Jason

Castleford: Laulu-Togaga’e; Valemei, Cini, Mapapalangi, Qareqare; Asi, Weaver; Stimson, Golding, Dupree, Lane, Mellor, Lawler.

Interchanges: Atoni, Greacen, Hall, Robb.

St Helens: Sailor; Dagnall, Cross, Percival, Murphy; Welsby, Hastings; Klemmer, Clark, Delaney, Sironen, Whitley, Shorrocks.

Interchanges: Lomax, Walmsley, Wright, Stephens.

Referee: Liam Rush

JASON ISBELL is a song writer’s song writer. You can tell by the company he keeps.

He’ll never forget the moment some years ago when he heard a certain person singing one of his choruses back to him in unmistakeable tones.

“I’ve grown tired of travelling alone. Won’t you ride with me? Won’t you ride? Won’t you ride? ”

Isbell recalls: “At first, I thought it was somebody doing a Bruce Springsteen impersonation of singing my song. And then I realised, ‘No, that’s actually him!’

“It was a huge deal for me to meet Bruce, and for him to know who I was.”

Turned out that one of Springsteen’s sons had brought to his dad’s attention Isbell’s breakthrough 2013 solo album Southeastern, complete with the track Traveling Alone.

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To the 47-year-old born in northern Alabama, two miles from the Tennessee state line, it was validation — just like his six Grammys and the fact that Southeastern appears in Rolling Stone magazine’s list of greatest albums of all time.

“I’m a punk but I’m not that big of a punk to pretend something’s not an honour,” the one-time member of Drive-By Truckers decides in his Southern drawl.

“I met Randy Newman and it was the same kind of thing,” he continues, casting his mind back to the 2021 Newport Folk Festival when both artists were on the same bill.

“I was so nervous to talk to Randy but I said to him, ‘Man, your songs are very important to me as a musician, as a human being’ — and he leaned in and said, ‘I like your songs, too’.

“I knew Randy was probably not the sort of person to bulls**t you.”

I’m speaking to Isbell as he prepares to hit these shores with his ace band, The 400 Unit, for a tour of the UK and Ireland which culminates with a night at London’s hallowed Royal Albert Hall on June 11.

But on this day, the hard- working singer is in Dallas for a solo acoustic show, showcasing last year’s captivating, intimate Foxes In The Snow album, when we’re connected via video call.

“My flight was cancelled last night because of bad weather so I drove here — took me nine and a half hours,” he reports from his hotel.

It’s 10am US Central Time and 4pm UK time and, despite the previous day’s exertions, Isbell seems fresh and focused for a deep dive into his life in music — and the songs that define him.

It’s clear from talking to this thoughtful soul that his career can be divided into two distinct categories — before and after he got sober — which he describes in depth later.

But first, we go back to his early life as the son of teenage parents, the subject of his song Children Of Children, and his early introduction to music.

Mom Angela was 17 and dad Mike was 19 when he was born so “I got to spend a lot of time with my grandad, who preached in a Pentecostal church in Alabama, and played guitar, mandolin, fiddle, banjo.

“And my uncle, my dad’s little brother, played guitar in a rock band.

“When I was around four, my parents would take me to band practice in his friend’s garage, and I would fall asleep, usually when they did Neil Young’s Like A ­Hurricane.

“Though my dad and mom didn’t play music, pretty much everybody else in my family did, at least as a hobby. It was seen as a birthright thing.

“I know this sounds like down-home Southern horses**t, but my grandad would make me play gospel music with him for a ­couple of hours a day.

“Then if I could get through it without getting lazy, I could play rhythm guitar. The guitar was huge, and I was small, and it would take a lot of work.”

Isbell became “obsessed” with blues after hearing Robert Johnson’s recordings and “this little white kid from a hillbilly town” would bombard his music teacher with questions about the Mississippi Delta pioneers.

“My teacher was a big rock and roll guy who had a different Rolling Stones T-shirt for every day of the week,” he says.

“He would call me out of class on the loudspeaker in a really gruff voice, so it sounded like I was in trouble. But I knew that he had made me a mixtape.

“There were a lot of people who took an interest in me early on. I got very lucky that way.”

As a teenager in the Eighties, “radio was huge” for Isbell, who singles out Crowded House and Elvis Costello in particular.

“As my parents were not much older than me, we listened to a lot of the same music,” he says.

“In those days, it was big arena bands like Journey and Foreigner, My dad liked country music, too, so he had Merle Haggard and Hank Williams records.”

At this time, Isbell started playing bars in the Southern music mecca of Florence and Muscle Shoals, which, “because of the liquor laws”, also had to sell food.

He says: “They would check the receipts to make sure you sold more food than alcohol, which was terrible for any kind of music scene — but really good for a 15-year-old kid because they couldn’t kick me out!”

In these places, he got to see legendary session men like Spooner Oldham, Donnie Fritts and, crucially, bass player and trombonist David Hood, father of Drive-By Truckers frontman Patterson Hood.

In 2001, Isbell joined the Truckers and hit the ground running by contributing two outstanding songs to their 2003 album Decoration Day, the title track and Outfit.

He says: “I liked playing guitar and singing background vocals, but I had a lot to prove.”

He describes how his dark, Southern gothic magnum opus about a multi-generational family feud came into being: “I wrote Decoration Day on the road, in Carbondale, Illinois, I think.

“We were staying at a friend’s and everybody else was asleep in the house.

“One person always had to sleep in the van to stop people stealing our gear. That night, it was me.

“I woke up early — around eight o’clock in the morning. So I had a couple of hours before everybody else started moving and I came up with Decoration Day.”

Another memorable Drive-By Truckers effort by Isbell is Danko/Manuel, his tribute to roots rock icons The Band, which appeared on the 2004 album The Dirty South.

He says: “At the time, Rick Danko and Richard Manuel were the only two not still alive. Now, none of them are.

“I was reading [drummer] Levon Helm’s book, This Wheel’s On Fire. He talked about having to siphon gas out of cars in parking lots while the rest of them were on stage. They were a bunch of feral kids in the early days.”

In 2007, largely thanks to heavy drinking and unreliable behaviour, Isbell left the Truckers and went solo.

It’s good to report that he’s on friendly terms with his old bandmates these days and joined them on stage last year for Stephen Colbert’s The Late Show.

He says: “We were very close at one point. It’s not easy to make friends in general so I try to keep the ones that I can.

“Even after I got sober, I didn’t quite know why I’d had drinking problems to start with.

“At first, you’re just hanging on for dear life and trying to stay sober. Eventually, if you do it right, you do repair the parts of yourself that you were ignoring.

“Once that happened for me, I was able to reconnect with those guys. We were able to be friends again and they’ve continued to make really valuable music.”

When it came to Isbell making his first solo album, Sirens Of The Ditch in 2007, highlighted by a couple of fan favourites, Dress Blues and The Magician, he had a lot to learn — and fast.

“I didn’t know what the hell I was doing,” he sighs. “I know I had to argue a lot, which actually turned out to be a good thing.”

A big moment for him arrived with a yearning composition on his third album, Here We Rest (2011), his second with his band The 400 Unit and the last before he went into rehab for ­alcohol addiction.

To this day, Alabama Pines is one of his most performed live songs.

“When I wrote it, everything else in my life sucked,” he says. “It was a very dark time. I was in physical and psychological pain. Working on it was the most relief I got.”

He adds: “The complication in that song adds a lot of value to it — the fact that you’re yearning for a place that isn’t perfect.

“It’s a dynamic that finds its way into a lot of Drive-By Truckers’ work and a lot of my own. It’s very possible to miss a place that wasn’t necessarily all that good to you.

“That song doesn’t have a chorus, it never gets huge so it’s not an anthem. But it stands out in my solo work and I still like it. It has never let me down.”

Everything changed for Isbell after rehab and first notice of his sober approach is 2013’s breathtaking Southeastern with its enduring keepers, Cover Me Up, Stockholm, Elephant and the aforementioned Traveling Alone.

“I wasn’t in the same type of pain,” he says. “Recovering from addiction heavily involved dealing with myself — my life, my emotions, my situation — not postponing it.

“When I was drinking, I would write until the sun went down and then I’d think, ‘I need a drink’.

“With Southeastern, I would stay working for hours and hours at a time because I didn’t have anything else to do. It’s not like I was going to the bar.”

The record proved a big commercial success even if a song like Cover Me Up, recently covered by Morgan Wallen, is about recovering from addiction and the healing power of love, while Elephant is an unflinching study of mortality and the impact of cancer.

Today, Isbell performs such tracks from a slightly different perspective.

“With a room full of people cheering for these songs, we get to celebrate the fact that these horribly sad songs exist,” he smiles.

Next, we rattle through a few more Isbell staples like 24 Frames from 2015’s Something More Than Free with its sparkling electric ­guitar passages.

“I may have doubled up two exact same slide-guitar parts on that. It’s the old George Harrison trick from My Sweet Lord and it works every f***ing time.”

He sees guitar playing as his “hobby”. “My girlfriend paints very seriously and that’s her work,” he says by way of example.

“Lately she started working with miniatures and building doll houses, and that’s her hobby. It’s very close to painting but it’s not a commercialised part of her life.

“That’s how I look at guitar playing. Singing, songwriting, touring — that’s my job. If left alone for a couple of hours, I just sit and play guitar — that’s my hobby.”

There’s a profound Isbell song on 2017’s The Nashville Sound, If We Were Vampires, a big favourite of his friend, the late, great singer John Prine, who he describes as “thoughtful, witty, highly intelligent and emotionally open”.

“There’s some magic in that song,” he says. “Everything else on the album was written when I thought, ‘There’s so many f***ing love songs, why would I bother to do another one?’

“By the time I got to the chorus of If We Were Vampires, something hit me — the reason you love somebody, go through all that effort and pain, is because you’re going to die.

“Without death, we wouldn’t be motivated to live. It was one of those moments where I was like, ‘Wow! Thank God I weaved my way to that path’.”

A telling Isbell insight is revealed by It Gets Easier with its line, “it gets easier, but it never gets easy”, from the 2020 album Reunions.

It addresses his sobriety and brings this reflection: “I don’t think about drinking as much as I used to, but I do sometimes, not necessarily when things are bad.

“When it is going badly, the first thing you do is you make a plan – talk to friends, talk to a therapist, go to a meeting.

“For quite a few years, the hardest times have been to not think about drinking when things are going really well.”

Isbell’s consistently fine recorded output includes 2023’s Weathervanes, with standouts like reflective acoustic ballad Cast Iron Skillet and gritty rocker King Of Oklahoma, about the downward spiral of a blue-collar worker who turns to prescription meds.

Mention of them is cue for him to offer a warning to those attending his upcoming shows.

“When I’m writing a record, I think, ‘How am I going to make these people hold their pee for four more minutes?’

“Because when the new material comes out, that’s usually when everybody heads to the bar!”

• Jason Isbell & The 400 Unit play Belfast June 2, Dublin June 3, Bristol June 5, Gateshead June 6, Glasgow June 7, Manchester June 8, Birmingham June 10 and London’s Royal Albert Hall June 11

Hi, and welcome to another edition of Prep Rally. I’m Eric Sondheimer. Jason Collins, who combined with his brother, Jarron, to bring San Fernando Valley high school basketball to an unprecedented level during their days at Harvard-Westlake in the 1990s, died at the age of 47 because of brain cancer. Here are some recollections.

Legacy of Collins twins

In 1997, Jarron (left) and Jason Colllins.

(Los Angeles Times)

I’ve written so many stories on the Collins twins, Jason and Jarron, that I seriously considered writing a book about the family after their days at Harvard-Westlake in the 1990s. Their mother always told me the secret to their success was “greens and genes.”

With great sadness, when word was released last week that Jason had passed from his brief fight with brain cancer at the age of 47, I needed time to accept the news. I knew it was coming but the outcome remains unacceptable. He and his family sought every possible consultation and treatment. Unfortunately, a cure for glioblastoma remains undiscovered.

Rather than dwell on the tragedy of an illness taking away someone so young, I intend to celebrate his courage and the family’s courage. When Sports Illustrated put him on its cover in 2013 and quoted him, “I’m a 34-year-old NBA center. I’m black. And I’m gay,” the world of sports changed.

Except he and his brother had already changed high school basketball in Southern California forever. Their arrival at Harvard-Westlake as freshmen in 1994 put the Wolverines on the basketball map and eventually led to what the Wolverines are today — one of the best programs in California.

They were the twin towers who grew to 7-feet and 6-11. They won two state titles and had a combined record of 123-10. One of their teammates was backup center Jason Segel, who’d become one of the best comedy actors in the world and received attention for his dunks.

Here’s a story from their freshman season in 1994, turning around a team that had gone 5-20 before their arrival. In 1995, Jason was named to the All-Southern Section super team that included Schea Cotton and Paul Pierce, two legendary high school players. On that same team was Doug Gottlieb, who’d go on to a media and coaching career.

They played at Stanford and in the NBA. They were good people guided by parents who taught them to be respectful and help others. Because of their size, they could never hide from the spotlight or walk around a campus without being noticed. It was tremendous pressure on two teenagers, but they had each other to lean on.

The years went by, and incredibly, Jarron now has two high school age daughters and a seventh-grade son playing basketball at Harvard-Westlake. Jarron has been an NBA assistant but insisted on his family staying in Southern California.

It was a privilege to see them develop before anyone knew their name and watch them mature and make a difference in little ways and big ways. Jason is gone, but Jarron and his children will keep Jason’s memory alive with their own contributions.

Baseball

Sherman Oaks Notre Dame, St. John Bosco, Harvard-Westlake and Orange Lutheran all earned spots in Friday’s Southern Section Division 1 baseball quarterfinals by going 2-0 in the new pool play tournament. The four other spots will be decided Tuesday in elimination games: Sierra Canyon at Cypress, Norco at Ayala, Corona at Corona Santiago and Huntington Beach at La Mirada.

Notre Dame plays winner of Corona-Corona Santiago. St. John Bosco plays winner of Huntington Beach-La Mirada. Harvard-Westlake faces winner of Sierra Canyon-Cypress. Orange Lutheran plays winner of Norco-Ayala.

Among the best individual performances in Division 1, James Tronstein went three for three with his 10th home run, drove in two runs and scored three runs in Harvard-Westlake’s win over Huntington Beach. Brady Murrietta of Orange Lutheran hit three home runs in a win over Corona. Jacob Madrid of Notre Dame hit his 12th home run in a win over top-seeded Norco. Here’s a report.

The City Section will hold an Open Division semifinal doubleheader Wednesday at Cal State Northridge, with El Camino Real playing Granada Hills at 2 p.m., followed by Birmingham taking on Carson at 5:30 p.m. The winners advance to play at Dodger Stadium on Saturday at 1 p.m. Here’s a report.

Two schools in the City Section, Jefferson and King/Drew, were forced to forfeit playoff victories when it was discovered pitchers exceeded the maximum allowed pitches in a game.

Softball

Kelsey Luderer is all smiles after a fourth-inning home run helped propel Sherman Oaks Notre Dame to a 6-3 win over Anaheim Canyon in a Division 1 playoff opener.

(Craig Weston / For The Times)

Sherman Oaks Notre Dame entered the Southern Section Division 1 playoffs as a 91-1 longshot. At least coach Justin Siegel was having fun about a 91-1 longshot winning the 1913 Kentucky Derby, The Knights won twice last week over Anaheim Canyon and Oaks Christian to advance to a tough Wednesday quarterfinal matchup against defending champion and No. 2-seeded Norco.

The big surprise was La Habra beating top-seeded Murrieta Mesa 6-4. And how about Orange Lutheran defeating Chino Hills 17-14.

Here are Saturday’s scores.

Here are the City Section playoff pairings.

Track

Corona Santiago senior Braelyn Combe won her third straight 1600 meter title at the Southern Section finals on Saturday, May 16, 2026.

(Steve Galluzzo / For The Times)

From Braelyn Combe of Corona Santiago breaking records in the girls’ 1,600 to Servite’s outstanding 4×100 relay team, there were lots of top performances at the Southern Section track and field championship.

JJ Harel of Sherman Oaks Notre Dame set a school and Division 3 record by clearing 7-1 in the high jump. There were top performances in the boys 100, 400 and girls distance races.

Here’s a report on the finals.

The Masters Meet, which involves qualifying for next week’s state championships, will be held Saturday at Moorpark High.

The City Section championships will be held Thursday at Birmingham. There’s been a considerable drop in top talent this season, but hurdler Jayden Rendon of Carson is one to watch in the 110 and 300 hurdles.

Lacrosse

Loyola won its second consecutive Division 1 boys lacrosse championship with a 14-6 win over Santa Margarita.

Here’s the report. Mira Costa upset top-seeded Santa Margarita to win the girls title.

Going on without Dad

Sophomore outfielder JJ Rodriguez of Birmingham is back playing after the death of his father, Anthony, last month.

(Eric Sondheimer / Los Angeles Times)

Sophomore JJ Rodriguez of Birmingham lost his father last month and turned to his baseball family for assistance after the death. Here’s a look at how coaches and teammates came to his support.

Volleyball

Mira Costa’s Mateo Fuerbringer spikes the ball over Loyola’s JP Wardy and Xander Tangri in the first set of the Southern Section Division 1 playoffs on May 15, 2026.

(Steve Galluzzo / For The Times)

From start to finish, Mira Costa showed it was the best boys volleyball team in the Southern Section, winning the Division 1 championship over rival Loyola on Friday. Here’s the report.

Chatsworth defeated West Valley League rival Granada Hills to win the City Section Open Division title. Here’s the report.

Tennis

Harvard-Westlake won the Southern Section Division 1 tennis title on Friday.

(Harvard-Westlake)

Harvard-Westlake ended the four-year reign of Irvine University as Division 1 tennis champions with a 10-8 victory in the final. Here’s the report.

The state playoffs begin this week. Here’s the schedule.

Pride in her son

Kaden Tennyson (right), a Riverside Notre Dame shotputter, with his mother, Janet, who has been battling cancer.

(Tennyson family)

The mother of shotputter Kaden Tennyson from Riverside Notre Dame is so proud of her son that she wrote a letter detailing her pride while she dealt with cancer.

Here’s the family story.

Notes…

Santa Margarita’s boys’ swimming team has won the state championship….

Defensive back Gavin Williams of Damien has committed to USC…

Junior Kylee Yeh of Mira Costa has committed to Hawaii for women’s basketball. Senior teammate Jada Martin has committed to UC Merced….

Standout center Braiden McKenna from Los Alamitos has committed to UC Davis for football….

Former Norwalk, San Diego State and NFL running back Rashaad Penny is the new football coach at Long Beach Jordan….

Vince Peralta has resigned as softball coach at La Habra….

Junior water polo standout Liv Taub of Laguna Beach has committed to UC Santa Barbara….

St. John Bosco won its own passing tournament championship over Edison and Bishop Amat won the Charter Oak tournament over Tustin. San Juan Hills won at Dana Hills.

From the archives: Easton Hawk

Easton Hawk during his sophomore season pitching for Granada Hills

(Eric Sondheimer / Los Angeles Times)

Easton Hawk, a former Granada Hills pitcher, has become one of the key pieces to the rise of UCLA’s top-ranked baseball team this season.

Hawk has 14 saves and a 1.62 ERA in his second season serving as a closer. He did some relief pitching at Granada Hills but was primarily a starter. His ability to throw strikes with good velocity has made him an effective pitcher when a save opportunity is at hand. He hasn’t given up any earned run in his last 22 innings.

Here’s a story from 2023 of Hawk getting into shape for Granada Hills.

Recommendations

From SI.com, a story on a high school football coach in Texas is under investigation for alleged misconduct.

From the Los Angeles Times, a story on how the mother of AB Hernandez is ready for any protests this spring.

From the Boston Globe, a story remembering the life of former Harvard-Westlake star Jason Collins.

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Until next time….

Have a question, comment or something you’d like to see in a future Prep Rally newsletter? Email me at eric.sondheimer@latimes.com, and follow me on Twitter at @latsondheimer.

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Jason Collins, the NBA’s first openly gay player who went on to become a pioneer for inclusion and an ambassador for the league, has died after an eight-month battle with an aggressive form of a brain tumor, his family announced Tuesday.

Collins, who starred at Stanford and Harvard-Westlake High, where he helped the Wolverins win to back-to-back Division III state titles along with twin brother Jarron, spent 13 years as a player in the league for six different franchises. He revealed in 2013 that he was gay, an announcement that came toward the end of his playing career.

Collins had been diagnosed with Stage 4 glioblastoma, which has an extremely low survival rate. He was 47.

“Jason changed lives in unexpected ways and was an inspiration to all who knew him and to those who admired him from afar,” Collins’ family said in a statement released through the NBA. “We are grateful for the outpouring of love and prayers over the past eight months and for the exceptional medical care Jason received from his doctors and nurses. Our family will miss him dearly.”

Just last week, Collins received the inaugural Bill Walton Global Champion Award at the Green Sports Alliance Summit. He was too ill to attend so Jarron Collins accepted for him.

“I told my brother this before I came here: He’s the bravest, strongest man I’ve ever known,” Jarron Collins said while accepting that award.

Jason Collins averaged 3.6 points and 3.7 rebounds in his career. He helped the New Jersey Nets reach two NBA Finals and in his best season averaged 6.4 points and 6.1 rebounds for them in 2004-05.

“Jason Collins’ impact and influence extended far beyond basketball as he helped make the NBA, WNBA and larger sports community more inclusive and welcoming for future generations,” NBA commissioner Adam Silver said. “He exemplified outstanding leadership and professionalism throughout his 13-year NBA career and in his dedicated work as an NBA Cares Ambassador. Jason will be remembered not only for breaking barriers, but also for the kindness and humanity that defined his life and touched so many others.

“On behalf of the NBA, I send my heartfelt condolences to Jason’s husband, Brunson, and his family, friends and colleagues across our leagues.”

Jason Collins revealed his sexuality in a first-person account for Sports Illustrated in April 2013. He was a free agent at the time, said he wanted to keep playing, and went on to play in 22 games with Brooklyn the following season.

“If I had my way, someone else would have already done this,” he wrote at that time. “Nobody has, which is why I’m raising my hand.”

His decision was widely lauded, with star players such as Kobe Bryant quickly speaking out in support of Collins. There was even support from the White House and then-former President Bill Clinton — whose daughter, Chelsea, went to Stanford with Collins. At Stanford, Collins was roommates with someone who was part of another American political dynasty, that being Joe Kennedy III, who spent eight years in Congress representing Massachusetts.

Collins, in the piece for Sports Illustrated, wrote that he realized he needed to go public about his sexuality when Kennedy walked in Boston’s gay pride parade in 2012 — but Collins couldn’t do the same.

Until then, Collins kept his feelings about gay rights close to the vest. He wore jersey No. 98 for the majority of his final three playing stints with Boston, Washington and Brooklyn — a nod to the year that Matthew Shepard, a gay college student in Wyoming, was killed. He also wore 46 in one game for the Nets, since it was the only jersey the team had available when he signed.

Collins made nearly 61% of his shots in his career at Stanford, which remains a school record. He was an honorable mention selection for the Associated Press’ All-America team in 2001, a few months before the Houston Rockets took him with the 18th pick in that year’s NBA draft.

“It’s a sad day for all of us associated with Stanford basketball when we lose one of the program’s greats,” former Stanford coach Mike Montgomery said. “We all have great memories of Jason and the kind of person he was. It’s hard to separate Jarron and Jason because they thought so alike, but even though he was an identical twin, Jason was unique in his own way. The impact he had on Stanford was immense, as he could match up against anyone in the country because he was big, smart, strong and skilled, all while being a very bright and nice person.”

KYLIE MINOGUE and Jason Donovan’s romance defined a generation, and the couple broke hearts around the world when they split in 1989.

Now fans are set for a nostalgia overload as private footage of their time together has been unearthed.

It will be shown in Kylie’s new three-part Netflix series, which is set to be released on May 20.

The self-shot footage includes videos of the couple on holiday together before Kylie made it big as a pop star.

The pair, who met while playing Scott and Charlene in Aussie soap Neighbours, dated for three years.

Admitting she had no idea that the clips existed until Netflix bosses dug them out of the archive, Kylie said: “I was like… ‘What?!’

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“This was going back to the days where people only had a camera if they went on holiday. I imagine it was quite an effort to find that.

“When I saw that footage for the first time, my heart swelled. I thought, ‘Oh my God, we were just babies’.

“That brought back tidal waves of nostalgia, emotion and a lot of love.”

Jason, who has remained good friends with Kylie, also contributes to the TV special by talking about their romance – both on and off-screen.

JASON Statham and Rosie Huntington-Whitely have decided to build their grand ‘forever home’ right next to a popular nudist beach.

They’ll be in for an eyeful whenever they open their curtains though, as the gorgeous sea view is much-loved by naturists according to the Daily Mail.

The movie hardman and his supermodel fiancee opted for a 20-acre spot on the south coast to house the £20million property.

But it’s estimated to cost the couple a further £5million for additional building works.

The Sun exclusively revealed last weekend that Jason and Rosie, who share two children together, had bought the property.

It features five bedrooms, its own private beach and a treehouse.

HARDMANSION

Jason Statham buys stunning £20m seaside home with Rosie Huntington-Whiteley

make a splash

Jason Statham shares rare pics of his kids on £3k a night holiday with Rosie

It also includes a wild swimming pond and a 42,000 sq ft boating lake.

Horse stables are currently under construction behind the main house, and plans for a large gym and pool are under way.

The house was originally designed by a trusted architect of the Royal Family in a modern, brutalist style.

It’s a far cry from the pair’s London abode, and Rosie shared how she was looking forward to living in the idyllic countryside ‘forever home’.

She told The Sun: “I’ve been dreaming of this since I left home. “It will be mud and kids climbing trees.”

Jason and Rosie met at a party in 2009 and got engaged in 2016.

MOVIE hardman Jason Statham and his model partner Rosie ­Huntington-Whiteley have bought a £20million beachfront “forever home” — and are spending another £5million renovating it.

The actor, who has two children with fiancée Rosie, bought the six-bedroom mansion in the South of England, Land Registry records reveal.

The contemporary new-build is set on 20 acres and has its own private beach, ­enormous tree house, boating lake and wild swimming pond.

Building work has been going on for some time, with experts estimating a further £5million is being spent.

Public records show Jason, 58, who has amassed a £90million fortune from movies including the Fast and Furious franchise, Snatch and Lock, Stock and Two Smoking Barrels, paid £20million for the site in 2024.

He has always been upfront about his life goals, saying: “I just want to work hard, make money and eat with good people and love the same woman over and over again.”

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Several high-profile celebrities also own homes in the area. Jason also has extensive properties in Hollywood and Cornwall.

The couple, who have a home in London, met at a party in 2009 and got engaged in 2016.

Rosie, 39, has a £30million fortune via fashion collaborations with M&S and ­Burberry, and acting roles in Transformers: Dark of the Moon and Mad Max: Fury Road.

She recently revealed she was moving to the countryside.

Rosie said: “I’ve been dreaming of this since I left home.

“It will be mud and kids climbing trees.” The couple were approached for comment.

Sir David Jason has opened up on the prospect of an Only Fools and Horses revival, saying ‘let’s go for it’

Television icon Sir David Jason has spoken candidly about a potential revival of Only Fools and Horses – but acknowledges there’s one significant obstacle to resurrecting the beloved sitcom.

The BBC programme ran for seven series and 16 Christmas specials between 1981 and 2003 and is frequently voted the UK’s greatest ever sitcom. Only Fools transformed Sir David and co-star Nicholas Lyndhurst, who portrayed wheeler dealer brothers Derek and Rodney Trotter, into household names.

However, while there have been spin-offs in the subsequent 23 years, alongside a successful stage production, there hasn’t been a return to fresh TV episodes.

Sir David, 86, declared “let’s go for it” – but only if they “get a good script”. The actor believes this might prove somewhat problematic as the programme’s creator, John Sullivan, passed away in 2011. The Only Fools star described the scriptwriter as “a genius”.

He told the Daily Telegraph: “But the problem (with a TV revival) is that the man who created it is no longer with us. He wrote every episode and just happened to be a genius.

“I’m not so sure that we have a writer clever enough to take on his mantle. No one could write characters like he could. Providing we have a good script, let’s go for it!” reports the Express.

The Only Fools creator died in April 2011, six weeks after contracting viral pneumonia. Only Fools and Horses The Musical, penned by Paul Whitehouse and John Sullivan’s son Jim Sullivan, enjoyed a West End run spanning more than four years before concluding in April 2023. The programme centred on the Trotter brothers, market traders from working-class Peckham in south-east London, chronicling their schemes to strike it rich fast.

Sir David also shared his thoughts on cancel culture, as Only Fools and Horses repeats now feature trigger warnings. He revealed no one has criticised the programme to him directly.

The actor continued: “Not one person has ever complained about any show that I have done. No one has said they didn’t believe in it or didn’t enjoy it.”

Meanwhile, Sir David delivered a heartbreaking eight-word response after viewing a lost Only Fools scene.

The actor reunited with Tessa Peake-Jones, who portrayed his on-screen partner Raquel Turner. The duo filmed a new docuseries, Only Fools and Horses: The Lost Archive. The two-part programme featured the show’s stars watching previously unseen material from more than 10 classic episodes.

Grantchester actress Tessa has revealed that David made an emotional remark about the cast being “so young and so successful” while revisiting footage of himself and his co-stars.

Speaking on Lorraine, she shared: “David Jason was very, very poignant about it. There was one bit where he was like, ‘We were so young and so successful then.’ It’s quite depressing.”

Actor David Jason has reflected on the highs and secrets of Open All Hours as he took on one of the most iconic comedy roles on television in the 1980s

Sir David Jason famously landed two iconic comedy roles in the 1980s. One was the lead in Only Fools and Horses as wheeler dealer Del Boy Trotter.

The other was playing second fiddle to Ronnie Barker as unlucky-in-love errand boy Granville in Open All Hours. With such a workload, some actors might have ditched the co-star role and concentrated solely on being ‘the star of the show. But not Sir David.

Looking back on Open All Hours’ 50 ^th anniversary, he says he would never have turned his back on the loveable put-upon corner shop assistant. He says: “I was never grand about ‘Oh I’m above playing Granville.. I have got my own series.’ No, I was just happy to be doing another character which was so different. I had this character that was the total opposite. The leading man, the driving force, the wheeler dealer.”

READ MORE: Only Fools and Horses new series and David Jason announcement – all you need to knowREAD MORE: Sir David Jason reveals the present he wants for Christmas this year from the BBC

Open All Hours is regarded as one of Britain’s top classic sitcoms. Viewers fell in love with penny-pinching stuttering shopkeeper Albert Arkwright (played by the late Ronnie Barker) and his endless efforts to woo ‘the lust of his life’ – the very buxom Nurse Gladys Emmanuel (the late Lynda Baron) while a string of regular customers would pop in and out of the shop in Yorkshire often being conned by his latest crafty tricks.

Added into the mix was Arkwright’s over-worked shy and awkward nephew Granville played by Sir David. The show was made for Ronnie in 1973 as one of seven new comedy pilots by the BBC who had lured him away from LWT to work for them.

Sir David, who is now 86, was excited to be among its cast as it meant working with the comic genius. Their paths had crossed when he appeared in his sketch show Hark at Barker in 1969 and he claims he learned so much from him over their years together.

In a new TV special called Open All Hours: Inside Out marking its 50 ^th anniversary this year, Sir David pays a fond tribute to the legendary funny man saying: “I couldn’t wait to work with him to see what I could learn from him.

“When we first started to work together he was a big star and I was in his shadow for years. Ronnie was at the top of his trade if you like. The rest of us crawled about underneath desperately trying to learn how to be as clever as Ronnie B but with that came the generosity of spirit he was so wonderful to work with he was good fun and he was respectful.

“It was a huge learning curve in my career to work with Ronnie B. It was a great journey to have travelled with him and learned his respect for showbiz and what it meant to be in it and to entertain people. A brilliant man.”

Audience research for the pilot of Open All Hours was very positive but the BBC wanted Ronnie for another show called Prisoner and Escort (which became Porridge). It meant Arkwright and Granville stayed on the shelf for three more years as the comedy was not fully commissioned until 1976.

But there was unrest about its scheduling on BBC Two on a Friday at 9pm. Writer Roy Clarke calls it ‘terrible’ and adds: “That was the equivalent of burying it.”

Even Sir David comments: “BBC One would have had the kudos over BBC Two but at least it was going out I suppose.”

Ratings for series one topped more than six million each week but, remarkably, the BBC went cold on the show. They wanted Ronnie to do more Porridge and more of The Two Ronnies with his pal Ronnie Corbett and writer Roy busied himself penning more episodes of Last Of The Summer Wine.

Meanwhile, Sir David landed the lead role in a new ITV sitcom called A Sharp Intake of Breath in 1977 and then in 1981 he was cast as Del Boy in a new BBC comedy Only Fools and Horses.

It was an immediate hit.

But at the same time, the Beeb decided to revive Open All Hours for a second series. This time it was scheduled to go out on BBC One. Sir David had no hesitation in juggling both roles as he loved playing Granville and knew fans loved the character too.

He says: “Granville appealed to the viewers as people saw a bit of themselves in him – a dreamer who wanted to see the world. Granville was wistful and a bit romantic. I was so happy to be working with that sort of personality.”

Ratings for the sitcom soared with an average of 13 million viewers tuning in. In addition to its main stars, the shop’s badly behaved till became a character in its own right. And the Carry On style humour appealed to the masses especially when Nurse Gladys used to comfort Granville in her ample breasts – something which always made Arkwright jealous.

Sir David now recalls those scenes with a chuckle: “She was so padded everywhere you couldn’t get any pleasure about being pulled into her bosoms.”

Open All Hours bowed out in 1985 after 26 episodes and even beat Corrie in the ratings. It always remained popular whenever it was repeated but fans never expected to see the corner shop again especially since Ronnie passed away in 2005 aged 76.

However, in 2012, Sir David went to the BBC head of comedy with an idea for a sequel. He says: “I always wondered what would have happened to Granville if Arkwright left the shop to him.. and the rest is history as they say.”

And in 2014, Still Open All Hours was launched with the actor reprising the role. However, the new twist was that Arkwright had died and left the shop to Granville who had turned into a miser just like his uncle and was now tormenting his errand boy son Leroy played by James Baxter.

James says: “I had the toughest role. I was nervous at the beginning but I was in very safe hands with David. He built this world, him and Ronnie and Roy so I never felt too scared. Arkwright and Granville are icons of British comedy. I will stand in that shadow. That is fine by me.”

Some characters from the original made appearances too including Lynda Baron, Stephanie Cole and Maggie Ollerenshaw. It was a huge hit and ran for six series. A seventh was planned but ended up being cancelled when the Covid-19 pandemic struck and the series was shelved for good.

Sir David – who has also starred in The Darling Buds of May, A Touch Of Frost and A Bit Of A Do – comments: “I always felt it would be nice to see how we round it all up so that we the audience would go ‘Oh that’s lovely, you know’.”

His wish is granted in the new TV special as he gets to dust down his old shopkeeper overcoat one more time as Granville for a final sketch penned by Roy Clarke. And he jokes about the script: “It might be rude. Knowing Roy Clarke it might be very rude.”

On the show’s 50 ^th anniversary he concludes: ““It’s as much as that? 50 years? Doesn’t time fly when you are having fun? I was so lucky to work with such lovely people who were so good at their job and had a wonderful sense of humour because this is what it is all about.”

* Open All Hours: Inside Out airs on U&Originals on Thursday 7 May at 8pm.

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In the first of several significant flashbacks in “Over Your Dead Body,” Samara Weaving’s unhappy Lisa complains to a friend about a hunting trip her equally miserable husband Dan (Jason Segel) is taking her on. “You know how much I hate guns,” Lisa fumes. “So dangerous.” Turns out, she’s actually telling two lies, which is par for the course for this twisty yet underwhelming dark comedy that views marriage as both a hyperviolent blood sport and a battle to the death.

Based on Norwegian filmmaker Tommy Wirkola’s 2021 “The Trip,” “Over Your Dead Body” concerns a couple whose wedded bliss has faded along with their professional prospects. Dan directed a moderately successful sci-fi film several years ago but is now stuck shooting cheesy pop-up ads. Meanwhile, Lisa’s nascent acting career is flailing. As the movie begins, Dan conspicuously informs his production team that he and his wife are going hiking in the middle of nowhere — something, he insists, the risk-taking Lisa wants to do, despite how perilous that might be. What we soon realize is that he’s creating cover for his nefarious plan, which is to kill Lisa at his family’s forest cottage, making it look like she disappeared without a trace in the woods.

But director Jorma Taccone eventually reveals that it’s not just Dan who has murder on his mind. That first flashback rewinds to Lisa’s simultaneous scheming, claiming to those close to her that Dan longs to go hunting — when, in fact, she’s secretly brought a rifle so that the authorities will assume he accidentally shot himself. (Whatever fears she once harbored about firearms are, clearly, no longer an issue, if they ever were.) Dan is offended when he uncovers her plot: Why would she want to kill him? At least he’s justified, he believes, having caught Lisa in an affair with her scene partner.

More surprises are in store as Dan and Lisa engage in a deadly standoff in the cabin, only to discover that they’re not alone. Another flashback details how two convicted killers, Todd (Keith Jardine) and Pete (Timothy Olyphant), escaped from a local penitentiary with the help of Pete’s girlfriend, prison guard Allegra (Juliette Lewis), and are seeking refuge at the cottage. Suddenly, the feuding married couple must work together to stay alive.

One-third of the comedy troupe the Lonely Island, Taccone previously directed the big-screen adaptation of the “Saturday Night Live” sketch “MacGruber” and co-directed the endlessly rewatchable mockumentary “Popstar: Never Stop Never Stopping.” For “Over Your Dead Body,” he teams with producer David Leitch, whose 87North shingle specializes in R-rated action-comedies like “Nobody” and “Violent Night.” Taccone’s irreverent, slyly shocking style would seem a good match for a story in which the pain of romantic discontent is paired with myriad scenes in which a variety of weapons wreak grisly havoc, including lawnmowers, sports cars, gardening equipment and a sock with a pool ball in it.

But despite Segel and Weaver’s best efforts, they can’t make this bickering duo deliciously awful, the characters proving more grating than hilariously combustible. And when Pete and his cohorts arrive, they’re too broadly quirky to be either menacing or hysterical, although Olyphant’s long-suffering leader has some nice moments slowly processing how dumb Todd and Allegra are.

Other than one queasy homage to “Deliverance,” the film’s handling of the showdown between this drab married couple and the cartoonish criminals is rarely gripping. Instead, “Over Your Dead Body” delivers over-the-top fight sequences emphasizing grimaces and gross-out laughs. People aren’t simply shot in the head — the bullet transforms it into a gooey slab of meat. Fingers get sliced off, stakes are driven through hands and a foot is reduced to bloody tatters. Taccone handles all this with gleeful excessiveness but once you’ve seen one pulverized face, you’ve seen them all.

A droll irony is intended to unfold alongside the rising body count. Dan and Lisa embarked on this getaway to murder one another, but they’ll end up rekindling their love. To be sure, Segel and Weaving are much more winning once their characters start warming to one another. Still, the film feels like a missed opportunity for Weaving, who became a scream queen in the “Ready or Not” films. In those movies, as an unsuspecting bride thrust into a life-or-death situation, she appealingly balanced a convincing physical performance with an understated comedic streak, her beleaguered character enduring one absurdity after another.

Weaving finds herself in a somewhat similar role in “Over Your Dead Body” and this uneven action-comedy is anchored by her had-it-up-to-here performance, which provides a witty insight into marriage that the film otherwise ignores. It’s bad enough that Lisa has to deal with Dan’s insecurity — now she’s got to tangle with some dopey crooks? Women have to do everything in a relationship.

The third season of Apple TV’s “Shrinking” concludes with Jimmy (Jason Segel) being, well, “Jimmy-ed.”

For three seasons, Jimmy, a therapist grieving the loss of his wife, has used unconventional methods —think taking someone with aggression issues to a boxing ring — to get through to his patients. In the last moments of “And That’s Our Time,” Jimmy’s mentor and fellow therapist Paul (Harrison Ford) turns that approach on its namesake, flying across the country to give Jimmy a much needed push to move forward with his life. “Jimmy needed permission and encouragement from someone to say, ‘All right, it’s time,’” Segel says. “This is the end of this story and it’s time to start a new one.”

In the scene, Paul finally tells Jimmy he’s like a son to him. “I found ourselves writing a conversation that if we were lucky enough to have a conversation like that with our own fathers, we’d be grateful,” executive producer Bill Lawrence says. “A lot of my shows have an element of mentorship in them. To see Jimmy’s mentor come through for him in the way that I would always hope he would meant a lot to me.”

Lawrence had always envisioned the three-season arc for Jimmy ending this way. But when they found out the comedy would be returning for a fourth season, he and his fellow executive producers were faced with a dilemma: End the season the way they would have the series or push their original ending out for one more season. After much discussion, they decided to stick the landing.

“It still felt right,” Lawrence says. “This particular story with these characters has been told and you should feel, in a good way, like it’s gonna be OK for Jimmy. Jason is so good at it, watching him play the agony of trying to get through it all and come out on the other side was my favorite kind of journey on the whole show.”

Segel spoke to The Envelope about filming this pivotal scene and bringing the third season to a close.

What did filming this final scene mean to you? To play this part of Jimmy’s journey coming to an end?

I’m always really interested in, “What is the dirty underneath? If we go one level deeper, what is the thing that the person is not saying?” This arc with Jimmy over the three seasons had been building up to Jimmy finally saying the actual thing, which is some version of, “Who’s gonna want me now?”

Paul answers that question by telling Jimmy that his scars are “evidence of a life well–lived.”

I had a therapist I was talking to about having to show up somewhere with people I knew from 25 years ago. I remember having a little bit of apprehension because I’ve had a twisty-turny life. I thought, “God, there’s so much to catch up on and I’m showing up covered in scars.” And this therapist said to me, just matter of fact, “What a shame it would be to show up anywhere at 45 years old not covered in scars.” And I went straight to Bill and [executive producer] Neil [Goldman], this is a year ago, and I said, “This is what Harrison says to Jimmy at the end of this arc.” And we worked it in.

What was the actual day of filming the scene like for you?

It was a difficult day. It was loud that day. There was a little bit of discombobulation on the street. There was construction and they couldn’t hold the cars right. It wasn’t the ideal environment for a scene like this where you would love to hear a pin drop. People were coming into the restaurant asking, “Are you guys open?” It almost felt like we were making a student film. And Harrison and I took a minute and we walked away from the set and we started running the scene, walking up and down the busy street to kind of acclimate ourselves. And I’m walking up and down the street with this man who I idolize and we are at that moment like equals and teammates. We have to go build this scene together. It is a real honor to have that dynamic with him.

Do you think it was important to have such a pivotal scene outdoors?

They’re a good reminder that the show takes place in the real world and that you’re like a representative of reality almost. I think that there’s something vulnerable about all that taking place outside. … There’s other patrons there. It’s surrounded by people, surrounded by life, and Paul is showing up and telling Jimmy, “It’s time to step into it. Look, it’s all around you.”

This season we met Jimmy’s father (played by Jeff Daniels), who never really connected with his son and, in a heartbreaking moment, chooses a fishing trip with his buddies over staying for Alice’s (Lukita Maxwell) high school graduation.

One of the things this show does really well is handle these situations honestly. Whether it’s Parkinson’s or loss or a complicated relationship with a family member. It’s not gonna magically change. None of it. And so the show is very much true to, “How do we get through it with each other?” That’s really the theme of the show. These issues are gonna be there. What are we gonna do with the realities of life? I think the reason they brought Jeff Daniels in is to highlight why Jimmy so desperately wants Paul’s affection. Where is this coming from? Bill is a genius in terms of setting something up in a previous episode so that there’s a payoff in the finale. I think that we understand suddenly how desperate Jimmy is to have somebody say, “You’re my son and I love you.” And he finally gets that at the end from Paul.

The other major event that happens in the finale is that Alice leaves for college.

To me, [Jimmy’s relationship with Alice] has been the heart of the show and the most important storyline. The show started out with Alice parenting a troubled child in her father. And that dynamic slowly, slowly, slowly shifted to being the right direction. Until finally he is able to see her off to college and she feels safe to leave him behind. He is the parent and she is the child and everything is the right size again. I think watching Lukita as an actor and a human being grow up over these past four years, it’s been really the joy of my career. When I met her, she called me Mr. Segel. I realized she grew up with my “Muppet” movie. I have the real honor of being more of a mentor than a contemporary to Lukita. To get to the point where I am being surprised and challenged and blown away and moved to tears in scenes with Lukita is like the coolest thing in the world.

Cobie Smulders and Jason Segel in “Shrinking.”

(Apple TV)

We see Jimmy sit down at the restaurant with his potential love interest Sofi (Cobie Smulders), but we don’t hear their conversation.

It originally ended with a hard cut to black. Then then they did this beautiful cinematic pullback. I think the most important line is, “Hello.”

As the scene ends, Paul tells Jimmy that he can either “stay stuck” or “go make new scars.” Paul advises Jimmy to “choose wisely” and then winks at Jimmy. It’s a subtle nod to the famous “choose wisely” scene from “Indiana Jones and the Last Crusade.”

Harrison is not so secretly one of the funnier people I know. He always knows exactly what he’s doing and we’ve had a few of those throughout the season, some little nods to Harrison’s body of work. It was a perfect way to end that scene. Paul slash Harrison is always just a little smarter than you. One of the great qualities that they have is they’re just a little bit ahead of you, which a great mentor should be, right?

Have you thought about how it will be to play Jimmy in the show’s fourth season now that this particular story arc has come to an end?

I think an equally interesting and complicated and fun area is someone deciding they’re ready to be happy. Because God knows it’s one thing in your house alone in front of the mirror [to say], “Now I’m gonna be happy.” And then you go out and in practice, it’s its own set of complications, right? And so, I’m actually really excited about that idea of someone saying, “OK, I’m ready to take it for a spin.” And then seeing that’s its own thing.

JASON Statham has shared some very rare family snaps from his holiday to Turkey with fiancee Rosie Huntington-Whiteley and their two young children. 

The actor, 58, took to social media to post photos from their time at five star hotel Regnum at The Crown in Antalya, where rooms cost up to £3,000-a-night. 

Jason and model Rosie, 38, are parents to Jack, eight, and four-year-old Isabella. 

Fast & Furious star Jason showed off his close bond with the kids while they relaxed at the hotel’s stunning crystal cove pool. 

He and Jack were seen taking in the view with their arms around each other, while another snap showed the young lad standing on his dad’s shoulders in the pool. 

Meanwhile Isabella was seen taking a dip in the water and one photo showed proud dad Jason lifting her into the air. 

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Jason didn’t include any photos of Rosie in his upload, which he captioned: “The cave.”

The couple have been together since 2010 and got engaged in 2016.

But Rosie previously confessed they’re in no rush to walk down the aisle.

She told Entertainment Tonight: “We’re looking forward to that time. It’s also not a huge priority for us, we’re so happy.

“I think it will be fun to do it when the baby’s [Jack] grown up a bit and he can be involved in the wedding.”

Rosie and Jack live in a Georgian townhouse in London and have spent two years renovating it together.

Revealing how the process has been, she told Vogue Australia: “Jason has the most impeccable taste.

“He taught me so much about architecture and furniture.”

Rosie added that being in a relationship with Jason for 16 years has been “very grounding”.