It felt like 2022 all over again when Josh Gad took to Instagram to express his heartbreak about contracting a “virus known as COVID” and announce his decision to pull out of playing King Herod in the highly anticipated production of “Jesus Christ Superstar” at the Hollywood Bowl, which staged its first night of a three-night run Friday.
Gad hinted that maybe — if he tested negative — the situation might change. The following day, however, John Stamos announced on social media that his weekend “just got biblical” and that he was stepping in for Gad in the show.
On Friday, things got extra dramatic when Gad said that he had tested negative. Fans on his social media clamored to know what that might mean, but he stayed mum until Saturday when he posted a photo of himself in an elaborate gold lamé costume with the words, “See you all Sunday night.”
A rep for the Los Angeles Philharmonic said that final confirmation that Gad will step onto stage won’t come until noon Sunday.
Stamos appeared onstage as Herod on Friday night, bringing some comic relief to an electric, deeply emotional show.
After one of star Cynthia Erivo’s solos, the audience clapped so loud, long and reverently, that tears came to the singer’s eyes — which only caused the crowd to cheer harder. The moment of symbiotic love lasted for at least 3 minutes, maybe more.
The Bowl was packed with marquee names, including former Second Gentleman Doug Emhoff, Jim Carrey and Ted Neely (who played Jesus in the 1973 film adaptation of the musical). Erivo brought composer Andrew Lloyd Webber onto the stage as a special guest during curtain call.
Still, Gad fans were many — you could tell because they held Olaf dolls and wore Olaf jewelry — and they could be heard expressing their sorrow at the absence of Gad in the crush of the crowd after the show.
Gad’s addition to the cast, which included Erivo as Jesus, Adam Lambert as Judas and Phillipa Soo as Mary Magdalene, was hailed by fans; and in an interview with The Times during rehearsal, Gad spoke about being beyond excited to perform at the Bowl for the very first time with a stellar cast that he called the Avengers of musical theater.
“I’ve wanted to play the Hollywood Bowl forever,” said Gad. “But I never thought I was good enough to play the Hollywood Bowl,” he added with a self-deprecating smile
Even though the role of King Herod entails a single song — a kind of comic interlude that Gad likened to the part of King George in “Hamilton” — Gad showed up at as many rehearsals as possible before he came down with COVID. He just liked sitting on the sidelines, soaking up the scene and the incredible talent on display, he said.
At a Saturday rehearsal before the show, he filmed numbers on phones for various cast members and cheered his heart out. His sense of excitement was palpable. Now he’ll get one night to give “King Herod’s Song” his all.
Adam Lambert sits on a rickety wooden chair just outside the main chapel at the Hollywood United Methodist Church on a break from rehearsing the musical “Jesus Christ Superstar.”
Dressed in beige shorts and a vest with matching mid-calf boots, Lambert wears his trademark glitter eye makeup with thick black liner. He’s calm and collected, content to spend his lunch break chatting, even though the rehearsal schedule is a breakneck nine days total. He chalks up his easygoing demeanor to the high-wattage professionalism of the cast, and his familiarity with the music.
Lambert first heard the soundtrack on one of his dad’s vinyl records when he was about 10 years old.
“I’ve always wanted to do that musical. I’ve always wanted to play Judas,” he says with a smile. “And when they told me Cynthia [Erivo] was interested, I was like, ‘Wow, this is gonna be crazy.’”
Lambert, a fan-favorite “American Idol” runner-up who began performing with Queen in 2011, plays Judas to Erivo’s Jesus in the Hollywood Bowl production directed by Tony-winning choreographer Sergio Trujillo.
Josh Gad, who portrays King Herod, calls the cast “the musical theater version of the Avengers.” He’s referring to Erivo and Lambert, in addition to Phillipa Soo as Mary Magdalene, Milo Manheim as Peter, Raúl Esparza as Pontius Pilate, Tyrone Huntley as Simon and Brian Justin Crum as Annas. The sold-out show runs from Friday to Sunday.
Tyrone Huntley performs as Simon during a rehearsal of “Jesus Christ Superstar” at the Hollywood United Methodist Church in Los Angeles.
(Etienne Laurent / For The Times)
Judging from the ongoing commentaryand controversy over the casting on social media, a queer, Black, female actor playing Jesus and a gay actor portraying Judas feel like a revelation to fans grappling with mounting concerns about civil rights in America. Over the last six months, the Trump administration has curtailed diversity, equity and inclusion programs and attempted to roll back key legal protections for certain members of the LGBTQ+ community.
“The challenge for the audience of seeing a female Black Jesus is so exciting. And we all feel the excitement,” says Lambert, adding that the show doesn’t change lyrics or pronouns. “Maybe it doesn’t have to do with male or female. I don’t really know if it matters what gender Jesus was, because it was about the teachings and the love and the connection to faith. So shouldn’t it transcend gender?”
Power — who has it and who doesn’t — has emerged as a defining narrative in 2025. That was also the case 2,000 years ago when Pontius Pilate ordered the crucifixion of Jesus, who posed a serious threat to the religious and political primacy of the Pharisees, the Herodians and the Romans. The 1971 musical by Andrew Lloyd Webber and Tim Rice imagines the final days of Jesus’ life, including his agony, before he ultimately accepts his fate.
Gad is keenly aware of the notion of power as historic through-line as he approaches his titular number, “Herod’s Song,” in which the King of Judea coyly mocks Jesus before taking a frightening turn into true menace.
“This is a man who’s so insecure he can’t afford to let Jesus out of his chains in order to actually face him without the help of soldiers around him,” Gad says. “My hope is that I’m getting to bring one of the greatest hypocrites to life in a way that will both make people laugh and also make them recognize that archetype.”
Brian Grohl, left, Josh Gad, Adam Lambert and Sergio Trujillo are bringing “Jesus Christ Superstar” to the Hollywood Bowl.
(Etienne Laurent / For The Times)
The musical was first released as a concept album in 1970 and played at the Hollywood Bowl in 1971, before debuting on Broadway later that year. During its run, protests outside the stage door were commonplace, and although the musical has reached the pinnacle of success over the years, it has remained controversial.
Big summer musicals have been a staple of the Hollywood Bowl since 2000, but the shows went dark due to the COVID-19 pandemic in 2020. With the exception of “Kinky Boots” in 2022, “Jesus Christ Superstar” is the first of what Bowl leaders hope will be an annual resumption of the beloved programming.
“We wanted to make sure that when we came back, it was the most spectacular thing we could do,” says Meghan Umber, president of the Hollywood Bowl and chief programming officer at the Los Angeles Philharmonic.
“Jesus Christ Superstar,” was always at the top of the Bowl’s musical wishlist but wasn’t available until now, adds Brian Grohl, associate director of programming for the L.A. Phil.
“The number of titles that can sustain three nights at the Hollywood Bowl is a narrowed-down list already,” Grohl said, so securing the title resulted in a lot of jumping and shouting around the office. And when it came to who would play Jesus, Umber and Grohl both say Erivo topped the list. Her “yes” made all the others follow.
Adam Lambert performs Saturday during a rehearsal of “Jesus Christ Superstar.”
(Etienne Laurent / For The Times)
Gad calls Erivo — who was not present at a recent rehearsal because of a previous engagement — a “generational talent.” And he’s far from alone. Talk to anyone on the cast or crew and they will immediately hold forth on her extraordinary gifts.
“I see the hand of God in her,” Trujillo says reverently. “Even now, me being in the room with her, I hear it and I see it, and it is transcendent.”
Trujillo decided to go back to the musical’s roots as a concept album and is staging the show as a bare-bones rock concert. Instead of elaborate scenic design, there are black road boxes, microphones and cords. Even the costumes are contemporary with nods to their lineage. A rhythm band will play onstage and a 37-piece orchestra will perform behind a giant LED screen that will create the illusion that the musicians are hovering in the sky above the action.
Keeping the show in the present and infusing it with the raw energy of youth culture was crucial to Trujillo’s vision, he says, adding that in the spirit of rock ‘n’ roll, the musical “reflects the turbulent political times that we’re living in.”
“As I set up each one of the characters, they’re at a microphone singing and then they take the microphone and they step into the scene. I always want to remind the audience that we are in a concert, but we’re also telling the story,” says Trujillo. “Every single person understands the opportunity that we all have to take this monumental story, this monumental score, and to do it justice. So everyone is coming at it with such goodwill and so much joy.”
At a Saturday rehearsal in the church gym, Trujillo’s words ring true. The ensemble cast of more than 20 talented dancers and singers, in sweats and hoodies, run through “What’s the Buzz.” Gad watches and cheers from a table on the sidelines next to conductor and musical director Stephen Oremus, who smiles and nods his head with the beat.
“If you need me to stand in for Jesus, I’ll do it,” Gad jokes.
Phillipa Soo, who plays Mary Magdalene, sings a heartfelt rendition of “I Don’t Know How to Love Him.”
(Etienne Laurent / For The Times)
Lambert mesmerizes the assembled crew and onlookers with a potent rendition of “Heaven on Their Minds” and Soo brings tears with a heartfelt performance of “I Don’t Know How to Love Him.”
“The more time I spend with this musical, the more brilliant I understand it to be,” says Manheim during a brief break. The 24-year-old, who‘s gained a tween following after playing Zed in Disney Channel’s “Zombies” franchise, is part of the youth cohort Trujillo wanted to cast. He wasn’t as familiar with the score as the older cast members — which is part of the point.
“It’s cross-generational,” says Trujillo of the show. “This is the gift that you give to your children and then it just gets passed on.”
“You can steer yourself in any direction you choose,” Dr. Seuss wrote in his beloved 1990 picture book “Oh, the Places You’ll Go!”
It seems pop star Ariana Grande has taken the advice to heart, landing yet another movie role and her second collaboration with “Wicked” director Jon M. Chu.
Grande is set to star alongside Josh Gad in the animated adaptation of “Oh, the Places You’ll Go!,” Warner Bros. announced Tuesday. Expected in March 2028, the movie will be directed by Chu and include original music from EGOT-winning duo Benj Pasek and Justin Paul, known for “Dear Evan Hansen,” “La La Land” and “The Greatest Showman.”
Grande and Gad confirmed the news on their Instagram pages this morning with a picture of them in a recording studio holding up their scripts, which feature the same design as the book cover.
“I love this book, I love this script, I love the beautiful world of @drseuss, I love this incredible group of creative human beings (@joshgad what a brilliant joy you are),” Grande wrote on her story. “I am so thrilled to be a part of this one.”
“Never been more excited to go places,” Gad said. “We are dreaming up something very very special for you.”
Grande, who released the deluxe edition of her album “Eternal Sunshine” earlier this year, will appear in the second installment of “Wicked,” in theaters Nov. 21. Additionally, the Grammy winner will join Robert De Niro and Ben Stiller for the fourth “Meet the Parents” movie, expected November 2026.
Gad, known for “Frozen” and “The Book of Mormon,” just joined the cast of “Jesus Christ Superstar” at the Hollywood Bowl, where he’ll appear alongside Grande’s “Wicked” co-star Cynthia Erivo Aug. 1 to 3. The Broadway star has several other films lined up as well, including the “Spaceballs” sequel, “Adulthood” and “Frozen 3.”
