heist

Feb. 24 (UPI) — The director of the Louvre in Paris, Laurence des Cars, resigned her post Tuesday, months after thieves stole more than $100 million in jewels from the museum, French President Emanuel Macron announced.

The president accepted Cars’ letter of resignation, Macron’s office said, and welcomed the “act of responsibility.” The statement said the museum needs “calm” and strength to carry out major security and modernization projects.

Cars faced grilling by the French Senate in October after the brazen daylight heist of the jewels. A group of four thieves used a basket lift mounted to a truck to enter the museum through a second-floor balcony window and make off with historic jewelry. The loot included crowns, necklaces, tiaras and brooches worth much more than the individual value of the gems and precious metal were the thieves to melt down the pieces to sell the parts.

Among the items stolen were items once owned by French Emperor Napoleon Bonaparte and his wife, Empress Joséphine de Beauharnais.

French lawmakers questioned the efficacy of the Louvre’s safety measures in the weeks after the crime.

Auditors determined that the museum had fallen “considerably behind” in upgrading its technical infrastructure and security. The authors of the report took issue with the Louvre’s acquirement of 2,754 items over eight years, one-fourth of which were on display. These items — and renovations of displays — represent an investment of $167 million, double what the Louvre allocated for maintenance, upgrades and building restoration.

The report recommended that the Louvre eliminate a rule that requires the museum spend 20% of its ticket revenues — $143 million in 2024 — on acquiring new works. This would allow the facility to redirect funds to update the building without additional state funding. Auditors said the museum could also lean more heavily on its endowment fund to make the upgrades.

The new Netflix show follows five women who set out to rob a bank

Netflix has just dropped a new crime thriller perfect for your weekend binge-watch session.

Cash Queens or Les Lionnes follows five women who take on a daring money heist, led by single mum Rosalie.

When she realises that her family has to live on just €30 a week in order to pay off her incarcerated husband’s debt, Rosalie comes up with a plan.

She sets out to rob €100,000 from the bank where she works as a receptionist. Her best friend Kim soon catches wind of the heist and jumps on board, hoping to use her share to open a massage therapy salon.

Rosalie’s cousin, Alex, also joins in and uses her skills as an architecture student to perfect their plan.

They later recruit Sofia, another desperate single mum in need of cash before social services hunt her down. And their final member is Kim’s client Chloé, who is married to the town’s shady mayor.

The newfound friend group then take on the tricky heist, cleverly disguised as men. However, “it’s not long before politicians, police, and gangsters are on their tails, scarcely imagining that a group of ordinary women are behind this band of mercenaries,” states the synopsis.

Its ensemble cast is led by Rebecca Marder, who plays leading lady Rosalie. She is joined by Zoé Marchal as Kim, Naidra Ayadi as Sofia, Pascale Arbillot in the role of Chloé and Tya Deslauriers as Alex.

While the French drama’s plot seems far-fetched, it is actually inspired by a gang of robbers from the late eighties.

According to Tudum: “The series is inspired by the Gang des Amazones, five women who robbed seven banks in the South of France starting in 1989. “

The women famously disguised themselves as men by wearing wigs and fake moustaches.

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Since the eight-episode series premiered last night (February 5), it hasn’t received many reviews just yet. However, Screen Rant described it as a ‘must watch’.

Entertainment publication Gazettely also shared a thoughtful review, writing: “Cash Queens provides a sharp look at economic desperation. It replaces heist glamour with the frantic reality of survival.”

The review continued, praising the show’s plot device of masculine disguises as “biting commentary on the invisibility of working-class women”.

“This production represents a shift in streaming content toward stories prioritizing character depth over spectacle. It succeeds as a grounded portrait of resistance against a system designed to ignore the poor,” they concluded.

Cash Queens is streaming now on Netflix