interior

Sheikh Khalifa bin Hamad says Qatar will ‘not hesitate’ to ensure its stability as US-Israeli war on Iran continues.

Qatar’s Interior Minister Sheikh Khalifa bin Hamad has said the situation in the Gulf country is “stable” amid Iranian drone and missile attacks launched across the Middle East in response to the US-Israeli war on Iran.

In an interview with Qatar Television on Friday, Sheikh Khalifa said the Qatari government had a plan in place to deal with the prospect of more Iranian attacks amid a regional war.

“The security situation in the country is stable, and we will not hesitate to take any measure that ensures the stability of our nation,” he said.

The interior minister said Qatar’s early warning system has been effective as authorities responded to reports of falling missile fragments at more than 600 sites across the country.

He added that Qatar has enough water to last for several months, as well as food reserves that will cover the nation’s needs for a year and a half.

Sheikh Khalifa’s remarks come as Qatar and other countries in the Gulf region have faced a barrage of Iranian attacks since the United States and Israel launched a war against Iran on February 28.

While Iran has said it is targeting US and Israeli military interests in the wider Middle East, the strikes have hit civilian infrastructure, including oil and gas facilities.

That has prompted a slowdown in regional energy production, which – coupled with Iran’s closure of the Strait of Hormuz, a key Gulf waterway – has raised concerns around the war’s effects on global economies.

Earlier this week, the United Nations Security Council passed a resolution denouncing the Iranian attacks on Gulf Cooperation Council (GCC) countries.

Sheikha Alya Ahmed bin Saif Al Thani, Qatar’s ambassador to the UN, had condemned the firings as “a clear violation of international law and the UN Charter”.

The attacks, she told reporters in New York on Wednesday, “impacts deeply the foundation of understanding upon which bilateral relations between our countries have been built”.

The 13th-century National Trust castle features the UK’s largest private collection of South and East Asian artefacts and Britain’s best baroque terraced gardens

Nestled close to the English-Welsh border, in the town of Welshpool, stands a genuine fairy-tale fortress which appears straight out of a storybook and provides a vibrant splash of colour against its sprawling green backdrop.

Built in the 13th century, this mediaeval stronghold is brimming with stories and continues to evolve, much to the delight of those who visit.

For the perfect day spent appreciating historic architecture, discovering a different heritage and exploring the most spectacular of gardens, Powis Castle is the destination to seek out.

Its most recent ownership belonged to the same family, who resided in the castle from as early as the 1570s – the Herbert family. This continued until the castle and its grounds were handed over to the National Trust in 1952 by the 4th Earl of Powis.

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One TripAdvisor reviewer said: “This site is stunning. I was blown away by how picturesque the place is.”

Another wrote: “This place really exceeded my expectations. The interior is super detailed and interesting, with some spectacular pieces of furniture.

“The gardens are truly beautiful on a lovely warm hillside and some stupendous giant yew trees. Has to be seen.”

History

The heritage of this fortress stretches back hundreds of years, encompassing numerous owners, as the property expanded and transformed, whilst preserving its original character throughout.

However, it all started in the 13th century when a Welsh prince, Gruffudd ap Gwenwynwyn, established some independence. When he and the remainder of his direct lineage died in 1309, leaving no male heir, the castle passed to an heiress called Hawise. She then married Sir John Charlton from Shropshire.

The fortress came under attack during this period from Hawise’s uncle, who was trying to claim the lordship he believed he was entitled to instead of her, but was unsuccessful.

In response, they chose to repair the damage and constructed two imposing drum towers on either side of the castle’s west entrance. Charlton’s descendants remarkably remained lords of Powis for more than 100 years, until no male heir could be found.

Consequently, in 1421, the castle was split between two daughters, after which the fortress entered a sharp decline, desperately needing restoration following years of abandonment. Before long, it was taken over and lovingly rebuilt before being leased to the Herbert family.

Most significantly since that time, one of the most substantial changes occurred when the Clive family introduced what is now recognised as the Clive collection. A collection teeming with South and East Asian artefacts exhibited in the castle, and the largest private collection of its kind in Britain.

Clive Collection

What makes this fortress particularly unique is its fascinating array of artefacts housed within it. Originally assembled by two generations of the Clive family, comprising Robert and his son Edward, who had wed Henrietta Herbert, the daughter of the 1st Earl of Powis.

The collection was assembled during Britain’s colonial rule of India, when these artefacts were removed from their country of origin and brought to the castle, starting in the 1800s. Today it houses more than 1,000 pieces originating from South and East Asia.

According to its website, visitors can expect to discover an extensive array of ivories, textiles, statues of Hindu deities, decorative silver and gold, weapons and ceremonial armour.

Naturally, this remarkable collection carries with it a troubling past, one which connects the castle to a proprietor who played a role in the invasion of India. Robert Clive was directly employed by the East India Company, which sent armies to both invade and subjugate India.

In doing so, they exploited the nation financially and profited from the natural resources it possessed. This contributed to establishing the British Empire’s presence within India and, consequently, secured a lifetime of riches and prosperity for Clive, which is evident in the castle’s magnificence.

Gardens

Beyond the striking castle itself, the true highlight of the estate lies in its grounds and immaculately-maintained gardens. Part of its impressive display of flowers, plants and trees is attributed to the captivating hedging that encircles the castle.

It covers up to 8,500 square metres of the estate, with the yett, tumps and top terrace contributing an extra 7,000 square metres to that figure. And with this comes some extreme-gardening methods adopted by the National Trust to guarantee it stays in impeccable condition.

To put that into perspective, it states that one skilled gardener can spend up to 10 weeks annually working at height, using a hydraulic cherry picker to trim and sculpt the towering hedges. That represents just one element of these magnificent gardens.

What makes them particularly remarkable is their Italian-influenced design dating back to 1680. The gardens at Powis Castle are regarded as the finest surviving example of a baroque terraced garden in the entire country – blending both Italian and French influences.

Without a National Trust membership, it costs £18 for entry to the castle and gardens for an adult, excluding gift aid. Meanwhile, children will be charged £9, while families can choose a family ticket for a reduced price.

It’s worth noting that ticket prices are reduced during off-peak periods of the year.

Here’s the story…of how a seemingly non-descript home in the San Fernando Valley turned into an L.A. landmark.

The L.A. City Council voted to designate the “Brady Bunch” house as a historic-cultural monument on Wednesday, enshrining the Studio City Midcentury as a piece of the city’s history.

“Long before it became a pop‑culture pilgrimage site and backdrop for countless photo ops, the Brady Bunch House helped shape America’s vision of family life in the late 1960s and early ’70s — especially the idea of a blended family,” said Adrian Scott Fine, president of the L.A. Conservancy. “We’re thrilled to see it now designated as a Historic-Cultural Monument, ensuring the Brady Bunch — and their iconic home — remain part of Los Angeles’ story.”

The Los Angeles Cultural Heritage Commission unanimously voted to recommend the house, located at 11222 Dilling St. in Studio City, as a landmark on Jan. 15. The Planning and Land Use Commission approved the designation a month later, sending final say to the City Council.

“I look forward to seeing this memorialized in the appropriate way as part of San Fernando Valley television history,” Councilmember Adin Nazarian said during the Planning meeting.

The landmark status protects the home from demolition, but doesn’t prohibit it. If the owner ever wants to destroy the home, the Cultural Heritage Commission can delay the process for up to a year to find preservation solutions. The commission also gets more oversight on proposed alterations.

“The Brady Bunch” was filmed in a studio for the entirety of its iconic run from 1969 to 1974. So how does a house that was merely for exterior shots wind up as a landmark?

Through painstaking renovations and a bit of reality TV magic.

The house was built in 1959 by architect Harry M. Londelius, who gave the contemporary ranch a shake roof, cathedral ceilings and heaps of Palos Verdes stone. After starring in the show, the home became a symbol for Southern California’s suburban, single-family charm.

For decades, it was owned by Violet and George McCallister, who bought it for $61,000 in 1973. Once they died, their children sold it in 2018 for $3.5 million — nearly twice the original ask.

The bloated sale price was the result of a bidding war, as offers poured in from TV enthusiasts and celebrities, including ‘N Sync’s Lance Bass. In the end, cable network HGTV emerged as the winner.

The channel had big plans for the property, announcing a $1.9-million remodel that would recreate the interiors exactly how they looked in the show. The entire process was documented in a four-part miniseries titled “A Very Brady Renovation.”

The show featured the actors who played the Brady kids taking sledgehammers to the interiors while “Property Brothers” stars Drew and Jonathan Scott reshaped the living spaces.

An inside look at the “Brady Bunch” house in Studio City.

(Ryan Lahiff for Eklund | Gomes)

The final result was a near picture-perfect replica of the Brady abode: the floating staircase, the groovy orange kitchen counters, even the famous vase destroyed by a stray basketball during a famous episode. (“She always says don’t play ball in the house.”) To make space for the throwback bedrooms, the crew added 2,000 square feet to the rear of the house, as well as a second story — which they hid from the street by lowering the foundation by a foot.

The renovation nearly doubled the square footage, featuring five bedrooms and five bathrooms across more than 5,000 square feet.

After the miniseries, HGTV took a bath on the sale. They flipped it for $3.2 million in 2023 — $300,000 less than they paid for it five years earlier and $2 million less than the asking price.

The house was bought by historic-home enthusiast Tina Trahan and her husband Chris Elbrecht, former chief executive of HBO. It came with a few Brady-themed furniture throw-ins such as a green floral couch and credenza complete with a 3-D printed horse sculpture.

Fans still flock to the house to take photos from the street, but Trahan and Elbrecht opened it to the public for the first time in November, offering a limited run of tours for $275.