Kelly

SINGER Louise Redknapp looked sensational as she stunned on the red carpet of a glitzy awards ceremony.

The former Eternal member was one of the many stars who enjoyed a night out at the extravagant Music Industry Trust Awards.

Louise commanded attention as she flashed her bra under a sheer see-through shirt.

She paired it with a maroon ruched skirt and accessorised with a large black clutch bag.

The glitzy do was hosted in partnership with YouTube and Global and saw a raft of celebrities step out for the event at the Grosvenor House Hotel.

Kelly Brook, who is set to star in this year’s I’m A Celebrity, also looked fantastic as she made a statement on the red carpet.

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The glam model looked phenomenal as she wore a loose-fitting leopard print dress.

The outfit fell to her feet but left her toes exposed with Kelly choosing to wear open-toe heels for her evening out.

Kelly’s hair and make-up looked flawless as she proudly posed away for cameras at the event.

Popstar Rita Ora was another guest of honour and even took to the stage for an exclusive performance at the shindig.

The Hot Right Now singer opted for an all-pink ensemble.

Rita looked as glam as ever in a hot pink sequined mini dress that she teamed with an equally bright pair of skintight leggings.

She added an oversized pink fluffy fur coat to the look as well as showing off her hair transformation after opting for a brand new fringe.

Rita wasn’t the only performer to hit the stage with Price Tag hitmaker Jessie J also wowing audiences with a stellar performance.

It is one of Jessie’s first gigs since undergoing surgery for breast cancer treatment and having to postpone her scheduled tour owing to medical appointments related to her cancer battle.

Jessie equally looked just as glam as her fellow ladies as she wowed in a figure-hugging white dress which featured a sheer skirt with a translucent detail.

Kate Garraway, Emma Bunton and Olly Murs were also all in attendance for the star-studded night out.

On Monday, Louisiana State fired football coach Brian Kelly.

On Wednesday, the state governor Jeff Landry said the university’s athletic director, Scott Woodward, should have no say in the selection of the new coach.

On Thursday, Woodward and LSU “agreed to part ways,” according to the school’s athletic department.

And on Friday, the interim athletic director attempted to assure everyone that, despite all that has transpired in this week, the department is not in disarray.

“This place is not broken,” Verge Ausberry said during a news conference at which he sat between two members of the LSU Board of Supervisors at the front of a meeting room inside Tiger Stadium. “The athletic department is not broken. We win.”

Ausberry has been given “full authority” to run the athletic department and lead the search for a new football coach, board member John Carmouche told reporters.

“We’re going to hire the best football coach there is,” said Ausberry, a former Tigers football player who has worked in LSU athletics administration since 1991. “That’s our job. We are not going to let this program fail. LSU has to be in the playoffs every year in football.”

Woodward, a Baton Rouge native and LSU graduate, had served as the university’s athletic director since April 2019. During that span, the Tigers won two national titles in baseball and one each in football, women’s basketball and gymnastics.

One major move made during Woodward’s tenure was the 2021 firing of football coach Ed Orgeron, who had led the Tigers to the national championship following the 2019 season, and subsequent signing Kelly, the former Notre Dame coach, to a guaranteed 10-year contract worth about $100 million.

This week, days after LSU suffered its third loss in four games, Kelly was fired with more than six years remaining on his contract. Running backs coach Frank Wilson was named interim head coach.

“When Coach Kelly arrived at LSU four years ago, we had high hopes that he would lead us to multiple SEC and national championships during his time in Baton Rouge,” Woodward said in announcing Kelly’s firing. “Ultimately, the success at the level that LSU demands simply did not materialize.”

The move leaves the university on the hook for a substantial buyout. Louisiana’s governor said Wednesday he was involved in the discussions that led to Kelly’s ouster but made clear that he was unhappy with the finances of the situation.

“My role is about the fiscal effect of firing a coach under a terrible contract,” said Landry, who was speaking to reporters about other matters but was asked about recent developments at LSU. “All I care about is what the taxpayers are going to be on the hook for.”

Unnamed private donors are said to have pledged to cover the cost of Kelly’s buyout.

“If big billionaires want to spend all that kind of money, no problem,” Landry said. “But if I’ve got to go find $53 million … it’s not going to be a pleasant conversation.”

Landry also made it clear that he had no intention of allowing Woodward to play a role in the hiring of the next coach.

“Hell, I’ll let Donald Trump select him before I let [Woodward] do it,” the Republican governor said.

The next night, Woodward was out.

“We thank Scott for the last six years of service as athletic director,” LSU Board of Supervisors chair Scott Ballard said in a statement. “He had a lot of success at LSU, and we wish him nothing but the best in the future. Our focus now is on moving the athletic department forward and best positioning LSU to achieve its full potential.”

The news of Woodward’s departure dropped during a women’s basketball exhibition game between LSU and Langston. Tigers coach Kim Mulkey, who was hired by Woodward in 2021, did not attend a postgame news conference, with associate head coach Bob Starkey telling reporters Mulkey was “heartbroken” over the news.

Woodward wrote in an open letter to Tiger Nation: “Others can recap or opine on my tenure and on my decisions over the last six years as Director of Athletics, but I will not. Rather, I will focus on the absolute joy that LSU Athletics brings to our state’s residents and to the Baton Rouge community. …

“Our University will always hold a special place in my heart and I will never be too far from LSU.”

The Associated Press contributed to this report.

Louisiana State fired coach Brian Kelly during the fourth season of a 10-year contract worth about $100 million, athletic director Scott Woodward announced Sunday night.

The move comes on the heels of Saturday night’s 49-25 loss to No. 3 Texas A&M in Tiger Stadium — a second straight loss, and third in four games for LSU (5-3, 2-3 Southeastern Conference).

“When Coach Kelly arrived at LSU four years ago, we had high hopes that he would lead us to multiple SEC and national championships during his time in Baton Rouge,” Woodward said. “Ultimately, the success at the level that LSU demands simply did not materialize.”

Associate head coach Frank Wilson, who also serves as a running backs coach, has been tapped as the interim head coach for the remainder of the 2025 season.

Kelly was hired away from Notre Dame when his predecessor, Ed Orgeron, stepped down following the 2021 regular season.

He has gone 34-14 with the Tigers, even taking LSU to the 2022 SEC title game. But LSU did not qualify for the College Football Playoff in his first three seasons, and was virtually eliminated from contention with its loss to the Aggies.

The playoff was expanded from four to 12 teams for the 2024 season.

“I will not compromise in our pursuit of excellence and we will not lower our standards,” said Woodward, an LSU graduate who was hired to his current post in 2019, the same year the Tigers won their last national title under Orgeron.

Orgeron left after not posting a winning record during his final two seasons.

While Kelly did not coach LSU to a playoff berth, he oversaw quarterback Jayden Daniels’ development into a Heisman Trophy winner in 2023.

“I am confident in our ability to bring to Baton Rouge an outstanding leader, teacher and coach, who fits our culture and community and who embraces the excellence that we demand,” Woodward said.

LSU could have to pay Kelly tens of millions not to coach, but the precise figure was unclear on Sunday night.

“We will continue to negotiate his separation and will work toward a path that is better for both parties,” Woodward said.

KELLY Osbourne was seen breaking down in tears live on stage as she paid tribute to her late dad Ozzy.

Legendary rocker Ozzy was 76 when he sadly passed away on July 22, with the cause of death later revealed to be a cardiac arrest.

Heartbroken Kelly, 40, took to the stage to accept a Lifetime Achievement Award on behalf of her late father in his native Birmingham.

Ozzy was honoured at The Birmingham Awards, held at The Eastside Rooms.

Accepting the award, Kelly told the audience: “While most singers go their whole career without winning one but impressive as those awards are, this recognition tonight tops them all.

“He was proud to have a star on the Hollywood Walk of Fame but what he was most proud of was his star on the Walk of Stars on Broad Street.

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“He was forced to spend much of his life in America because of his work but Birmingham was always his heart and soul.’

“He loved this city, he loved the people as they loved him back. That’s why it was so important to come home one last time in July to say goodbye.”

At this point Kelly’s voice started to crack with emotion and she said: “The tens of people who lined the streets and brought the city to a standstill, the affection you all had for him, my family and I were so so moved by the outpouring of love.

“He performed thousands of shows for more than five decades but the most important gig he ever played was in Aston. Despite his health challenges in later years, he was determined his final concert had to be right here.

“He was a proud Brummy in the beginning of his career and he was a proud Brummy at the end.”

Kelly could hardly hold back the tears, as she ended her speech by saying: “Again, on behalf of my dad and my family, thank you for this wonderful lifetime achievement award. I know he’s looking down on us tonight smiling with pride.”

JACK’S TEARS

Kelly’s brother Jack Osbourne recently gave a heartbreaking update on how his mum Sharon is coping after his father’s death.

In an interview on Good Morning America earlier this month, Jack was asked how Sharon has been doing since her husband’s tragic passing.

Sharon was married to Ozzy for 40 years.

“She’s okay, but she’s not okay,” Jack said.

The interviewer, Chris Connelly, then asked if Sharon can “feel the affection and appreciation” from supporters.

Jack responded: “Oh my god, yeah. I know she feels the love.

“None of us expected it to be like this, with that outpour of love.”

He continued: “Every child sits there and kind of has this thought about one day that their parents won’t be there, and what will that be like.

“It’s just a part of being human. We just didn’t think of it. It was a different weight to it, you know?”

At one point during the interview, emotional Jack broke down in tears while talking about his father’s final concert.

He said: “Before he went on stage, I ran back into the dressing room…”

Choking back the tears, Jack explained how he gave him a “big hug”.

He said: “I just kissed him. I just said, I was like, ‘Crush it. You’re going to do so good.’

“And I was crying.”

SAD DEATH

Legendary rocker Ozzy passed away in July “surrounded by love” just weeks after he took to the stage one final time with his band mates at Villa Park in Birmingham.

In recent years, the star had been battling numerous health conditions, including Parkinson’s.

His official death certificate lists ‘acute myocardial infarction’ and ‘out of hospital cardiac arrest’ under the cause of death section.

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It also listed coronary artery disease and Parkinson’s disease with autonomic dysfunction as “joint causes” of Ozzy’s death.

The document described his occupation as a “rock legend, songwriter and performer” in a heart-warming nod towards Ozzy.

DIEGO COSTA may be retired, but he hasn’t lost any of the fire he showed in his playing days, KICKING OUT at ex-Liverpool right-back Martin Kelly in the Chelsea vs Liverpool legends match.

The ex-Brazil and Spain forward, 37, was running onto a through ball from Eden Hazard, when Kelly came through from behind to win the ball from the physical striker, leaving him furious.

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Costa, still on the floor, decided to lash out at Kelly with his studs, planting a foot into the right-back’s upper leg.

Kelly – who only officially retired from football YESTERDAY – was left furious, and we saw a familiar scene as Costa got to his feet and squared up to the 35-year-old.

Things looked to be diffused, only for Costa to carry on playing before choosing Martin Skrtel as his next target.

The Slovakian defender challenged Costa just minutes later, with the striker still clearly unhappy, and then getting booked for squaring up to Skrtel.

And fans were left less-than-shocked on social media.

Taking to X, one wrote: “Diego Costa being aggressive in a Legends match is the most Diego Costa thing ever.”

Another said: “People don’t really change, and Diego Costa reminding us why.”

A third added: “Diego Costa will always be Diego Costa.”

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Even Eden Hazard weighed in at half-time, saying: “”This guy is still the same, you know. We just saw it.”

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Martin Jarmond is not a particularly popular figure these days.

Some fans frustrated by UCLA’s winless football team are expected to wear “Fire Jarmond” shirts in blue and gold to Saturday’s game at the Rose Bowl against Penn State. One group has organized an airplane banner to fly over the stadium before the game, with a similar message directed at the beleaguered Bruins athletic director.

The list of grievances is a lengthy one, leading a group of nearly a dozen high-level donors to reach out to The Times about what they allege is a pattern of rampant dysfunction inside the athletic department that goes well beyond the surprise hiring and speedy dismissal of football coach DeShaun Foster on Sept. 14 after only 15 games.

Among other things, the donors also questioned Jarmond’s name, image and likeness strategy, high spending despite years of running up massive athletic department deficits and failure to fire coach Chip Kelly amid subpar results.

“What’s happening now feels like watching a trainwreck in slow motion,” said Scott Tretsky, a donor and season ticket-holder for more than two decades. “What we’re seeing isn’t just a rough patch. It’s institutional apathy. And if the administration doesn’t care, why should fans and recruits?

“This isn’t a casual fan speaking. I rarely miss a game. I’ve invested time, money, and emotion for decades, and right now, it feels like the people running the show don’t share that same investment. This program could thrive. It has the history, the fan base, the resources. But it needs leadership with courage and a real plan. Right now, we have neither.”

One misstep made a donor question whether operations inside Jarmond’s athletic department were even worse than they appeared on a surface level.

Ten days before a group of donors departed for a trip to watch UCLA’s football team play Utah in 2023, an email outlining the itinerary was sent with an unexpected attachment — a database revealing personal information and spending habits of the athletic department’s biggest supporters.

Included in the spreadsheet sent to several dozen donors was the home address, email address and phone numbers of Bruins football legend Troy Aikman. Separate columns included the lifetime giving and annual Wooden Athletic Fund contributions of more than 200 top donors such as sports executive Casey Wasserman, ice cream magnate Justin Woolverton and philanthropist Wallis Annenberg, with each donor assigned a priority number based on their level of generosity.

UCLA athletic director Martin Jarmond stands alongside UCLA football coach DeShaun Foster during his introductory news conference.

(Damian Dovarganes/AP)

The donor, who did not want to his name published because of the sensitivity of the data in the spreadsheet, told The Times he spoke with others who were equally incredulous about receiving such revealing information in the email from an associate athletic director for fundraising who is no longer employed by UCLA.

There was no apology or further communication besides a follow-up email from the associate athletic director sent 26 minutes after the first one, simply recalling the message. A UCLA athletic department spokesperson declined to comment about the incident other than to say the employee involved in the unauthorized distribution of information and his direct supervisor no longer worked for the university.

“I would assume with something like this where they knew what happened, they should just do something like say, ‘I’m so sorry, this was an internal working file, we’re doing everything we can’ to rectify it. Just something,” the donor who received the information said. “If I wanted to pitch something to Troy Aikman, I have the information to do it with.”

Soon after Jarmond and another athletic department staffer were informed that The Times was writing about Jarmond’s stewardship of the athletic department, five donors called to speak on Jarmond’s behalf. They cited financial constraints that prevented the athletic director from firing Kelly, Foster’s hiring as his attempt to make the best of a bad situation and a belief that Jarmond could help raise the resources needed to hire a far more successful replacement.

Other donors have already decided they are giving up on big giving.

As a result of his unhappiness with the way the athletic department is being run, one donor who was close to joining the 1919 Society that recognizes those who have given at least $1 million said he had abandoned that endeavor.

Part of his dissatisfaction is rooted in a dinner conversation with Jarmond at a Tucson steakhouse before UCLA played Arizona in October 2021. Asked to share his favorite UCLA sports moment, the donor said it was the football team’s having won three Rose Bowls and a Fiesta Bowl while he was a student in the early to mid-1980s.

According to the donor and two others at the table, Jarmond called the donor’s expectations unrealistic and said that historically, UCLA had won an average of seven to eight games a year, suggesting those should be the expectations going forward.

Asked about the exchange, Jarmond said that “without getting into specifics of my conversations with any one individual, my intended message whenever this subject arises is that dynasties in college football are increasingly rare. In today’s environment, with the implementation of revenue-sharing, NIL and the transfer portal, it’s harder than ever to sustain success at the highest level. But that doesn’t mean it’s not the goal. Competing for championships is and always has been core to our mission.”

Several donors questioned the commitment to NIL within Jarmond’s athletic department.

After one donor made a second large NIL contribution, he said, he was chided by one high-ranking athletics official who told him that his money would have been better spent going to the Wooden Athletic Fund that supports the entire department. Donors have criticized Jarmond for not getting Kelly to do more work to support the football team’s NIL efforts, leading to the team lagging far behind its conference counterparts, and was also slow to publicly recognize and support Men of Westwood, the collective spearheading UCLA’s NIL endeavors.

Several donors said UCLA has misunderstood NIL from the start, using small initiatives such as Westwood Exchange as a substitute for helping the Bruins stay more competitive with other schools that understood that pay-for-play was an accepted practice. Once revenue sharing started this summer, allowing the school to pay athletes directly, UCLA further de-emphasized the importance of having a robust NIL program even though it’s widely believed that the new model will eventually resemble the old one.

Jarmond pointed to UCLA’s partnering with NIL agency Article 41 to enhance athletes’ personal brands and social media presence as evidence of the school’s commitment to being on the forefront of the NIL space.

“We’re gonna provide whoever the next [football] coach is with the resources and a financial investment that we haven’t done before, quite frankly,” Jarmond said.

UCLA teams have won six NCAA championships under Jarmond’s watch and posted more conference titles last season than any other Big Ten team. The move to the Big Ten is also expected to provide additional revenue to help stabilize the athletic department’s finances, which required a university bailout and drew a sharp rebuke from the executive board of the school’s academic senate after running $219.55 million in the red over the last six fiscal years.

Jim Bendat, a men’s basketball season ticket-holder and longtime fan, said the athletic director faced some unique challenges that constrained his success with the football program.

“I have some sympathy for Jarmond,” Bendat said. “Money had to be an issue when he arguably should have fired Kelly immediately after the ‘23 season. Then the timing of Kelly’s departure put Jarmond in a nearly impossible situation. Basketball, baseball, softball and Olympic sports are doing fine. Is it fair to give credit for those successes only to the coaches and players, but blame only Jarmond for football failures? I don’t think that’s fair at all.

“Because football is the cash cow, that’s the big focus. I say give this AD another chance to get this right. It will be the biggest hire he will ever make, and he has to get it right this time.”

Criticisms of Jarmond, however, are growing louder and have been brewing for years.

Past concerns have involved a lack of communication when UCLA abruptly pulled out of the 2021 Holiday Bowl over COVID-19 concerns only a few hours before the scheduled kickoff. North Carolina State coach Dave Doeren blasted the Bruins for a lack of transparency about their roster situation that prevented the Wolfpack from having a backup plan, saying, “We felt lied to, to be honest.”

Jarmond said he was prioritizing the health and safety of the players and the Bruins had every intention of playing had they been able to do so responsibly.

Only a month later, Jarmond faced backlash for being slow to wade into a controversy involving a racial slur used by a member of the women’s gymnastics team. Jarmond met with the team only after Margzetta Frazier and Norah Flatley tweeted to request his help, and Frazier later described a statement that Jarmond released about the situation as “discouraging” based on the athletic department’s response to the scandal being “performative.”

Perhaps Jarmond’s biggest challenge has been an underperforming football team that’s drawn record-low crowds at the Rose Bowl.

Foster’s quick flameout after a little more than one season has led to a new opening inside the athletic department while leading a growing contingent of donors and fans to demand one more. A petition to have Jarmond resign or be removed has collected more than 1,400 signatures and a mobile billboard truck circulated Westwood last week with messages such as “UCLA Football Deserves Better Fire AD Martin Jarmond” and “$7 Million Buyout for UCLA’s AD? Failure Never Paid So Well.”

According to the terms of the contract extension he signed in May 2024 — at a time when UCLA was transitioning from outgoing chancellor Gene Block to successor Julio Frenk — Jarmond, 45, would be owed roughly $7.1 million, or the full amount of his remaining contract that runs through June 30, 2029, if he was terminated without cause.

“No single person has done more to damage the legacy and potential of UCLA football than Martin Jarmond,” said Ryan Bernard, one of the organizers of the mobile billboard truck. “From his inability to fire Chip Kelly to his unjustifiable, lazy hire of a recently departed running backs coach as head coach, Jarmond’s performance has been abysmal.”

Lorraine Kelly strips off as part of ground-breaking Change + Check campaign raising awareness of breast cancer

TV star Lorraine Kelly has stripped off Calendar Girls-style for the first time – with only a pair of strategically-placed buns covering her modesty. Speaking to the Mirror about her first topless shoot, she joked how she worried her team would be “traumatised” by the sight of her bare flesh.

The shoot was all in aid of the show’s National Check Your Boobs Day initiative within its Lorraine’s Change + Check campaign. Lorraine admits: “I just loved this idea. It’s cheeky and funny and is a nod to the wonderful Calendar Girls.

“It also gave me the chance to say the iconic line “we’re going to need considerably bigger buns”.

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Opening up about stripping off, Lorraine adds: “I didn’t feel in any way vulnerable or uncomfortable as I was with my team who are my friends, and our amazing photographer had also gone through breast cancer herself. My editor Victoria asked if I was comfortable being filmed and I told her I was fine, but to check with the crew in case they would be traumatised!!

“It was all very light-hearted, and after all it’s all about getting the Change + Check message across.” The photograph was taken by photographer Sally Mais, a survivor of breast cancer.

The new day will take place today which show bosses hope will serve as a crucial reminder for everyone to make self-checking a regular monthly habit. Lorraine is even after an official endorsement from Prime Minister Keir Starmer to establish the day on the national calendar. It comes as the The Change + Check campaign is now officially endorsed by the NHS.

Minister for Public Health and Prevention, Ashley Dalton said: “It’s so incredibly important to check for the signs of breast cancer because we know early diagnosis leads to better outcomes. The Change + Check campaign is a brilliant way for people out and about shopping on their local high street to quickly check themselves as they get changed, knowing the advice is accurate and officially supporting the NHS.”

Asda will also be selling specially created Change + Check ‘iced busty buns’ in their stores throughout the month of October, and the Change + Check sticker will now be visible in Boots pharmacies across the country. Lorraine says the campaign is one of the things she is most proud of in her 40 year career. She said: “Every year the campaign just gets bigger and bigger, and I am so proud of the work we’ve done and the lives we’ve helped to save.

“Launching Britain’s first ever ‘National Check Your Boobs Day’ is a huge step forward and will hopefully be a crucial reminder for everyone to prioritise their breast health. This is something that truly matters to me, and I’m so grateful for all the support we receive from the public and our partners to get this vital message out there.”

Founded by Lorraine producer Helen Addis MBE and host Lorraine Kelly CBE in 2019, the campaign aims to destigmatise conversations around breast cancer. Over the past seven years, more than 100 women and one man have contacted the show to report that they have received a breast cancer diagnosis as a result of seeing the campaign.

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Kelly Clarkson has returned to The Kelly Clarkson Show just over a month after her ex-husband and father of her two children died at the age of 48

Kelly Clarkson has returned to her TV show stateside a month after the death of her ex-husband, Brandon Blackstock. The former American Idol winner, 43, took time out from presenting The Kelly Clarkson Show after the tragic news of Brandon’s death in August.

Brandon, who was married to Kelly for almost seven years their split in 2022, died from melanoma on August 7. He was aged just 48. The duo shared two children together, River Rose, 11, and nine-year-old Remy. Brandon also had two children from a previous relationship.

Now, returning to her role on the show, Kelly showed her usual mix of humour and emotion. While she didn’t directly touch on her former husband’s death, the occasion was emotional.

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During the show, Kelly spoke with Margot Robbie and Colin Farrell. The Hollywood pair were on the show to promote their new film A Big Bold Beautiful Journey. The trio bonded over ‘the highs and lows of parenthood’.

Earlier this month, Reba McEntire opened up about how her grandchildren, Brandon and Kelly’s children, are doing following his tragic death. She was speaking while on the red carpet at the Emmys.

“The kids are doing well, they’re all bonding together and hanging out with each other, and taking it one day at a time,” she confessed. “We know God’s got this.”

Brandon, who was a talent manager, died after living with melanoma for over three years. A rep for his family announced the death at the time via a prepared statement.

It read: “It is with great sadness that we share the news that Brandon Blackstock has passed away. Brandon bravely battled cancer for more than three years.

“He passed away peacefully and was surrounded by family. We thank you for your thoughts and prayers and ask everyone to respect the family’s privacy during this very difficult time.”

Brandon’s daughter Savannah recently admitted she “never imagined” she would lose her father. The sad message posted on Instagram shared her pain. The 23-year-old, who is expecting her third child, wrote on the social media platform: “So far, 2025 has been a year full of ‘Trust in the Lord and lean not on your own understanding.’

“As we’re ending Quarter 3 I’ve found myself looking back at all of the love and support my husband and I have had through the lows and heartbreak.

“Seeing my dad sick and losing him was something I never imagined or could have possibly prepared myself for, let alone young and pregnant.

“We have had an overwhelming amount of love and support poured onto us over the past 6 months and we are eternally grateful.”

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Filming was about to start on David E. Kelley’s Apple TV+ series “Margo’s Got Money Troubles” in early January when the wildfires hit the Los Angeles area, devastating Pacific Palisades and Altadena.

Crew members lost their homes or were dealing with severe smoke damage. Others on the show took people who were displaced into their houses.

To add to the uncertainty, the series was still waiting to hear whether it would receive a state film and television tax credit.

It was time for a decision, Kelley and his fellow producers thought. Should they play it safe and relocate to a cheaper filming locale, such as New Mexico or Vancouver, to ensure they had the budget to film the pivotal mid-season finale in Las Vegas?

They took a gamble and decided to stay in California. The bet paid off. “Margo” got a tax credit of about $1.2 million per episode, and the show was able to shoot both in the Los Angeles area and travel to Las Vegas for four days of filming.

“The rest of the story is a California story,” said Matthew Tinker, president of David E. Kelley Productions. “It’s really magical to leave L.A., go to Vegas and then come back, and it gives the show a huge production value that otherwise, we wouldn’t have had.”

Matthew Tinker, president of David E. Kelley Productions, stands on the rooftop of producer David E. Kelley’s new production office in Santa Monica.

(Jason Armond/Los Angeles Times)

As film and TV projects have increasingly moved out of state in search of better tax incentives and cheaper costs — moves that have culled the number of Hollywood jobs — Kelley’s production company is doubling down on California. The former attorney turned writer-producer is one of the biggest names in TV behind such legal dramas as “Ally McBeal” and “The Practice.”

All of his current projects will shoot in L.A., including the third season of HBO series “Big Little Lies,” the legal drama “The Lincoln Lawyer,” a new HBO Max series based on a Michael Connelly book called “Nightshade” that takes place on Santa Catalina Island, and the thriller “Presumed Innocent.”

Post-production work for his shows also is done in L.A. Kelley’s company, known as David E. Kelley Productions, also recently moved into a new headquarters in Santa Monica, where it plans to make a home for the foreseeable future.

“It just feels wrong to me that L.A. is not continuing to be the epicenter for film and television series,” Kelley said via Zoom in August. “This town has been very good to me for many, many years, so I have an inclination not to abandon it, to cling to the community that has been so rewarding for me.”

The sentiment is shared by his second-in-command.

From the concrete rooftop garden atop the Santa Monica building that houses Kelley’s production office, Tinker looked out at the hills, remembering the wall of smoke that lingered for days.

The January wildfires also encouraged the decision to keep Kelley’s production company in L.A., despite some pitches to move out of state. At the time, there had been industry chatter that the state’s incentive program would be bolstered, giving some optimism for the future of production in the state. But after the fires, there was no question. The company saw the need to rebuild and reinvest in L.A. and Hollywood. The eventual boost to the state’s film and TV tax credit program approved this summer solidified their decision.

“The fires challenged our resilience and sense of community, but the people of L.A. rallied,” Tinker said. “There simply wasn’t a thought beyond this moment to plant roots anywhere else.”

The 2,900-square-foot office, which is a new build that replaced an older building in Santa Monica, is sleek and modern, with concrete walls and flooring, dark wood details, two arcade game machines and a shelving unit holding dozens of awards right at the heart of the space. Inside Tinker’s office is an homage to Hollywood history.

A wall showcases trophies at producer David E. Kelley’s new production office in Santa Monica.

(Jason Armond / Los Angeles Times)

An old sign from Kelley’s previous offices at the Fox lot hangs on the wall, next to the title page for the first episode of “Margo,” addressed to David and signed by actor Elle Fanning. A photo of Ronald Reagan with Matthew Tinker’s late grandfather Grant Tinker, former chief executive of NBC, sits near a bobblehead from Kelley’s “Boston Legal” days and a black-and-white group shot of Matthew’s father, John Tinker, winning a writing Emmy for the drama “St. Elsewhere” in 1986.

When looking back at his own career, Matthew Tinker has done “pretty much every job under the sun,” which was only possible in a city that consistently had multiple productions running.

That concern for the future of industry employment was a major part of Hollywood and state legislators’ push to increase the annual funding for California’s film and TV tax credit program to $750 million and expand eligibility criteria to allow more projects to apply.

Memorabilia in the office of Matthew Tinker, president of David E. Kelley Productions.

(Jason Armond/Los Angeles Times)

Those changes, which were approved by Gov. Gavin Newsom this summer, have now largely gone into effect and are starting to produce results.

In the first round of TV show tax credits since the program was revamped, the California Film Commission saw a nearly 400% increase in applications and awarded tax credits to a total of 22 shows.

“There was a lot of pent-up demand,” said Colleen Bell, executive director of the California Film Commission. “There’s a lot of momentum here, and these improvements to the program have helped to drive that momentum.”

The new activity is much needed. Production activity in L.A. so far this year is down 9% compared with last year, according to the nonprofit FilmLA, which tracks shoot days in Greater L.A. 2024 was the second-worst year on record for production in the area after 2020, when the industry shut down due to the pandemic.

But there is hope on the horizon — of the 22 new TV projects that received a California tax credit this past round, 18 are slated to film largely in Greater L.A., including Kelley’s “Presumed Innocent.”

“The more that people have hope in the future of California as a production destination, I think you will continue to see entrepreneurs and others make their careers here,” said Philip Sokoloski, spokesman for FilmLA.

Because Los Angeles is more costly than other locations, filmmakers must make certain adjustments, such as shooting a TV series in 85 days instead of 100, or reducing daily filming hours.

But that’s very doable with experienced crews in L.A., said Caroline James, co-executive producer of “Presumed Innocent” and “Margo,” which employed about 500 people.

“There’s such an infrastructure in L.A.,” she said. “There’s no learning curve.”

Kelley’s production company, which has six employees including the veteran writer and producer, may not always be able to shoot everything in L.A., but executives intend to keep L.A. first and foremost in their decision-making and hopes that mentality will catch on around town.

“The goal is to always look at California first,” Tinker said.

Las Vegas Raiders offensive coordinator Chip Kelly told reporters Thursday that he does not game plan with team minority owner and Fox NFL broadcaster Tom Brady — at least not “on a weekly basis” — despite a report during “Monday Night Football” this week that suggested otherwise.

During the first quarter of the Chargers-Raiders game at Allegiant Stadium, ESPN’s Peter Schrager reported from the sideline that “Chip Kelly told us that he talks to Brady two to three times a week. They go through film. They go through the game plan.”

After the game, Raiders coach Pete Carroll called the report “not accurate” and said that while he and Kelly speak with Brady “regularly,” those conversations are “about life and football and whatever.”

Kelly was asked about the ESPN report during media availability Thursday. His response echoed Carroll’s.

“I’ve spent a lot of time just talking football with [Brady], but it’s not on a — we don’t talk about game plans,” the former UCLA coach said. “We spent a lot of time over the summer, a couple Zooms … and we would just talk ball, you know, ‘What did you like against this?’ So really, when I use Tom, and I just use him as a resource of, ‘Hey, you know, when you faced a Mike Zimmer-type defense, what did you like protection-wise and play-wise?’

“But on a weekly basis, he’s not game planning with us or talking to us.”

Kelly later added: “In terms of weekly game plans, like, that’s not a collaboration that we do. I mean, he’s also a busy guy, so I haven’t even thought of using him to do that, and I don’t think you can, so — you know, our staff does all that.

“But he’s been a guy that I could talk football with, just shooting it about, ‘Hey, have you ever faced a two-trap defense?’ and, ‘With the inverted, Tampa two that everybody’s running now, what was your best thoughts about that?,’ things like that. But we don’t talk game plan at all or any of that stuff in terms of on a weekly basis.”

The Times reached out to ESPN for comments from Schrager or the network on the matter. A network representative declined to comment.

During Schrager’s report, “Monday Night Football” showed a live shot of Brady sitting in the Raiders coaches’ booth and wearing a headset. Kelly told reporters Thursday that he thinks Brady did the same thing during the Raiders’ preseason game last month against the San Francisco 49ers, also at Allegiant Stadium.

“But he doesn’t talk to the coaches when he’s up there,” Kelly said. “I think he just — he’s watching football.”

NFL chief spokesperson Brian McCarthy said in a statement Tuesday that Brady was doing nothing wrong.

“There are no policies that prohibit an owner from sitting in the coaches’ booth or wearing a headset during a game,” McCarthy said. “Brady was sitting in the booth in his capacity as a limited partner.”

Brady faces a number of NFL-imposed restrictions on what he’s allowed to do as a broadcaster given his dual status as a team minority owner. Last season, Brady’s first in both roles, he was prohibited from attending the weekly production meetings during which the Fox crew meets with coaches and players ahead of that week’s game.

That restriction was eased going into this season.

“Tom continues to be prohibited from going to a team facility for practices or production meetings,” McCarthy said in his statement. “He may attend production meetings remotely but may not attend in person at the team facility or hotel. He may also conduct an interview off site with a player like he did last year a couple times, including for the Super Bowl.

“Of course, as with any production meeting with broadcast teams, it’s up to the club, coach or players to determine what they say in those sessions.”

Two years ago, reaching the first major crossroads of his UCLA athletic director career, Martin Jarmond drove the Bruins into a ditch.

He should have fired the unhappy and unsuccessful Chip Kelly at the end of the 2023 regular season. He did not. He instead praised Kelly for building a “strong and phenomenal culture.”

Three months later Kelly fired himself with an escape that seemingly everyone but Jarmond saw coming.

Soon thereafter, upon reaching the second major crossroads of his athletic director career, Jarmond drove the program into an even deeper ditch.

Requiring less than 72 hours to replace Kelly, Jarmond did so by hiring a head coach who was preeminently unqualified to be a head coach, a former running back who had never led a team at any level, a reticent former Bruin who had never even called a play.

It took barely a season for that mistake to be formally acknowledged, and now that DeShaun Foster was fired Sunday after winning just five of 15 games, the real issue becomes obvious.

Martin Jarmond has steered this football program into a steaming wreckage, failing to properly manage the most important asset of any modern-day athletic director, turning the Bruins’ largest and most lucrative national presence into a sputtering embarrassment, and you have to wonder.

Now that he has buried them, is Martin Jarmond the right person to dig them out?

It’s difficult to imagine the budget conscious UCLA administrators would spend about $8 million to fire a guy who just last winter was given a five-year contract extension. Then again, they just spent $6.43 million to can Foster less than two years after they hired him.

But something has to happen. Hire a football general manager and let them pick the new coach while Jarmond moves to the background. Or simply pay Jarmond, let him walk, and start from scratch like you should have done two years ago at the end of the Chip Kelly era.

Whatever happens, considering the huge stakes involved, how can Bruins chancellor Julio Frenk allow Jarmond to hire the next football coach?

Jarmond has whiffed on situations involving the last two coaches and you’re going to let him come to the plate again? Risking a third consecutive strikeout? It’s an outcome so humiliating that baseball even has a name for it, terming three strikeouts in one game as earning that player a “silver sombrero.”

Can UCLA really afford to let their athletic director wear that?

Certainly, Jarmond has done some great things with other sports since arriving at UCLA as a relatively untested and unknown administrator five years ago. Last season, when including the Mountain Pacific Sports Federation, Bruin teams won more conference championships than any other Big Ten school.

UCLA athletic director Martin Jarmond has done well in many areas, but football is not one of them.

(Wally Skalij / Los Angeles Times)

A men’s water polo national title. The only school with both baseball and softball teams in the College World Series. Women’s basketball in the Final Four. The list goes on.

Jarmond has done well in many areas. But in today’s collegiate sports environment, a Power Five athletic director basically has one job and one job only.

Don’t fumble football.

Football is the cash cow. Football is the monthly rent. Football drives campus revenue. Football creates national reputation. So many people are ridiculing UCLA football this fall that many have forgotten the Bruins greatness in other sports, and in the name of John Wooden, that’s unacceptable.

Football is just too important to be led by someone who would get embarrassed by consecutive coaches, someone who would allow Chip Kelly to leave before firing him, someone who would then hire DeShaun Foster without qualifications, someone who just doesn’t seem to be in touch with the most vital part of his job.

Jarmond had a chance to take full responsibility for both coaching misfires during a Sunday afternoon conference call with reporters.

He did not.

He basically said that the decision to keep Kelly involved higher authorities and the choice of Foster was due to unusual circumstances.

Regrettably, nowhere in the two explanations were the words, “I just blew it.”

About keeping Kelly when he should have been dumped: “What I’ll remind you is these decisions aren’t made in a vacuum. There are many stakeholders and factors that go into where and when and how to make a coaching change. That said, ultimately, I’m the athletic director. I’m the steward of this program, and the buck stops with me. But I want to reiterate: These kinds of decisions at this level are not made by one person, they’re made by the stakeholders and factors and circumstances that surround that.”

Disagree. When it comes to handling a football coach, no stakeholder’s voice should be stronger than that of the athletic director, or you need a new athletic director.

About hurriedly hiring Foster, he said: “I made the best decision with the circumstances and resources that I had to work with… I’m very confident in my ability to hire coaches that win championships … this search is going to be very different than the last one … when it was after football signing day, and we had to make a change and get that done quickly.”

Absolutely, the hiring of Foster was conducted in a tight timeline. But to make such a giant decision and not even take a week? That bordered on athletic director malpractice. And eventually, we all saw the result.

Actually, few saw the result. One of the reasons Foster was fired so quickly was that the Rose Bowl had become an empty shell of more broken Bruin dreams.

OK, so the good news is that UCLA now has an entire season to find a bright young coach — where is the Sean McVay of college football? He has to be out there! — and they will have the first shot at many good candidates.

The bad news is that Jarmond was talking Sunday about assembling a search committee full of a bunch of so-called experts and former Bruins. That never works. Too many voices drown each other out and you end up with a compromise candidate.

The hire needs to be made by a strong athletic director willing to make a bold hire for which they accept full responsibility and hold themselves completely accountable.

More bad news. Until further notice, that athletic director is Martin Jarmond.

SHARON Osbourne has shared a glimpse into her life without Ozzy – and how she is being helped by Kelly and a winged friend.

TV star Sharon – who lost her beloved husband Ozzy in July – has ‘found her smile again’ after getting into falconry with daughter Kelly.

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Alongside the heart-warming clip, Kelly said: “Today I introduced my mum to falconry and she loved it! Thank you @gerardsulter for putting a smile on my mum’s face too!”

“Mum, put your hand out,” Kelly instructs in the video.

Wearing a checked shirt, jeans and a leopard-print hat with dark-rimmed glasses, Ozzy’s daughter exudes the confidence of a professional owl handler.

As Sharon receives the bird, she regretfully says: “I don’t have anything to give you. Come on.”

Fans praised the sight and wrote: “There she is!!!! We’ve all missed seeing Sharon. Thank you Kelly.”

“Absolutely love this! So glad you both have somewhat of a distraction,” penned a second.

“So happy to see this! All the positive and healing vibes to you and your family,” remarked a third.

A fourth shared: “Spiritually, the owl symbolises wisdom, intuition, and a connection to the spirit world due to its nocturnal nature and ability to see in the dark. Lovely that your mum enjoyed it too.”

“I love this family more so for being so real, honest and vulnerable for all to see. The Osbourne’s have always embraced imperfection. They also embraced love,” praised a fifth.

Dressed in black with a white T-shirt, the star looked calm in the open field surrounded by dark skies.

Kelly previously shared a photo of herself with an owl and explained: “In all my sadness and grief I have found something that truly makes me happy!

“I never thought I would find my smile again through falconry but I did. I absolutely love being with the birds!” 

Last month, The Sun revealed how a documentary into the late star’s life had suddenly been pulled.

The special, which was called Coming Home, mysteriously vanished from the BBC schedule just 11 days after it was announced.

Filmed over three years, the documentary gave “unique and intimate access” to the whole family, including Ozzy, Sharon, 72, son Jack, 39, and daughter Kelly, 39.

It documents the late rocker’s life as he tried to peruse his dream of moving permanently back to the UK, after living in LA for decades.

The moving film was originally going to be called Home to Roost, however the project moved in a different direction as Ozzy’s health deteriorated.

Ozzy’s family, friends and fans were left devastated when it was revealed the heavy metal star had died aged 76 on July 22.

Speaking about postponing the documentary, a BBC spokesperson told The Sun: “Our sympathies are with the Osbourne family at this difficult time.

“We are respecting the family’s wishes to wait a bit longer before airing this very special film.

“The new tx date will be confirmed shortly.”

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Taylor now takes on a fresh opportunity at Liverpool, who finished seventh in the Women’s Super League last season.

There is work to do, he acknowledges, having taken a few months to get his appointment over the line because of contractual issues from his previous post at City.

During that time, Liverpool’s star player Olivia Smith was sold to Arsenal for a world record £1m fee, joining vice-captain Taylor Hinds, who ended her five-year stint with the Reds.

“Those players go with our best wishes. You never want to retain a player that probably has her eye on a move and we understand that completely,” said Taylor.

“There is work to do, for sure. We don’t want to lose top players like those two but it makes the challenge a little bit more difficult.

“Ideally [myself and my staff] would have been here a little bit earlier but it is what it is. In the days we have been here, we have seen big strides.

“The engagement from the players has been fantastic. They are a really good group of girls. The people here are incredible. The club is top class in that sense.”

Liverpool are rebuilding to try to close the gap between themselves and the WSL’s top four.

“The challenges here will be different to any other club. But what we have here is a very good opportunity to start to build something,” said Taylor.

“The environment at Melwood is incredible. The girls are really hungry to learn and to create an identity. That’s the key thing. That process is not a quick one.

“It takes time and it takes struggles, unfortunately. It’s clear that will happen. But we’re really understanding of that and we’re here to support the players and staff as much as we can to be as quickly aligned as we can be.”

Chloe Kelly has spoken out about what she would like to do following her major football victory and could be following in the footsteps of former Lioness Jill Scott

Chloe Kelly has revealed her hopes for a big career move following her England win. The Lioness, 27, brought it home for England when she scored the winning spot-kick following two huge saves from goalkeeper Hannah Hampton, in what became a historic victory for the women’s national team.

The sports star made an appearance on ITV’s This Morning on Thursday where she joined hosts Dermot O’Leary and Rochelle Humes to discuss her achievements and career so far, alongside a group of aspiring young footballers. When one of the children asked Chloe what she would be doing if she was not a footballer, she admitted that she has a wish to carve our a career in the world of sports media. At first, she said: “If I weren’t a footballer, what would by job me? I’m not too sure, I’ve never really thought about it,” before adding: “I enjoy the media, so hopefully I could be interviewing another footballer maybe? And I’d definitely be in the stadium with the fans.”

If Chloe were to start up a career in the media, she would be following in the foosteps of Jill Scott, who captained England in 2021, and then went onto win I’m A Celebrity…Get Me Out Of Here the following year. She is now a regular pundit across both men and women’s matches, captains the team on sports-comedy series A League Of Their Own, and has occasionally appeared as a panellist on Loose Women. It comes just days after Jill herself delivered her verdict on the England team shortly before they enjoyed their Euros success.

READ MORE: Chloe Kelly issues apology for Lionesses victory parade incident – ‘Emotions got better of me’READ MORE: England’s Euro 2025 winners to lose major chunk of prize money after return home

Meanwhile, Chloe was also asked about how she manages to stay so calm during intense moments in the match, and she admitted: “I’m more nervous sitting here than taking a penalty, actually! I stay calm by just sticking to my process.

She added: “I train that process a lot. I breathe, I take my breath and I either score or I miss, and that’s the worst that can happen. That’s the way I see it, it’s just me against the goalkeeper so I’m very relaxed.”

Establishing herself as an England legend in the showpiece event, Chloe confidently dispatched her penalty past Spain’s Cata Coll to secure victory. BBC Sports commentator Vicki Sparks captured the moment perfectly: “This is it, this is the moment for Chloe Kelly. Can she be England’s heroine? Chloe Kelly… yes she can!”

Kelly rose to the occasion magnificently, rescuing England from perilous situations on three separate occasions. Teaming up with emerging talent Michelle Agyemang, the duo rekindled the country’s belief in achieving a magnificent triumph that delivered a “proper English performance” culminating in continental success.

Following the trophy presentation, Chloe was heard declaring: “The first time was so nice, we had to do it twice.” Yet beyond the football field, she remains remarkably private about her personal affairs. Having wed her long-time partner last year, early 2025 almost witnessed her departure from professional football entirely.

Kelly was joined by her England team-mates for a victory parade down The Mall in London on Tuesday. The team had the Euro 2025 trophy with them on an open-top as they were greeted by an estimated 65,000 supporters in central London. Manager Sarina Wiegman and captain Leah Williamson then led the squad up onto a stage outside Buckingham Palace, where they were interviewed by Alex Scott. There were some heartwarming moments, including Wiegman doing a duet with Burna Boy and Williamson holding back tears as she spoke.

But there was also a moment where Kelly – the scorer of England’s winning penalty against Spain on Sunday – turned the air blue. She said: “It feels so good to stand side by side with each and every one of these girls.

“It’s so f****** special. It’s incredible to stand here today with a winners’ medal around our necks and I’m so proud to be English.”

It wasn’t the first time that the Arsenal forward had been caught on camera swearing, having dropped the same word after picking up her winners’ medal from Prince William in Basel. This time she quickly took to social media, writing: “Ooops. Emotions got the better of me. Sorry for the F bomb. Love, CK x.”

Hampton, who has been playing her first major tournament as England’s first-choice goalkeeper, had big shoes to fill in Switzerland.

Earps – twice named as the best women’s goalkeeper in the world – had played significant roles in England’s victory at Euro 2022 and on the way to the 2023 World Cup final.

But Hampton, who looked likely to start at the Euros even before Earps’ retirement, has proved she deserves the number one shirt.

“At the start of the tournament did you think Hannah Hampton would be the star? Perhaps not. You wondered how she was going to do,” ex-Manchester City defender Nedum Onuoha said.

“Look how well she has done on the biggest stage. To save those penalties – and these were really good saves. She backed herself 100%.

“An amazing moment to see her be that important to the team.”

Just months after England’s Euro triumph in 2022, Hampton was dropped from the squad.

Reports suggested it was because of her behaviour, and she had to wait until March 2023 for a recall, when Wiegman said Hampton had “sorted out personal issues”.

Speaking to BBC One following her shootout heroics in the 2025 final, Hampton said: “All I can really say is thank you to Sarina [Wiegman] for all the belief and faith that she’s had in me.

“She knew what I was capable of and she really put that in me to really go and showcase what I can do.”

Hampton, who helped Chelsea win a domestic treble this season, has shown exactly what she is capable of throughout the tournament.

After losing their opening game against France, Hampton was instrumental in helping England bounce back against the Netherlands – with a sublime defence-splitting pass starting the attack for England’s first goal and setting the tempo for a statement 4-0 performance.

Then, in their quarter-final against Sweden, she pulled off two brilliant saves in the shootout to help keep England’s title defence alive.

“The girls have run around for 120 minutes, so the least I can do is save a couple of pens here and there and help the team out in any way I can,” Hampton told BBC Radio 5 Live after the final.

She added on BBC One: “There’s still a lot more to come from me. For my first major tournament, to win it is not too bad.”

England’s Chloe Kelly says she is ‘so proud to be English’ after she scoring the winning penalty in the final of Euro 2025 as the Lionesses beat Spain.

FOLLOW: England defend European title with dramatic shootout win over Spain – reaction & report

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Lorraine Kelly was away filming last month and it’s now been reported that she was working on a ‘big budget’ travel show for Channel 4 ahead of changes to her ITV talk show

TV presenter Lorraine Kelly is said to have filmed a “big budget” project for Channel 4 recently. Ahead of changes to her long-running ITV talk show next year, it’s been teased that she’s considering other options that she could explore.

Lorraine, now 65, has fronted her eponymous show for more than a decade, with it having launched in 2010. It was however announced by ITV earlier this year that, from January next year, episodes will be reduced to 30 minutes. It was also revealed that the show will then only run for 30 weeks each year.

Following the news, last month, Lorraine shared that she was away and teased that she was having “big filming adventures” in Norway. She said in a video message on Instagram: “I’m in the land of the midnight sun. It’s absolutely glorious. It’s a project that I’ve wanted to do for years and years, and finally it’s actually happening. I’m heading really, really far north.”

It’s now been reported by the Sun that Lorraine flew to the country last month to work on a travel show for Channel 4, rather than ITV. A source told the outlet that the broadcaster was “delighted” to have signed up Lorraine for the project.

The source said it was “exciting” for her to do “something different” and to be back on location somewhere. They teased that amid the shake-up at ITV daytime shows, her “loyal” fans will support Lorraine “wherever she goes”.

They said: “Despite the apparent slight in the ITV daytime shake-up, Lorraine’s loyal fanbase isn’t to be underestimated and they will follow her wherever she goes. She’s survived in this business a long time, and she’s a master at rolling with the punches.”

It’s also been reported by the outlet that the production role Head of Lorraine is being axed at ITV. It’s claimed that her two producers are set to instead report to bosses on This Morning.

The source said that it casts doubt on the future of the talk show and claimed that her current contract finishes next year. The source teased: “She’s opening her eyes up to the many options available to her.”

ITV said in a statement: “We have always said that from January 2026, Lorraine, This Morning and Loose Women will be three editorially distinct shows which will be produced by one team. These changes are not about the performance of the shows or the staff. We can assure our viewers that their favourite daytime shows will remain familiar to them on screen.”

Although best known for her work on ITV, Lorraine has appeared on other channels over the years too. It includes her having been on Channel 4’s the Last Leg on several occasions and she mentioned the show on a podcast recently.

She teased last month that she’s able to be “a bit naughty” on shows away from ITV’s Lorraine. As reported at the time, she said to Tom Kerridge on the Proper Tasty podcast: “40 years in TV last year was incredible. I got a BAFTA. ‘Here’s a BAFTA for being alive.’ I thought, ‘Hang on a minute, I’m not done yet’.

“I think now I can be a lot cheekier. Because I’ve always been a bit naughty. Not so much in the morning, but if I do a wee show on Channel 4, or The Last Leg, or something like that.”

She teased: “You can be unleashed. And I quite like that. You do have to have a self-edit button and I’m finding mine is not operating as much as it should.”

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