The actor will this time take the character to Miami for the chaos of the World Cup, involving 48 teams and 16 venues
Ian Fletcher is going to have his work cut out as he and Will try to work with an international team on Trump’s World Cup(Image: BBC/Expectation Entertainment/Jack Barnes)
Hugh Bonneville is back as Ian Fletcher, and this time around the BBC’s former Head of Values is in America, dealing with the World Cup.
The Downton star, who first introduced Fletcher in the Olympics-spoofing series Twenty Twelve and then brought him back for W1A, said that playing Ian again was so painful it was akin to a nasty visit to the dentist. “It’s a bit like root canal in that you know there’s a massive well of poison in your mouth and it’s got to be dealt with. And after it’s finished, it’s rather nice,” he laughed. “But the process itself is agony.”
Hugh, 62, says that Ian Fletcher has “evolved” since the last time we saw him. “Although, ‘evolution’ is, of course, an interesting word, conjuring images of change. “If Ian was a lapel pin it would be enamelled with the words, Stay Calm. The seas may be tossed and blown but Ian will be neither tossed and certainly not blown.”
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But he questions how much Ian has actually learned from the chaos of his past experiences. “The tragicomedy of life is that we may think we develop and change but actually most of us reset at the end of each day to catastrophically normal and – if we can afford one – a take-away.”
One new element in this series is a potential romance between Ian the terribly keen VP Sustainability Sarah Campbell (Chelsey Crisp).Writer John Morton says he “can’t remember” if the actually happens, while Hugh says cryptically: “During this series Ian’s eyes are opened a teeny bit to emotional opportunity. Then again, he’s also recovering from a detached retina.”
The actor admits his own football experience as the Under 11 B Team goalie at his junior school was an unhappy one. “I was fat and I was rubbish at running up and down. So I was put in goal. It was the days where you wore a padded top as a goalie, which was quite a warm garment, actually. So that was nice. I was quite cosy, toddling up and down in my little goal, pretending to stretch, in my green, figure-hugging little duvet. I don’t think I ever saved a ball.”
Morton said that none of the shows are actually about what they appear to be, and that they all work as standalone programmes. “Although W1A was about the BBC, this appears to be about football and 2012 was about the Olympics, none of them are really about those things,” he explained. “That’s what they’re tussling with on the surface, but underneath is where the real stuff is happening. Anybody that’s trying to organise anything with a group of people will, I hope, recognise this. Those dynamics I think are pretty much universal.”
He said that the BBC was the show’s natural home. “There’s a sort of BBCness about Ian Fletcher, a guy who’s kind of hamstrung by trying to do the right thing all the time. And I have, just personally, a huge amount of respect and affection for the BBC. I think they’re one of the best things we do. I think they’re very, very precious. And W1A was never intended to be a takedown, just as this isn’t, of anybody or anything.”
– Twenty Twenty Six, BBC Two, 10pm, Wednesday 8 April
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