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‘SNL’ recap: Miles Teller plays Property Brothers in White House skit

As we mentioned last time when Sabrina Carpenter hosted “Saturday Night Live,” there’s no substitute for a host who fully throws themselves into “SNL.”

He may not have done double duty as host and musical guest the way Carpenter did, but Miles Teller appeared to fully embrace the challenge of returning to host for a second time (the first was in 2022). The “Top Gun 2: Maverick” star, who’ll next be appearing in the movie “Eternity,” gave a solid performance, appearing in nearly every sketch, including the cold open and two pre-recorded videos.

He first appeared as former Gov. Andrew Cuomo, a candidate for New York mayor, in the cold open with help from Ramy Youssef and Shane Gillis as opponents Zohran Mamdani and Curtis Sliwa.

After that, Teller played a hungover game show contestant recovering from Halloween, a hockey player shooting a public service announcement for the unfortunately named Nashville Predators and both twin Property Brothers in a video sketch about the current White House renovation.

Teller was also in a sketch about a TV newsroom that decides to show viewers what its background employees are doing, a Netflix promo for a true crime story about husbands who don’t know where their wives went, one about a police press conference that takes a turn and a show closer about a silly Italian restaurant in Nebraska.

Teller handled it all well; he’s good with accents and earned strong laughs, especially playing two characters at the same time in the “Property Brothers” sketch and as Cuomo in the cold open.

Musical guest Brandi Carlile performed “Church & State” and “Human.”

This week’s cold open was one of the stronger (or at least funnier) political sketches of the season so far, tackling the New York mayoral race. As hosted by Errol Louis (Kenan Thompson), “the least famous person to be impersonated on ‘SNL,’ ” the debate sketch portrayed Cuomo (Teller) as a sexually harassing (“Yadda yadda yadda, honk honk, squeeze squeeze) panderer to Jewish voters; Mamdani (Youssef) as a force-smiling, TikTok-flirting candidate who’s pretty sure he won’t be able to implement his promises; and long-shot candidate Sliwa (Gillis) as an “old-fashioned New York nut” with one traumatic story after another to recount. The biggest surprise may have been Gillis, who as Sliwa recounted stories about being hung by his testicles and getting assaulted by a Times Square Spider-Man. Where was this energy when Gillis hosted “SNL”? As has been the habit on many a cold open, President Trump (James Austin Johnson) interrupts the proceedings to mock the candidates and insert his own commentary. This time, that included singing a song from “Phantom of the Opera” to conclude the sketch.

Teller’s monologue was short and simple, relaying how as a kid who moved around most of his childhood, “SNL” was a constant. He shared a photo of himself and his sisters dressed up as the “Night at the Roxbury” characters from the show and then made up a list of memories from the show, like having his first beer in the audience and falling over after having a few beers. Teller mentioned that he and his wife lost their Palisades home in January’s Los Angeles fires. As such, he made sure to point out the fire exits for the audience.

Best sketch of the night: An extreme White House makeover

The Property Brothers Jonathan and Drew Scott (Teller times two) meet their toughest clients yet: Trump and First Lady Melania Trump (Chloe Fineman) who need help with their current renovation of the White House to make room for a new ballroom. Melania shared her skeleton and withered tree decorations (“They are for Christmas,” she said), and the couple complained that 55,000 square feet and 132 rooms just isn’t enough space. With a budget of “$350 million to infinity” the brothers get to work with the help of park rangers and astronauts working through the government shutdown. But when it comes to getting paid for their work, there’s a problem. “Aren’t you guys from Canada?” the president asks. Then he calls ICE on them.

Also good: Nobody asked for this much transparency in news

On a show called Newspoint, the host (Fineman) and her guest (Thompson) are trying to have a serious news discussion, but because the show has opened up its full newsroom to viewers, all the workers in the background draw attention. Among them are Mikey Day, who awkwardly notices the cameras are on him before spilling a carrier of drinks, Bowen Yang as a worker who gets electrocuted by a copy machine and Teller, who has manga erotica up on his work screen. It’s nice to see some physical comedy from Day in particular and the sketch’s visual gags work nicely.

‘Weekend Update’ winner: George Santos is back, untruthful as ever!

Andrew Dismukes and Ashley Padilla (who should be a full cast member at this point instead of a featured player) played a couple who just made out but are trying to discuss the government shutdown. But it was Yang as chronic liar George Santos who stole “Update” (and some jewels) after Yang missed an opportunity on the last “SNL” episode to play the former representative, whose prison term was commuted by Trump. Santos claimed he finished the New York marathon, which hadn’t happened yet, and kept interrupting his chat with “Update” co-host Colin Jost to take calls with prisoners with a jail window and phone he brought with him. He purported to speak with Ghislaine Maxwell, Luigi Mangione and Sean “Diddy” Combs before revealing that the key to making prison rice pudding is preheating the toilet to 350 degrees. Santos ended the segment by revealing the necklace he stole from the Louvre and insisting that he’d just won the World Series.

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Why did Toni Atkins’ campaign for California governor fizzle?

Among the small army of prospects who’ve eyed the California governorship, none seemed more qualified than Toni Atkins.

After serving on the San Diego City Council, she moved on to Sacramento, where Atkins led both the Assembly and state Senate, one of just three people in history — and the first in 147 years — to head both houses of California’s Legislature.

She negotiated eight state budgets with two governors and, among other achievements, passed major legislation on abortion rights, help for low-income families and a $7.5-billion water bond.

You can disagree with her politics but, clearly, Atkins is someone who knows her way around the Capitol.

She married that expertise with the kind of hardscrabble, up-by-her-bootstraps backstory that a calculating political consultant might have spun from whole cloth, had it not been so.

Atkins grew up in rural Appalachia in a rented home with an outdoor privy. Her first pair of glasses was a gift from the local Lions Club. She didn’t visit a dentist until she was 24. Her family was too poor.

Yet for all of that, Atkins’ gubernatorial campaign didn’t last even to 2026, when voters will elect a successor to the termed-out Gavin Newsom. She quit the race in September, more than eight months before the primary.

She has no regrets.

“It was a hard decision,” the Democrat said. “But I’m a pragmatic person.”

She couldn’t and wouldn’t keep asking “supporters and people to contribute more and more if the outcome was not going to be what we hoped,” Atkins said. “I needed sort of a moonshot to do it, and I didn’t see that.”

She spoke recently via Zoom from the den of her home in San Diego, where Atkins had just returned after spending several weeks back in Virginia, tending to a dying friend and mentor, one of her former college professors.

“I was a first-generation college kid … a hillbilly,” Atkins said. She felt as though she had no place in the world “and this professor, Steve Fisher, basically helped turn me around and not be a victim. Learn to organize. Learn to work with people on common goals. … He was one of the first people that really helped me to understand how to be part of something bigger than myself.”

Over the 22 months of her campaign — between the launch in January 2024 and its abandonment on Sept. 29 — Atkins traveled California from tip to toe, holding countless meetings and talking to innumerable voters. “It’s one thing to be the speaker or the [Senate leader],” she said. “People treat you differently when you’re a candidate. You’re appealing to them to support you, and it’s a different conversation.”

What she heard was a lot of practicality.

People lamenting the exorbitant cost of housing, energy and child care. Rural Californians worried about their dwindling access to healthcare. Parents and teachers concerned about wanton immigration raids and their effect on kids. “It wasn’t presented as a political thing,” Atkins said. “It was just fear for [their] neighbors.”

She heard plenty from business owners and, especially, put-upon residents of red California, who griped about Sacramento and its seeming disconnection from their lives and livelihoods. “I heard in Tehama County … folks saying, ‘Look, we care about the environment, but we can’t have electric school buses here. We don’t have any infrastructure.’ ”

Voters seemed to be of two — somewhat contradictory — minds about what they want in their next governor.

First off, “Someone that’s going to be focused on California, California problems and California issues,” Atkins said. “They want a governor that’s not going to be performative, but really focused on the issues that California needs help on.”

At the same, they see the damage that President Trump and his punitive policies have done to the state in a very short time, so “they also want to see a fighter.”

The challenge, Atkins suggested, is “convincing people … you’re absolutely going to fight for California values and, at the same, that you’re going to be focused on fixing the roads.”

Maybe California needs to elect a contortionist.

Given her considerable know-how and compelling background, why did Atkins’ campaign fizzle?

Here’s a clue: The word starts with “m” and ends with “y” and speaks to something pernicious about our political system.

“I hoped my experience and my collaborative nature and my ability to work across party lines when I needed to … would gain traction,” Atkins said. “But I just didn’t have the name recognition.”

Or, more pertinently, the huge pile of cash needed to build that name recognition and get elected to statewide office in California.

While Atkins wasn’t a bad fundraiser, she simply couldn’t raise the many tens of millions of dollars needed to run a viable gubernatorial race.

That could be seen as a referendum of sorts. If enough people wanted Atkins to be governor, she theoretically would have collected more cash. But who doubts that money has an unholy influence on our elections?

(Other than Kentucky Sen. Mitch McConnell, who spent much of his career fighting campaign finance reform, and members of the Supreme Court who green-lit today’s unlimited geyser of campaign spending.)

At age 63, Atkins is not certain what comes next.

“I’ve lost parents, but it’s been decades,” she said. “And to lose Steve” — her beloved ex-college professor — “I think I’m going to take the rest of the year to reflect. I’m definitely going to stay engaged … but I’m going to focus on family” at least until January.

Atkins remains optimistic about her adopted home state, notwithstanding her unsuccessful run for governor and the earful of criticisms she heard along the way,

“California is the place where people dream,” she said. “We still have the ability to do big things … We’re the fourth-largest economy. We’re a nation-state. We need to remember that.”

Without losing sight of the basics.

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