Jesus

DOJ sues Arizona, Connecticut for refusing to hand over voter rolls

Jan. 7 (UPI) — The Justice Department has sued Arizona and Connecticut for refusing to hand over their full voter registration lists, making them the 22nd and 23rd states to be targeted by the Trump administration in its litigious campaign over voter data ahead of the midterm elections.

The lawsuits were filed Tuesday, with Attorney General Pam Bondi arguing she is charged by Congress to ensure that states have proper and effective voter registration and voter list maintenance programs.

She also threatened that she has the Civil Rights Act of 1960 to demand the statewide voter registration lists.

“Accurate voter rolls are the foundation of election integrity, and any state that fails to meet this basic obligation of transparency can expect to see us in court,” she said in a statement.

The Justice Department has sent demands for the voter registration rolls to at least 40 states and the District of Columbia, according to the Brennan Center for Justice.

All states except North Dakota require citizens to register with election officials, with the information forming voter registration rolls.

The demands for these rolls, which include private and sensitive information, have raised concerns among both voting-rights groups, who say the Trump administration may try to undermine elections, and immigration advocates worried the rolls could be shared with the Department of Homeland Security.

The Trump administration has argued that it needs the lists to ensure election integrity, including that non-citizens are not voting. President Donald Trump continues to falsely claim that the 2020 election, which he lost to Joe Biden, was stolen from him.

The lawsuits overwhelming target Democratic-led states, and the effort comes ahead of November’s midterm elections, which Trump has increasingly become involved with.

Jesus Osete, principal deputy assistant attorney general for civil rights, posted the lawsuit naming Arizona as a defendant on X, saying the Democratic-led state “didn’t respond” to the Justice Department requests for the voter rolls.

Arizona Secretary of State Adrian Fontes responded to Osete with a video statement, saying they have responded to every Justice Department request, and that he will not break state and federal law to share unredacted voter data with the federal government.

“I would recommend that Mr. Osete read those correspondence and we will see you apparently in court,” he said.

“Pound sand.”

Source link

Best theater of 2025: ‘Jesus Christ Superstar,’ ‘Paranormal Activity’

Some years you just have to get through.

I can’t pretend that 2025 delivered a banner crop of theater productions. Many of the best shows on this list came from elsewhere. And a higher than usual percentage were seen at the Ahmanson Theatre, which had a remarkably good year — perhaps the best of any local theater.

It was so good, in fact, that I left off Michael Arden’s revival of “Parade.” My self-consciousness about the high number of touring productions persuaded me not to include “Shucked” at the Hollywood Pantages, which lightened the summer with its country bumpkin merriment. And I also omitted “Here There Are Blueberries” at the Wallis not because it wasn’t one of the best productions but because it was on my highlight reel of 2022, when this Tectonic Theatre Project play, conceived and directed by Moisés Kaufman, premiered at La Jolla Playhouse.

Our picks for this year’s best in arts and entertainment.

The highlight at the Mark Taper Forum this year was Jocelyn Bioh’s comedy “Jaja’s African Hair Braiding,” which was on its final touring stop. And one of the best musical nights I had all year was courtesy of a concert version of the National Yiddish Theatre Folksbiene’s revival of “Fiddler on the Roof” in Yiddish at the Soraya.

Of course, L.A. had the theater world’s attention this summer when Cynthia Erivo headlined the Hollywood Bowl’s revival of “Jesus Christ Superstar,” a production that seemed to take over Instagram with the clobbering force of the movie campaign for “Wicked.” But my own pick for L.A. production of the year would be Jessica Kubzansky’s revival of “The Night of the Iguana.”

Kubzansky demonstrated by example what’s required. She and Tennessee Williams were an excellent match. But it’s not just about pairing the right director with the right author. It’s also about fielding a well-synchronized artistic company.

Too many locally grown productions (from our larger theaters especially) seem to leave out one of these elements. To judge by the results, the producing process seems top-down rather than organic. A few times this year at the bigger theaters it seemed as if the principal casting was an afterthought.

Co-productions can be a smart way to pool resources while spreading the risk. But they aren’t always the answer, as proved by the lackluster revival of “Noises Off” at the Geffen Playhouse, a co-production with Chicago’s Steppenwolf Theatre Company,

The best new dramatic work I saw anywhere this year was Branden Jacobs-Jenkins’ “Purpose,” which deservedly won the Pulitzer Prize for drama and the Tony Award for best play. La Jolla Playhouse has announced that it will produce the West Coast premiere next year. I won’t hold my breath for an L.A. production. (Jackie Sibblies Drury’s “Fairview” is finally heading here next season, but I’m still waiting for countless Annie Baker plays.) But at least Eboni Booth’s Pulitzer Prize-winning “Primary Trust” is coming to the Taper in May.

The writer who made the biggest first impression on me is a.k. payne, author of “Furlough’s Paradise,” which was the best new play I saw in town all year. Plays that I saw in New York that deserve major productions in L.A. include Bess Wohl‘s “Liberation,” Kimberly Belflower‘s “John Proctor Is the Villain,” Samuel D. Hunter’s “Little Bear Ridge Road,” and, if any company is daring enough, Jordan Tannahill’s “Prince Faggot.”

I’m still thinking about Toni Servillo’s full-throated performance in “Tre modi per non morire: Baudelaire, Dante, i Greci,” adapted from works by Giuseppe Montesano. This solo show, which I saw at Milan’s Piccolo Teatro, offered a passionate defense of how great literature can teach us to live again.

The theater can and should be a sanctuary from the technology that is encroaching on what distinguishes us as human beings — our capacity to contemplate ourselves and others feelingly.

2025 definitely had its high points. But there seems to be a weakening of institutional resolve in the face of unrelenting economic, political and cultural pressures. Let’s pray for a renewal of determination to create the theater — and society — we deserve.

Herewith, in no particular order, are my Los Angeles theater highlights of 2025.

Kasey Mahaffy and CJ Eldred in "A Man of No Importance" at A Noise Within.

Kasey Mahaffy and CJ Eldred in “A Man of No Importance” at A Noise Within.

(Photo by Craig Schwartz)

“A Man of No Importance,” A Noise Within. This revival of a lesser known musical by Stephen Flaherty, Lynn Ahrens and Terrence McNally (the team behind “Ragtime”) was one of the unexpected treasures of 2025. A tale of a closeted Dublin bus driver with a passion for Oscar Wilde and a yen for amateur theatricals, the show featured a star performance from Kasey Mahaffy that was sublime in both its modesty and flamboyance. Julia Rodriguez-Elliott’s production gracefully depicted a world of ordinary folks looking at the aesthetic stars from their humdrum daily realities.

Claudia Logan, from left, Bisserat Tseggai, and Mia Ellis in "Jaja's African Hair Braiding" at the Mark Taper Forum.

Claudia Logan, from left, Bisserat Tseggai, and Mia Ellis in “Jaja’s African Hair Braiding” at the Mark Taper Forum.

(Javier Vasquez / Center Theatre Group)

“Jaja’s African Hair Braiding,” Mark Taper Forum. Jocelyn Bioh’s high-spirited ensemble comedy, vibrantly directed by Whitney White, took us inside the lives of the African immigrant women who work at a Harlem braiding salon. While working their fingers to the bone creating the most flamboyant hair designs, these characters reveal the great distances they’ve traveled, the courage that’s been required of them and the vulnerabilities they face in their increasingly hostile promised land.

Cynthia Erivo and Adam Lambert in "Jesus Christ Superstar".

Cynthia Erivo and Adam Lambert in “Jesus Christ Superstar” at the Hollywood Bowl.

(Farah Sosa)

“Jesus Christ Superstar,” Hollywood Bowl. Cynthia Erivo delivered a divinely inspired performance in this revival of Andrew Lloyd Webber and Tim Rice’s 1971 musical, directed and choreographed with concert-like brio by Sergio Trujillo. Adam Lambert was the electric Judas to Erivo’s nuclear Jesus, and the energy they emitted was more than enough to power all of social media for a few days in August. This show didn’t just go viral — it went global pandemic.

Julanne Chidi Hill, from left, Dennis Dun, Jully Lee and Riley Shanahan in "The Night of the Iguana" at Boston Court.

Julanne Chidi Hill, from left, Dennis Dun, Jully Lee and Riley Shanahan in “The Night of the Iguana” at Boston Court Pasadena.

(Brian Hashimoto)

“The Night of the Iguana,” Boston Court Pasadena. Artistic director Jessica Kubzansky cut to the spiritual core of one of Tennessee Williams’ lesser major plays and made it seem on par with his masterpieces, “The Glass Menagerie” and “A Streetcar Named Desire.” Jully Lee was brilliant as Hannah, the itinerant painter who turns up with her 97-year-old poet father at a Mexican seaside inn that is like a refuge for the world’s strays. Julanne Chidi Hill, who played the lusty widow hotel proprietor, Maxine, and Riley Shanahan, who played Lawrence Shannon, the disgraced reverend on the lam from his misdeeds, helped bring the play’s lonely battle for redemption to blistering life.

DeWanda Wise, left, and Kacie Rogers in "Furlough's Paradise" at the Geffen Playhouse.

DeWanda Wise, left, and Kacie Rogers in “Furlough’s Paradise” at the Geffen Playhouse.

(Jeff Lorch)

“Furlough’s Paradise,” Geffen Playhouse. This shape-shifting two-character drama by a.k. payne explores the politically loaded subject of identity through the relationship of two queer Black cousins, who grew up together but whose lives have diverged. Sade (DeWanda Wise) is on a three-day furlough from prison; Mina (Kacie Rogers), adrift in California, has returned home to connect with her roots. Together, they challenge each other’s understanding of the past and sense of possibility for the future. The drama, directed by Tinashe Kajese-Bolden and choreographed by Dell Howlett, routinely escaped the confined realism of the dramatic situation to find freedom in a realm of boundless lyricism.

Wesley Guimarães, left, and Jack Lancaster and in "Bacon" at Rogue Machine.

Wesley Guimarães, left, and Jack Lancaster and in “Bacon” at Rogue Machine.

(Jeff Lorch)

“Bacon,” Rogue Machine Theatre at the Matrix’s Henry Murray Stage. This fierce two-hander by British playwright Sophie Swithinbank, about an abusive relationship between two teenage boys awakening to their sexuality, was all the more combustible for being performed in such an inescapable intimate space. Wesley Guimarães and Jack Lancaster brought out the contrasting natures of these characters who are drawn to each in ways neither can fully work out. The production, directed by Michael Matthews, incisively balanced the traumatic push and erotic pull.

Jennifer Babiak and Steven Skybell in "Fiddler on the Roof."

Jennifer Babiak and Steven Skybell in “Fiddler on the Roof.”

(Luis Luque / Luque Photography)

“Fiddler on the Roof,” The Soraya. This fluidly staged concert version of the National Yiddish Theatre Folksbiene’s acclaimed revival in Yiddish of this classic American musical brought a sharp-edged authenticity to the story of Tevye the milkman and his marriageable daughters navigating a treacherous world of pogroms and fraying tradition. Steven Skybell, magnificent in the role of the besieged patriarch, led a superb cast that brought a new understanding to an old chestnut through the force of Yiddish language and culture. The production, directed by Oscar- and Tony-winning actor Joel Grey, spoke as much to our own political and social turmoil as to that of the characters without ever having to press the point.

Rachel Simone Webb and the company of the North American tour of "& Juliet."

Rachel Simone Webb and the company of the North American tour of “& Juliet.”

(Matthew Murphy)

“& Juliet,” Ahmanson Theatre. This jukebox musical imagines with unstinting originality a scenario in which the doomed heroine of William Shakespeare’s “Romeo and Juliet” doesn’t die at the end of the play. Granted a theatrical second act, Juliet makes the rollicking most of it. The same could be said of this kinetically entertaining touring production. Tragedy was transformed not just into comedy but into a Max Martin dance party, replete with hits from the blockbuster Swedish producer that were made famous by such pop titans as Katy Perry, Britney Spears and the Backstreet Boys.

Pragun Bhardwaj, from left, Taha Mandviwala and the national touring company of "Life of Pi."

Pragun Bhardwaj, from left, Taha Mandviwala and the national touring company of “Life of Pi.”

(Evan Zimmerman)

“Life of Pi,” Ahmanson Theatre. The most visually entrancing production of the year was also one of the most dramatically captivating. This adventure tale of a boy trying to survive a shipwreck with the help of his imagination and a few of the surviving animals of his family’s zoo translated into purely theatrical terms the fable-like enchantment of Yann Martel’s 2002 Booker Prize-winning novel. Lolita Chakrabarti’s smart adaptation rode the magic carpet of Max Webster’s staging, which had the most enchanting menagerie of puppets since “The Lion King.”

Cher Alvarez in "Paranormal Activity."

Cher Alvarez in “Paranormal Activity.”

(Kyle Flubacker)

“Paranormal Activity,” Ahmanson Theatre. This impeccably staged horror play by Levi Holloway succeeded in injecting maximum fear without theatergoers having to hate themselves in the morning. The characters, rendered with contemporary exactness by a first-rate cast, were so recognizable that they made the mysterious events unfolding around them terrifyingly plausible. The London house, ingeniously laid out by scenic designer Fly Davis, practically stole the show.

Source link

A subdued Christmas comes to Gaza and Bethlehem after years of war

Dec. 24 (UPI) — Christians in Israel and Palestine are celebrating Christmas for the first time in two years now that Israel and Hamas have entered a cease-fire.

In Bethlehem, in the West Bank, tourism normally boosts the economy this time of year as Christians come from around the world to see the city where Jesus was born. But due to the fighting, tourists have avoided the region.

This year, the cease-fire emboldened Bethlehem Mayor Maher Canawati to bring back the annual Christmas tree-lighting ceremony, which drew visitors from around the region, but very few from international locations.

“[In] Bethlehem, you know, we are living from tourists, from tourism and from pilgrims who come to stay in our hotels, to eat in our restaurants, to buy our souvenirs that we’re producing here,” Canawati told CBS News. “And there was a complete halt on tourism for the past two years.”

The lack of tourists has driven Bethlehem unemployment to 70%.

Muhammad Abu Jurah’s Bethlehem souvenir shop has been in his family for generations, but he’s had to lay off all his staff.

“We don’t have a lot of tourists because, you know, the war,” he told CBS. “So, this is why they have a big problem in Bethlehem without tourists.”

Bethlehem tour guide Matthew Qasis said he wants the tourists to return.

“Come back, because Bethlehem belongs to everyone, and Bethlehem is a message of love and peace, a message needed now more than ever, and a prayer of hope that the faithful return to the place where it’s believed Christmas began,” he told CBS.

Cardinal Pierbattista Pizzaballa, the Catholic Church’s top leader in the Holy Land and the Latin patriarch of Jerusalem, led a procession Wednesday from Jerusalem to Bethlehem.

One day earlier, he led a Christmas Eve Mass at Holy Family Church in Gaza City, at which he baptized a new member: Marco Nader Habshi, The Washington Post reported.

Gaza Christians have been unable to celebrate their holidays openly for years. The Christian population in Gaza, mostly Catholic and Greek Orthodox, has dropped from 1,000 to 500.

“The celebrations of Christian and Muslim festivals were shared,” said Yousef AlKhouri, a Gaza native and dean at Bethlehem Bible College in the West Bank, about when he was young. He told The Post that there was always a sense of solidarity among “Palestinian Christians and Muslims in Gaza: going to school together, playing together, going to the YMCA.”

But since Hamas took control of the enclave, Christians have mostly celebrated privately.

“There is an assumption that Gaza has no Christian population, or no Christian history,” AlKhouri said. “And that’s not true.”

Holy Family Church served as a sanctuary for many Christians during the war. Elias al-Jilda, an Orthodox Christian in Gaza, had to shelter at the Catholic church after his home was destroyed one month into the war, he told The Post. He and his family now have a rented home but are still working to furnish it.

The holiday celebration “will not be full of joy, but it is an attempt to renew life,” Jilda, 59, who serves on the council of the Arab Orthodox Church in Gaza, said of this season’s holiday celebration. He told The Post he remembers Christmas in Gaza when Muslims and Christians came together to celebrate city-wide. “It was a special occasion; an opportunity for us to breathe.”

At the Sunday Mass at Holy Family, Pizzaballa told the Christians in Gaza to hold on to hope.

“We are called not only to survive, but to rebuild life,” he said. “We must bring the spirit of Christmas — the spirit of light, tenderness and love. It may seem impossible, but after two years of terrible war, we are still here.”

A young girl sits in front of a nativity scene in Manger Square, outside the Church of Nativity, in the biblical town of Bethlehem, West Bank, on December 23, 2025. Photo by Debbie Hill/UPI | License Photo

Source link

Pope Leo XIV resurrects Christmas Mass in St. Peter’s Basilica

Pope Leo XIV presides over a Christmas Mass at St. Peter’s Basilica, Vatican City, late Wednesday night, which is the first held there in 31 years. Photo by Giuseppe Lami/EPA

Dec. 24 (UPI) — Pope Leo XIV brought back the Christmas Mass at St. Peter’s Basilica in Vatican City on Wednesday night, which is the first held there since 1994.

About 11,000 attended the mass, inside and out, despite rainy conditions, the Catholic News Agency reported.

Regarding the birth of Jesus, Pope Leo described it as, “God gives us nothing less than his very self, in order to ‘redeem us from all iniquity and purify for himself a people of his own.'”

To find the savior, he said, “We must look below to find God among us in the manger.”

A baby’s need for care “becomes divine since the son of the father shares in history with all his brothers and sisters,” he continued.

“The omnipotence of God shines forth in the powerlessness of a newborn; the eloquence of the eternal word resounds in an infant’s first cry; the holiness of the Spirit gleams in that small body, freshly washed and wrapped in swaddling clothes.”

Pope Leo also discussed the “infinite dignity of every person” and contrasted that with a world in which humanity often tries become god-like while dominating others, according to Vatican News.

“In the heart of Christ beats the bond of love that unites heaven and Earth, creator and creatures,” the Pope said, adding that the key to changing history is to recognize such realities.

“As long as the night of error obscures this providential truth, then ‘there is no room for others either, for children, for the poor, for the stranger,'” he added, quoting Pope Benedict XIV’s homily at Christmas Mass on Dec. 24, 2012.

“These words of Pope Benedict XVI remain a timely reminder that on Earth, there is no room for God if there is no room for the human person,” the pontiff said.

The pope afterward greeted those standing in the rain in St. Peter’s Square and told them that, while St. Peter’s Basilica is large, it is not large enough to hold all of them.

He thanked those who attended the mass while outside, wished them a merry Christmas and gave them his blessings.

About 6,000 attended the mass that started at 10 p.m. local time in the basilica, while another 5,000 watched on large video screens placed outside in St. Peter’s Square.

Source link

How Christmas has evolved into a global holiday

Christmas is a Christian holiday that observes the birth of Jesus. But did you know that the earliest followers of Jesus did not annually commemorate his birth? Or that Santa Claus is inspired by the acts of kindness of a fourth-century Christian saint? And have you heard about the modern-day Japanese tradition of eating Kentucky Fried Chicken on Christmas?

Since the early 20th century, Christmas has evolved from a religious holiday to a hugely popular cultural holiday observed by Christian and secular people across the globe who gather with families, exchange gifts and cards and decorate Christmas trees.

Here’s a look at the history, beliefs and the evolution of Christmas:

Origins and early history of Christmas

Early followers of Jesus did not annually commemorate his birth but instead focused on commemorating their belief in his resurrection at Easter.

The story of the birth of Jesus appears only in two of the four Gospels of the New Testament: Matthew and Luke. They provide different details, though both say Jesus was born in Bethlehem.

The exact day, month and even year of Jesus’s birth are unknown, said Christine Shepardson, a professor at the University of Tennessee who studies early Christianity.

The tradition of celebrating Jesus’ birth on Dec. 25, she said, only emerged in the fourth century.

“It’s hard to overemphasize how important the fourth century is for constructing Christianity as we experience it in our world today,” Shepardson said. It was then, under Emperor Constantine, that Christians began the practice of gathering at churches instead of meeting at homes.

Some theories say the date coincides with existing pagan winter solstice festivals, including the Roman celebration of Sol Invictus, or the “Unconquered Sun,” on Dec 25.

While most Christians celebrate Christmas on Dec. 25, some Eastern Orthodox traditions celebrate the holy day on Jan. 7. That’s because they follow the ancient Julian calendar, which runs 13 days behind the Gregorian calendar, used by Catholic and Protestant churches as well as by much of the secular world.

Rowdy medieval celebrations

For centuries, especially during the Middle Ages, Christmas was associated with rowdy street celebrations of feasting and drinking, and for many Christians, it “was not in good standing as a holiday,” said Thomas Ruys Smith, a professor of American literature and culture at the University of East Anglia in England.

“Puritans,” he said, “were not fond of Christmas.”

But in the 19th century, he said, Christmas became “respectable” with “the domestic celebration that we understand today — one centered around the home, the family, children, gift-giving.”

The roots of modern-day Christmas can be traced back to Germany. In the late 19th century, there are accounts of Christmas trees and gift-giving that, according to Smith, later spread to Britain and America, helping to revitalize Christmas on both sides of the Atlantic.

Christmas became further popularized with the publication of “A Christmas Carol” by Charles Dickens in 1843, and the writings of Washington Irving, who was a fan of St. Nicholas and helped popularize the celebration of Christmas in America.

The first Rockefeller Center Christmas tree was put up by workers in 1931 to raise spirits during the Great Depression. The tradition stuck as the first tree-lighting ceremony was held in 1933 and remains one of New York City’s most popular holiday attractions.

America’s secular Santa is inspired by a Christian saint

St. Nicholas was a fourth-century Christian bishop from the Mediterranean port city of Myra (in modern-day Turkey). His acts of generosity inspired the secular Santa Claus legend.

The legends surrounding jolly old St. Nicholas — celebrated annually on Dec. 6 — go way beyond delivering candy and toys to children. He is believed to have interceded on behalf of wrongly condemned prisoners and miraculously saved sailors from storms.

Devotion to St. Nicholas spread during the Middle Ages across Europe and he became a favorite subject for medieval artists and liturgical plays. He is the patron saint of sailors and children, as well as of Greece, Russia and New York.

Devotion to St. Nicholas seems to have faded after the 16th century Protestant Reformation, except in the Netherlands, where his legend remained as Sinterklaas. In the 17th century, Dutch Protestants who settled in New York brought the Sinterklaas tradition with them.

Eventually, St. Nicholas morphed into the secular Santa Claus.

It’s not just Santa who delivers the gifts

In the U.K., it’s Father Christmas; in Greece and Cyprus, St. Basil (who arrives on New Year’s Eve). In some parts of Italy, it’s St. Lucy (earlier in December) and in other Italian regions, Befana, a witch-like figure, who brings presents on the Epiphany on Jan. 6.

Instead of a friendly Santa Claus, children in Iceland enjoy favors from 13 mischievous troll brothers, called the Yule Lads. They come down from their mountain cave 13 days before Christmas, according to folklore.

Christian traditions of Christmas

One of the oldest traditions around Christmas is bringing greenery — holly, ivy or evergreen trees — into homes. But determining whether it’s a Christian tradition is harder. “For many people, the evergreen can symbolize Christ’s promise of eternal life and his return from death,” Smith said. “So, you can interpret that evergreen tradition within the Christian concept.”

The decorating of evergreen trees is a German custom that began in the 16th century, said Maria Kennedy, a professor at Rutgers University—New Brunswick’s  Department of American Studies. It was later popularized in England and America.

“Mistletoe, an evergreen shrub, was used in celebrations dating back to the ancient Druids — Celtic religious leaders — some 2,000 years ago,” Kennedy writes in The Surprising History of Christmas Traditions.

“Mistletoe represented immortality because it continued to grow in the darkest time of the year and bore white berries when everything else had died.”

Other traditions include Christmas services and Nativity scenes at homes and churches. More recently, Nativity scenes — when erected on public property in the U.S. — have triggered legal battles over the question of the separation of church and state.

Christmas caroling, Kennedy writes, can also be traced back to European traditions, where people would go from home to home during the darkest time of the year to renew relationships within their communities and give wishes for good luck, health and wealth for the forthcoming year.

“They would recite poetry, sing and sometimes perform a skit. The idea was that these acts would bring about good fortune to influence a future harvest,” Kennedy writes.

Kentucky Fried Chicken for Christmas in Japan

Among the many Christmas traditions that have been adopted and localized globally, there’s one that involves KFC.

In 1974, KFC launched a Christmas campaign where they began to sell fried chicken with a bottle of wine so it could be used for a Christmas party.

KFC says the idea for the campaign came from an employee who overheard a foreign customer at one of its Tokyo restaurants saying that since he couldn’t get turkey in Japan, he’d have to celebrate Christmas with Kentucky Fried Chicken.

“That really stuck,” Smith said. “And still today, you have to order your KFC months in advance to make sure that you’re going to get it at Christmas Day.”

Henao writes for the Associated Press.

Source link

Christmas tree lit at Jogye Temple as interfaith leaders gather

Buddhist and Christian leaders attend a Christmas tree lighting ceremony at Jogyesa Temple in Seoul on Dec. 18. Photo by Asia Today

Dec. 18 (Asia Today) — South Korea’s largest Buddhist order held a Christmas tree lighting ceremony Thursday at Jogyesa Temple in central Seoul, bringing together religious leaders from multiple faiths in an annual event organizers described as a symbol of interfaith harmony and peace.

The ceremony took place at Jogyesa, the head temple of the Jogye Order of Korean Buddhism, in Seoul’s Jongno district.

Venerable Jinwoo, the Jogye Order’s chief administrator, delivered a Christmas message at the event, saying, “We sincerely celebrate the birth of the baby Jesus, who came to illuminate this dark world.”

“Though we walk different paths, we share the same heart to alleviate human suffering and bring light to the world,” he said, adding that participants were renewing a commitment to “unity in diversity.”

Jinwoo said interfaith harmony is a powerful social force for reducing conflict and building peace and urged religious communities to work together toward mutual prosperity.

Among those attending were Jinwoo, Jogyesa abbot Venerable Damhwa and other Jogye Order monks, along with Choi Jong-soo, president of the Korean Conference of Religious Leaders for Peace, and leaders representing Cheondogyo, Catholic, Won Buddhist and Protestant organizations, according to organizers.

– Reported by Asia Today; translated by UPI

© Asia Today. Unauthorized reproduction or redistribution prohibited.

Source link