Jennifer

Italian singer Pausini told the BBC’s Carl Nasman that she’s “very excited” and “proud” to be performing alongside Williams and Scherzinger at the closing ceremony.

“When Robbie [Williams] invited me to sing with him, I felt goosebumps everywhere because Robbie’s one of my favorite singer, songwriter, and performer,” Pausini told the BBC.

The celebrity line-up will continue at half-time with performances by Madonna, Justin Bieber, Shakira and BTS.

Madonna, the best-selling female music artist of all time, is set to perform after the launch of her new album, Confessions II, which debuted at number one on the Billboard 200 chart in July.

Bieber also returned to the spotlight earlier this year, with his biggest live performance in four years at the Coachella music festival after cancelling his Justice world tour because of health issues.

Jennifer Finch, bassist for the influential Los Angeles rock band L7, has died. She was 59.

Finch died of “an aggressive form of brain cancer,” according to a statement from the band.

“We are shattered by the loss of our beloved bandmate, sister and friend Jennifer Finch, whose fierce spirit, humor and boundless creativity helped shape L7 and changed all of our lives forever,” the group said in its statement. “Jennifer was a true original who lived entirely on her own terms, and the impact she made on music, art and everyone lucky enough to know her cannot be measured. We love her beyond words and will carry her with us always. Rest in power our dear friend.”

Finch was receiving ongoing treatment for brain cancer, and just last week backed out of the band’s planned final tour. The group said those dates were “planned along with Jennifer when all four of us were in good health and spirits,” and Finch had asked the band to continue the shows while she sought treatment.

Finch, raised in Los Angeles, was an outspoken and ambitious fixture of ‘90s rock. She briefly performed in a band with Courtney Love pre-Hole and Babes In Toyland’s Kat Bjelland, and once dated Dave Grohl. But she came to prominence in L7, a foundational act in the alt-rock scene of the ‘90s.

Formed in 1985 by guitarists and singers Suzi Gardner and Donita Sparks, drummer Dee Plakas and Finch, they made a fast impact on L.A.’s punk scene, which was growing out of the hyper-masculine hardcore era of the ‘80s. Alongside Hole and Sleater-Kinney, L7 helped usher in the riot grrl wave of confrontational, female-led rock acts onto charts and festival bills.

“Rock ‘n’ roll was invented and became popular because of its rebellious nature,” Finch told the Times in 1993. “But the world has seen every form of rebellion–from throwing TVs out the windows to heroin abuse to just the guy in the leather jacket with greased-back hair–and the rebel image is becoming tired and burnt out. So (the press) is finding new interest in women who (rebel), creating a whole new aspect.”

“The unfortunate thing is that journalists are trying to create a genre out of gender, which trivializes it,” she added. “That’s extremely ignorant, because it bypasses the uniqueness between the groups.”

Bolstered by Finch’s ferocious basslines, hit single “Pretend We’re Dead” received significant airplay on alternative rock stations and became the group’s signature song, along with the biting anti-war anthem “Wargasm.” Finch wrote several songs across the group’s catalog, including the scabrous single “Everglade.” L7 went on hiatus in 2001, but reunited in 2014.

Finch was a talented photographer, whose intimate shots of SoCal bands lent an air of tragic grit to an ascendant punk and rock scene. “The irony is not lost on me when I’m driving from my house just blocks from where I grew up, and I’m heading to the L.A. Weekly to publish pictures of us as kids hanging out and shooting up, 20 years ago,” she told L.A. Weekly in 2006.” It feels weird but strangely hopeful. That was a totally unique time and it defined who we are, so then maybe it’s not a bad thing to be nostalgic about.”

Beyond L7, her song with OtherStarpeople, “Then There’s None,” appeared on the beloved “Office Space” soundtrack, and founded the punk band The Shocker in 2002. She acted in John Waters’ dark comedy “Serial Mom” as a member of the fictional band Camel Lips.

L7’s last album, “Scatter the Rats,” was released in 2019, and its final tour, “The Last Hurrah,” is booked to kick off in San Diego on Oct. 6.

L7 and Finch’s family opened a GoFundMe to support her medical care, saying “We love her, and we want her to feel the full strength of the community that has loved and supported her for so many years.” Information on surviving family was not immediately available.

L7 BASSIST, vocalist and songwriter Jennifer Finch has died aged 59, it has been announced.

Finch passed away after battling an aggressive form of brain cancer, according to a statement.

Her former group has paid a moving tribute to their late bandmate.

They wrote in a statement: “With a very heavy heart we announce that our beloved bandmate, friend, and fellow troublemaker Jennifer Finch has passed away today.

“She had a long courageous fight with brain cancer and was loved by many wonderful friends, musical peers and fans worldwide.

“We love you Jennifer.”

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L7 recently shared the news that Finch had been diagnosed with cancer and would be missing their upcoming Last Hurrah Tour in October.

She had suffered serious complications and required extensive treatment and in-home support, the band said.

Posting to Finch’s own Instagram, the band described her as a “true original who lived entirely on her own terms”.

“The impact she made on music, art and everyone lucky enough to know her cannot be measured”, the post added.

Finch helped power L7 through the 90s alternative-rock boom.

She played base alongside guitarists Donita Sparks, Suzi Gardner and Dee Plakas and helped define L7’s place at the intersection of punk, metal and grunge.

Formed in Los Angeles in 1985, L7 became known for break-out tracks including “Pretend We’re Dead,” “Shove,” “Andres” and “Fuel My Fire.” 

But Finch’s creative work spanned far beyond the stage.

She was also a photographer, writer and visual artist.

The statement announcing her death also acknowledged “the extraordinary outpouring of love and support” shown to Finch.

It comes after another popular 90s band cancelled their entire UK tour following the tragic death of a band member.

The band said in a post online: “We are completely heartbroken over the tragic and untimely loss of our bandmate, brother-in-arms, and friend for 30 years, Justin Cary.

“We were looking forward to connecting with new and old fans around the world this summer and fall, but for now we need time to be still and grieve.”

Heartbroken by the loss, the band added: “Hundreds of pictures. Thousands of memories, 30 years worth. Thank you, Justin.”

The performer died at the age of 50 after suffering a stroke on June 18.

The Kiss Me musician had been receiving treatment at Albany Medical Center in New York.

He underwent two surgeries following the stroke and was placed in intensive care.

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Jennifer Finch, the bassist for veteran LA rock act L7, has brain cancer and will not perform with the band on its farewell tour this year.

“Our beloved bandmate, sister and friend Jennifer Finch has been diagnosed with an aggressive form of brain cancer,” the band wrote in a statement on its Instagram on Monday. “Following multiple surgeries and serious complications, Jennifer now requires extensive medical care, rehabilitation and professional in-home support.”

The group said that its final tour, scheduled for fall, “was planned along with Jennifer when all four of us were in good health and spirits.” Finch asked the band to continue with these performances, according to the statement.

“We will honor her request while making her care and well-being our immediate priority,” the band wrote. “We love her, and we want her to feel the full strength of the community that has loved and supported her for so many years.”

L7, a hugely influential act in the alt-rock wave of the ‘90s, was formed in 1985 by guitarists and singers Suzi Gardner and Donita Sparks, drummer Dee Plakas and Finch. Its firey singles “Pretend We’re Dead” and “Wargasm” helped kick off the riot grrl movement of the era, until they went on hiatus in 2001. The band reunited in 2014, and will begin The Last Hurrah tour in San Diego on Oct. 6.

The band also posted a GoFundMe for donations to help with her medical care . “The level of care Jennifer needs has gone beyond what friends and family can safely provide around the clock,” the band wrote. “As we face the difficult reality that Jennifer may have more good days behind her than ahead, we are asking for help to make the time she has with her friends, family, and fans as comfortable, meaningful, and full of love as possible.”

Jennifer Siebel Newsom was frustrated.

She was standing behind her husband, California Gov. Gavin Newsom, at a February press conference to celebrate a new bill that would give Planned Parenthood emergency funds. A throng of women’s advocates, including herself, had spoken about how the law would help women access healthcare. But now reporters were asking a barrage of off-topic questions, from the California High Speed Rail to the 2028 Olympics.

She paced, she swayed, she laughed with displeasure. Finally, she stepped closer to her husband and gently nudged him aside. She found it “incredulous,” she said, that they had assembled all these allies only for the reporters to ask about other issues.

“This happens over and over and over and over again,” she said as Newsom smiled awkwardly. “You wonder why we have such a horrific war on women in this country and that these guys are getting away with it. Because you don’t seem to care. So I just offer that with love.”

All of a sudden, Siebel Newsom herself was the news. One of Sacramento’s top female journalists, Ashley Zavala, shot back on X that reporters were just doing their jobs and the way they were treated “was not normal.” Right-wing media blasted out headlines from “Gavin Newsom’s wife scolds reporters” to “Gavin Newsom’s wife slams reporters for ‘horrific war on women’ in extraordinary rant.”

The scene underscores Siebel Newsom’s predicament as her husband positions himself as Trump’s chief antagonist and prepares for a possible 2028 White House run.

Jennifer Siebel Newsom with California Surgeon General Diana Ramos.

(Gary Coronado / Los Angeles Times)

She came to Sacramento with a mission to speak up for women, calling herself “first partner” to signal she would carry on the theme of her work as a documentary filmmaker and nonprofit leader: dismantling gender norms. But as her husband raises his national profile with a podcast, a memoir and daily trolling of President Trump, she finds herself under mounting scrutiny.

In June, Newsom accused Trump of weaponizing the Department of Justice to launch a politically motivated attack on his spouse after federal agents knocked on the doors of the Newsoms’ friends and former employees, asking about Siebel Newsom’s taxes and nonprofit businesses.

“To get me, he’s coming after my wife,” Newsom said.

A federal source said the investigation began not with Trump, but after federal officials spoke to whistleblowers in Sacramento. Whatever the origin or merits of the probe, Siebel Newsom has long faced questions about her finances — specifically her nonprofits’ partial reliance on donations from companies that lobby the governor, a strategy that does not violate California law but raises concerns about the influence of large corporations in Sacramento.

Her decision to use the title “first partner” and her work “deconstructing” gender are also attracting criticism from the right in the post-#MeToo era as many Americans chafe against what they perceive as radical attempts to undermine traditional values and policing of what they say and do.

California Gov. Gavin Newsom looks on at his wife, Jennifer Siebel Newsom.

(Mario Tama / Getty Images)

To Siebel Newsom, the critiques of her work and the federal probe are part of a broader hounding of women who enter the public sphere. When federal agents targeted her associates, she was promoting “Miss Representation: Rise Up,” her new film examining the role technology plays in fueling what she describes as “the rising backlash against women’s progress.”

“We are seeing young women hold themselves back from wanting to pursue careers … not just political leadership, and it’s extremely disturbing,” Siebel Newsom told CNN in June. “It is a backlash, a backslide, and it is happening at an unprecedented scale, where ultimately we are silencing women’s voices.”

She disagreed with those who say scrutiny is the price of admission for being in public life. “Women and girls deserve to be protected,” she said. “Anyone aspiring to a public service career deserves to be safe. It should be fundamental.”

Untangling legitimate political criticism from deeply ingrained gender bias is not easy. Women in the public eye are frequently held to a different standard than men. But some political experts question whether a woman who refuses to stand on the sidelines — raising her voice on radioactive culture war issues and benefiting in part from her marital status to fund her nonprofits — can reasonably expect to be excluded from the rough and tumble of her husband’s political life.

Jessica Levinson, a Loyola Marymount University law professor and political commentator, said Siebel Newsom had been subjected to heightened public scrutiny for years. “That I think is likely fair,” she said, “in the sense that she has said that she’s very much a partner of the governor, and she has used this platform to advocate for causes that she cares about.”

Still, Levinson said, Siebel Newsom’s availing herself of the public forum did not mean she had violated the law.

“Does the fact that she has created and run nonprofits that receive behested contributions from Gov. Newsom put her and her actions in a different spotlight?” she said. “Absolutely, but that doesn’t mean that she’s doing anything nefarious. It just means that their life and their finances and their jobs are a little bit more complicated than other first families.”

Raised in an affluent suburb in Marin County, Siebel Newsom, 52, grew up in privilege. Her father was an investment manager and prominent GOP donor, her mother a co-founder of the Bay Area Discovery Museum.

After studying Latin American studies at Stanford and volunteering in Ecuador and Africa, she returned to Stanford to earn an MBA. Then she moved to L.A. to try to break into Hollywood. She got small parts in “Mad Men” and “Rent,” but has said she “was typecast as a trophy wife and kind of put into this box.”

That sparked her interest in getting behind the camera.

Around the time she married Newsom in 2008 and got pregnant with her first child, she began work on “Miss Representation,” her debut 2011 film that examines how mainstream culture limits female potential and power by focusing on youth, beauty and sexuality.

When Newsom was elected governor, she announced she would eschew the traditional title of “first lady.”

The “first partner” title, she has said, is not just gender inclusive and gender expansive. “It disrupts some of the male-coded language we associate with leadership, versus a ‘lady’ who sits on the sidelines.”

Jennifer Siebel Newsom.

(Christina House / Los Angeles Times)

Over the last 15 years, Siebel Newsom has worked on a series of documentaries and founded nonprofits focused on gender equity, the Representation Project and California Partners Project.

“She walks the walk,” said Amy Ziering, a documentary filmmaker whose films Siebel Newsom helped produce. She did not take the role lightly, Ziering said, noting she watched cuts and took notes, made introductions and brought people to screenings. The fact that Siebel Newsom kept pressing women’s issues as her husband became governor, Ziering said, reflected her integrity.

“She’s not diminishing her beliefs, her values, her principles or any other kind of long-term goals” Ziering said. “She shows up, ‘This is what I believe,’ and maybe it’s not politically efficacious to believe this right now, or to say ‘I believe it’ … but she does.”

In 2022, Siebel Newsom took on another public role, testifying in Harvey Weinstein’s sexual assault trial.

“She did not have to do that, she could have been Jane Doe,” Ziering said. “That’s about showing up for other women and for all sexual assault survivors.”

Cristina Garcia, a former assemblywoman who represented southeast L.A. and worked with Siebel Newsom on women’s legislation, said she thought Siebel Newsom would be a target no matter what.

“But I think she sees the power that she has, and it’s like, why should she just sit in the background?” Garcia said. “Why shouldn’t she use her power to uplift women and children … these things she’s been really passionate about?”

In Sacramento and across liberal California, Siebel Newsom’s ideas on women and gender are relatively mainstream.

But as the 2028 election looms, conservatives have dredged up old clips, highlighting Siebel Newsom’s comments about parenting and deconstructing gender roles to portray her as “radical” and “woke.”

In one video, Siebel Newsom said that when she reads to her children she changes the protagonist’s gender from “he” to “she” to show women matter and can center a story.

In another, she raised concerns about boys being exposed to “alt-right socialization online that we know is very, very dangerous.” She and her husband, she noted, were alarmed to find their son had encountered misogynist influencer Andrew Tate while watching sports online.

Some conservatives have noted, with glee, that Siebel Newsom could be a liability for her husband as he seeks national office.

“Jennifer Siebel Newsom is the very avatar of Democrat Woman,” a New York Post columnist wrote. “Haughty, hectoring and pleased with herself, she is single-handedly wrecking her hen-pecked husband Gavin’s lofty political ambitions.”

But former state Sen. Hannah-Beth Jackson (D-Oxnard) pushed back on the idea that Siebel Newsom was some kind of strident activist or woke scold. After working with Siebel Newsom on equal pay and bringing more women onto corporate boards, she said Siebel Newsom was adept at working with corporations to find common ground and recognize what businesses need to be successful.

The scrutiny of Siebel Newsom comes as her husband tries to stake out a more centrist stance on some issues.

Last year, Newsom inspired the ire of some Democrats by launching a podcast in which he chatted with right-wing figures, such as Turning Point USA founder Charlie Kirk and Trump’s former chief strategist Steve Bannon. On its debut episode, Newsom distanced himself from his party’s left flank, calling the dismantling of police departments “lunacy.” Allowing transgender athletes to participate in women’s sports, he said, was “deeply unfair.”

Asked why, Newsom told The Times his party had become out of touch with ordinary Americans. “They think we’re elite,” he said. “We talk down to people. We talk past people. They think we just think we’re smarter than other people, that we’re so judgmental and full of ourselves.”

On this point, it’s not clear whether the Newsoms are in sync.

For all her talk of women as allies, Siebel Newsom portrays conservative women who criticize other women as dupes manipulated by MAGA leaders.

“What’s interesting is that the far right really is using women to go after other women,” she said in June on the “Hysteria” podcast. “So I find it very intentional on their part that they have essentially sent the women out to humiliate, demean, ridicule, mock, silence another women. But that’s just the patriarchy, right? … And that’s what we have to fight.”

Still, she has voiced doubt about whether she would continue to go by “first partner” if her husband were elected president.

Asked in 2023, Siebel Newsom said she didn’t know if Americans were ready for a “first partner.”

“Sadly,” she said, “I don’t know if they are.”

But even as conservatives mock Siebel Newsom’s patrician “girl power” message and activist jargon, she shows few signs of backing down.

As she has taken “Miss Representation: Rise Up” to film festivals in New York and Washington, D.C., she has upped her call for more Big Tech regulation.

An advisor from the first partner’s office said Siebel Newsom had been an advocate for women and girls before she met Newsom. That was unlikely to change, they said, as she faced growing right-wing scrutiny or a federal investigation.

“There’s no strategy change here,” they said.

Jennifer Kupcho leads U.S. Women’s Open

From Sam Farmer: Nelly Korda’s bid for a U.S. Women’s Open title began Thursday with a foot fault.

The No. 1-ranked player opened her round at Riviera wearing a pair of golf shoes provided to her by LeBron James, Nike Victory Pro 4s with white uppers, gold swooshes, red-and-navy details and an American flag pin on the laces.

Snazzy as they looked, the shoes were a little loose fitting for Korda, who swapped them for a more familiar pair after she played the first six holes at one over par. She never really found her groove and finished the opening round with a two-over-par 73.

“Just hit it really poorly off the tee,” said Korda, who immediately headed to the practice range after meeting with the media following her round. “Found myself in a lot of trouble on the wrong side of a lot of these pins. I just felt like I was kind of just grinding to make safe pars. It wasn’t a great day. I hit it really good Monday through Wednesday, so I have honestly no idea where this came from.”

For others, Riviera — playing host to the major championship for the first time — was as comfortable as an old shoe.

In the long shadows of the afternoon sun, Jennifer Kupcho finished her round of 66 to claim the first-round lead. Her round started with three consecutive birdies. According to Elias Sports Bureau, it marked the first time in her career she made birdie or better three consecutive holes.

Korea’s Sei Young Kim finished just behind Kupcho with a 67, making back-to-back birdies on the 10th and 11th holes, then three in a row on Nos. 6, 7 and 8.

Continue reading here

U.S. Women’s Open leaderboard

Dodgers lose on walk-off homer

From Maddie Lee: Dodgers third baseman Max Muncy appeared to escape serious injury Thursday, despite being involved in a violent collision during a 3-2 loss to the Arizona Diamondbacks at Chase Field on Thursday.

Although Muncy left the game after colliding hard with Arizona first baseman Ildemaro Vargas, Dodgers manager Dave Roberts said he thinks Muncy will be available over the weekend. Muncy won’t play Friday against the Angels, but that was already the plan.

“The head got banged up a little bit,” Muncy said after the game, a cut on the brim of his nose still visible. “I think it was my glasses, maybe, that cut my nose. I’m not entirely sure. And then as I was on the ground, just had shortness of breath. Once I was able to kind of get my breath back, then I was able to get off the field.”

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Why Dave Roberts didn’t pinch-hit Shohei Ohtani in Dodgers’ walk-off loss

Dodgers box score

MLB standings

Casey Wasserman says he will not resign

From Thuc Nhi Nguyen: The list of politicians grew daily. Major stars from his talent agency joined the chorus calling for Casey Wasserman to resign as the chairman of LA28 after emails the mogul exchanged with Ghislaine Maxwell were revealed in the Epstein files in February.

But four months after the controversy appeared to threaten his position leading the effort for L.A.’s first Olympic Games since 1984, Wasserman said he never saw it the same way.

“No and yes,” Wasserman said matter of factly Thursday when asked if he considered stepping down as chairman of LA28 and whether he has spoken with Mayor Karen Bass since she was one of several local politicians to call for his resignation.

When asked about the nature of any discussions he’s had with Bass, Wasserman said he speaks with the mayor weekly if not more frequently.

“Our conversations are between us,” Wasserman said in his first public comments in months. “They continue to be thoughtful and productive with a completely shared vision on delivering the greatest Games for the city and our community.”

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USC baseball wants to keep the train rolling

From Jose de Jesus Ortiz: As USC baseball coach Andy Stankiewicz noted the next additions that will be made to USC’s refurbished baseball stadium, he paused Monday night as a train rumbled loudly behind Blue Bell Park.

Stankiewicz, 61, smirked at the fitting metaphor after the Trojans clinched their first NCAA super regional berth in 21 years. He, after all, has rebuilt the USC program over his four seasons as head coach.

“Now we have a beautiful stadium,” he said of Dedeaux Field. “We’re going to have a beautiful clubhouse next year, batting cages and all that.”

As Stankiewicz attempted to utter another sentence, the train’s ear-piercing horn sounded.

“That’s appropriate because we tell people the train’s moving,” Stankiewicz said. “Now we have a train honking its whistle. The train’s moving. We’re certainly excited to see where we’re going.”

The Trojans are definitely going places these days thanks to many players who believed in Stankiewicz’s vision despite knowing their on-campus stadium would be under construction for at least two seasons.

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This day in sports history

1870 — Ed Brown becomes the first Black jockey to win the Belmont Stakes, with Kingfisher.

1927 — The United States wins the first Ryder Cup golf tournament by beating Britain 9½-2½.

1932 — Faireno, ridden by Tommy Malley, wins the Belmont Stakes by 1½ lengths over Osculator. Burgoo King, the Kentucky Derby and Preakness winner, doesn’t race.

1966 — Ameroid, ridden by Bill Boland, wins the Belmont Stakes by 2½ lengths over Buffle. Kauai King, the Kentucky Derby and Preakness winner, finishes fourth.

1974 — NFL grants franchise to Seattle Seahawks.

1984 — 1960 champion Arnold Palmer fails to qualify for the US Open Golf Championship for the first time in 32 years.

1987 — Danny Harris defeats Edwin Moses in the 400 hurdles at a meet in Madrid, ending the longest winning streak in track and field. Moses, had won 122 consecutive races dating to Aug. 26, 1977.

1988 — West Germany’s Steffi Graf beats 17-year-old Natalia Zvereva of the Soviet Union in 32 minutes with a 6-0, 6-0 victory to win the French Open for the second straight year.

1990 — Penn State is voted into the Big Ten. The school becomes the 11th member of the league and first addition to the Midwest-based conference since Michigan State in 1949.

1994 — Haile Gebrselassie becomes the first Ethiopian to set a world track record with a time of 12:56.96 in the men’s 5,000 meters at Hengelo, Netherlands.

1998 — Harut Karapetyan of the Galaxy scores three goals in five minutes for the fastest hat trick in MLS history in an 8-1 rout of the Dallas Burn. The seven-goal margin sets an MLS record.

2005 — Justine Henin-Hardenne beats a rattled and fumbling Mary Pierce 6-1, 6-1 to win the French Open, capping a comeback from a blood virus with her fourth Grand Slam title and her second at Roland Garros.

2005 — Eddie Castro sets a North American record for most wins by a jockey in one day at one track, winning nine races on the 13-race card at Miami’s Calder Race Course.

2008 — The Detroit Red Wings win the Stanley Cup for the fourth time in 11 seasons with a 3-2 victory over the Pittsburgh Penguins in Game 6 .

2011 — Li Na becomes the first Chinese — man or woman — to win a Grand Slam singles title. She beats Francesca Schiavone 6-4, 7-6 (0) in the French Open final for her fifth career title and first on clay.

2016 — Garbine Muguruza wins her first Grand Slam title by beating defending champion Serena Williams 7-5, 6-4 at the French Open, denying the American her record-equaling 22nd major trophy.

Compiled by the Associated Press

This day in baseball history

1940 — The Pirates beat the Boston Bees 14-2 in the first night game at Pittsburgh’s Forbes Field.

1940 — The St. Louis Cardinals play their first night game at Sportsman’s Park, defeating the Brooklyn Dodgers 10-1.

1951 — Pittsburgh’s Gus Bell hit for the cycle to lead the Pirates to a 12-4 victory over the Phillies at Philadelphia.

1964 — Sandy Koufax pitched his third no-hitter, striking out 12, as the Dodgers beat the Phillies 3-0 in Philadelphia.

1968 — Don Drysdale of the Dodgers blanked the Pirates 5-0 for his sixth straight shutout en route to a record 58 2/3 scoreless innings.

1972 — A major league record eight shutouts were pitched in 16 major league games: five in the American League, three in the National League. The Oakland Athletics swept a pair from the Baltimore Orioles by identical 2-0 scores.

1974 — The game between the Cleveland Indians and the Texas Rangers at Cleveland’s Municipal Stadium was forfeited to Texas. Umpire Nestor Chylak had problems with fans all night on 10-cent beer night. The crowd got out of control when Cleveland tied the score 5-5 in the bottom of the ninth.

1989 — Toronto beats Boston 13-11 in 12 innings after trailing 10-0 after six innings. Red Sox starter Mike Smithson threw six scoreless innings before leaving in the seventh because of a foot blister. The Jays then scored two in the seventh, four in the eighth and five in the ninth and two more in the 11th on Junior Felix’s home run. It was the biggest lead the Red Sox have blown and their 12th consecutive loss to the Blue Jays at Fenway Park.

1990 — Ramon Martinez struck out 18 and pitched a three-hitter, sending the Dodgers past the Atlanta Braves 6-0.

1996 — Pamela Davis pitched one inning of scoreless relief and got the win in a minor league exhibition game. She is believed to be the first woman to pitch for a major league farm club under the current minor league system. The 21-year-old right-hander pitched for the Jacksonville Suns, a double-A affiliate of the Detroit Tigers, against the Australian Olympic team.

2000 — Esteban Yan of the Tampa Bay Devil Rays becomes the 77th major league player to hit a home run in his first at bat, but just the fourth American League pitcher and the first since the Angels’ Don Rose in 1972, the year before the designated hitter rule took the bat out of AL pitchers’ hands.

2005 — Rafael Palmeiro and Melvin Mora each hit grand slams to help Baltimore rally for a 14-7 win over Detroit.

2007 — Mark Ellis hit for the cycle and Eric Chavez had a two-out homer in the 11th inning to lift Oakland to a 5-4 win over Boston.

2009 — Randy Johnson became the 24th major league pitcher to win 300 games by leading San Francisco to a 5-1 victory over the Washington Nationals in the first game of a doubleheader.

2012 — Angels manager Mike Scioscia became the ninth manager in AL history to manage 2,000 games with one club. The Mariners beat the Angels 8-6.

2018 — In a doubleheader with the Detroit Tigers, New York Yankees OF Aaron Judge sets a record by striking out eight times.

2019 — San Francisco Giant Manager Bruce Bochy wins his 1,000th game as the manager of the Giants with a 9-3 victory over the New York Mets.

2022 — The rule preventing position players from pitching in a close game is invoked for the first time when Crew chief C.B. Bucknor objects to Dodgers manager Dave Roberts calling on utility player Zach McKinstry to pitch the ninth inning gainst the Mets with his team trailing, 9-4. The rule, adopted before the 2020 season but not implemented until this year due to the upheavals caused by the coronavirus pandemic, states that a team cannot use a position player on the mound unless there is a difference of six or more runs between the two teams. Roberts is thus forced to use a real pitcher, Evan Phillips, to pitch the final inning.

Compiled by the Associated Press

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Jennifer Cohen has heard her peers this spring lament the precarious state of college football, with the College Football Playoff format in flux, the College Sports Commission under fire and the current model of college athletics hanging by a proverbial thread. As athletic director at USC, Cohen understands the reasons for their doom and gloom.

There’s little clarity about where things stand in college athletics right now, let alone where they’re going. Plus, it has never cost more to run an athletic department — or a football program, with the price tag of rosters exceeding $40 million this season — in part because of name, image and likeness rights.

“There’s no doubt that this last year’s been frustrating, and that’s because we tried to fly a plane and build a plane at the same time,” Cohen told The Times last week. “So it’s certainly not going swimmingly, right?”

Before discussing all that’s wrong with the current college sports landscape, Cohen wants to remind everyone that it hasn’t all been bad.

“It’s important to talk about what are the positives that came from what’s happened,” Cohen said.” And from my perspective, student athletes have benefited now more than ever, you know?”

At USC, Cohen has managed to steer the athletic department through the chaos. As costs have risen exponentially with the advent of revenue sharing, Cohen says department revenue at USC is up almost 60% over a three-year span, sponsorship values have doubled and USC donors have poured money into the Trojan Athletic Fund, which is up 707% since she started.

Jennifer Cohen, left, and university president Carol Folt, right, flash the “V for Victory” hand sign during a news conference in 2023 introducing Cohen as USC’s new athletic director.

(Ringo Chiu / For The Times)

And later this summer, USC will open a $200-million football facility — a rarity in an age when such spending has more often taken a backseat.

None of that is to say USC is immune to the coming financial crunch in college sports.

“We also have to manage expenses, and we’re trying to do that and still support what we think is part of our DNA, which is [keeping all] 23 programs,” Cohen said. “As you look at the financial benefits that football brings to this place, the more you’re gonna take those revenues from football and put it back into football and to football student athletes versus other programs, you’re gonna feel the pinch. And so we’ve tried to mitigate that with new strategies on revenue generation.”

But what about when football rosters costs balloon to $50 million … or $60 million? What about $100 million?

“Hopefully not,” Cohen said. “We’ve gotta match roster spends with revenues and, and, and, and how we run a business.”

“I don’t think there’s one simple answer to this, and I do think that we are at a point where we’ve got to figure out as an industry, how do we do this in a smart way and not just let our competitiveness get the best of us? But that’s hard when football winning is the only way that you pay your bills.”

The Times sat down with Cohen last week to discuss the state of affairs in college football and USC’s athletic department. The following conversation has been edited for length and clarity.

With college football in such an uncertain place, do you feel like there needs to be some form of outside intervention? Or some major governance change that would help solve these problems?

“I think at some point in time we’re gonna have to find something. I mean, obviously we’re a year in. So I think first we all need to look in the mirror — myself included, as a leader — and say, ‘What did we do in this new system that worked? And what have we done in this new system that doesn’t work? And the question becomes, ‘Can you get everybody across the Power Four [conferences] to do that exercise and be honest enough to find some sort of solutions together? Or do you need to start looking at other solutions? I, for one, fully believe in federal support. I understand why it’s needed. I’m somebody that spent a lot of time on that earlier in my career, and, you know, the patchwork situation of laws is not fair from a competitive standpoint. It’s also very confusing to student athletes and to their families and to our coaches. But I am absolutely not holding my breath for that.

Eric Musselman and athletic director Jennifer Cohen hold a jersey with Musselman’s name during his introductory news conference as the Trojans’ basketball coach in 2024.

(Myung J. Chun / Los Angeles Times)

“The most important place where I’m spending my energy is figuring out how we are going to win in whatever environment that we’re dealt. Because I don’t have as much control in my current role to solve for all of those national issues. I am 24/7 thinking about how USC is going to compete in whatever environment we’re in. And I feel really confident that we will. But as somebody that loves college sports, I also think that we are gonna have to find a different alternative than how we’re operating right now to have a sustainable and durable model.”

USC seems to be in a really strong place with NIL, stronger certainly than when you were hired. How would you say that USC has gotten to that point?

“ When we got here, my mantra was if you’re not ahead, you’re gonna get behind. And so there were a lot of areas that we focused on to just try to improve and get ahead, and NIL was one of them. There’s a natural ability here to be really competitive in NIL — especially in the third-party space with brands. You know, we were just looking at some data the other day just in this new CSC-NIL Go model. Our brand deals are valued 2 1/2 times more than the national average, and I think that really speaks to both USC, the city of L.A., and obviously the quality of the student athletes that we have. And I think it’s just been a strategy of embracing the new era, recognizing that it’s really cool to be able to have student athletes benefit in that new era, and it’s important, and that you have to be competitive in that space.

“And so I think it was just a matter of having intentionality in a plan and getting all of our stakeholders aligned around that plan, and it was an urgent matter to keep trying to get ahead in that space. Because if we weren’t, other people were. That’s how we’ve been tackling it, and so we’re really proud of how robust the program is now. But we’re gonna have to keep getting better at it. We’re gonna have to keep evolving.”

The Big Ten has come out in favor of expanding the College Football Playoff to 24 teams. What are your thoughts on that?

“We’re unified as a league around 24, there’s no doubt about that. And obviously that’s gaining traction in some of the other conferences as well. And so where we’re unified, USC’s gonna support that. I think that there’s merits in the 24 model. I also think there’s plenty of fair questions around that. It has to make sense for everybody. So that’s kind of where we stand on it.

USC athletic direct Jennifer Cohen wears a headset with microphone as she’s interviewed before a football game in 2023.

(Icon Sportswire via Getty Images)

“I think personally speaking, I would have absolutely no problem staying at 12. I think we’ve experienced a lot of change in college sports and in college football. I think we need to understand how that change is impacting not just us, but our fans and others. And so if we end up at 12, I’m confident that we’re gonna find our way in that 12 every single year. And again, uh, that’s where my focus is. I mean, I am nonstop thinking about how USC athletics can compete in whatever model that we’re in, and I feel really good about the plans that we are developing and will continue to develop because we’re gonna have to keep changing to, to make sure that we’re competitive.

Being that it’s now Year 5, is it fair to say that the expectation is that Lincoln [Riley] needs to take USC to the Playoff this year?

“The expectation has always been the same. That’s the thing, that’s the reason why I came here, is that the standard is high. We do expect to make the playoff. We do expect to have a championship run. We do expect to be competing for championships every single year. I think that’s what’s awesome about USC, is that that’s what we all expect of it. And I know that I’m not the only one that expects that. I know our fans expect that. I know that he expects that. And so I really like this team. I really like the kids that we brought in. I love the returners. I love the leadership of this team.

“We’ve got some really outstanding older young men in this program that get it, that have been through a lot and really care about this place and this program. The young guys are awesome. They’re really challenging the older guys. So I feel really good about the talent level of this team, and I feel really good about what Lincoln’s done. I think with this staff, I think we have a highly competitive staff. I think we have a really experienced staff. And then you can’t dismiss what Chad’s accomplished. You know? I think that that’s been the benefit of bringing in not just Chad, but an entire front office staff, taking the pressure off of Lincoln, taking the pressure off of the other coaches so that they can be at their best. I mean, he’s been really energized about that and really focused on taking the strengths that he has. So yeah, the expectation, I mean, we haven’t been shy about that. We expect to win, and I, I feel confident that we’re going to.”

JENNIFER Lopez has joined Spotify’s billionaire club for the first time.

Her 2011 dance hit On The Floor, with rapper Pitbull, has now clocked up more than a billion streams.

The US singer, 56, in a celebratory mood at a Netflix comedy event in LA on Sunday night thanked fans online, adding: “Thank you JLovers … On The Floor is one billion strong on Spotify because of you!

“Let’s keep dancing.”

It is the first of J-Lo’s songs to ever achieve the feat, while it becomes Pitbull’s sixth track to make the grade.

However she has a way to go before overhauling Spotify’s most-played track — The Weeknd’s 2020 classic Blinding Lights, on 5.4billion streams.

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Released as the lead single from her seventh album Love?, the song marked a major comeback for the star following a quieter period in her music career.

We recently revealed how the star got down and dirty with her co-star Brett Goldstein in a first look at their brand new movie, Office Romance.

A trailer for the raunchy Netflix rom-com has dropped with J Lo serving up some of her sauciest on-screen scenes to date.

The hotly anticipated flick is due to release next month with Jennifer and her co-star Brett having heaps of passion as a typical work love story blooms.

JENNIFER Ellison looked incredible in a series of sexy photos celebrating her wedding anniversary.

The actress and former glamour model, 42, has been with her beau Rob for 18 years.

In commemoration of the special day Jennifer shared a series of snaps on her Instagram page, dressed to impress at the five-star Gleneagles Hotel in Scotland.

In the first snap Jennifer is wearing a sexy black strapless bodycon dress that falls at the knee.

It hugs her figure perfectly, accentuating her curves and snatching in her tiny waist.

She finished off the look by adding a pair of stiletto heels and curling loose waves through her long, blonde hair.

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Another snap shows Jennifer posing in a brown and white bikini while taking a mirror selfie in a hotel.

It features geometric patterns and high-rise bottoms, flaunting her flat stomach.

Later photos feature her and Rob posing by a mirror, both dressed smartly to enjoy a round of drinks.

Jennifer wore a black blazer and matching dress trousers, paired with large dark sunglasses and a matching black bag with gold accent details.

Meanwhile husband Rob opted for a smart navy shirt, smart trousers and a chunky watch.

Penned in the post’s caption, Jennifer gushed all about her man, saying: “18 years of me and you. Had the most gorgeous 2 nights away, from start to finish!

“Thank you for everything you have given me @tickle.rob Love doing life with you!

“My best mate, my husband, my partner in work and crime my everything. For as both as we long shall live.”

Jennifer finished the caption off by thanking a loved one for taking care of her sons while she was away with Rob.

Fans of the star left their love in the post’s comments section, wishing the couple all the best for their anniversary.

One user said: “Happy anniversary guys,” followed by a stream of red love heart emojis.

A second shared: “Such a beautiful couple.”

A third added: “Beautiful Jen, happy anniversary to you both.”

Jennifer and Rob tied the knot in October 2009 after only a year of dating.

Rob popped the big question in May of 2008 while him and Jennifer were on a trip to the Maldives.

Actress Jennifer played the role of Emily Shadwick in Liverpool-set soap Brookside between 1998 to 2000 before going on to play a supporting character in Phantom Of The Opera in 2004.

Today Jennifer mostly stays out of the spotlight, instead running her own dance studio Jelli Studios.

She prepares students who are interested in getting into the industry of dancing or musical theatre.

Jennifer also made a TV appearance in 2022 where she starred on Celebrity SAS: Who Dares wins.