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Future Ruins, Nine Inch Nails’ film-music festival, is canceled

Future Ruins, the hotly-anticipated Nov. 8 film-music festival from Nine Inch Nails’ Trent Reznor and Atticus Ross, has been canceled.

“Unfortunately Future Ruins will not move forward this year,” organizers said in a statement. “The reality is, due to a number of logistical challenges and complications, we feel we cannot provide the experience that’s defined what this event was always intended to be. Rather than compromise, we’re choosing to re-think and re-evaluate. Meanwhile, we are sorry for any inconvenience and appreciate all the interest and support.”

The Live Nation-produced event at the Los Angeles Equestrian Center was booked as a compendium of cutting-edge composers to showcase their film work in an unorthodox live setting. Headlined by the Nine Inch Nails bandmates, who have won Oscars for their film scores including “The Social Network” and “Soul,” the event was slated to host John Carpenter, Questlove, Danny Elfman, Mark Mothersbaugh and Hildur Guðnadóttir among many others.

The fest’s cancellation comes on the heels of Nine Inch Nails’ sold-out “Peel It Back” tour, which hit the Form last month and is scheduled to return to Southern California in March next year. The band will also play a club-heavy version of its live set as Nine Inch Noize (with collaborator Boys Noize) at Coachella next year.

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Review: At the Forum, Nine Inch Nails conjure rage and dread. Be afraid, Americans

What a piquant moment for Nine Inch Nails to be back on the road playing their version of David Bowie’s “I’m Afraid of Americans.”

At the Forum on Thursday, for the first show of a final two-night stand of the electronic-rock band’s Peel It Back arena tour, singer Trent Reznor didn’t elaborate on the freshly resonant subtext in Bowie’s song (one that Reznor remixed for the late Brit and, in its music video, played a Travis Bickle-esque creep).

But you could feel the sold-out Forum roil with new unease at that squelching industrial song, as Reznor muttered Bowie’s scabrous lyrics about “No one needs anyone … Johnny wants p— and cars … God is an American.”

At this point, who isn’t a little afraid of Americans? Nine Inch Nails thrive in the murk of base human instinct and tech-driven dread. Who better to help us limn out these feelings of disgust, rage and desolation right now?

Now in their fourth decade as a group, Nine Inch Nails — the duo of Reznor and producer/keyboardist Atticus Ross along with a closely held touring band — does two difficult things extraordinarily well.

For 15 years, Reznor and Ross have served as Hollywood’s eminent techno-intellectuals, with a pair of Oscar wins for their film scores including the brooding lashes of David Fincher’s “The Social Network” and the yearning ambiance of Pixar’s “Soul.” They have an upcoming film-music festival, Future Ruins, that will be the first of its kind and caliber in Los Angeles.

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Robin Finck of Nine Inch Nails.

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Trent Reznor.

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Fans react as Nine Inch Nails perform at Kia Forum.

1. Robin Finck of Nine Inch Nails. 2. Trent Reznor. 3. Fans react as Nine Inch Nails perform at Kia Forum. (Hon Wing Chiu / For The Times)

But Thursday’s Forum show was a decadent reminder of just how nasty and violent this band can be as well.

Opening on the smaller, in-the-round B-stage, Reznor took a solo-piano run through “Right Where It Belongs,” gradually adding Ross, bassist-keyboardist Alessandro Cortini and guitarist Robin Finck into a squalling “Piggy (Nothing Can Stop Me Now),” before finally introducing drummer Josh Freese on the calisthenic drum workout of “Wish.”

Freese was a last-minute addition to the touring band, after the group unexpectedly swapped percussionists with Foo Fighters days before Peel It Back kicked off. But Freese — an NIN veteran of the mid-2000s — has become a fan-favorite returning hero, bolstering this lineup with pure rocker muscle.

Back on the main stage, they redlined through “March of the Pigs” and seethed with fuzzbox rot on “Reptile.” They veiled the stage in gauze on “Copy of A,” casting dozens of Reznor shadows while he strutted and howled about a despondent, depersonalized modernity.

A second pass through the rave-ready B-stage gave a hint at what the band’s cryptically billed upcoming Coachella set might look like. “Nine Inch Noize” — implying an ongoing collaboration with their opener and collaborator, the German club music producer Boys Noize — took form here under a monolithic, blood-colored lightbox. Reznor, Ross and Boys Noize revved up a new single, “As Alive As You Need Me To Be” from the film “Tron: Ares,” but also revamped the eternal hit “Closer” and “Came Back Haunted” with an after-hours sizzle.

It’s impossible to imagine a single as desperately sexual, as sacrilegiously sacred as “Closer” ever making it to the Hot 100 today. For the Gen Z fans fascinated by Nails’ gothic-erotic aesthetic, it felt more transgressive than ever.

After slashed-up takes on “The Perfect Drug” and “The Hand That Feeds,” the band closed out the set with an opposing pair of songs that covered the full range of what its audience is likely going through today. How viscerally satisfying to scream “Head like a hole, black as your soul / I’d rather die than give you control” as American life seems to unravel with each passing hour.

But of course, the band closed on “Hurt.” Johnny Cash recorded his canonical version at 70, a cover now synonymous with a lion in winter starting down the grave. Just 10 years younger at 60, Reznor performed it Thursday with all the tightly coiled emotion and intimate grandeur of the kid who wrote it. American life is pain; Nine Inch Nails endures.

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Will Radiohead and Nine Inch Nails surprise fans at Coachella?

The Coachella 2026 lineup had, seemingly, begun leaking in the days before its official announcement, as names such as Sabrina Carpenter and Karol G started being discussed as possible headliners. Though, with both names on the heels of widely successful projects, it was hardly a “crystal ball” suggestion — it just so happened to be correct.

Saturday headliner Justin Bieber is still simmering down from a revival that resulted in two consecutive albums — “Swag” and “Swag II,” released on July 11 and Sept. 5, respectively — making his presence at the fest pretty much inevitable.

However, the real crown jewel hiding in the lineup’s fine text was an additional feature that would set off alarms: the inclusion of a group called “Nine Inch Noize” and “The Bunker Debut Of Radiohead Kid A Mnesia,” which was included at the bottom of Coachella’s lineup. Given the online fervor of both these acts it’s worth doing a quick summary of what we know about them.

Naturally, longtime fans of the English quartet swarmed social media to speculate a surprise appearance from the band. Given that Radiohead just announced its first live shows in seven years, it was mentally conceivable that they could throw in an Indio pit stop.

“Surely I’m not the only one noticing Radiohead on the Coachella lineup…” one fan wrote. Another chimed in, “What’s this about the Bunker debut of “Radiohead Kid A mnesia”… So exciting.”

Not only this, but the lineup’s Friday undercards included “Nine Inch Noize,” which seems to be a collaborative project between Nine Inch Nails and German electronic music producer Boys Noize, otherwise known as Alex Ridha. This would be NIN’s first appearance at the festival since 2005.

This one is a bit easier to break down. For context, Boys Noize provided support for Trent Reznor’s brainchild on their recent “Peel It Back” tour and even pumped out some remixes of the band’s hits.

“NIN is listed as Nine Inch Noize. That’s probably because Boys Noize has already been performing as a quasi-half member on the current tour,” one fan explained.

Past performances included a rendition of “Closer,” NIN’s second single off of its lauded sophomore album, “The Downward Spiral,” released in 1994. Though the track already leans into electronic elements, Boys Noize heightens these by tenfold into a techno bliss. On stage, Reznor bounces around under purple lights while Ridha glides along his deck.

Under a YouTube video of the live show, viewers flocked to the comments to demand more of the two: “I need a f— studio version of this remix,” one wrote.

Boys Noize is also listed separately as a performer at the festival, on Saturday.

Back to Radiohead: If the release of Radiohead’s Kid A Mnesia flew over your head, fear not. The compilation album mashes together the best of two albums: “Kid A” and “Amnesiac,” which came out just eight months apart. Its release in 2021 got some buzz, as members of the band began teasing it on social media and eager listeners began to think it may be a tour or even — the holy grail — a new album.

But, no, it would not be the long-awaited 10th studio album from Radiohead, its last release having been the gloomy but beautiful “A Moon Shaped Pool” in 2016. Instead they got “Kid A Mnesia,” which seemingly draws on commentary that the similar sonic palette between the two suggests “Amnesiac” may very well be the leftover of “Kid A.”

But what is a project from four years ago doing on the Coachella 2026 lineup and what is the Bunker?

Starting with the bad news, a representative of Radiohead told The Times “that the band will not physically be at Coachella” and there are “more details to come.” So, no, the band will not make its return to Indio — the band members last played the festival in 2017.

We can’t exactly pinpoint whatthe Bunker is, but it may have something to do with an immersive exhibition the band released alongside the compilation in 2021. It describes itself as “an upside-down digital/analogue universe” that draws from original artwork and recordings to “commemorate 21 years of Kid A and Amnesiac.”

This would align with Radiohead’s recent extracurriculars, as in August the band opened “This Is What You Get,” an exhibition that examined the visual identity of the band throughout its existence. It’s running at the Ashmolean Museum in Oxford until Jan. 11, 2026.

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Scottie Scheffler dominates, wins his first British Open crown

Scottie Scheffler had all the time in the world to celebrate his latest major title. This British Open was never in doubt Sunday as golf’s No. 1 player delivered another dominant performance to win his second major this year and grab the third leg of the career Grand Slam.

Scheffler began with a shot into 10 inches for birdie. One hour into the final round, his lead already was seven shots and got no closer than four the rest of the way at Royal Portrush.

He closed with a 3-under 68 for a four-shot victory, sending him to the U.S. Open next year with a chance to make it a clean sweep of golf’s biggest titles.

Scheffler won the Masters by three shots in 2022 and by four shots last year. He won the PGA Championship by five shots in May. With his first career British Open title in hand, he only needs to win the U.S. Open to complete the career slam.

When he arrived in Northern Ireland, Scheffler shared some extraordinary insight while explaining that celebrating tournament wins doesn’t last but a few minutes before it was on to the next one. He loves the work required to be the best. He thrives on competition. But in terms of fulfillment, he often questions why he wants to win so badly when the thrill of winning is fleeting.

He tapped in for par on the final hole, making it all look so routine. But then he saw his family, thrust both arms into the air, pumped both arms and tossed his cap in the air. That’s what it was all about for the 29-year-old from Texas.

And he gets to keep the silver claret jug for a year.

Rory McIlroy referred to the outcome as “inevitable” when Scheffler built a four-shot lead going into the final round, and it was every bit of that.

Ferguson writes for the Associated Press.

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Inch by Inch, Ginsburg Set Gender Scale Toward Center : Law: Supreme Court nominee started from scratch on sex bias cases. But some fault her equality approach.

On the morning of Nov. 22, 1971, Ruth Bader Ginsburg’s usually stern expression dissolved into a satisfied smile when she read the New York Post’s banner headline: “High Court Outlaws Sex Discrimination.”

As plaintiff’s lawyer in a case before the Supreme Court, Ginsburg had succeeded in writing a new chapter in the history of women’s rights by asserting a simple philosophy that she learned from her mother: Women and men are equal.

That idea, which Ginsburg applied in case after case, made her the principle architect of a legal strategy that achieved many of the early legal gains for women. As a result, today’s women live in a world that bears the stamp of her personality, training and experience.

To be sure, despite three decades of progress for women, the Supreme Court still will be struggling with gender issues when Ginsburg–if confirmed by the Senate, as expected–takes her seat on the nine-member panel next fall. Men and women still do not fully agree on what that seemingly simple idea of equality should mean when it is applied to gender.

Further, many modern feminists have criticized Ginsburg’s approach even as they acknowledge what she achieved. Her line of argument, they have contended, has served in some ways to perpetuate discrimination against women. By emphasizing equality of men and women under the law instead of recognizing their differences, they have argued, Ginsburg inadvertently affirmed a system in which women must adhere to male standards to succeed, as she has done.

Nonetheless, her life story has shaped the lives of every woman in America. And the careful, one-deliberate-step-at-a-time approach to a complex and controversial issue that is revealed in the fine print of her arguments on the women’s rights cases casts valuable light on how she is likely to approach her work on the Supreme Court.

Certainly, Ginsburg was well-prepared to succeed in a man’s world. Nurtured by a mother who valued her daughter as much as any son, she graduated Phi Beta Kappa from Cornell in 1954.

Yet like so many bright women of her era, Ginsburg had been encouraged to venture down a path of scholarship and achievement that inevitably would lead to disappointment. After graduating from Columbia Law School in 1959, she could not get a job practicing law because the law firms she contacted in New York City thought married women were mostly interested in having babies.

“It was a classic case of discrimination,” said Kathleen Peratis, a New York City attorney who worked with Ginsburg on litigation in the 1970s.

While teaching civil procedure at Rutgers and doing volunteer work as counsel for the American Civil Liberties Union, Ginsburg began to see a new kind of legal complaint being filed around the country and sensed a changing mood among American women.

A teacher was challenging a school’s right to remove her from the classroom when she got pregnant; a woman worker was objecting that her employer provided health insurance only to men, and parents were complaining when their school-age daughters were excluded from publicly funded education programs that were offered to boys.

In those complaints, Ginsburg saw a compelling legal strategy that would win equal rights for women. She would help to challenge a variety of laws based on gender stereotypes, arguing that they violated the right of equal protection under the law provided in the 14th Amendment of the Constitution.

In essence, Ginsburg decided to duplicate what she described as “the orderly, step-by-step campaign” of the civil rights litigation that led to Brown vs. Board of Education in 1954, which overturned the “separate but equal” principle. But she would substitute gender for race.

To understand just how novel Ginsburg’s approach was, it helps to remember that gender issues were never even mentioned in her constitutional law classes. Nor did she have the benefit of the vast fund of information that is now available on types of sex bias.

Law school courses on women’s rights issues did not begin appearing regularly on the curriculum until later. When Ginsburg set out to teach such a course at Rutgers, she found that reading the available literature “proved not to be a burdensome venture.”

Until 1971, the courts had held that because men and women had different responsibilities in our society, they could be treated differently under the law. This so-called “separate spheres” doctrine held that men were, by nature, the breadwinners and women the homemakers.

The turning point came when Ginsburg argued the case of Sally Reed of Idaho, who sought to be appointed administrator of the estate of a son who committed suicide at age 19. Her estranged husband, Cecil, also applied as administrator under an Idaho law that said: “As between persons equally entitled to administer a decedent’s estate, males must be preferred to females.”

By arguing that the Idaho law violated the 14th Amendment, Ginsburg persuaded the Supreme Court for the first time to declare that gender stereotyping was inconsistent with the equal protection principle. Ginsburg viewed Reed vs. Reed as the “awakening” of the court to gender issues.

But despite the enormous impact of the decision, Ginsburg had couched her arguments in such fine lines that Chief Justice Warren E. Burger’s opinion on behalf of a unanimous court did not explicitly acknowledge a break with precedent.

A close friend, Herma Hill Kay, now dean of UC Berkeley’s Boalt Hall School of Law, recalls that while Ginsburg was pleased by her victory, “she did not paint the town red.” It was still not clear to her whether women would prevail in similar cases involving other restrictions.

Kay noted that Ginsburg’s legal legacy for women was built on an accumulation of small gains, not one decisive victory. During the 1970s, as head of the ACLU Women’s Rights Project, she litigated a total of 20 cases that succeeded in establishing heightened constitutional scrutiny over gender-based distinctions written into federal, state and local laws.

In one case, the court ignored a warning from the solicitor general that thousands of laws would be jeopardized under the scheme advocated by Ginsburg. In fact, the Justice Department submitted a list to the court of more than 800 laws that contained gender references.

“The list proved extraordinarily helpful,” Ginsburg later recalled. “First, it provided a ready answer to those who claimed that with Title VII (of the 1964 Civil Rights Act) and the Equal Pay Act on the books, no more law-sanctioned sex discrimination existed. Second, it provided a stimulus for a next set of constitutional challenges.”

Ginsburg succeeded in challenging laws on jury service, military benefits and Social Security benefits, among other things. She was so successful, in fact, that she predicted at one point that women would achieve the full equality they sought under the law by 1978.

In the case of Frontiero vs. Richardson, an equal pay case that Ginsburg won, 8 to 1, the court stopped short of declaring that gender restrictions deserved “strict scrutiny” similar to those based on race. When only four justices supported strict scrutiny, it was assumed the court was waiting to see whether the proposed Equal Rights Amendment would be ratified by the states.

ERA later foundered amid a conservative backlash, and the court never permitted strict scrutiny of gender differences. As a result, while many gender-based laws have been eliminated, Ginsburg still sees the battle for women’s rights as “a story in the making.”

By precipitating a sea change in the historical balance between the sexes, Ginsburg won the admiration of many young women who aspired to break out of their traditional roles but also inspired the enmity of millions of other men and women who preferred the status quo.

Barbara Allen Babcock, law professor at Stanford University, remembered that some people viewed her as “something of a crank.”

As the years have passed, many of Ginsburg’s own allies also have begun to second-guess her approach to women’s rights. Some are critical of her for pressing cases that were either too trivial or dealt essentially with discrimination against men.

The case of Stephen Wiesenfeld, for example, involved a man who had played the role of homemaker while his wife worked. When the wife died in childbirth, Wiesenfeld was denied the Social Security benefits to which a widowed homemaker would have been entitled. The court struck down the Social Security regulation preventing him from getting benefits.

Ginsburg often chose cases in which gender stereotypes hurt men, according to her defenders, because she thought these cases would be more likely to persuade nine men sitting on the Supreme Court of her basic point: that gender stereotypes hurt both men and women.

Perhaps the most trivial-sounding case Ginsburg brought to the court was Craig vs. Boren, which challenged an Oklahoma law allowing girls to drink 3.2% beer at age 18 while boys had to wait until they were 21. “It’s hard to see that as a burning social issue,” said Deborah Rhode, a Stanford law professor and author of the book “Justice and Gender.”

Although Rhode is an admirer of the Supreme Court nominee, she noted that many younger women legal experts think Ginsburg should have challenged laws that were of more importance to women. She said that the cases chosen by Ginsburg “left us with a limited doctrinal legacy.”

But the most fundamental criticism heard of Ginsburg’s work is that she encouraged the court to preserve discriminatory laws applying to child bearing and other activities that mark differences between men and women through her arguments that men and women are equal. For example, the court has refused to outlaw the all-male military draft.

“Formal equality has not produced real equality,” Rhode noted. “Men remain the standard of analysis.”

Ginsburg’s critics also assert that formal equality has succeeded in opening doors only for the well-educated, comfortably situated women who are willing and able to play by men’s rules. Rhode said that it has been of less value to low-paid women.

In the face of such criticism, Ginsburg is uncharacteristically apologetic.

In a speech to the University of Chicago Legal Forum in 1989, she explained that in 1970 she “was hardly so bold or so prescient as to essay articulation of a comprehensive theoretical vision of a world in which men did not define women’s place. The endeavor was less lofty, more immediately and practically oriented.”

Ginsburg said that her approach was the only way to shake the notion that men and women naturally operate in different spheres.

Likewise, Ginsburg has angered feminists by criticizing the court’s 1973 Roe vs. Wade ruling, which established the right to an abortion.

In a speech earlier this year at New York University, she lamented that the lawyers challenged a Texas anti-abortion law on privacy grounds instead of challenging it under the equal protection clause. The Constitution does not explicitly mention a right to privacy.

Ginsburg’s views on abortion and her adherence to the concept of strict equality between men and women have fostered a widely held perception of her among younger feminists that she is old-fashioned and out-of-date.

“They call us equality feminists; we feel like dinosaurs,” quipped Peratis.

Still, most feminists are hoping that as a justice, Ginsburg will do what she failed to accomplish as an lawyer: persuade the court to declare gender bias a matter for strict scrutiny.

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USC women finish second at NCAA track and field championships

Buoyed by top performances in the hammer throw, high jump and 400 meters, the Georgia women’s track and field squad distanced itself from the opposition and cruised to its first outdoor national championship in team history.

Georgia lapped the field with 73 points ahead of runners-up USC (47) and third place Texas A&M (43). Fourth-year Bulldogs coach Caryl Smith Gilbert also won national titles at USC in 2018 and 2021.

Samirah Moody won the 100-meter dash and Madison Whyte and Dajaz DeFrand went 2-3 in the 200 to lead USC.

USC placed first in the 4×100 relay with a time of 42.22 seconds.

In the 100, Moody took first with a time of 11.14 seconds while teammates DeFrand and Brianna Selby finished seventh and eighth, respectively. In the 200, Whyte, a sophomore who also anchored the 4×400 team, clocked in at 22.23 while DeFrand, a junior, finished at 22.39.

Olympic gold medalist Aaliyah Butler and Dejanea Oakley of Georgia took the first two spots in the 400 meters with Butler posting a 49.26 and Oakley a 49.65. Butler’s time was the fifth best all-time for a collegian and Oakley was eighth.

The Bulldogs expanded their lead when Elena Kulichenko won the high jump for the second straight year after tying for the title last year. The Odessa, Russia, native won with a jump of 6 feet, 5 inches.

Michelle Smith, a freshman, finished third in the 400 meter hurdles at 55.20 to clinch the team title. Skylynn Townsend took sixth in the triple jump at 44-4¼.

Georgia ended the night by finishing first in the 4×400-meter relay with Butler taking the lead in the final leg with a winning time of 3:23.62. The Trojans posted a third-place finish in the 4×400 relay with a time of 3:26.01. UCLA’s team finished seventh at 3:31.14.

The Bulldogs entered Saturday competition in the lead with 26 points after Stephanie Ratcliffe won the hammer throw on Thursday with a nation-leading distance of 234 feet, 2 inches.

Washington and USC shared the lead earlier Saturday night after Washington’s Sophie O’Sullivan won the 1,500 meters and Moody took the 100, but Georgia got 18 points from Butler and Oakley and never looked back.

Georgia also got points in the javelin with a second-place finish from freshman Manuela Rotundo and a fourth-place finish from Lianna Davidson. Senior Keslie Murrell-Ross finished sixth in the shot put.

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Long Beach Poly boys’ 4×400 relay shines at state track championships

The stars close the show and Long Beach Poly’s 4×400-meter relay brought the crowd to its feet with a stunning performance in the final race of the CIF State Track & Field Finals, winning in 3 minutes 8.68 seconds for the second-fastest time ever in the state meet. The top four teams ran sub-3:10, making it the fastest four-lapper ever in the finals on depth.

The Jackrabbits just missed the state meet record of 3:08.42 set in 2010 by a Gardena Serra foursome anchored by Robert Woods, running the fourth-fastest time in California history.

Central East of Fresno was second in 3:09.23, Servite took third in 3:09.46 to clinch the team title with 33 points, L.A. Cathedral took fourth in 3:09.59 and Long Beach Wilson was fifth in 3:10.55.

Sprinters headlined Friday’s preliminaries but it was the distance runners who played leading roles Saturday at Buchanan High School.

Rylee Blade has made a habit of performing her best on the brightest stage and she ran her fastest girls’ 3,200-meter race ever (9:50.51) but had to settle for second when she was passed on the last turn by Hanne Thomsen of Santa Rosa Montgomery, who won in 9:48.98.

Corona Santiago senior Rylee Blade hugs girls' 3,200-meter winner Hanne Thomsen.

Corona Santiago senior Rylee Blade, left, hugs girls’ 3,200-meter champion Hanne Thomsen after a thrilling finish Saturday.

(Steve Galluzzo / For The Times)

“I knew this would be a kicking race and give [Thomsen] credit, she had a bit more at the end,” said Blade, the Corona Santiago standout who won the state title as a sophomore and was third last year.

In a shocking development, Stanford-bound senior Evan Noonan of Dana Hills, last year’s boys’ 3,200 champion, caught a stomach flu earlier in the afternoon and had to drop out of the race, distraught that he couldn’t defend his title. Woodcrest Christian’s Eyan Turk took advantage of the race favorite’s absence, winning in 8:51.62.

Thomsen was involved in another stretch duel in the girls’ 1,600 versus another Corona Santiago runner Braelyn Combe, who did not realize she won until times were posted on the scoreboard.

Santa Margarita's Leo Francis leaps during a long jump.

Santa Margarita’s Leo Francis wins the boys’ long jump with a leap of 25-00.75 at the CIF state track and field championships at Buchanan High School in Clovis, Calif., on Saturday.

(Steve Galluzzo / For The Times)

“We were shoulder to shoulder with 100 [meters] to go and pushed each other to the end,” said Combe, who won by five-hundredths of a second in a personal-best of 4:35.64, the second-fastest in the country this year and fifth fastest in state history. “I’ve never been that close to someone at the finish line. I closed my eyes and prayed and when I looked up at the board I burst into tears. I’ve never wanted anything more in my life. I’m so happy. My family drove five hours up here to watch.”

Combe, a junior who took second in the 1,600 last year, credits her victory to training with Blade, whom she called “unbelievable.”

“It’s a blessing to have her on my team, she’s the best pacing partner,” said Combe, who capped off her day by anchoring the Sharks’ 4×800-meter relay, which ran 8:49.01 to establish a new state meet record. “It’s a real advantage for me.”

Long Beach Wilson senior Loren Webster wins her second straight CIF state girls' long jump title.

Long Beach Wilson senior Loren Webster wins her second straight CIF state girls’ long jump title with a personal-best leap of 21-00.25 at Buchanan High School in Clovis, Calif., on Saturday.

(Steve Galluzzo / For The Times)

Looking like an Olympic gymnast, Loren Webster successfully defended her state title in girls’ long jump, achieving a personal-best of 21 feet, 0¼ inch. Transgender athlete AB Hernandez, who beat Webster at the Southern Section Masters Meet and posted the top qualifying mark Friday, finished 3½ inches behind in second.

“I’m glad I was able to win to honor my jump coach who has worked with me since my first year jumping as a sophomore,” the teary-eyed senior said of Carl Hampton, who died of cancer May 24, the day of the Masters Meet. “I PR’d by a couple of inches. I was injured most of the season but I knew what I was capable of and I knew today was the only day that mattered.”

Hernandez went on to win the triple jump and tied for first with Lelani Laruelle of Monte Vista and Jillene Wetteland of Long Beach Poly in the high jump at 5-07.

JJ Harel of Sherman Oaks Notre Dame cleared 6-09 to win the boys high jump after finishing second at the state meet last year.

“I knew I would win but honestly, I’m not happy,” said the Knights’ junior, whose personal-best was 7-0¼ last year. “I was on fire in the lower heights, getting over easily but once it got to seven feet I forgot my form.”

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Sherman Oaks Notre Dame's Aja Johnson celebrates after finishing first in the girls' shot put on Saturday.

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Sherman Oaks Notre Dame's JJ Harel stands after winning the boys' high jump title.

1. Sherman Oaks Notre Dame’s Aja Johnson celebrates after finishing first in the girls’ shot put on Saturday. 2. Sherman Oaks Notre Dame’s JJ Harel won the boys’ high jump title Saturday. (Steve Galluzzo / For The Times)

Giving Harel a high-five after his win was Notre Dame senior Aja Johnson, who won the girls’ shot put for the second time in three years with a throw of 45-05¾.

“It’s not a PR or anything but at least I won it for my school. … I’m happy about that,” said Johnson, who is going to college at Louisville.

Oaks Christian’s girls repeated as 4×100 champions in 46.08, edging Long Beach Poly (46.18) for the second year in a row. Servite won the boys 4×100 relay in 40.27, one hundredth of a second faster than its preliminary time.

Concord De La Salle junior Jaden Jefferson won the boys’ 100 meters in 10.27, followed by Servite’s Benjamin Harris (10.31), Alemany’s Demare Dezeurn (10.39) and Rancho Cucamonga’s RJ Sermons (10.48). Temecula Valley’s Jack Stadlman won the 400 meters in 46.02 and took second in the 200 meters in 20.82. Sermons, who had to win a run-off Friday to gain the last qualifying spot, finished sixth in the 200 in 21.05.

Long Beach Wilson successfully defended its 4×400 girls relay title.

Servite won the boys state team title, while Clovis North finished second and Santa Margarita placed third.

Long Beach Wilson claimed the girls state team title, Long Beach Poly finished second and Santiago Corona finished third.

Long Beach Wilson junior Wyatt Obando edges Lucas Alberts.

Long Beach Wilson junior Wyatt Obando, second right, edges Lucas Alberts of Jesuit to win the boys’ 800 meters Saturday.

(Steve Galluzzo / For The Times)

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