film Festival, Jim Jarmusch’s “Father Mother Sister Brother” is a gently enigmatic film revolving around, as the title suggests, parents and siblings. Told in three separate stories — set in New Jersey, Dublin and Paris — the film stars Adam Driver, Tom Waits, Mayim Bialik, Cate Blanchett, Vicky Krieps, Charlotte Rampling, Luka Sabbat and Indya Moore.

Tom Waits in Jim Jarmusch’s movie “Father Mother Sister Brother.”

(Atsushi Nishijima / Mubi)

In his review, Tim Grierson wrote, “The film’s persistent brittleness may make some viewers antsy. That’s partly the point, but hopefully, they’ll soon be swept away by the movie’s melancholy undertow. … Eventually, we learn to look past Jarmusch’s deceptively mundane surfaces to see the fraught, unresolved issues within these guarded families. The characters occasionally expose their true selves, then just as quickly retreat, fearful of touching on real conflict.”

Tim Grieving spoke to composer Daniel Blumberg, who won an Oscar earlier this year for “The Brutalist,” about his work on “The Testament of Ann Lee,” director Mona Fastvold’s portrait of the founder of the Shaker religious movement. Singing and dance were an integral part of the Shakers’ spiritual practice, so the music for the film was of special importance.

“Ann Lee was very radical and extreme,” said Blumberg, “and Mona is as well.”

De Los also recently published a list of the 25 best Latino films of 2025 as picked by Carlos Aguilar. His favorites include Amalia Ulman’s “Magic Farm,” Pasqual Gutierrez and Ben Mullinkosson’s “Serious People,” Diego Céspedes’ “The Mysterious Gaze of the Flamingo,” Petra Costa’s “Apocalypse in the Tropics” and Kleber Mendonça Filho’s “The Secret Agent.”

All three of this year’s Envelope roundtables are now available to watch: actors, actresses and directors.

New Year’s Eve at the movies

Daniel Day-Lewis and Vicky Krieps in the movie “Phantom Thread.”

(Laurie Sparham / Focus Features)

When people talk about holiday films, they typically mean Christmas. But what if the movies that featured a New Year’s Eve scene were sneakily better? To judge by the titles playing around town this week, an argument could be made.

Take for example Kathryn Bigelow’s “Strange Days.” An exciting techno-thriller set during the last two days of then-future 1999, it’s about a hustler (Ralph Feinnes) who finds himself in way over his head. The film builds to a huge millennial New Year’s Eve street party filmed in downtown Los Angeles. Still something of a rarity on streaming, “Strange Days” will be showing in 35mm at the New Beverly on Friday afternoon and then at the Aero on Wednesday 31, early enough in the evening to leave time for more fun after.

Then there is Paul Thomas Anderson’s achingly romantic and bitingly funny “Phantom Thread,” in which the controlling fashion designer Reynolds Woodcock (Daniel Day-Lewis) initially refuses to leave the house on New Year’s Eve, but then races to be with his muse and lover Alma Elson (Vicky Krieps) after she goes out without him. The movie will be showing on New Year’s Day in 70mm at the Aero.

Anderson’s 1997 “Boogie Nights,” which will show in 35mm at Vidiots on the afternoon of Dec. 31, features a very different take on New Year’s Eve. In a pivotal sequence, many of the film’s characters converge on a NYE party to ring in the transition form 1979 to 1980. It does not go well.

jack Lemmon and Shirley MacLaine in 1960’s “The Apartment.”

(Bettmann Archive / Getty Images)

Billy Wilder’s “The Apartment” will play in 35mm at the New Beverly on Saturday and Sunday and also at the American Cinematheque’s Los Feliz Theater on Dec. 30. In the film Jack Lemmon is a lonely office drone who finds his complex relationship with a co-worker (Shirley MacLaine) ultimately coming to a head on a fateful New Year’s Eve.

Rob Reiner’s 1989 “When Harry Met Sally…” will likely be playing several times over the next weeks in tribute to the filmmaker. Starring Meg Ryan and Billy Crystal as two friends trying to figure out if their relationship can (or should) be something more, the film features not one but two memorable New Year’s Eve scenes. It will be playing at the New Beverly on Tuesday, Wednesday and Thursday.

Katie Holmes, left, and Sarah Polley in the movie “Go.”

(Tracy Bennett / Columbia Pictures)

Doug Liman’s “Go,” from a screenplay by John August, is not strictly speaking a New Year’s Eve movie, but it does take place in the sort of liminal zone of ongoing partying that occurs during holiday time. With a cast that includes Sarah Polley, Katie Holmes, Timothy Olyphant and many more, the film revolves around a few grocery store co-workers, some low-stakes drug dealing, questionable choices and a lot of miscommunication. The movie shows at Vidiots on Tuesday.

In a review of the film, Kevin Thomas wrote, “When all is said and done, ‘Go’ is a film about people going too far, which works precisely because its makers know when to hold back. ‘Go’ keeps us guessing … but it never forgets it’s a comedy; if it was too serious it would burst like a bubble. So uniformly skilled and talented is the film’s cast, which has 15 featured players, that it is impossible to single out any one. ‘Go’ is perfectly titled: Exhilarating and sharp, it never stops for a second.”

Points of interest

The Marx Brothers’ eternal comic mayhem

Chico Marx, left, Groucho Marx, Harpo Marx and Margaret Dumont in the movie “Animal Crackers.”

(Universal)

It has become a tradition around town for theaters to show Marx Brothers movies at the holidays, and who are we to argue with that? For pure whimsy and comedy that hits somewhere deep in the unconscious, the Marx Brothers are still pretty much unbeatable.

The New Beverly played some Marx Brothers movies on Christmas Day. For those who still want more, Vidiots will be showing 1935’s “A Night at the Opera,” directed by Sam Wood and including the famous stateroom scene in which more and more people cram into a single room on an ocean liner.

On New Year’s Day, the Aero will show 1933’s “Duck Soup,” directed by Leo McCarey, in which the brothers take over the fictional nation of Freedonia. That will be followed by 1930’s “Animal Crackers,” directed by Victor Heerman, in which Groucho Marx plays African explorer Rufus T. Firefly.

Eric Rohmer’s ‘The Green Ray’

A scene from Eric Rohmer’s “The Green Ray.”

(Janus Films)

Initially released as “Summer” in the U.S., Eric Rohmer’s “The Green Ray” won Venice’s Golden Lion in 1986. The film follows Delphine (Marie Rivière, who co-wrote the script with Rohmer), a single woman in Paris, as she struggles to find someone to go on a holiday trip with her, leading to a series of serio-comic misadventures. The film will show Thursday in 35mm at the American Cinematheque’s Los Feliz Theater.

Reviewing the film in 1986, Michael Wilmington asked if watching a Rohmer film is really, to quote Gene Hackman on Rohmer movies in “Night Moves,” like watching paint peel? “Not at all,” Wilmington wrote. “‘Summer’ is one of the masterpieces of 1986. It’s one of the most finely wrought, stimulating films of an erratic year. It’s intellectual in the best sense: engaging you emotionally and mentally. It moves faster, wastes less time, and has more to offer than most movies now on view — and those who are skipping it are missing one of the year’s real treats.”

The blast tore through a mosque in Maiduguri as worshippers gathered for evening prayers, witnesses say.

An explosion has ripped through a mosque in northeastern Nigeria as worshippers gathered for their evening prayers, killing and wounding several people, according to media reports.

The blast took place at about 6pm on Wednesday (17:00 GMT) in the city of Maiduguri in Borno State, the Reuters and AFP news agencies reported, citing witnesses.

Police spokesman Nahum Daso confirmed the explosion and told AFP that an explosive ordnance team was already on site at the mosque in Maiduguri’s Gamboru market.

There was no official word on casualties.

But mosque leader Malam Abuna Yusuf told the AFP at least eight people had died, while a militia leader, Babakura Kolo, put the figure at seven.

Another witness, Musa Yusha’u, told AFP that he saw “many victims being taken away for medical treatment”.

The cause of the blast was not immediately known, but it occurred ‍in a ⁠city that has been at the heart of an armed rebellion waged by Boko Haram and ISIL’s (ISIS) offshoot in the region, the Islamic State West Africa Province, for nearly two decades.

The conflict has killed at least 40,000 people and displaced about two million from their homes since 2009, according to the United Nations.

Though the violence has waned since its peak about a decade ago, it has spilt into neighbouring Niger, Chad and Cameroon.

Concerns are also growing about a resurgence of violence in parts of the northeast, where armed groups remain capable of mounting deadly attacks despite years of sustained military operations.

Maiduguri itself – once the scene of nightly gun battles and bombings – has been calm in recent years, with the last major attack recorded in 2021.

A Colorado mother who is accused of murdering two of her children has been extradited from the UK to the US, authorities say.

Kimberlee Singler, 37, is alleged to have carried out the attack in Colorado before fleeing to London, where she was arrested in December 2023.

She challenged her extradition at Westminster Magistrates Court – reportedly on the basis that her sentence, if she was convicted, would break European human rights law. But she was unsuccessful.

A district attorney in Colorado confirmed on Tuesday that Ms Singler was back in the US and was in custody. She was being held without bond and was expected to appear in court “in the coming days”.

The district attorney, Michael Allen, said Ms Singler was facing charges of two counts of first-degree murder, one count of attempted murder, three counts of child abuse and one count of assault.

At the extradition hearing in London, the court heard that Ms Singler’s alleged crimes were “committed against the backdrop of acrimonious court proceedings” relating to the custody of her children with her ex-husband.

Prosecutor Joel Smith said police in Colorado Springs responded to a 911 call reporting a burglary at a Colorado residence at 00:29 local time (06:29 GMT) on 19 December 2023.

When officers arrived at the defendant’s address, they found her 9-year-old daughter and 7-year-old son dead and a “blood-stained handgun”, which was discovered on the floor of the bedroom.

Mr Smith said DNA tests were carried out on the gun and a knife which revealed the presence of mixed profiles matching the children and Ms Singler.

A third child, who has not been named, was found with a serious injury to her neck. She was taken to hospital and survived.

Mr Smith said Ms Singler blamed her husband for the attack, but it was found he had been driving a “GPS-tracked truck” in Denver, giving what the prosecutor described as a “complete and verifiable alibi”.

Speaking to reporters on Tuesday, Adrian Vasquez, the Colorado Springs police chief, said the extradition of Ms Singler was “a significant milestone” in the investigation.

Chief Vasquez added: “I know these acts have deeply impacted this community, and our hearts remain with the victims.”

“This [killing in Moscow] is a mode of warfare which would be referred to as, quote-unquote, irregular.”

The killing of a top Russian general is a “direct message” to senior Russian military leaders from Ukraine, says Marina Miron, of King’s College London.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

The shocking deaths this week of Rob Reiner and Michele Singer Reiner reached far beyond Hollywood. Their legacy will go far beyond show business thanks to their committed political activism for causes they believed in.

Mary McNamara pulled together the different strands of Rob Reiner’s life and career, noting, “As an artist and a public figure, he put his money where his mouth was and remained invariably sincere, a powerful and compelling trait that has become increasingly rare in a time of the sound-bite inanities, muddy thinking, obvious contradictions and outright falsehoods that threaten our public and political discourse.

“Reiner mastered many mediums and wielded a broad palette but his signature artistic trait was empathy. No story was too small, or too brutal, to be examined with kindness and an understanding that the most grave injustice we can commit is to choose apathy or revenge when connection and transcendence are always possible.”

Meg Ryan and Billy Crystal in the movie “When Harry Met Sally…”

(MGM / Library of Congress via AP)

Amy Nicholson took a deeper look at his film career, while Robert Llloyd surveyed his work on television.

Josh Rothkopf and I rolled out a list of his 10 best movies as a director, which includes his astonishing early run, titles like “This Is Spinal Tap,” “The Princess Bride,” “Misery,” “A Few Good Men” and “The American President.” All of those come in little over a decade.

Tribute screenings have already been announced around Los Angeles, including “When Harry Met Sally…” at the New Beverly on Dec. 30–Jan. 1 and then again on Jan. 3 at Vidiots, which will also be showing “A Few Good Men” on Jan. 6 and “The Princess Bride” on Jan. 18. More screenings are sure to follow.

‘Love & Basketball’ 25th anniversary

Sanaa Lathan and Omar Epps in the movie “Love & Basketball.”

(New Line Cinema)

On Saturday, the Academy Museum will host a 25th anniversary screening of “Love & Basketball” with writer-director Gina Prince-Bythewood in attendance. Starring Sanaa Lathan and Omar Epps, it is one of the great romantic films of recent decades, the story of two young athletes struggling to reconcile their feelings for each other with their individual careers and ambitions.

In his original review of the movie, Eric Harrison wrote, “The movie is smarter than it has to be, but it’s the sort of low-key smart that can be easily overlooked. Writer-director Gina Prince-Bythewood doesn’t care if you recognize how hard it is to juggle two distinctly different types of movies (make that three, since the romance and sports elements here don’t obscure the feminist fable that is the film’s heart). … This is Prince-Bythewood’s first feature film as both a writer and director, and she shows admirable command of her craft.”

In an interview from 1990, Prince-Bythewood talked about the difficulty of casting the two leads, worrying whether she should find basketball players who could learn to act or actors who could persuasively play basketball.

“There were a lot of sleepless nights,” Prince-Bythewood said. “Is this a love story or a basketball story? I finally realized it’s a love story first. It doesn’t matter how great the basketball is if you don’t care about the character or the love story.

In 2020, Sonaiya Kelley spoke to Prince-Bythewood, Lathan, Epps, producer Spike Lee, actors Gabrielle Union, Alfre Woodard, Tyra Banks and Regina Hall for a definitive oral history of the film.

“When I first started out writing it, my goal was to do a Black ‘When Harry Met Sally…,’” said Prince-Bythewood. “I love that movie, but I wasn’t seeing myself in movies like that.”

‘Metropolitan’ 35th anniversary

The cast of Whit Stillman’s 1990 movie “Metropolitan.”

(Rialto Pictures)

On Sunday afternoon, the American Cinematheque at the Aero Theatre will have a 35th anniversary screening of “Metropolitan” with writer-director Whit Stillman and actor Taylor Nichols there for a Q&A. Set during the week between Christmas and New Year’s among a very specific social set of young New Yorkers — labeled in the film as the Urban Haute Bourgeoisie — the film is a delicately detailed comedy of manners. It would earn Stillman an Oscar nomination for original screenplay.

In her original review, Sheila Benson wrote, “Filmmaker Stillman is a pointillist, working in the tiniest, most meticulous degrees. If he seems at times as controlled and distanced as his own UHBs, his impulsive, romantic ending betrays him. Stillman understands caste, class and deportment as perfectly as Audrey’s idol, Jane Austen, and by the time he’s through, so do we.”

In a 1990 interview, Stillman spoke about making a movie about such a specific social set, one that many viewers of the film will not have been a part of. “I think people will enjoy the fact that the film has texture,” he said. “They will sense that there is a joke there, even if they don’t get it.”

Points of interest

Nancy Meyers with ‘Father of the Bride’

Kimberly Williams, left, Martin Short, Steve Martin and Diane Keaton in the 1991 version of “Father of the Bride.”

(Disney / Touchstone Pictures)

Director Nancy Meyers had to pull out of a recent Q&A scheduled for a screening of “Something’s Gotta Give,” which starred her frequent collaborator Diane Keaton. Meyers is now set to appear at the American Cinematheque at the Aero Theatre on Saturday for a Q&A after 1991’s remake of “Father of the Bride,” directed by Charles Shyer and co-written by Shyer and Meyers. As far as we can tell, this will be Meyers’ first public appearance since Keaton’s death in October.

The film stars Keaton alongside Steve Martin, as a couple who are arranging the wedding of their daughter, with Martin Short showing up as an overbearing wedding planner.

In his original review, Michael Wilmington wrote, “Midway through ‘Father of the Bride’ … Martin Short shows up, as the effete, snobbish wedding coordinator that Leo G. Carroll played in the original, and steals the movie from Martin, steals it from everybody. Short’s handling of this silly little role — an outrageous poseur named ‘Franck Eggelhoffer’ who insists on calling himself Frawwnk and acts like a post-disco Mischa Auer — has perfect pitch and real wigged-out comic genius.”

David Lowery and ‘The Green Knight’

Dev Patel in the 2021 movie “The Green Knight.”

(A24)

On Saturday, Vidiots will host a screening of 2021’s “The Green Knight” with writer-director David Lowery in person. Based on the 14th century poem “Sir Gawain and the Green Knight,” the film stars Dev Patel as Gawain, nephew of King Arthur, who, after winning a mystical challenge on Christmas, is told he has one year to complete another adventure.

In his review, Justin Chang wrote, “What does it mean to be a knight, or even just to be human? It isn’t an easy question, and ‘The Green Knight,’ in taking it seriously, isn’t always an easy film. But by the time Gawain reaches his journey’s end, in as moving and majestically sustained a passage of pure cinema as I’ve seen this year, the moral arc of his journey has snapped into undeniable focus. He plays the game; he accepts the challenge. His example is worth following.”

Oliver Stone’s ‘Nixon’

Joan Allen and Anthony Hopkins in the movie “Nixon.”

(Sidney Baldwin / Cinergi Pictures Entertainment)

On Sunday, the Laemmle Royal will have a 30th anniversary screening of Oliver Stone’s “Nixon” with the filmmaker in person for a Q&A to be moderated by Times contributing writer Tim Greiving.

Starring Anthony Hopkins as Richard Nixon and Joan Allen as his wife, Pat (both were nominated for Oscars for their performances), the film covers the political life of the politician who rose to being president only to leave the office in disgrace.

In his original review, Kenneth Turan wrote, “Mostly (though not completely) gone is the disturbing, lunatic Oliver Stone, the bad-boy writer-director who infuriated the political establishment with ‘JFK’ and outraged sensibilities nationwide with ‘Natural Born Killers.’ He’s been replaced by a filmmaker very much on his best behavior, a thorough researcher who consulted 80 books and published a heavily footnoted screenplay. If Quentin Tarantino made a film in the style of Sir Richard Attenborough, the surprise could not be greater. And ‘Nixon’ is in many ways an impressive, well-crafted piece of work.”

ROB Reiner’s daughter has broken her silence over her dad’s death – revealing she saw him just one day before the film director and his wife Michele were murdered.

Tracy Reiner, 61, said the brutal double killing left her devastated – before paying her respects to the “the greatest family ever”.

Tracy, who was adopted by Rob during his marriage to Penny Marshall, said she was left speechless.

The actress said: “I came from the greatest family ever.

“I don’t know what to say. I’m in shock.”

She added that she had seen her late dad at a family gathering just one day before horror knife attack.

TEARS FOR ROB

Tragic moment Rob Reiner’s assistant breaks down in tears outside LA mansion

‘OBSESSION’

Trump suggests Rob Reiner drove people ‘crazy’ before murder in ‘insane’ post

The iconic director was married to Marshall from 1971 to 1981, during which time he adopted Tracy.  

Rob, 78, and Michele, 68, were found dead by their other daughter Romy, 28, with their throats slit at their sprawling $13.5million Brentwood mansion on Sunday afternoon.

The Hollywood icon’s youngest son Nick has been charged with murder in connection with the grisly killing.

A source revealed to The U.S. Sun that Rob and Michele got into a heated public argument with Nick at a Hanukkah party on Saturday evening.

The clash is believed to have continued overnight at the family’s home where Rob and Michele were found dead at around 3:30pm local time.

The party was hosted by Conan O’Brien, according to TMZ.

Nick, 32, was booked into a Los Angeles jail on Monday morning, according to online records viewed by The U.S. Sun.

He has since been charged with murder and is being held at Parker Center Jail on $4 million bail, Los Angeles Police Department Chief Jim McDonnell announced during a press conference on Monday.

Nick, who reportedly lives in the Los Angeles area, is rarely seen in public since he opened up about his struggles with drug addiction in 2016.

He admitted to first going to rehab at the age of 25 and said his addiction issues even led him to being homeless at one point in his life, according to People.

“When I was out there, I could’ve died. It’s all luck. You roll the dice and you hope you make it,” Nick said.

In 2015, Nick and his father worked on the semi-autobiographical film, Hey Charlie, which centered around the entitled, drug-addicted son of a renowned actor turned political candidate in California.

Rob told the Los Angeles Times at the time that he had to push past trauma and tough memories during filming.

“It was very, very hard going through it the first time, with these painful and difficult highs and lows,” the beloved director told the outlet then.

“And then making the movie dredged it all up again.”

Fellow Hollywood stars paid tribute to both Rob and Michele.

Ex-Monty Python member Eric Idle said he had spoken to Rob the night before his death.

Paying his respects, he said: “Rob Reiner was a lovely man. I spoke to him last night for over an hour. I always enjoyed his company.

“I met him at his Dad’s in 1975. He was telling me about filming at Stonehenge and his thoughts for the future … I shall miss him.

“A clever, talented and very thoughtful man. So awful.”

Ben Stiller said Rob was one of his favourite directors, and called him “a kind caring person who was really really funny”.

Josh Gad, who voiced Olaf in Frozen, described Rob and his wife’s deaths as a “devastating” loss.

Actor John Cusack, who starred in Rob’s 1985 film The Sure Thing, said he “saw the soul in others”.

Timeline of the double murder

ROB Reiner and his wife of Michele Singer Reiner were found dead in their Los Angeles home on December 14, 2025.

Timeline:

• December 13, 2025: Reiner and his wife Michele attended a holiday party on the evening of December 13 with their son, Nick.
• Sources conveyed to The U.S. Sun that the couple and their son were engaged in a heated public argument while at the event.
• December 14, 2025: Reiner and Michele were found dead in their Brentwood home in Los Angeles at around 3:30 pm PST.
• The couple’s daughter, Romy, reportedly discovered her parents bodies.
• Online police records show Reiner and Michele’s 32-year-old son, Nick, was arrested at 9:15 pm PST on December 14.
• December 15, 2025: Authorities in Los Angeles announce that Nick Reiner was arrested and charged with murder.
• Nick was booked into a Los Angeles jail at 5:04 am and is being held on $4 million bail.

HOLLYWOOD HORROR

The gruesome homicides of Rob and his wife, Michele, 68, shocked the world of Hollywood after reports emerged that the couple were discovered with multiple lacerations.

The Misery director and his wife, who had been married for 36 years, had their throats slit by a family member following a heated argument, according to TMZ.

Romy, 28, told authorities that a family member “should be a suspect” because they’re “dangerous,” the outlet reported.

The Los Angeles Police Department is investigating the deaths as an apparent homicide.

Alan Hamilton, the deputy police chief of the LAPD, told reporters on Sunday evening that authorities would interview several family members of the Reiners as the investigation continued.

Hamilton said the property showed no signs of forced entry.

FILM ICON

Rob, who was raised in the Bronx by famed actors Carl and Estelle, was a huge presence in the film industry after more than five decades as one of Hollywood’s top directors and actors.

His career as an actor began in the early 1960s, but it was not until the 1970s that Rob gained recognition after portraying Michael “Meathead” Stivic on the TV comedy All in the Family.

Throughout the 70s, Rob continued to make guest appearances on several TV series, including The Partridge Family.

However, it was in the director’s chair where Rob flourished into a star in the world of film.

He helmed a string of hit movies, including, When Harry Met Sally, The Princess Bride, and the Academy Award nominated film A Few Good Men, among others.

It was on the set of When Harry Met Sally that he met the photographer and his eventual wife, Michele Singer.

“I look over and I see this girl, and ‘Whoo!’ I was attracted immediately,” Rob told The New York Times in 1989.

The couple wed in 1989, the year the film was released.

After their marriage, Michele began helping her husband with producing films, including Shock and Awe and Albert Brooks: Defending My Life.

The legendary career of iconic director Rob Reiner

FAMED actor, director and producer Rob Reiner, 78, died on December 14 alongside his wife Michele Singer, 68, in an apparent homicide.

Here is a look at the prodigious list of achievements the Hollywood powerhouse earned before his tragic and sudden death.

Director’s Beginnings

• Reiner was born in New York City on March 6, 1947, to legendary comedy writer Carl Reiner and singer Estelle Reiner
• He studied at the University of California, Los Angeles film school before breaking into the entertainment industry

Hollywood Career

• Reiner first found fame as an actor playing Michael “Meathead” Stivic on the iconic sitcom All in the Family from 1971 to 1979
• In 1984, he directed his first film This Is Spinal Tap – a mockumentary following a fictional heavy metal band
• Reiner went on to direct cult classic films like The Princess Bride in 1987 and When Harry Met Sally… in 1989
• Other notable movies made by the director include Misery, The American President, and A Few Good Men, which earned an Academy Award nomination for Best Picture
• The production company he co-founded, Castle Rock Entertainment, has also produced hits like Seinfeld and The Shawshank Redemption
• Reiner didn’t halt his acting career either, recently starring in The Wolf of Wall Street in 2013 and The Bear in 2025

Personal Life

• Reiner married actress Penny Marshall in 1971 and adopted her daughter, Tracy, from a previous marriage. The couple divorced in 1981
• He met photographer Michele Singer while shooting When Harry Met Sally
• They married in 1989 and had three children: Jake, born 1991, Nick born 1993, and Romy born 1997)
• Nick opened up about his struggle with drug addiction in 2016. The movie Becoming Charlie, directed by Reiner, was based on Nick’s story
• Reiner was an outspoken Democratic activist and a fierce critic of Donald Trump

Rob and Michele are survived by their children, Romy, Jake, Nick, and Tracy, the director’s daughter, whom he adopted from his previous wife, Penny Marshall.

Tributes have been paid to the actor and director and his wife following their deaths.

“Rob was the big-hearted genius behind so many of the classic stories we love, with projects as wide-ranging as The Princess Bride to A Few Good Men,” California Governor Gavin Newsom wrote on X.

“His boundless empathy made his stories timeless, teaching generations how to see goodness and righteousness in others — and encouraging us to dream bigger.

“Rob will be remembered for his remarkable filmography and for his extraordinary contribution to humanity.”

Former US president Barack Obama spoke warmly about the couple.

“Rob’s achievements in film and television gave us some of our most cherished stories on screen,” he said.

“But beneath all of the stories he produced was a deep belief in the goodness of people—and a lifelong commitment to putting that belief into action.

“Together, he and his wife lived lives defined by purpose. They will be remembered for the values they championed and the countless people they inspired.”

Former US House Speaker Nancy Pelosi described Rob as someone who was creative and funny.

She also hailed him as an actor who could make fans laugh and cry when they watched his films.

Pelosi described Rob’s wife as an “indispensible partner and intellectual resource.”

Three US soldiers have been killed in an attack in Syria’s central city of Palmyra.

It is the first known deadly attack on US forces since former Syrian President Bashar al-Assad was deposed last year. Washington has accused the ISIL (ISIS) group of carrying out the assault.

The government in Damascus has expanded its ties with Washington and joined a coalition to fight the ISIL group.

But how much of a security challenge is ISIL in Syria?

Will the US now reinforce its military presence? What risks could that pose?

Presenter: Dareen Abughaida

Guests:

Colin Clarke – executive director of The Soufan Center

Dareen Khalifa – senior adviser at the International Crisis Group

Orwa Ajjoub – PhD candidate in global politics, focusing on armed groups in Syria