Jeremy

Sophy Romvari’s luminous debut feature “Blue Heron” is a loving and studious act of remembrance. Her protagonist and surrogate, Sasha (Amy Zimmer), attempts to understand her family’s past through a reverent process of recreation. While she finds that not everything can be understood, there is beauty and solace in the journey itself — and maybe a kind of catharsis.

“Blue Heron” is an autobiographical project, but it’s more apt to call it a memoir. Sasha admits she doesn’t remember much of her childhood and doesn’t even trust the fragments. But she will try anyway. As Sasha zooms in on her iPhone, standing at the bluff overlooking her hometown, Romvari rolls up the back of a moving truck to deliver a lush slice of ’90s childhood nostalgia, picking up the memory as her Hungarian immigrant family — two parents, three brothers and one sister — arrive at their new home on Canada’s Vancouver Island.

Father (Ádám Tompa) settles into work on the home computer; Mother (Iringó Réti) attempts to amuse the kids with trips to the beach and nature preserves. Snippets of summer filter through the eyes and ears of 8-year-old Sasha (Eylul Guven) and in the photos snapped by their parents.

But a disquieting presence looms: Jeremy (Edik Beddoes), the eldest son. Blond, light-featured and tall, he is visually distinct from the three other children and his silent rebellion permeates the atmosphere.

His misbehavior is minor — irritating but untenable when stacked together — like bouncing a ball against a wall, disappearing for fun or climbing on the roof. He mostly just seems like a moody, unsatisfied teen, drawing elaborate maps and sometimes playing with his siblings sweetly. It all seems like harmless mischief until it escalates.

The movie’s title refers to a key chain from a gift shop that Jeremy, who almost never speaks, presents to his younger sister. Like him, the film is quiet and meditative, bathed in the cool blues and verdant greens of the setting, captured in Maya Bankovic’s saturated cinematography. We are transported to a place of natural beauty and a period of seemingly unlimited time. But Jeremy-related tension simmers beneath the domestic surface, just as it does in Chantal Akerman’s 1975 landmark “Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles,” referenced in a shot of a mother and daughter peeling potatoes.

“Blue Heron,” though, is not just going to simply be a throwback family drama about a troubled boy and his younger sister. The film suddenly zooms out, linearly, to two decades later. Zimmer’s older version of Sasha is grappling with her brother’s void and she does so with her mind, her work, her actions. She conducts a focus group of social workers for a documentary in order to try to understand Jeremy’s behavior and the treatment he got at the time. She scrubs through video and photos and interviews a case worker. She escapes into old movies.

In Romvari’s award-winning 2020 short “Still Processing,” a companion piece to “Blue Heron,” she processes the loss of two brothers through photography, sifting through boxes of old photos and film negatives shot by her father, who trained as a cinematographer in Hungary. It seems natural for Romvari to access the emotional through artistic practice, to give her — and Sasha — something to do with their hands. The tactility of the photographs in “Still Processing” provide an access point to the past. Romvari weeps as she spreads them out on a table, saying “hi” softly to her brothers. But there’s a remove in the rigorous focus on the snapshots that perhaps also protects her from the full crushing weight of these emotions.

But in a film like “Blue Heron,” anything is possible, including time travel, and for Romvari, it’s the channel that she offers Sasha to achieve the closure that she needs: a visit to a time she doesn’t really remember, even as she’s building an archive of materials to bolster herself.

If young Sasha watches (and Guven is absolutely terrific at watching), the older Sasha speaks. Zimmer, a New York City comedian, is tasked with a heavy, grief-laden dramatic role, and she’s utterly convincing, entrancing in her stillness. But she also has a way with words, a clarity that rings with a rare kind of honest empathy, especially in a letter that Sasha reads to her parents.

That letter is what “Blue Heron” represents for its filmmaker — an attempt to re-create the past, to bring it back to life. Even if imperfect, the value is in the effort, in the ongoing practice of remembering, as an act of devotion to family and self.

Jeremy Clarkson’s choir has reportedly landed a starring role on his new series after wowing with their Britain’s Got Talent audition that sent them straight to the semi-finals

Jeremy Clarkson’s choir has landed a starring role on his new series after wowing with their Britain’s Got Talent audition. The former Top Gear presenter, 66, has documented the ups and downs of Diddly Squat in the Cotswolds on his Amazon Prime series Clarkson’s Farm since 2021, with a fifth batch of episodes expected to be released later this year.

Just weeks ago, Hawkstone Farmers’ Choir auditioned for the ITV reality competition and managed to win Amanda Holden’s Golden Buzzer, sending them straight through to the semi-finals after wowing with a rendition of Elbow classic One Day Like This. Just prior to belting out the famous track, member Katrina explained to the judges that Jeremy himself had set the choir up, having been sponsored by the Hawkstone Brewery that the TV star co-owns in the Cotswolds.

With the live semi-finals of Britain’s Got Talent just weeks away, insiders have revealed that the group of more than 30 farmers, will also enjoy another television stint with a role on the next series of Clarkson’s Farm.

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A source said: “Filming for series five is well and truly under way and the finished show is likely to air next year. Fans will, however, be able to see series four in a matter of weeks, though according to Jeremy it’s a rather darker season than we’ve been used to.”

Speaking to The Sun, the source added: “Hawkstone Farmers’ ChoirBut the appearance of the Hawkstone Farmers’ Choir in the following outing is going to make it more uplifting. They’re going to have to get used to being even more famous though.”

Just after their success on BGT was aired in March, Jeremy took to social media to congratulate them. He said: “I watched Britain’s Got Talent tonight for the first time because the Hawkstone Choir were on and they were just fantastic.

“These guys are all farmers and they work incredibly hard for really incredibly small rewards, and to see them all on that stage with all that love in the room made my heart sing – I actually welled up.”

While visibly holding back tears he went on to thank Amanda Holden for pressing the Golden Buzzer. He added: “It shows that people quite like farmers. They were very very good, well done all of you. I’m a very happy man tonight.”

The short video attracted comments from fellow BGT viewers, one wrote: “I was crying like a baby, the sentiment, the emotion, they’re sensational. They Will Win.” Another wrote: “Truly awesome really heartfelt.”

Speaking about getting the Golden Buzzer, Katryna Shell from Northumberland said: “The choir has turned into something so much more than singing…

“We have come together as a community, something I didn’t even anticipate. The choir is filled with all sorts of people with varying ages, singing experience, parts of the country, but we all have farming linking us together – it’s like nothing I’ve ever experienced before.”

Hugh Thomas, from Pembrokeshire said: “I had to pinch myself – this was really happening to an old boy from Pembrokeshire! Performing on National TV wasn’t something I ever envisaged… More importantly it will shine a light on agriculture, farming and the rural economy.”

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Canadian Space Agency President Lisa Campbell expresses her pride as the Artemis II moon orbiting mission carries the first Canadian to the moon along with three Americans. She also discusses the significance of this mission.

Jeremy Spake became a firm favourite on the BBC series Airport, which first aired in 1996, and has since gone on to enjoy a successful media and aviation career before alleging workplace issues

Jeremy Spake, who was first catapulted into the limelight an astonishing 30 years ago on the BBC series Airport, is now almost unrecognisable. The programme, similar to ITV’s own successful Airline, gave viewers a behind-the-scenes look at the daily workings of Heathrow Airport and the aircraft departing from there. Now 56, Jeremy was featured on the show in 1996 during his stint as a ground services manager for Russian airline Aeroflot.

He swiftly became a viewer favourite during his time on the show, which subsequently paved the way for additional television opportunities. He went on to host Toughest Jobs in Britain, a documentary series that followed workers in some of the UK’s most challenging and physically demanding roles, as well as the medical programme City Hospital.

He also authored two books, titled Jeremy’s Airport and The Toughest Job in Britain. Jeremy’s Airport drew from his experiences working at Heathrow, guiding readers through a typical week on the job, while The Toughest Job in Britain saw him reflect on some of the incredibly tough jobs he tackled while presenting the show.

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While pursuing his media career, Jeremy was also steadily ascending the corporate ranks in his day job. Proficient in Russian, Jeremy eventually climbed to the position of services manager for Aeroflot before being promoted to Deputy Director of Isle of Man Airport.

Nevertheless, Jeremy chose to resign from his position at the Isle of Man airport, describing ‘bullying, harassment and mobbing on an almost industrial scale’ via his LinkedIn profile. Reports emerged in 2023 that he was pursuing legal action against the Isle of Man government for personal injuries, alleging damage to his mental wellbeing.

He subsequently fronted a six-episode documentary series aired on the BBC, The Airport: Back In The Skies. The fresh series witnessed Jeremy returning to his roots, reuniting with former colleagues, and examining closely how the sector was recovering following the coronavirus crisis.

Production for The Airport: Back In The Skies kicked off in October 2021, after approximately eighteen months of lockdown measures, travel restrictions, and vaccine passport requirements, while the airport was working to rebuild operations and restore full capacity.

Thankfully, Jeremy has never been one to stand on the sidelines and pitched in by helping to prepare a Boeing 737 for departure and lending a hand to holidaymakers stranded during the turmoil.

The television personality has also released his own audio book, Jeremy’s Airport Audio Book, which recounts the Airport narrative with extra commentary and fresh anecdotes that didn’t feature in the original BBC television programme. Adding another dimension to Jeremy’s repertoire, he now presents daily aviation updates on Instagram, for Air News Daily.

However, Jeremy now has a dramatically different look. His brown hair has disappeared as the star is now completely bald and he has swapped his smart goatee for a clean-shaven look. The website for the channel says: “Jeremy is a seasoned broadcaster and aviation professional with 40 years experience of working with some of the largest airlines and airports around the world and brings his unique insight to every show.”

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