Hull

Hull was once mocked and named the worst place to live in the UK. However, it has now been included on the Naitonal Geographic’s best place to visit – the only UK destination to get the nod

A UK city that has long been the butt of the public’s jokes has been named one of the best places in the world to visit.

Hull has rightly been included in National Geographic’s list of ‘the best places in the world to travel to in 2026’, the only UK destination to make the list. Despite excelling itself as the country’s City of Culture in 2017, it’s fair to say Hull receives a disproportionate—and unfair—amount of jibes.

When I lived in York, which is just 37 miles away across Yorkshire, the snobbery directed towards the city of 267,000 was rife and rarely concealed. Many of the jokes came from those who had never visited Hull. Had they taken the time to hop on a train and made the hour-long journey from North to East Yorkshire, I’m sure their eyes would’ve been opened.

Back in 2003, an extremely well-publicised hardback book proclaimed Hull the UK’s most awful hellhole. The Idler Book Of Crap Towns: The 50 Worst Places To Live In The UK wrote of the town: “No matter what happens to me in later life, no matter where I live, or how bad things are, I will know that it can never, ever be as bad as living in Hull”

READ MORE: Tourists say charming UK village ‘frozen in time’ with car-free streetsREAD MORE: Underrated European hotspot is named one of world’s best places for 2026

Writing in National Geographic, Lorna Parkes explains quite how wrong some people are when it comes to Hull, and some of the joys that await those yet to visit.

“At the edge of the North Sea, Hull was one of the world’s busiest whaling ports in the 19th century and a fishing and shipping hub until the 20th, before falling on hard times. Over the past decade, the city has undergone significant revitalization,” she writes.

“Warehouses around Humber Street’s old waterside Fruit Market are now lively independent bars, restaurants, and art galleries. There’s also a spectacular performance amphitheatre, called Stage@TheDock, overlooking River Hull where it meets the Humber Estuary; and a former shipyard has for over 20 years been the base for The Deep, one of the United Kingdom’s most highly respected aquariums and marine conservation centres.”

There are good things on the horizon for Hull. Next year, a £40 million project to promote Hull’s maritime heritage wraps up. A network of new interpretive sites aims to bring 800 years of seafaring history to life. Among them are the Hull Maritime Museum, the North End Shipyard two-storey visitors centre, and two permanently docked museum ships: the 1960s Arctic Corsair cod trawler and the Spurn lightship.

A new Maritime Heritage Trail now winds through the city’s Georgian Old Town, which takes in new green spaces and public art inspired by the city’s ties to the sea.

The Express’s Samantha Teasdale visited Hull this summer. “Despite its notorious reputation as the ‘worst place to live’, I found myself pleasantly surprised by the charm of Hull,” she wrote.

“As I meandered through the lively streets under the warm sun, cooled by a gentle breeze, I was delighted I’d made the trip. The sight of pride flags fluttering on numerous buildings added to the allure. The streets were buzzing with chatter, but it wasn’t until I heard the popping of prosecco bottles that I realised why the area was so bustling.

“Graduates in their gowns and hats filled every pub, restaurant, and street corner. Memories of my own graduation brought a smile to my face.”

Samantha’s favourite part of the city was the marina. “There, I unearthed a treasure trove of hidden gems – quaint cafés, charming restaurants and other businesses that you wouldn’t stumble upon unless you dared to venture past the construction works,” she continued.

“Happily perched on a bench by the marina, next to the aquarium, I found myself gazing out at the sea and musing over how Hull seemed rather delightful. Could it really be such a dreadful place to reside?

“Hull has a lot to offer, and while I may not have ventured into the ‘rough parts’, I believe it’s a city that is often misunderstood and is striving to reinvent itself. I’m eager to return.”

Have a story you want to share? Email us at [email protected].

Hull KR’s Grand Final-winning trio Mikey Lewis, Jez Litten and Joe Burgess have all been named in England’s final 24-man squad for the autumn Ashes Test series against Australia but there is no place for Super League’s Man of Steel winner Jake Connor.

Litten’s only previous cap arrived against France in 2023, while Burgess, who scored two tries in Hull KR’s triumph over Wigan on Saturday, returns to the England set-up after a 10-year absence.

But Connor, who was also omitted from the squad get-together in June, has been unable to convince head coach Shaun Wane he deserves a spot amid fierce competition in the halves.

Wane’s stellar options in those berths include captain George Williams, Wigan’s Harry Smith and Lewis, who won the Rob Burrow Award for man of the match with a sparkling performance at Old Trafford.

Australia face England at Wembley on 25 October, at Everton’s Hill Dickinson Stadium on 1 November and at AMT Headingley on 8 November. All three matches are 14:30 kick-offs and will be live on BBC One.

“I’m really excited by the 24 players we have selected ahead of this upcoming Ashes Series,” said Wane.

“There were some tough decisions to be made given the quality we have across both Super League and the NRL and that’s never easy, but I am confident that the 24 selected will give us the best chance of winning this series.”

England squad: John Bateman (North Queensland Cowboys), AJ Brimson (Gold Coast Titans), Joe Burgess (Hull KR), Daryl Clark (St Helens), Herbie Farnworth (Dolphins), Ethan Havard (Wigan Warriors), Morgan Knowles (St Helens), Matty Lees (St Helens), Mikey Lewis (Hull KR), Jez Litten (Hull KR), Mike McMeeken (Wakefield Trinity), Harry Newman (Leeds Rhinos), Mikolaj Oledzki (Leeds Rhinos), Tom Johnstone (Wakefield Trinity), Kai Pearce-Paul (Newcastle Knights), Harry Smith (Wigan Warriors), Morgan Smithies (Canberra Raiders), Owen Trout (Leigh Leopards), Alex Walmsley (St Helens), Jake Wardle (Wigan Warriors), Kallum Watkins (Leeds Rhinos), Jack Welsby (St Helens), George Williams (Warrington Wolves), Dom Young (Newcastle Knights)

Whereas the 2024 final was a tense and a low scoring affair, Hull KR flipped that script on its head with this year’s war of attrition.

Gone was the caginess of last year. And nerves? What nerves? This was a side made for the occasion, that knew they were on the cusp of greatness and took their opportunity.

Yet it might not have been that way as they were off the pace in the opening stages, and were lucky not to fall behind when they failed to pick up French on the turnover prior to his score being chalked off.

Other than that if they seemed unnerved by the occasion, knowing they were 80 minutes from a history-making treble, they did not seem to show it.

Much had been said in the build-up to the game about Hull KR’s recent and distant past – whether that is relegation in the Million Pound Game in 2016 or finishing bottom of Super League in 2020.

Indeed, outside of some second-tier honours, you had to go back 40 years to the last time the Robins reigned supreme.

Bolstered by the retiring Waerea-Hargreaves – who almost missed the game through suspension prior to KR’s successful appeal this week – and Micky McIlorum, they soon carved open Wigan and never looked back.

Robins talisman Lewis has gone from strength to strength in recent seasons but, much like his team, this feels like the moment in his career where he truly came alive.

But this was a team performance. It was not won by individual moments of brilliance.

It was a display befitting a treble-winning side and masterminded by an elite coach in Willie Peters.

Hull KR have got better every season under Peters’ tutelage and, on this evidence, it makes you wonder if they could be even more formidable in 2026.

A MAJOR supermarket with 340 branches is set to close a site tomorrow.

The supermarket specialises in frozen food but also stocks a wide-range of well known brands such as Muller, Birds Eye and McCain.

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Heron Foods was first established in 1978 after operating as a local butcher in Hull under the name ‘Grindells Butchers.’

After Anthony Grindell sold the business to his sister and her family, the name was changed and the chain started to grow.

The company now runs 343 locations across the UK, however it will suffer a huge blow.

It has now been announced that the Scunthorpe store is set to close its doors for the final time.

In the Heron Foods Scunthorpe Facebook group, one of the admins wrote to the chain’s loyal customer base to announce the news.

The post read: “Dear Valued Customers, we want to thank you for your continued support and loyalty to our Heron Foods store in Scunthorpe.

“It’s been a pleasure serving the local community, and we’re incredibly grateful for the relationships we’ve built over the years.

“We’re writing to let you know that our Scunthorpe store, located at Jubilee Way in the Parishes Shopping Centre, will be closing down.

“This decision was not made lightly, and we understand it may come as disappointing news to many of you.”

It was also revealed that the shop will close its doors for the final time before the weekend has even finished.

The post continued: “Our final day of trading will be the 27th September, and until then, we’ll continue to offer great value and service.

“We encourage you to visit us before we close to take advantage of our remaining stock and special offers.”

The account added: “While this location is closing, we remain committed to serving our customers across the UK. You can continue to shop with us at nearby Heron Foods stores.

“Thank you again for being part of our journey in Scunthorpe. We’ll miss you!”

Customers flooded the comments section of the post to express their immense disappointment at the decision.

One user wrote: “Shame you always have good bargains, going to miss you.”

A second stated: “Shame it’s shutting down always go in there every week.”

“Not good for the town yet again another good shop to close,” claimed a third concerned resident.

While this location is closing, we remain committed to serving our customers across the UK.

Shop adminFacebook

While a fourth commented: “It’s an absolute shame for the wonderfully helpful staff.”

And a fifth added: “Feel sorry for all the people that use the shop in the town that get their good bargains etc.”

However, the chain is launching a new site in Byker, Newcastle which is set to open its doors to customers on October 16th.

The company is also investing in a refurbishment in its Fulwell shop in Sunderland that is due to reopen at the start of October.

In August 2017, B&M purchased the chain in a reported £152million acquisition.

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GOLF star Charley Hull stunned in an elegant dress as she attended Donald Trump’s state banquet at Windsor Castle.

The US president is on a state visit to the UK and met King Charles on Wednesday.

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He also hosted a state banquet at Windsor Castle with 150 guests, including golf royalty.

Sir Nick Faldo was in attendance along with Hull, who wowed with her outfit choice.

The world No.10 caught the eye in a silk gown and posted a selfie on Instagram ahead of the dinner.

She captioned the post: “Swapped the golf gear for something a little more fancy.”

Hull, who won the Kroger Queen City Championship at the weekend, is a big Trump supporter.

She said of the American president: “I love Trump. I think he’s brilliant.’

“I like how he just says things, he doesn’t care what people think and he’s straight to the point.

“I wish he was head of the UK. I just like him as a person. He’s a little better than our Prime Minister.”

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Trump, who is a big golf fan, shared the message Hull wrote on Truth Social.

He also invited Faldo along to the banquet, who attended alongside his wife Lindsay De Marco.

Tell someone about “The Cortège,” and it may inspire as much apprehension as it does curiosity.

A theatrical procession running this month at the Los Angeles Equestrian Center, “The Cortège” promises to explore grief, loss, mourning and our collective disconnection from one another. It’s a dramatic interpretation of a funeral, albeit one with jubilant street-inspired dance and a Sasquatch-like creature. And robots and drones.

I arrived at “The Cortège” just weeks removed from attending a very real, deeply personal funeral for my mother. Did I want to revisit that space as part of my weekend’s entertainment, and would the show inspire a new round of tears? The answer to both turned out to be yes.

“The Cortège” is alternately playful and serious as it explores the cycle of life.

(Emil Ravelo / For The Times)

For “The Cortège” approaches a difficult subject matter with an imaginative question: What if we explore grief not with isolation or solemness, but with wonder? It’s a prompt that’s ripe for an era of divisive politics, financial stress and often isolating technology.

Beginning at twilight and extending into the evening, “The Cortège” starts with an overture, a six-piece band performing in the center of the field. We’re seated either on the grass on portable pads with backs or in folding chairs on an elevated platform.

Soon, a mist erupts on a far end of the field; a lone figure emerges who crawls and then walks to the center. He’ll move in place for much of the show, remaining silent as a fantastical life transpires around him — dancers, ornately costumed characters and larger-than-life puppets will surreally reflect the journey of life.

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Inspired as much by Walt Disney’s approach to fairy tales as, say, Carl Jung’s theories of collective consciousness, “The Cortège” is a revival of an ancient art — the procession — that aims to be a modern rite of passage. A ritual, “The Cortège” is a communal experience, one that seeks to erase borders between audience and performer while imagining a more optimistic world.

Think of it as theater as a healing exercise, or simply an abstracted evening with elaborate, vibrant costumes and choreographed drones creating new constellations in the sky. It’s also a bit of a dance party, with original music composed by Tokimonsta, El Búho and Boreta.

““The Cortège” builds to a final that invites audience participation — and maybe a little dancing.

(Emil Ravelo / For The Times)

“The Cortège” comes from Jeff Hull, a Bay Area artist best known for devising participatory and mysterious experiences that have used real-world settings as a game board — some may recall the beloved underground experiment “The Jejune Institute.” This, however, is a more personal show. It’s informed as much by the struggles and challenges of adulthood as it is the awe and playfulness that Hull experienced when he was younger, specifically his time working as a teen at Oakland’s Children’s Fairyland, a theme park-like playground for young kids.

“Every day I would follow the yellow brick road and have a magic key and slide down a rabbit hole, and I would wonder why the rest of the world wasn’t like that,” Hull says. “I’ve been trying to make it like that ever since. Why can’t we play? Why does it all have to be barriers? That’s the motivation from a childlike place, but now I also have motivation from a wise elder space.”

In turn, “The Cortège” is part festive renewal and part philosophical recollection. At the start, music is mournful but not quite sorrowful, a lightly contemplative jazz-inspired feel anchored by a steel hang drum. The music shifts through reggae stylings and Eastern rhythms. Performers are robed and instruments are carried on ramshackle wheelbarrows, setting up the transitory mood of the night.

What follows will touch on religious and mystical iconography — we’ll meet three lantern-carrying masked figures, for instance, with exaggerated, regal adornments as they herald a birth. Expect a mixture of old and new technologies. Drones will form to mark a passage of eras, a marching band will conjure New Orleans revelry, and towering, furry creatures may invite youthful spiritedness while militant, robotic canines will represent clashing images of human ingenuity and violence.

Think of “The Cortège” as a ceremonial rite of passage — a show that wants audiences to find healing via community.

(Emil Ravelo / For The Times)

For much of the show, we are asked to wear glowing headphones. Their luminescence highlights the crowd while also creating a more intimate, reflective atmosphere. It’s not quite a sound bath and it’s not quite a play, but as more figures enter the field — some haunting and dreamlike with their bodies shaped like arrowheads, and others sillier bursts of feathered color — “The Cortège” takes on a ceremonial, meditative feel.

While some may indeed come for the outsized costumes and extended dance sequences, Hull says the show is the entertainment equivalent of “shadow work,” that is the therapeutic uncovering of suppressed, forgotten or hidden memories.

“Shadow work is something we need to do as individuals, but it’s also something we need to do as a culture,” Hull says. “Let’s look at ourselves. Let’s look at what we don’t want to admit about ourselves. How can we bring that to life? When you do it as an individual, we’re actually partly doing something for the collective. That’s a big aspect of ‘The Cortège.’ Let’s do shadow work as a cultural moment. It’s not all just meant to be entertainment.”

Audiences are asked to wear headphones during “The Cortège,” creating an intimate relationship with the music.

(Emil Ravelo / For The Times)

Ultimately, however, “The Cortège” is an invitation, a hand extended to the audience asking us to consider and reimagine our own journey through life. Emerging from both the traumatic end of a relationship and the death of my mother, I appreciated the way in which “The Cortège” sought to put our existence in perspective, to reinterpret, essentially, the individual as the communal for a celebratory reminder that we’ve all struggled as much as we’ve dreamed.

Hull says “The Cortège” was born from a time of strife.

“What you mentioned, losing a loved one and going through a separation, my version of that is I had Guillain-Barre Syndrome and was walking with a cane. My wife was diagnosed with cancer and then she lost her father. And this was all during a time when the sun didn’t come out. It was dark out, all day, because of the California wildfires. It was a shift between taking everything personally and realizing that all the things I mentioned were things we all have to go through.”

The show is purposefully abstracted, says Hull, to allow audience members to attach their own narratives. It’s a work of pageantry, inspired in part by Hull’s fascination with medieval morality plays, specifically the story of “Everyman,” an examination of self and of our relationship to a higher power.

“The tale of ‘Everyman’ was one in which a universal protagonist met with all of the challenges of life and a reckoning with himself and with God,” Hull says. “That’s literally what we’re doing here. It is a revival of ancient European pageantry.”

Drones will form constellations in the sky during “The Cortège.”

(Emil Ravelo / For The Times)

Hull’s name is well-known among those who follow what is the still-emerging niche of so-called immersive entertainment, media that, broadly speaking, asks participants to take on an interactive role. Those who went deep into “The Jejune Institute,” which ran in the late 2000s in San Francisco and inspired a documentary as well as the AMC series “Dispatches from Elsewhere,” could discover a narrative that examined the fragility — or the allure — of human belief systems. It was often, for instance, compared to a cult.

“The Cortège” is clearly a departure. And Hull today is skeptical of the word “immersive.” Though “The Cortege” invites audiences onto the field in its final act and then asks participants to join in a reception (the afterlife), Hull finds much of what is classified today as immersive to be lacking, emphasizing spectacle and imagery over human emotion.

“The Cortège,” says Hull, is “not a metafiction.” Or don’t think of it as a show about a rite of passage. It’s intended to be a rite of passage itself. “That’s kind of the thesis of this piece,” Hull, 56, says, before expanding on his evolved take on the immersive field.

“There’s this world of immersive entertainment, but what are we immersing ourselves in?” he says. “Is this just sensory stimulation? Is this gesturing at the numinous? Is this referencing the mystical? There’s no meta-narrative here.”

Hull’s hope is “The Cortège” will erase the line between the performative and the restorative. “We all want to have a pretend metafictional relationship to transformative experiences rather than genuine transformative experiences,” he says.

Not quite a play and not quite a dance show, “The Cortège” incorporates elements of both during its procession.

(Emil Ravelo / For The Times)

We can get there, Hull believes, by engaging with an art form that has largely been discarded by the Western world.

“We are reconnecting a lost lineage to that which is ancient and to that which is eternal,” Hull says. “A procession is people walking together; that is simply what a procession is. Where are they walking from? They’re walking from their past. Where are they walking to? They’re walking toward the future. That’s what we’re doing.”

I won’t spoil the moment that made me tear up other than to say it was not due to the jolting of any memories. For “The Cortège” is also exultant — a procession, yes, but a walk into an imagined world.

The visitors suffered a huge blow after just eight minutes when loose forward Morgan Knowles was forced off with a head injury after a high shot which earned Martin 10 minutes in the sin-bin.

The home fans breathed a sigh of relief moments later when half-back Lewis returned to the field after limping off, and George Delaney, on for Knowles, could have seen worse than a yellow card after putting his shoulder into Eribe Doro’s head.

Martin was stopped inches short and James Batchelor knocked on close to the line as Rovers looked to exploit their man advantage, but fine scramble defence denied them in a breathless and scoreless opening half-hour.

Martin nudged the hosts ahead after Joe Batchelor was punished for an off-the-ball hit on Jez Litten, yet Saints, under the cosh for long periods, went in level through Percival when Litten was pinged for ruck interference.

Joe Batchelor’s shoulder put the visitors behind for a second time soon after the restart when he illegally blocked Lewis from following up his chip and chase and Martin kicked a simple penalty.

Tom Davies was denied the opening try after Peta Hiku stuck a foot in touch, but Rovers ground their way to a six-point lead with two quick penalties, the second conceded by Delaney, who was forced to hold on after Lewis cut loose.

Showing signs of wear and tear, the visitors finally buckled, with Lewis unsurprisingly the man to unpick the lock in the 67th minute, setting up field position with a brilliant 40-20 kick before supplying the try assist.

Saints set up a nervy finale with a try out of nowhere when Cross chased down Jack Welsby’s kick ahead, but the hosts held on for a fifth successive win over the Saints and a third of the season.

It was a chastening evening for the Challenge Cup holders, who found Leeds simply too hot to handle.

They were not helped by first-half injuries to forwards Sauaso Sue and Jai Whitbread, which took them out of the contest and, in the case of Sue in particular, looks serious enough to threaten his involvement in the run-in.

Already without the suspended Jared Waerea-Hargreaves, Hull KR were on the back foot from the start with Leeds drawing first blood in the 13th minute through Connor, who landed six out of six with the boot.

There did not look to be much on when he took the ball in the middle of the field, but a fend on Whitbread created the space and the Leeds half-back had the pace to go over.

Four minutes later, teenage front-row Cassell struck for his side’s second try, collecting Kallum Watkins’ chip kick, which cannoned off the post.

It was the outstanding young prospect’s second try in two games.

Things went from bad to worse for the Robins when Miller went over for the home side’s third try in the 26th minute. It was a beauty too, with the lightning full-back gliding through a hole as the home side spread the ball, and then stepping off his right foot for his ninth Super League try of the season.

Leeds led a stunned Hull KR 18-0 at the break.

The visitors came out strongly after the break, but winger Joe Burgess was thwarted by a terrific last-ditch tackle from Newman. Then Mikey Lewis, who endured an uncharacteristically error-ridden evening, was held up over the line.

Hull KR claimed a try on the hour as Newman, under pressure for a kick from Jack Broadbent, spilled the ball behind his own line, but referee Jack Smith adjudged he was tackled in the air.

Brodie Croft put Newman in for Leeds’s fourth try with ten minutes left, leaving Tom Davies’s 100th Super League try late as mere consolation.

While the defeat will almost certainly only delay Hull KR’s crowning as League Leaders’ Shield winners, Leeds have put themselves right into the race for second place that brings with it a home semi-final.

The only blot on the evening for Leeds was the loss of captain Ash Handley in the second half to a groin injury.

It has been a scarcely believable dozen years since Hull burst on to the professional scene in 2013 with five sucessive runners-up finishes on the Ladies European Tour (LET).

She has gone on to record a combined six victories on the LPGA Tour and LET and become a key member of the past six European Solheim Cup teams, but three runner-up finishes remain the best Hull has achieved in the sport’s biggest championships.

“Second to me is first loser,” said England’s top ranked player.

“But I’m in a great position because if you’re not asking [about my chances], I’m not doing something right.”

Hull has been a little boom or bust in the majors over recent years. In her past 24 starts, she has missed the cut on eight occassions but finished top-25 in 15, including runner-up in this championship when it was held at Surrey course Walton Heath in 2023.

Unlike the men’s Open Championship, which is always held at a coastal links course, the women’s equivalent is also played at inland courses.

And while Hull said she “prefers parkland” tracks, she has positive experiences from Porthcawl to draw upon.

“I won here when I was 14, so I have fond memories,” she said, referring to playing in the inaugural Junior Vagliano trophy in 2011 – a Solheim Cup-style amateur contest which pits Great Britain and Ireland agaist Continental Europe.

“Links is going to be a challenge and I hope the wind is up because I like finding links hard.”

Three times she has finished in the spot behind the winner in her previous 59 major appearances. There have been six other top-10s.

“I don’t really look at stuff like that,” she said.

“I have no interest. As I am in life, once I’m done I’m off to the next thing.”

And when pushed on what she needs to do to take her game to the next level, Hull simply said: “I need to not put too much pressure on my golf, not be too golf obsessed.

“Like when I was younger, I was never that obsessed.”

Perhaps a windy Porthcawl will help invoke memories of those more innocent days at blustery Turnberry.

The hosts opened the scoring in the 20th minute when returning Rhyse Martin offloaded to Davies who gathered the ball well on the bounce and pirouetted away from Wakefield centre Johnstone to dive over.

Three minutes later, Wakefield were level thanks to a wonderful flowing move which ended with a pass over the top from Jake Trueman who found Johnstone to score his seventh try of the Super League season.

Wakefield then went ahead when, on the last tackle, they patiently created an overload on the right and Max Jowitt found Hall to score a try for a side which at that stage was dripping with confidence following their victory against Wigan last time out.

Hull KR put their foot down at the end of the first half when Burgess catapulted himself towards the line to score a trademark try before Mourgue nailed the extras to give the hosts a 12-10 half-time lead.

Five minutes after the break, Lewis’ opportunistic linebreak caught Wakefield out and he managed to extend his arm to score on the line and move past 500 career points.

Moments later, Davies’ superb dummy deceived three Wakefield players before diving over to score his second of the match and put the Robins in cruise control.

In the 54th minute, the all-action Lewis was then sent to the sin-bin for preventing a try-scoring opportunity when he hauled down Cameron Scott who had kicked the ball past him.

Despite being down to 12 men, Davies completed his third career hat-trick against Wakefield when he collected Hiku’s simple pass to dot down.

After returning to the field, Lewis then darted through and outrageously offloaded to Hiku to score a try underlining his true star quality.

In the closing stages, Burgess raced to the line and thought he grabbed his second which would have even bettered his first-half effort but his left knee was adjudged to have been out of bounds by the TMO.

Castleford Tigers: Cini, Simm, L Senior, Wood, I. Senior, Asi, Milnes, Amone, Horne, Singleton, Lawler, Mellor, Atkin.

Interchanges: Westerman, Griffin, Hall, Hill.

Hull KR: Mourgue, Davies, Hiku, Broadbent, Booth, Lewis, May, Sue, Litten, Hadley, Whitbread, Batchelor, Minchella.

Interchanges: Luckley, Tanginoa, Brown, Leyland.

Referee: Liam Moore

Catalans last scored a point 34 days ago when they faced Hull KR in the Challenge Cup semi-final, and the first of three consecutive shutout defeats after that in May cost Steve McNamara his job after almost eight years at the helm of the Perpignan club.

Their inability to grab an early score at Craven Park also meant they set an unwanted record for longest time between points in Super League history, passing the previous 259-minute wait Wakefield Trinity endured in 2023.

In stark contrast, since the Robins last faced the Dragons they have amassed 19 tries in four games and ended their long wait to lift the cup.

While the key trio of Jared Waerea-Hargreaves, Michael McIlorum and Joe Burgess were all ruled out injured after helping Hull KR to Wembley glory, the East Yorkshire side remained at their irrepressible best against a French side in wretched form.

Garcia being held up over the line in the 11th minute was the highlight of Catalans’ first half in Hull.

Davies, Batchelor and Sue’s tries that followed had the hosts cruising, but Catalans’ hopes of making it a contest after that were dashed by the sin-binning of Maria – for his illegal hit on Sue – before Garcia’s was shown a red card for swinging a punch at Elliot Minchella and Lewis.

An avalanche of tries followed before the interval, leading Catalans’ interim head coach Joel Tomkins to do some damage control at half-time.

An unlikely comeback was not on the cards, however, as Sue added to the Robins’ advantage while Keary grabbed what was a mere consolation effort for the Les Dracs before another four tries were piled on them in a chastening final 15 minutes.

BRITS struggling to live have “every right to be angry” about illegal migrants getting cushy hotel rooms, Nigel Farage said yesterday.

The Reform leader hailed The Sun’s front page for laying bare the crippling cost of asylum accommodation.

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We told the case of Stuart Whittaker – a former factory worker from Hull who is now homeless – feeling he had been “shoved to the back of the queue”.

Downing Street yesterday admitted it was “absolutely not” fair that locals like him are sofa-surfing while taxpayers fork out for migrant hotels.

Also addressing the story in Port Talbot, Mr Farage said: “What I tell your man from Hull, is he has every right to be upset.

“Every right to be angry.

“Just don’t say anything on social media or Keir Starmer will put you in prison.”

He said that while legal migration has a bigger strain on public services, it is the “sheer unfairness of these young men” coming across the Channel illegally that rubs people up.

The cost of paying for asylum support has ballooned to around £4.7billion annually, and around 15,000 migrants have arrived from France this year already.

Sir Keir Starmer’s spokesman said: “It’s not fair that tens of thousands of people are stuck in an asylum backlog that’s wasting billions of pounds of taxpayers money, and that’s why we’re focused on taking the action needed to reduce the number of asylum seekers and hotels.”

Minister Chris Bryant yesterday insisted that the “best deterrent” against small boats was processing asylum claims quicker.

He was slammed by Tory Shadow Home Secretary Chris Philp, who said: “This is dangerous nonsense from a weak Labour Government.

“Giving illegal immigrants asylum faster is no deterrent – it will just attract even more to come here.

“A real deterrent would be removing every single illegal immigrant who arrives in the UK to somewhere like Rwanda.”

Following on from those 1980s stars like Miller, Prohm, Fairburn and others such as Mark Broadhurst, Mike Smith and David Watkinson, the current crop are equally well-stocked for talent.

Kiwi enforcer Jared Waerea-Hargreaves brings the fear factor of a Broadhurst, captain Elliot Minchella captures the swashbuckling ball-handling of former Man of Steel Miller, and semi-final hero Jack Broadbent will be doing the Fairburn job from full-back with Arthur Mourgue cup-tied.

Perhaps the headline act these days is Mikey Lewis – a homegrown dynamo and the reigning Man of Steel.

Peters will have taken heart from the way these Robins have managed the excitement of reaching Wembley and continued their relentless form in Super League on the back of beating Catalans Dragons in their York semi-final.

Equally, the run to Wembley included the intensity of a quarter-final against neighbours Hull FC, added to a league derby against their rivals which were both negotiated smoothly amidst a run of tricky games.

With Warrington at times failing to match their cup highs in league matches given they lie eighth in the table, the league leaders could be forgiven for feeling the weight of expectation in Saturday’s showpiece.

It is a different scenario from their 2023 experience when Rovers and Leigh were considered equal odds before the Leopards triumphed in Golden Point, and last year’s Grand Final when holders Wigan were hotly-tipped to take the prize, and did.

“I don’t think it [form] does bring pressure, it should give the players a lot of belief knowing that we’ve had a lot of challenges in different situations this year,” Peters added.

“We’ve had different scenarios this year which would have put us under the pump if we’d allowed it to, but we didn’t and I’m proud of the players for that.

“You are going to go through setbacks and you need to experience adversity to grow, that’s what they’ve done.”

Selles had guided Reading to sixth in League One despite their off-field concerns when he left for East Yorkshire on 6 December.

Predecessor Walter had been relieved of his duties the previous week after a run of nine matches without a win.

Selles claimed his first win as Tigers boss with a 2-1 home victory over Swansea on 21 December to end a winless run of 13 matches.

Although they claimed notable results away from home under Selles, including wins at promotion-chasing Sheffield United and Sunderland, they found home wins incredibly hard to come by and ended the season with the worst home record in the division.

Defeats at the MKM Stadium by fellow strugglers Luton and Derby meant they went into the final game of the season in the Championship relegation zone.

Other fixtures meant a win would guarantee their survival and, although they were pegged back at Fratton Park after Matt Crooks had given them the lead, a point proved to be enough to keep them up on goal difference.

After the match Selles told BBC Radio Humberside: “Everyone in the club managed difficult moments and it has been a tough season for everyone and we deserved to stay in the division.

“We had a team that was rock bottom and to achieve the target this season with all the injuries and everything else is just massive.

“Now it’s over and we crossed the line, we can rest a little bit and I told the players that we will remember this day for years to come.”

BBC rugby league reporter Matt Newsum:

Hot on the heels of the success of Wigan and Warrington’s venture into Sin City in 2025, Hull KR and Leeds are the latest Super League entrants to make the trip over the Atlantic for the now annual Las Vegas event in tandem with the Australian NRL.

This time, RL Commercial have been more heavily involved in the process, after Warriors CEO Kris Radlinski and then Warrington counterpart Karl Fitzpatrick set the ball rolling for this year’s event off their own backs.

Both Hull KR and Leeds, and perhaps importantly from selling the game, brands, have a strong presence. They have shown themselves to be successful off the field of late as well as on it, and should provide the type of match-up which will show Super League in its best light.

Rovers could pitch up in Las Vegas as champions and Challenge Cup winners, and this would be another memorable experience for a fanbase that has shown itself to be loyal and high in turnout at major events in recent seasons – one of the key reasons for their inclusion.

Leeds still carry a cachet to an Australian audience from their legacy of success, their links with high-profile Australians over the years, and the fanbase again, and while some of the success from the years of annual Grand Final appearances has tailed off, there is a sense the club is now heading in the right direction.

Both clubs will take some financial hit on the trip, as did their predecessors, particularly in giving up a home game for one but the hope is there are ways of making the trip pay both tangibly and metaphorically.

The aim one day is that all clubs in the Super League will get a chance to show their wares, but right now, these two clubs need to be shrewd and provide a meaningful showpiece, and there will be confidence that neither will wilt in the glare of the Nevada sun.