homeless

Good morning, and welcome to L.A. on the Record — our City Hall newsletter. It’s David Zahniser, giving you the latest on city and county government.

It wasn’t that long ago that the Los Angeles Homeless Services Authority was the place to be — at least, if you were a local politician.

L.A. Mayor Karen Bass put herself on the agency’s 10-member board in 2023, saying direct oversight would help her confront the region’s homelessness crisis. L.A. County Supervisors Lindsey Horvath and Kathryn Barger joined that year as well.

Those who follow local politics — and the travails of the region’s beleaguered homeless agency — know what happened next.

Barger left the board, comprised of city and county representatives, after a single year. Horvath lasted two. Both spearheaded the effort to shift more than $300 million out of LAHSA and into a new county homelessness department, saying they had lost confidence in the agency.

On Wednesday, Bass finally stepped down too, offering the latest and perhaps most crucial sign that LAHSA’s days could be numbered.

Bass, now in a tough reelection fight, portrayed her resignation partly as a scheduling issue, saying she recently became chair of the board that oversees the Metropolitan Transportation Authority.

But Bass also said she has concluded that the city needs direct control over homeless services, replacing the joint city-county governance structure that has existed for three decades.

“To me, it is not functional at this point,” the mayor told reporters on Wednesday.

Bass was in fact Metro’s board chair when she joined LAHSA three years ago, juggling the two roles. But things are different now. LAHSA, long a subject of criticism, is under attack from all sides.

The Trump administration has spent months trying to strip LAHSA of its federal funding. Federal court battles have highlighted weak oversight at the agency. L.A. City Council members have voiced renewed frustration with LAHSA’s handling of the yearly homeless count. All of this follows years of critical news coverage and unflattering audits.

Paul Rubenstein, a LAHSA spokesperson, said the agency remains focused on its work — moving unhoused Angelenos indoors, managing public funds and “ensuring transparency and accountability across our rehousing system.”

Bass and her opponent in the mayor’s race, City Councilmember Nithya Raman, tried without success last year to dissuade county officials from pulling their funding out of LAHSA. At the time, they sent a letter telling the supervisors they were “going backwards into a silo.”

Now, LAHSA’s core responsibilities are up for grabs. County officials plan to compete for those duties, including management of the homeless count.

Bass and Raman want the city to compete as well. Asked this week if that process spells the end of the homeless agency, Raman hedged a bit.

“I don’t know what moment will be the death knell of LAHSA,” Raman said. “What I am saying right now is that the city … should be able to take greater control over the dollars that we are investing.”

Bass said Friday that she can envision a scenario where LAHSA continues to exist but is much, much smaller.

“Our $300 million would stay within the city,” she said.

Traci Park unloads on Raman

Raman has been taking her campaign to Pacific Palisades, talking to residents about her recovery plan for the community, which was devastated by the January 2025 wildfire. During one recent appearance, she told an audience that the city has let them down.

“I don’t want to let you down. I feel an urgency to show up,” she said.

That appearance — and Raman’s social media posts on the issue — drew a testy response last week from Councilmember Traci Park, who represents the Palisades. Appearing on KFI’s The John Kobylt Show, Park said Raman never spoke with her one on one about the disaster or what her constituents needed in the aftermath.

Park said she had council members tour the burn area with her early on, to help them understand what would be required during the recovery. Although most of her colleagues took her up on that offer, Raman did not, Park said.

“The Palisades have been through enough,” Park said. “They don’t need politicians discovering their suffering, and the challenges they’re dealing with, only when it becomes politically useful.”

Raman, through a campaign spokesperson, said she did tour the Palisades both before and after launching her mayoral bid — and signed on to multiple council motions dealing with wildfire prevention and disaster recovery.

In a statement, Raman also offered praise for Park, saying she has “worked tirelessly to support the rebuilding of the Palisades.”

“As mayor, I’ll be the strongest partner to her and Palisades residents to help them rebuild and return home as quickly as possible,” Raman said.

Park remains the only council member who has not endorsed in the mayor’s race. Thirteen others are backing Bass.

Dueling controllers unite for Raman

Raman has picked up endorsements from something of a political odd couple: two city controllers who have not always had kind things to say about each other.

City Controller Kenneth Mejia, who recently won reelection, stood with Raman in Chinatown on Wednesday as she called for L.A.’s nonprofit homeless providers to be paid based on their success rates.

A day later, Raman appeared in the San Fernando Valley with former City Controller Laura Chick as the two spoke out against the city’s $2.6-billion upgrade of the Convention Center.

The back-to-back appearances brought back memories. Chick had tough words for Mejia back in 2022, calling him “unfit for public office.” She pointed to his tweets calling then-President Joe Biden a rapist and a racist, and his decision to pose for a photo with a poster of Hillary Clinton photoshopped to look like she was behind bars in an orange prison jumpsuit.

Mejia responded by blasting Chick, a former City Council member, as a career politician who recycled lies and “exaggerated attacks.”

Chick, who served as controller from 2001 to 2009, went after Mejia again this year, endorsing his opponent, real estate executive Zach Sokoloff, in the run-up to the June 2 primary. This time, she said Mejia was not producing enough reports to fulfill his office’s watchdog role.

In many ways, Chick was the Mejia of her day, railing against the status quo and turning a spotlight on the city’s shortcomings, drawing the ire of other elected officials.

So could the Raman campaign bring about a detente between the two?

Chick, in an interview, said she hasn’t spoken with Mejia but would gladly take his call. She said she wishes him well now that he has another four years in office.

“I think she’s trying to get us together,” Chick said, referring to Raman.

Chick said she’s hoping that Raman, as mayor, will receive “lots of vigorous audits” from the controller and then implement the findings.

“I yearned for a mayor, as city controller, that I could turn to and say, ‘Here. Here are the findings of my audit. Please do something about it.’ She’ll have that with Mejia,” Chick said.

We should point out that Bass has picked up support from at least two former city controllers: Rick Tuttle, who served from 1985 to 2001, and Wendy Greuel, a former city councilmember who succeeded Chick in 2009.

State of play

— STICKER SHOCK: A long-promised makeover of the Veteran Administration’s historic Building 13 in West L.A. will create 24 units of housing for homeless veterans, at an estimated cost of $1.25 million per apartment. “It must be one of the most unaffordable projects ever undertaken,” said Bobby Shriver, the former Santa Monica mayor.

— LINEAGE LAWSUIT: Lineage, whose cold storage warehouse recently burned down in Boyle Heights, leaving behind the stench of rotting meat, said in a new lawsuit that a company that operated a solar array on the building’s roof is to blame for the fire. Altus Power, the solar company, said it would fight the allegations in court.

— BOTHERED BY BUSES: Business owners in Eagle Rock are worried about a dedicated bus lane coming to Colorado Boulevard — and the potential impact on customer visits.

— SETTING A SCHEDULE: The City Council voted this week to draft legal language that would require fast-food restaurants to give employees notice of their work schedules at least two weeks in advance. The move would build on an existing city ordinance that currently applies to retail employees at large companies.

— BACKING A BILL: Hollywood film and TV post production workers stood with Bass and Assemblymember Nick Schultz (D-Burbank) on Thursday, urging Gov. Gavin Newsom to sign a bill that would create the state’s first standalone post-production tax incentive.

— LIFE AFTER PRATT: Bass or Raman for mayor? In Spencer Pratt’s Pacific Palisades, some say that’s no choice at all.

QUICK HITS

• Where is Inside Safe? The mayor’s signature program to address homelessness went to Skid Row, an area represented by Councilmember Ysabel Jurado.
• On the docket next week: A House subcommittee holds a hearing Tuesday to discuss waste and fraud in L.A. County’s homelessness response system — one that won’t be attended by Bass.

Stay in touch

That’s it for this week! Send your questions, comments and gossip to LAontheRecord@latimes.com. Did a friend forward you this email? Sign up here to get it in your inbox every Saturday morning.

A wonderful Oval Office perk is what Thomas Jefferson dubbed “The President’s Own.” At the president’s beck and call is the United States Marine Band, created by an act of Congress in 1798.

But for an acquisitive current occupant of the White House, the oldest continuously active musical organization hasn’t seemed enough. In his appropriating the John F. Kennedy Center for the Performing Arts, also created and officially named by Congress, the president obtained the National Symphony Orchestra. Unlike its “President’s Own” sibling, which is supported by the Defense Department annual allotment of some $400 million for military bands, the NSO is administered, funded (between a third and half of its $35-million budget) and lately threatened by what are now the whims of the Kennedy Center.

The NSO appeared at the Hollywood Bowl on Tuesday night, however, with a collective sigh of relief. A week earlier the Kennedy Center Board, without congressional input or legal approval, approved an imminent, two-year closure of the venue for repairs and remodeling, with little word about the homeless or economic future of its artist affiliate. By early August, no new NSO season, which would begin in September, had been announced.

But Tuesday morning, the NSO, in fact, did lay out a full and musically substantial season, the 10th for its music director, Gianandrea Noseda. Not taking a chance on the courts preventing a Kennedy Center closure, the NSO will become next season a peripatetic ensemble performing in various venues in and around D.C., as well undertake a national tour in the spring. Uncertainty remains, but for now all is as well as can be expected.

The NSO, however, offered little of what to expect. I can only find one program next season as unimaginative as Tuesday’s at the Bowl. The orchestra looks forward to several premieres of new works by lively composers and a variety of significant guest conductors, including the venturesome Teddy Abrams (who will lead the Los Angeles Philharmonic’s season-opening gala) and eclectic former NSO music director Leonard Slatkin (who is also the former L.A. Phil principal guest conductor for the Hollywood Bowl). Noseda’s only other bland program will be the one he brings on tour to The Soraya in April.

Hearing the NSO at the Bowl, moreover, is an act of guess work. With the new immersive sound system, orchestra impact becomes a matter of technology, giving individual instruments paranormal prominence and turning full orchestra glory into a sensual sound bath. Still, with its smooth strings, creamy brass, pungent winds and friendly percussion, Noseda’s NSO came across as a gracious orchestra meant to please, and, consequently, a seemingly marvelous anomaly in an otherwise divisive present-day D.C.

But that offered few favors for Leonard Bernstein’s Symphonic Dances from “West Side Story” or Gershwin’s “An American in Paris,” where the Bowl has regularly hosted far more idiomatic, swinging performances. Dvorak’s “New World Symphony” in the second half was, on the other hand, satisfyingly full-bodied. While Noseda sometimes practices likability to a fault, his sense of drama is ever sure, and it is hard to get enough of the lyrical sweetness he conveys. As an encore, Noseda led the overture to Bernstein’s “Candide” with real flair.

But why commonplace “Candide” and “West Side Story,” when Bernstein wrote “Slava! A Political Overture,” for the NSO as tribute in 1977 to its Russian music director, Mstislav Rostropovich? Might not the NSO make a point with “Three Mediations” from “MASS,” Bernstein’s multimedia masterpiece that controversially opened Kennedy Center in 1974. Bernstein also wrote a major late work for the NSO, “Songfest.” Bernstein, himself, conducted the Los Angeles Philharmonic in the West Coast premiere at the Bowl in 1983, which had special significance because his collaborator on “Songfest,” Tom Cothran, who happened to have grown up in Pasadena.

For his part, Noseda has done an exceptional job in championing major Black composers at home and on record. Carlos Simon has been the NSO’s composer in residence for the last five years, and Noseda has revived and recorded an essential album of works by George Walker. In October, Noseda and the NSO will release a recording of two symphonies by William Grant Still, who lived in L.A. Deeply evocative of a post-Dvorak new world, they are beautifully played on the new recording and would have been ideal for the Bowl.

The NSO has given up on the Kennedy Center, but must we? There are many questions that have not been considered. The current plan for infrastructure improvements and slapdash redecorating at the cost of $250 million. In fact, the facility’s playhouse, opera theater and concert hall are due for major renovations. But that requires significant planning, the hiring of a major architecture firm with concert hall experience, a first-rate acoustician and, ideally, four times the allotted budget.

This is clearly a long-term job for Congress and consultants who would do well to study the approach of the Salzburg Festival. It has been planning for several years to rehabilitate its large concert hall (which is of similar vintage to the Kennedy Center), which will require five years and a cost of around $600 million. It is also carefully examining alternate performance sites to be used during construction.

The Kennedy Center is a memorial, and before another new idea is allowed out, let the Kennedy Center board visit Lincoln Memorial Reflecting Pool for a moment of reflection on how and why to bring the NSO, America’s Own, back home. In the background, the U.S. Marine Band could offer its kin moral support by playing in the background Ives’ mysteriously transcendental “Unanswered Question.”