Kelsey

Elliot Zwiebach was 62 years old when he sang in front of a live audience for the first time.

The retired reporter had always loved show tunes, but he’d never considered singing in public before.

“I sang for my own amusement, and I wasn’t very amused,” he said recently.

But one night, after attending a few open mic nights at the Gardenia Supper Club in West Hollywood as a spectator, he got up the nerve to step onto the stage and perform a tune backed by a live band.

For his first song, he picked the humorous “Honey Bun” from the Rodgers and Hammerstein musical “South Pacific.” It was frightening and he didn’t sing well. And yet, the following week he came back and did it again.

Newbie Ian Douglas, left, and longtime singer Elliot Zwiebach look over a sign-up sheet at the Gardenia’s long-running open mic night.

Sixteen years later, Zwiebach, now 78, is a core member of what the event’s longtime host Keri Kelsey calls “the family,” a group of roughly 25 regulars who sing jazz standards, show tunes and other numbers from the Great American Songbook at the longest-running open mic night in L.A.

“It’s very much like a community,” Zwiebach said on a recent evening as he prepared to sing “This Nearly Was Mine,” another song from “South Pacific.” “Everyone knows everyone.”

For 25 years, the small, L-shaped Gardenia room on Santa Monica Boulevard has served as a musical home for a diverse group of would-be jazz and cabaret singers. Each Tuesday night, elementary school teachers, acting coaches, retired psychoanalysts, arts publicists and the occasional celebrity pay an $8 cover to perform in front of an audience that knows firsthand just how terrifying it can be to stand before even a small crowd with nothing more than a microphone in your hand.

“You are so vulnerable up there with everyone staring at you,” said Kelsey, who has hosted the open mic night for 24 years and once watched Molly Ringwald nervously take the stage. “But it’s also the most joyous experience in the world.”

Director and acting coach Kenshaka Ali sings “Goodbye Pork Pie Hat” by Rahsaan Roland Kirk.

The singers are backed by a live, three-piece band led by guitarist Dori Amarilio. The rotating group of musicians — a few of them Grammy winners — arrive not knowing what they will be playing that night. Some singers bring sheet music, others chord charts. And there are those who just hum a few bars and allow the musicians to intuit the key and melody enough to follow along. Poet Judy Barrat, a regular attendee, usually hands the evening’s piano player a copy of the poem she’ll be reading and asks him to improv along with her.

“It’s totally freeform,” said Andy Langham, a jazz pianist who toured with Natalie Cole and Christopher Cross and often plays the Gardenia. “I read the stanzas and try to paint pictures with the notes.”

Keri Kelsey, singing “Mack the Knife,” has hosted the Gardenia’s open mic night for 24 years.

The Gardenia, which opened in 1981, is one of the few venues in L.A. specifically designed for the intimacy of cabaret. The small, spare room has table service seating for just over 60 patrons and a stage area beautifully lit by an abundance of canned lights. Doors open at 7 p.m. on Tuesday nights, but those in the know line up outside the building’s nondescript exterior as early as 6 p.m. to ensure a reasonable spot on the night’s roster of singers. (Even though there is a one-song-per-person limit, the night has been known to stretch past 12 a.m.) Nichole Rice, who manages the Gardenia, takes dinner and drink orders until the show starts at 8:30 p.m. Then the room falls into respectful silence.

Pianist Andy Langham and guitarist Dori Amarilio perform live music accompaniment for each open mic participant at the Gardenia.

“This is a listening room,” said singer-songwriter Steve Brock, who has been attending the open mic night for more than a decade. “I’ve been to other rooms where I’m competing with tequila or the Rams. Here, when anyone goes up in front of that microphone, everyone stops.”

On a recent Tuesday night, the show began as it always does with an instrumental song by the band (a piano, guitar and upright bass) before an opening number by Kelsey. Dressed in a black leather dress and knee-high boots, she had this time prepared “Mack the Knife.” “This may be one of the loungiest lounge songs ever,” she said. “Maybe that’s why I really like it.”

People begin to line up outside the Gardenia at 6 p.m. to get a spot for the Tuesday open mic night.

The first singer to take the stage was Trip Kennedy, a bearded masseur who performed “The Rainbow Connection” in a sweet tenor. When he finished, Kelsey shared that she was cast as an extra in “The Muppets Take Manhattan.”

“It was the most ridiculous thing,” she said, filling time as the next singer consulted quietly with the band. “I was a college student who dressed up as a college student for the audition.”

Dolores Scozzesi, who sang at the Hollywood Improv in the ’80s between comedy sets, performed a moody arrangement of “What Now My Love.” “This is a [chord] chart from 2011,” she told the audience before she began. “I want to try it because these guys are the best.”

Monica Doby Davis, an elementary school teacher, sings the jazz standard “You Go to My Head” at the Gardenia.

Zwiebach performed a medley of two Broadway hits, “I’ve Grown Accustomed to Her Face” (which he altered to “his face”) and “This Nearly Was Mine,” easily hitting all the notes. After, his young friend Ian Douglas, a relative newbie who started attending the open mic night in the spring, sang the jazz standard “You Go to My Head.” Zwiebach praised the performance.

“I know that song very well and you did a great job,” he said.

Monica Doby Davis, who once sang with the ’90s R&B girl group Brownstone and now works as an elementary school teacher, also performed “You Go to My Head.” Although she had left the entertainment business decades ago, she said finding the Gardenia open mic night 13 years ago “brought music back to my life.”

Tom Nobles, left, sings alongside bassist Adam Cohen, center, and pianist Andy Langham at the Gardenia.

There were many beautiful, intimate moments that night, but perhaps the best was when Tom Nobles, an actor and retired psychoanalyst in a purple knit cap and thick plastic glasses, forgot the words to “Lost in the Masquerade” by George Benson.

He stumbled for a moment, a bit perplexed, before turning to his friends for help.

“Whoever knows the words, sing it with me,” Nobles said to the crowd.

Quietly at first and then louder and stronger, the whole room broke out into song.

We’re lost in a masquerade. Woohoo, the masquerade.

Septuagenarian TV star Kelsey Grammer is still growing his family, most recently with the arrival of his newest child.

The beloved “Cheers” and “Frasier” actor, who turned 70 in February, is now a father of eight. Grammer announced he and wife Kayte Walsh welcomed their fourth child together during his appearance on the “Pod Meets World” podcast.”

We just had our fourth one, it just became eight kids,” he said during the podcast episode, published Monday. “Christopher, that’s [who] just joined the family.”

The Emmy-winning TV veteran said his newest son arrived “three days” before the episode taped and joked with podcast hosts Rider Strong, Danielle Fishel and Will Friedle that he has “clusters” of children of different ages.

Grammer and Walsh, 46, married in 2011 and also share a teenage daughter and two sons. People reported in June that the couple was expecting a child again, publishing photos of the two taking a stroll through London.

The five-time Emmy winner has been married four times. Before Walsh, he was married to dancer-model Camille Donatacci. He was also briefly married to Leigh-Anne Csuhany, and dance instructor Doreen Alderman before that. His seven other children, the eldest being actor Spencer Grammer, hail from those previous relationships.

The sitcom star became a grandfather in October 2011, when his son Spencer welcomed a son with ex-husband James Hesketh.

In the past, Grammer has been open about the “beauty of being an older dad.” He told the Guardian in 2018 that raising children later in life he feels fortunate to “get a chance to kinda try it again. That’s been a real gift.”

The actor announced the arrival of his eighth child while promoting his book “Karen: A Brother Remembers,” released in May, about the brutal murder of his sister at age 18 and his lifelong battle with grief. During the episode, Fishel asked the actor how much his children knew about his late sister.

He explained his older children have varying degrees of knowledge about his sister, while his younger kids will have to wait to learn more and read his book. “Some of the stuff is too brutal, they don’t really need to be exposed to that yet,” he said.

Throughout the podcast episode, Grammer also recalled the proceedings in his sister’s case and learning how to process the loss while delivering laughs on TV.

“I didn’t walk around talking about it a lot, it’s been with me since the day it happened,” he said.

AT the grand old age of 70 most men are settling down and enjoying retirement, not knee deep in nappies after welcoming their EIGHTH child. 

But nothing about Frasier actor Kelsey Grammer’s life has ever followed a normal playbook – even up to his fourth wife demanding five weddings. 

He weathered three failed marriages – one was physically abusive, another sexless and the other ended after just 12 months – prior to falling for Virgin Atlantic air stewardess Kayte Walsh. 

The daughter of Bristol City footballer Alan Walsh and 24 years his junior, she tamed the “wild man of American comedy”, who had long battled drug and alcohol addiction.

She gave him the one thing he was missing – cosy domesticity – after endless family heartache including his sister being raped and murdered, two half brothers dying in a freak accident and his estranged dad being gunned down when he was just 13.

The couple already had a brood of three – Faith, 13, Gabriel, 10, and Auden James, eight – prior to Kelsey announcing “we’ve just had our fourth” on yesterday’s episode of Pod Meets World.

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New arrival Christopher, born on Friday, takes the actor’s baby tally to eight with four different mums.

And a source told the Mail he’s “thrilled to finally have time to fully enjoy being a father all over again… [and] embracing the hands-on parenting he missed in the past”.

There’s no doubt Kayte put an end to Kelsey’s turbulent years in the wilderness, which were plagued with tragedy, heartache and more faux pas than his pompous, gaffe-prone character Dr Frasier Crane.  

Yet their romance got off to a bumpy start – as the actor was still married to ex-Playboy pin-up and future Real Housewives of Beverly Hills star Camille Meyer. 

Kelsey would later claim his third-wife only “married me because I was Frasier”. At his peak, he raked in more than £1million per episode for the show, which ran for 11 seasons. 

He also described their marriage, which spanned 14 years until 2011, as being “so broken” that they “had not had sex in a decade” and claimed she asked for a divorce the day of his mother’s funeral in 2008.

For a long time Kelsey knew the relationship was on the rocks, admitting it was “over as soon as it began” yet he stayed with her as a “self-imposed sentence”, mainly out of stubbornness and for the sake of their two children, Mason, 24, and Jude, 21.

He met Kayte in 2009 as she showed him to his seat on a Virgin Atlantic Upper Class flight from Los Angeles to London, where he was due to appear in a play.

She claimed it was “love at first sight” – dismissing the much-joked about claim of cabin crew being on the “lookout” for wealthy suitors – and noticed “this golden glow around him”. 

They chatted about music, England and life at the plane’s bar before he slipped her his number and told her the hotel he was staying at. 

Kayte was “blown away by how lovely he was” but uncertain and “indecisive” about whether to call him. 

She told the Mail: “I said, ‘God, if I’m meant to call him, I want a sign.’ I looked out the bus window and saw a sign reading, ‘Frasier Suites’. I was like, ‘OK, that’s not enough.’ 

I was her big brother, I was supposed to protect her – I could not. I have never gotten over it… It very nearly destroyed me

Kelsey Grammer

“Four minutes later, we passed an art store called Crane and a few moments later, we drove past the hotel where he was staying.”  

Secret mistress

Two days later they went for a coffee, where he confided he was “in a situation he wasn’t happy in and I needed to be patient”. She claimed they spent months only kissing and holding hands.

It wasn’t long before Camille discovered Kelsey’s mistress. Allegedly when she arrived at the couple’s New York apartment to be told by the doorman ‘Mrs Grammer’ was already inside.

Fire and fury followed. The former Playboy bunny claimed she was dumped by text, sniped about his bedroom skill and made another lurid claim he liked to dress in women’s clothes.

At the time Kelsey responded: “Never been a cross-dresser but I have been very sexually adventurous. I’m not ashamed of anything I’ve done in the bedroom.” 

He considered the slings to be “pathetic” attempts to remain famous – yet as a “parting gift” to give her a new direction, he helped to secure her a spot on Real Housewives and even appeared in a single episode.

The couple married just 15 days after Kelsey’s £30million divorce from Camille was finalised in February 2011. It followed a stern demand before Kayte accepted his proposal. 

She recalled: “Because he’s been married so many times before I said, ‘You have to marry me more times.’ I’m his fourth wife, so I said, ‘You have to marry me at least five times.’”

Lavish nuptials followed – the first was New York, followed by an Elvis officiated Viva Las Vegas do, another at their LA home and the final, an especially romantic service in Giverny, France.

The last was inspired by Kayte’s favourite artwork Monet’s Bridge Over a Pond of Lilies. He took her to the bridge the painter used, got down on one knee and proposed.  

She recalled: “It was a complete shock. Kelsey had arranged everything with the Mayor so we got to say our vows in French. It was lovely.”

Serial killer slayed sister

The romance with Kayte has undoubtedly given Kelsey the peace and stability he has lacked throughout his turbulent life.

He was born to parents Sally, a dancer, and Allen, a coffee shop owner, in Saint Thomas, US Virgin Islands, but raised in New Jersey by his mum after they divorced when he was two.

At the age of 12, his grandad died of cancer and the following year his estranged dad was murdered during a wave of racial violence after Martin Luther King’s assassination in 1968. 

Seven years later, his younger sister Karen, 18, was kidnapped, raped and murdered by serial killer Freddie Glenn, who killed three women.

Glenn, now 68, who Kelsey remarkably forgave many later years, was sentenced to die in the gas chamber only for the death penalty to be scrapped.

“I was her big brother, I was supposed to protect her – I could not,” he said at the murderer’s 2009 parole hearing. “I have never gotten over it… It very nearly destroyed me.”

And just five years after losing Karen, two of his half-brothers were killed in a freak scuba diving accident. 

Unsurprisingly, that amount of trauma caused unbridled chaos in his personal life – with him stating they were “the catalyst that got me into a really big problem for at least the next 15 years”.

‘Chaos, insanity, mayhem’

He consistently battled cocaine and alcohol abuse – especially while filming Frasier and Cheers – and was known for being difficult to work with, one colleague described him as “one of the biggest jerks” he had ever met.

Kelsey was described as “oozing” onto set with “glazed over eyes, half asleep, going through whatever he was going through” yet when the director yelled ‘Action’, he was “pitch perfect”.

Because he’s been married so many times before I said, ‘You have to marry me more times’…You have to marry me at least five times

Kayte Grammer

He was regularly in trouble with the law too. Kelsey was charged at least four times for crimes including cocaine possession, drink driving and violating parole conditions.

The crimes, which spanned 1988 to 1996, resulted in 30 days jail time, more than 300 hours of community service, 90-day house arrest, fines in the thousands and a 30-day court mandated rehab stint. 

His relationships weren’t going well either. Kelsey’s first marriage to dance instructor Doreen Alderman lasted eight years until 1990, despite their relationship being over after less than 12 months. They share a daughter Spencer. 

Two years later Kelsey had a second child, Greer, who later appeared on MTV show Awkward, with make-up stylist Barrie Buckner.

He married former stripper Leigh-Anne Csuhany, who was three months pregnant, seven months after that. But their romance wouldn’t last. 

Kelsey filed for an annulment and evicted her from his home, alleging she was physically abusive to him. 

He claimed she once fired a gun at him and even on their wedding day, he was seen sporting a black eye from one of her violent attacks. 

In his autobiography, Kelsey claimed she convinced him he was “nothing, unattractive, untalented, undeserving of love and incapable of being loved by anyone but her” to ensure he would never leave. 

“She’d spit in my face, slap me, punch me, kick me, break glasses over my head, break windows, tear up pictures of my loved ones, threaten to kill me or herself,” he wrote. 

Shortly after the split, Leigh-Anne tried to kill herself. She suffered a miscarriage. 

Kelsey had a string of short-lived flings after, including with Playboy model Tammi Alexander, before his third marriage to fellow top-shelf mag pin-up Camille.  

Five weddings

Ultimately, it has been with Kayte where he has finally found happiness. But that contentment could have easily been derailed due to the tragedies they have faced as a couple.

Two of their pregnancies ended in miscarriage and Faith’s unborn sibling died in utero. Heartbreakingly, this often requires a mum to undergo labour to birth the deceased child.

Kayte admitted it was “devastating” for them but the blows further strengthened their relationship. Each baby has reminded them “life is a miracle” and to count their blessings.  

There was the other part of me that wanted to surrender to it and go, ‘Let it mess you up a little bit. Let it hurt.

Kelsey Grammer

His ever expanding brood has also given him a second chance at parenting, after admitting he took his eye off the ball with the older kids.

He said: “I have neglected a couple of the kids in my life, especially the first two,” he said. “I’m trying to make up for a little of it now. I’m still their dad, so you can always have [a] chance to show up.”

With a stable, loving home Kelsey’s addiction issues appear to have been kept at bay – despite in 2016 admitting he stopped attending AA because he likes to “enjoy a drink”. 

It’s known he was sober for years after his 1996 car crash while under the influence, which resulted in him being sent to rehab by the courts.  

Previously, Kelsey’s calling toward “chaos, insanity, mayhem” was spurred on by “running away from uncomfortable feelings” and being unable to “forgive myself” for his sister’s death.

He acknowledges having “a self-destructive part of me” that encouraged his addiction, which worsened his health and contributed to a near-fatal heart attack in 2008.

Kelsey added: “I always had something in the back of my head saying, ‘Okay. That’s enough now. Cut it out. You know why you’re doing this.’

“But there was the other part of me that wanted to surrender to it and go, ‘Let it mess you up a little bit. Let it hurt.’”

But now thanks to Kayte, he lives a calmer life – when not changing nappies at 5am – and previously she said their “favourite place is our sofa”.

There they snuggle up, eat popcorn while watching films and eventually fall asleep in each other’s arms. It’s a far cry from the decades of debauchery before. 

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Kayte says: “As a general rule I try to operate from love. I always wanted to find a family and the love of my life. That was my dream. I feel blessed.”

No doubt Kelsey feels it’s he who has been blessed, after finding the woman who saved his life and drastically changed his future for the better. 

Pop star Sabrina Carpenter hosted “Saturday Night Live” for the first time ever, but it sure didn’t feel like it.

Carpenter was the musical guest last year when Jake Gyllenhaal hosted, and at the 50th anniversary special, she performed with Paul Simon and appeared in a sketch. Whether it’s because she’s done the show both as a musician and a comedic performer (her song performances are often a mix of both) or not, Carpenter seems perfectly at ease in Studio 8H, like she’s always been there.

That served her well on an episode that started badly with a retread of a sketch that’s been done a few too many times (keyword: Domingo), and a monologue that, despite Carpenter’s charm, didn’t seem to connect with the audience.

But after that, Carpenter’s quicksilver timing and ease, plus a diverse set of sketches, put the episode over the top. She sounded just like a 12-year-old boy in a sketch about preteens hosting a podcast called “Snack Homies” with President Trump (James Austin Johnson) as a guest, sold a provocative neck pillow in a funny Shop TV sketch, performed a pretaped “Grind Song” with Bowen Yang, and was thrown out of a window as the host of a girlboss seminar. She scared a co-worker (Ashley Padilla, quickly becoming a critical “SNL” utility player) on her birthday and played a singing and dancing washing machine alongside new cast member Veronika Slowikowska.

It also didn’t hurt that Carpenter’s two playful and well-sung musical performances, for “Manchild” and “Nobody’s Son,” were showstoppers. Her love of the show was evident: she performed the former wearing a “Live from New York” T-shirt and panties with “It’s Saturday Night!” written on the back.

The best argument for inviting Sabrina Carpenter back sometime might be that she held the show together with no outside guests or surprise cameos, which hasn’t happened on “SNL” in a long time. The only exception was a short film from “Please Don’t Destroy” writer Martin Herlihy at the end of the show that may have been about racism and Frankenstein’s Monsters (yes, plural).

We’ll keep this short because the less said about this week’s cold open the better. Chloe Fineman and Andrew Dismukes returned as Matthew and Kelsey, a couple that has struggled in the past with trust issues from Kelsey’s frequent trips with her friends that usually end with a passionate affair with a guy named Domingo (Marcello Hernández). This time, they’re celebrating Matthew’s 30th birthday, but for some reason, Kelsey has flown in her girlfriends (including Carpenter) to sing some pop songs in bad karaoke style about a recent weekend they spent in Nashville. This time the songs are modeled after Taylor Swift’s “Fate of Ophelia,” Lady Gaga’s “Abracadabra” and Alex Warren’s “Ordinary Song.” The ladies went to Nashville and of course Domingo is still around. “This is strike six,” Matthew cries haplessly. “Babe, it won’t happen again,” Kelsey promises. Let’s hope so. The Domingo sketches need to be put to rest.

Carpenter’s monologue was largely about dispelling (but not really) the notion that the singer is overly sexualized, or as she described it, a “Horndog popster.” “There’s so much more to me,” she said, “I’m not just horny. I’m also turned on.” She made hay of the controversy over her “Man’s Best Friend” album cover by joking that it was cropped and revealing that Bowen Yang and Martin Short both originally appeared on it, with Yang pulling her up by her hair and Short pushing her away from a buffet line. The monologue started to fizzle when Carpenter went to the audience for some interaction to prove she can have chemistry with anyone or anything, only to come back to the stage for an awkward bit with Kenan Thompson, who said he wanted a Cameo video for his niece. Carpenter has charisma to spare, but the monologue was too disjointed to go anywhere.

Best sketch of the night: Does making plans to see “Plans” also scare you?

Mock horror movie trailers have done well on “SNL” lately and the streak continues with “Plans,” a Blumhouse horror film featuring Ben Marshall and Carpenter as a couple horrified to realize that plans they made back on Fourth of July have suddenly come to fruition with a cousin and her husband. As their terror grows, they remember that the cousin (Sarah Sherman) talks about marathons (“The way I see it, losing toenails is a badge of honor”) and the husband (Dismukes) likes to show off 11-minute YouTube videos. They’re going to end up at a crowded ramen restaurant and then a bad interactive play. For anyone who’s ever regretted saying yes to socializing, this might be your worst nightmare.

Also good: The neck pillow monologues

The Shop TV sketches wouldn’t work so well if Padilla and Mikey Day didn’t do such a good job infusing their characters Bev and Rhett with such practiced professional panic when things go awry, as they’ve done before. Carpenter appears as Virginia Duffy, a crafter who’s designed an ergonomic pillow that looks just like a giant vagina, which comes in different colors. “Why would you bring the pink one?” asks an exasperated Rhett. By the time the faux fur lining is added and Rhett tries on the neck pillow, culminating in an unwanted baby sound effect, Shop TV has done it again. Bonus points for Johnson as Tim Tucker, who appears at the beginning of the sketch with a trick-or-treat pail in the shape of Jesus Christ’s head. “Trick or treat, smell my feet, walk with Christ down the Halloween street,” he chants.

‘Weekend Update’ winner: Did you see ‘Saw’? He did not

New cast member Tommy Brennan discussed moving to New York and growing up in Minnesota, but it was the return of Hernandez’s Movie Guy character, who wants to talk about scary movies but has seen absolutely none of them. “Everybody saw ‘Weapons!’ I have to tell you, I was not one of those people,” he says. Movie Guy expresses that horror movies often tell you what they’re about: with “Scream,” “everbody scream!” With “Smile,” “everybody smile!” How about “Saw?” “Everybody saw! But not me, I did not see.” He goes on to touch on why Stewie from “Family Guy,” “Shrek” and others are also scary (even if he hasn’t seen them). “‘One Missed Call’ … is this a movie about my mother?”