head

WASHINGTON — Since becoming defense secretary, Pete Hegseth has found no shortage of ways to bring his strand of conservative evangelicalism into the Pentagon.

He hosts monthly Christian worship services for employees. His department’s promotional videos have displayed Bible verses alongside military footage. In speeches and interviews, he often argues the U.S. was founded as a Christian nation and troops should embrace God, potentially risking the military’s secular mission and hard-won pluralism.

Now the defense secretary’s Christian rhetoric has taken on new meaning after the U.S. and Israel went to war with Iran, an Islamic theocracy.

“The mullahs are desperate and scrambling,” he said at a recent Pentagon press briefing, referring to Iran’s Shiite Muslim clerics. He later recited Psalm 144, a passage of Scripture that Jews and Christians share: “Blessed be the Lord, my rock, who trains my hands for war and my fingers for battle.”

Hegseth has a history of defending the Crusades, the brutal medieval wars that pitted Christians against Muslims. In his 2020 book “American Crusade,” he wrote that those who enjoy Western civilization should “thank a crusader.” Two of his tattoos draw from crusader imagery: the Jerusalem Cross and the phrase “Deus Vult,” or “God wills it,” which Hegseth has called “the rallying cry of Christian knights as they marched to Jerusalem.”

Matthew D. Taylor, a visiting scholar at Georgetown who studies religious extremism and has been a frequent Hegseth critic, said, “The U.S. voluntarily going to war against a Muslim country with the military under the leadership of Pete Hegseth is exactly the kind of scenario that people like me were warning about before the election and throughout his appointment process.”

Taylor said Hegseth’s rhetoric and leadership “can only inflame and reinforce the fears and deep animosity that the regime in Iran has towards the U.S.”

When asked whether Hegseth views the war in Iran in religious terms, a Defense Department spokesperson pointed to a recent CBS interview in which Hegseth seemed to confirm as much.

“We’re fighting religious fanatics who seek a nuclear capability in order for some religious Armageddon,” Hegseth said of Iranian leaders. “But from my perspective, I mean, obviously I’m a man of faith who encourages our troops to lean into their faith, rely on God.”

Allegations U.S. military commanders cited biblical prophecies remain unverified

Generations of evangelicals have been influenced by their own version of Armageddon and the end of the world, circulated by books like the “Left Behind” series and “The Late Great Planet Earth,” or the horror film “A Thief in the Night.” Some evangelicals espouse prophecies in which warfare involving Israel is key to bringing about the return of Jesus.

Christian Zionist pastor John Hagee, head of Christians United for Israel, said of the Iran war, “Prophetically, we’re right on cue.”

The co-founder of Hegseth’s denomination, however, does not teach this theology. Pastor Doug Wilson of the Communion of Reformed Evangelical Churches identifies as a postmillennialist, meaning he believes most of the apocalyptic events of the Bible have already happened, paving the way for the gradual Christianization of the world before Christ’s return.

Hegseth has not said the Iran war is part of Christian prophecy. Yet days after the conflict began, claims went viral that U.S. military commanders were telling troops the war fulfilled biblical prophecies around Armageddon and the return of Christ.

The Associated Press has not been able to verify these claims, which stem from one source: Mikey Weinstein, the head of the Military Religious Freedom Foundation, a watchdog group. Based on allegations Weinstein said he received from hundreds of troops, 30 Democratic members of Congress asked the Pentagon inspector general to investigate.

In an interview with the AP, Weinstein declined to provide documentation or the original emails he received from service members. He said troops were afraid of retaliation, so they would not speak to the media, even if their identities remained protected.

Three major religion watchdog groups — the Freedom From Religion Foundation, the Anti-Defamation League and the Council on American-Islamic Relations — said they have not received similar complaints. The Pentagon declined to comment on the allegations.

Hegseth wants to reform the military chaplain corps

Hegseth’s church network, the CREC, preaches a patriarchal form of Christianity, where women cannot serve in leadership, and pastors argue that homosexuality should be criminalized. Hegseth last year reposted a video in which a CREC pastor opposed women’s right to vote. Wilson, its most prominent leader, identifies as a Christian nationalist and preached at the Pentagon in February at Hegseth’s invitation.

Both Wilson and Hegseth have questioned Muslim immigration to the United States. Wilson argues the country should restrict Muslim immigration in order to remain predominantly Christian. In “American Crusade,” Hegseth lamented growing Muslim birth rates and that Muhammad was a popular boys’ name in the U.S.

As head of the armed forces, Hegseth has overseen changes that are in line with his conservative Christian worldview, including banning transgender troops, curtailing diversity initiatives and reviewing women in combat roles.

Youssef Chouhoud, a political scientist at Christopher Newport University, said, “The intrusion of Christian nationalist policy, not just Christian nationalist rhetoric … that is what’s troubling.”

Hegseth has pledged to reform the military’s chaplain corps, which provides spiritual care to troops of any faith and no faith at all. He scrapped the 2025 U.S. Army Spiritual Fitness Guide and wants to renew chaplains’ religious focus, which he said in a December video message has been minimized “in an atmosphere of political correctness and secular humanism.”

Rabbi Laurence Bazer, a retired U.S. Army colonel and chaplain, said it risks making service members feel like outsiders when the language of military leadership draws exclusively from one faith tradition.

“The U.S. military reflects the full diversity of this country — people of every faith step forward to serve,” Bazer said in a statement. “That diversity is a strength worth protecting.”

Stanley writes for the Associated Press. AP reporter Peter Smith in Pittsburgh , and AP reporter Konstantin Toropin contributed to this report..

Disneyland Resort President Thomas Mazloum has been named chairman of Walt Disney Co.’s experiences division, the company said Tuesday.

Mazloum succeeds soon-to-be Disney Chief Executive Josh D’Amaro as the head of the Mouse House’s vital parks portfolio, which has become the economic engine for the Burbank media and entertainment giant. His purview includes Disney’s theme parks, famed Imagineering division, merchandise, cruise line, as well as the Aulani Resort and Spa in Hawaii.

Jill Estorino will become the head of Disneyland Resort in Anaheim. She previously served as president and managing director of Disney Parks International and oversaw the company’s theme parks and resorts in Europe and Asia.

Estorino and Mazloum will assume their new roles on March 18, the same day as D’Amaro and incoming Disney President and Chief Creative Officer Dana Walden.

“Thomas Mazloum is an exceptional leader with a genuine appreciation for our cast members and a proven track record of delivering growth,” D’Amaro said in a statement. “His focus on service excellence, broad international leadership and strong connection to the creativity that brings our stories to life make him the right leader to guide Disney Experiences into its next chapter.”

Mazloum had been about a year into his tenure at Disneyland. Prior to that, he was head of Disney Signature Experiences, which includes the cruise line. He was trained in hospitality in Europe.

In his time at Disneyland, Mazloum oversaw the park’s 70th anniversary celebration and recently pledged to eliminate time limitations for park-hopping, which are designed to manage foot traffic at Disneyland and California Adventure.

Mazloum will now oversee a 10-year, $60-billion investment plan for Disney’s overall experiences business, which includes new themed lands in Disneyland Resort and Walt Disney World. At Disneyland, that expansion could result in at least $1.9 billion of development.

The size of that investment indicates how important the parks are to Disney’s bottom line. Last year, the experiences business brought in nearly 57% of the company’s operating income. Maintaining that momentum, as well as fending off competitors such as Universal Studios, is key to Disney’s continued growth.

In his new role, Mazloum will have to keep an eye on “international visitation headwinds” at its U.S.-based parks, which the company has said will likely factor into its earnings for the fiscal second quarter. At Disneyland Resort, that dip was mitigated by the park’s high percentage of California-based visitors.

Times staff writer Todd Martens contributed to this report.

I know a lot of people who suffer from a chronic malady that gets worse each time there’s news out of Washington. Supporters of the current president of the United States might refer to this condition as a side effect of Trump derangement syndrome, but it’s more like Trump fatigue syndrome.

Symptoms can include a desire to tune out for a spell, stick your head in an ice bucket, or find another way to numb the senses.

But some brave souls, instead of looking away, step into the fray.

Bert Voorhees, for instance.

I came upon his name while reading coverage of the Monday evening demonstration at City Hall in downtown L.A., where protesters railed against the bombing of Iran — the latest example of Trump acting as if he’s king of the world and answerable to nobody, including Congress, the courts or the American people.

On the steps of L.A. City Hall, people attend the March 2 Answer Coalition rally protesting the attack on Iran by the U.S. and Israel.

(Jason Armond / Los Angeles Times)

With missiles flying, civilians dying and chaos spreading, Voorhees told USA Today that the Iranian ayatollah’s violence against his own people did not justify a U.S. military assault. In Voorhees’ mind, it’s American democracy that is under attack.

“If people don’t stand up and get loud about this, all together right now, we’re not going to have a country,” the northeast San Fernando Valley resident said. “So, it’s time for people to get serious, get in the streets.”

I called Voorhees, a retired lawyer and teacher, and we had a long chat that continued the next day over lunch in Montrose. We’re both in our 70s, and we both have trouble aligning the country we’re living in with the vision we had for it as younger men. Who could have anticipated years of bullying and name-calling, pathological lying about a “stolen” election or the routing of congressional and judicial opposition?

I confessed to Voorhees that I completely misread the direction this country was heading back when the first Black president in history termed out in 2016. I would have bet that as a more diverse and tolerant population came of voting age, old divisions would fade slowly into history and the U.S. would keep pushing toward higher elevations.

Silly me.

Voorhees says he’s demonstrated hundreds of times, but with immigration raids and now the war in Iran, President Trump is keeping him extra busy. “If people don’t stand up and get loud about this, all together right now, we’re not going to have a country,” said Voorhees. “So, it’s time for people to get serious, get in the streets.”

(Genaro Molina / Los Angeles Times)

Maybe it was the naively wishful thinking of a parent wanting his kids to live in a more evolved country rather than one filled with Neanderthal notions about science, medicine, climate, and non-white immigrants.

To Voorhees, these are reasons to raise hell rather than to lose faith, and he’s not alone. The No Kings rallies in greater L.A. were massive. Home Depot civilian patrols have looked out for hard-working neighbors because “silence is violence.” The whistle brigades are defending their communities.

Denise Giardina, a Huntington Beach book seller and friend of Voorhees’, has been on Home Depot patrols in her community and said planning various political actions is practically a full-time job.

“I have daughters and wanted them to have more rights than me, and I’m not sure that’s going to happen,” Giardina said.

When Giardina needs a break, she goes for a hike, which serves as a reminder that a single protest doesn’t change the world, but small steps matter.

“Sometimes you can’t think about the end,” she said. “It’s just one foot in front of the other. It’s not government that’s going to save us. It’s going to be the people.”

A crowd gathered at Los Angeles City Hall on March 2 to protest the bombing of Iran by the United States and Israel.

(Jason Armond / Los Angeles Times)

Roseanne Constantino, a Silver Lake graphic designer whose activism includes knocking on doors during election cycles, sending postcards and making phone calls, has been on the front lines with Voorhees and shares his sense of duty.

“I mean, for people to say, ‘I can’t watch the news, I’m numb, I’m overwhelmed, I have to tune out,’ is so much privilege talking, because they can tune out, because they’re safe,” Constantino said.

“I find it’s like a gateway drug,” she added, “because even people who have never done anything activist in their life eventually find themselves at a protest and are buoyed by the community and the sense of purpose and expression of opposition, but also of the love of democracy.”

To Voorhees, “democracy is a privilege,” and your participation does not end with voting. “You’ve got to make sure they do the right things,” he said, “and that requires paying attention and supervising them, if you will. Politicians are supposed to work for us.”

Voorhees told me that under President Obama, when drones were used in targeted overseas killings, he took to the streets in protest.

“I’m an equal opportunity activist, but we just haven’t had in my lifetime a person so determined to destroy democracy,” Voorhees said. “I called Reagan a fascist, and Reagan felt like a fascist until I met this man, who is the head of a fascist movement in this country.”

I wagered that the bombing of Iran by the America-first president — who promised to end rather than start wars — was Trump’s way of projecting strength at a time of weakness. Many of the president’s true believers are applauding, but it seems that nothing was learned from past Middle East meddling that ended badly, and with no thoughtful consideration of what comes next, Epic Fury could be followed by Epic Quagmire.

Voorhees insists this wasn’t just a show of might, but an act of distraction.

From the Epstein files, for instance. From the empty promises about lower prices for groceries and consumer goods, the droopy favorability ratings, midterm election fears and the mess created by tariffs that cost American merchants millions of dollars and were declared illegal.

Voorhees is mad about all of that, but made a point of clarification.

He’s not demoralized.

More than 200 people protest the U.S. and Israel’s war against Iran in front of City Hall in downtown Los Angeles on Saturday. Protesters carried Mexican, Palestinian and Iranian flags at the rally organized by the Answer Coalition.

(Genaro Molina / Los Angeles Times)

“The arc of the universe bends toward justice,” Voorhees said, “but it doesn’t do it steadily. There are retreats. Two steps forward, one back. One step forward, three back. We’re in one of those periods. … But we can overcome, and I believe in the long run we probably will.”

Minneapolis is the model, he said. When two innocent people were killed in immigration raids, the community came together and rose in protest, forcing a retreat of Trump’s forces and sparking a national conversation about the brutal tactics.

“Minneapolis pushed back against that with humanity, and that’s the future we want to build,” Voorhees said. “That’s the future Martin Luther King Jr. always wanted. That’s the beloved community. That’s the ticket.”

Things will change only if “we get up off the couch,” said Voorhees, who attended another antiwar protest Saturday on the steps of City Hall with a sign that asked, “Who Would Jesus Bomb?”

“You can march ahead with a heavy heart and a downcast head, or dance ahead with a smile and a tune on your lips, hand in hand with people you care about. Why not do that? All empires fall. All kings and tyrants fail in the end. Sometimes it’s fast. Sometimes it’s slow. But that day is coming and, as the Twin Cities proved, love is stronger than hate, if only just.”

steve.lopez@latimes.com

The head of the Los Angeles Department of Water and Power stepped down Wednesday as part of a “planned leadership transition,” Mayor Karen Bass’ office announced.

Janisse Quiñones, who took the helm at DWP in 2024, is returning to Puerto Rico, where she is from, to help modernize the island’s electric grid.

In a statement, Bass said that Quiñones brought “steady leadership and engineering expertise to LADWP.”

“During her tenure, LADWP reinforced electric grid and water system reliability, enhanced coordination during wildfire events, and advanced investments to strengthen resilience amid increasing climate pressures,” the statement said.

Quiñones’ hefty salary of $750,000, which drew attention when she was hired, was meant to be competitive with private utility companies. She previously was a senior vice president of electric operations at Pacific Gas & Electric Co.

Quiñones managed the DWP through the Palisades fire, when a key reservoir was empty as firefighters battled the blaze.

Some argued that the reservoir, which had been drained to repair its cover, led to lower water pressure and hampered the firefight.

The DWP has pushed back, saying the repairs were necessary to protect public health and that even if the reservoir had been full, there still would have been water pressure issues, considering the extraordinary demand on the system during the fire.

A state investigation found that even if the reservoir had been full, the flow rate in the pipes “would have been a limiting factor in maintaining pressure and the system would have been quickly overwhelmed.”

The Screen Actors Guild Awards have been rebranded to the Actor Awards this year. As awards shows undergo major changes, including introducing new categories and moving to new platforms, the only thing that is constant is the red carpet parade of fashion.

Following a breakout year, Teyana Taylor has ruled one red carpet after another this season. She turned heads at the Golden Globes in a custom Schiaparelli bustier gown (with a built-in bedazzled thong), then covered up from head to toe in a plum trench coat-inspired Burberry dress at the BAFTAs. Her co-star Chase Infiniti has also been a sartorial standout in several structured strapless gowns. Other leading ladies sure to steal the spotlight include Kate Hudson and Emma Stone. On the TV side, Jenna Ortega is among the stars who has made a splash in the last few years while veterans Keri Russell, Claire Danes and Michelle Williams continue to impress.

The Actor Awards, hosted by Kristen Bell for the third time, will stream at 5 p.m. on Netflix live from Shrine Auditorium in L.A.

Here’s the best fashion from the 2026 Actor Award, captured by The Times’ photo team.

READ MORE: Winners list | Full coverage

Kristen Bell

Kristen Bell is the hostess with the mostess at the Actor Awards.

(Myung J. Chun / Los Angeles Times)

Sheryl Lee Ralph

Sheryl Lee Ralph wows in a Saiid Kobeisy gown.

(Myung J. Chun / Los Angeles Times)

Dove Cameron

Dove Cameron goes for Gothic glamour in Monique Lhuillier.

(Myung J. Chun / Los Angeles Times)

Hannah Stocking

Social media influencer Hannah Stocking arrives at the Actor Awards.

(Myung J. Chun / Los Angeles Times)

Paige DeSorbo

We’re giggly over reality star and Actor Awards pre-show host Paige DeSorbo’s Marmar Halim gown.

(Christina House / Los Angeles Times)

“E! Live From the Red Carpet” host Erin Lim Rhodes stuns in red.

(Myung J. Chun / Los Angeles Times)

“The Gray House,” a limited series now streaming on Prime Video, purports to tell the fact-based story of Elizabeth Van Lew, who spied for the Union in the Civil War while living in the midst of Southern society in Richmond, Va. And in very broad terms it does, though it fills up the space within those outlines with an army of imagined details and melodramatic plots and subplots.

It is not the first work for the screen that betrays history by attempting to make it more exciting than it already is, and if you go in ready not to wonder or care what did or did not actually happen, and which characters are real or invented, you may make out alright. (If you do care, there is Gerri Willis’ 2025 volume “Lincoln’s Lady Spymaster: The Untold Story of the Abolitionist Southern Belle Who Helped Win the Civil War.”)

So I will not ring a bell every time the miniseries, which admittedly bills itself as “inspired by a true story,” diverts from the record, even though in my head it may be clanging.

It’s July 4, 1860, nine months before the beginning of the Civil War. Elizabeth (Daisy Head) lives in a mansion in Richmond with her mother Eliza (Mary-Louise Parker), and the two are throwing a party. Guests, including the historical Swedish novelist and social reformer Fredrika Bremer (Oxana Moravec), congressman Sherrard Clemens (Ionut Grama), Virginia Gov. Henry Wise (Mark Perry) and his awful son Obie (Blake Patrick Anderson), unload expository dialogue and provide a primer for anyone not acquainted with the roots of the Civil War. Meanwhile, a runaway slave shows up out back, pursued by hounds, having heard that the Van Lew house is the place to run for help. The women, who are against secession and for abolition but are practiced in the art of deceiving their neighbors, are involved with the Underground Railroad in some way that’s not exactly clear.

Among their servants — the Van Lew slaves were (secretly) freed upon the death of Elizabeth’s father — are head porter Isham, played by Ben Vereen, who it is a pure pleasure to see back on screen, and Mary Jane (Amethyst Davis). A well-educated, determined young woman who is just back from Liberia, which did not suit her — she calls it a “tricky little way of ridding America of free Blacks” — the series gives her a lot of agency and makes her a virtual partner in the spy ring. White and Black, they live as much like a family as is possible when some people are labor and others are management and it’s the antebellum, then the wartime South.

Also involved in Elizabeth’s tradecraft are Scottish baker Thomas McNiven (Christopher McDonald) and Clara Parish (Hannah James), a beautiful prostitute who dreams “of Bronte’s moors” and gets, of all things, a big musical number in an out-of-place Western saloon, like Marlene Dietrich in “Destry Rides Again.” (The saloon is a standing set at Castel Film Studios in Romania, where the production was based; their backlot Western street, too, makes an implausible appearance.)

Ben Vereen as Isham Worthy, a porter in the Van Lew home.

(Bogdan Merlusca/Prime Video)

Out of the loop are Elizabeth’s brother, John (Ewan Miller), whose heart is in the right place, but who’s married to Laurette (Catherine Hannay), whose heart is not. An avaricious, envious flirt on the undisguised lookout for something better, she is angry that John wouldn’t use slave labor to build their house. She’s Scarlett O’Hara, minus the intelligence and charm.

Calling roll on the enemy, we find present Confederate President Jefferson Davis (Sam Trammell), in whose house — the eponymous Gray House — Mary Jane will be embedded, with a cocked ear and a photographic memory, to gather intel; Secretary of War (and then State) Judah P. Benjamin (Rob Morrow), who has a thing for Clara, to whom he opines on property rights while they share a bathtub; and a pip-squeak John Wilkes Booth (Charles Craddock), popping in and out no reason, unless it’s to foreshadow the death of Lincoln (who makes a rearview cameo), or just because everybody’s heard of him. Below them, but more in the action, are the nasty, thuggish Sheriff Stokely Reeves (Paul Anderson) and slave hunter Bully Lumpkin (Robert Knepper); and while thuggery and violence were endemic in a racist South, caricature and cliche do your history lesson no favors, however valuable it is.

Because Hollywood hates, let’s call it a love vacuum when it comes to screen heroines, Elizabeth will find herself the object of not one, not two, but (at least) three admirers, who prize her brains and spirit and talent for conversation. (She is no frilly, fizzy, fuzzy Southern belle, like the mean girls around her sister-in-law.) There is Hamton Arsenault (Colin Morgan), a sort of Rhett Butler lite, visiting from New Orleans with a huge live alligator, because I guess that’s something you could manage in 1860 just to make a splash at a party a thousand miles away. Capt. William Lounsbury (Colin O’Donoghue) is a dashing Union officer, escaping a Confederate prison, who passes through the Van Lew house on the way to freedom; they click together like Legos. Finally, there’s shy puppy dog Erasmus Ross (Joshua McGuire), who works at the Van Lew’s hardware store and will later have a post at a prison for captured Union soldiers, which the Van Lews will turn to their advantage.

“The Gray House” isn’t all bad, and its intentions are good, but it’s dramatically predictable and at eight episodes, some over an hour, goes on much, much longer than it needs to, letting scenes play out past profitability and wasting time on extraneous subplots involving minor characters — and minor minor characters — that do nothing to enrich the fabric of the show. A duel between two characters with no significant connection to the rest of the story exists here seemingly just because their historical counterparts did fight one, and gives the filmmakers the chance to add a duel — on horseback, like jousting with guns — to the show.

Parker is always fine, though the part requires a bit too much Southern breathiness. Davis and Head make strong impressions, masking the pedestrian, sometimes cornball dialogue. (The miniseries was written by Leslie Greif and Darrell Fetty, who collaborated on “Hatfields & McCoys”, with an undiscernable assist from John Sayles.) Keith David, who plays real-life activist minister Henry H. Garnet, gives a seven-minute speech on education as if he’s performing a Shakespearean monologue, after which he faces down a murderous sheriff like he’s Shaft. It’s a high point of the series, and the one scene I was happy to see go long.

Directed by Roland Joffé, who four decades ago was Oscar-nominated for “The Killing Fields” and “The Mission,” the production is a mixed bag; much care has been lavished on the costumes; the crowd scenes are well populated; printed material is done really well. (It matters.) Battle scenes — including Bull Run, where picnicking tourists are accurately shown in attendance — are convincingly rendered. But Romania, whether on or off the studio lot, only occasionally musters a decent impression of 19th century Virginia, reminding you, as “The Gray House” often does, that this is only a movie.

PHOENIX — Flashing bleached hair under his cap as he settles in with his new team, Dodgers closer Edwin Díaz threw his first pitch of Thursday’s live bating practice session to Freddie Freeman. It was called a strike. As Díaz got set for his next pitch, Freeman tapped on his helmet in a playful attempt to challenge the call.

In response, Díaz tapped his cap twice.

These gestures will become the norm in major league baseball this season, starting this weekend, thanks to the Automated Ball-Strike (ABS) Challenge System.

Each team will begin games with two challenges, initiated by a pitcher, hitter or catcher tapping their head within seconds of the call — no dugout consultation allowed. The moment it’s challenged, a graphic will show the result of the challenge on the video board and once the call is confirmed or overturned, the game will go on.

Teams retain challenges when they’re successful and lose them when they’re not.

The added layer of strategy intrigues Stephen Nelson, the Dodgers’ radio play-by-play voice.

“As humans we are naturally resistant to change, especially baseball fans, and I say that as a baseball fan,” Nelson said this week at the team’s Camelback Ranch training facility. “So there’s definitely going to be that early period where everybody’s probably going to hate it, but you got to get through that.”

In recent years, MLB has tweaked the game — implementing a replay system to challenge calls on the field, placing a runner on second base to start extra innings, using a pitch clock. The ABS system has been tested in the minor leagues since 2022, and major leaguers got a taste of it during spring training last year and also in the All-Star Game.

In 288 spring games last year, there was an average of 4.1 challenges per game, adding an average of 57 seconds to it. Pitchers and catchers successfully overturned calls more often than hitters.

So who will be in charge of making challenges during at-bats?

“I will let the catcher dictate if he [wants] to challenge or not,” Díaz said this week. “I won’t do it … he’s been there all day long, they know the strike zone for the umpire.”

Dodgers manager Dave Roberts was hesitant to say the club will have a hard rule on who can call for challenges. He feels more comfortable with his catcher doing it than a hitter or pitcher, but if a catcher decides to challenge, he expects them to be right.

“He better be right,” Roberts said Friday.

“It’s good that we’re practicing in spring, but we’re having conversations about leverage and how to use it to our advantage,” he added.

Roberts said if hitters want to make a call, they need to be honest with themselves about their personal knowledge of the strike zone and their baseball IQ and understand when to challenge a call and when not to.

“There’s no perfect science to it, but we’re just going to keep talking about it, trying to educate our guys,” he said.

Luis Cruz, a former player and now a Spanish-language announcer for the Dodgers, said hitters don’t need to be thinking about challenging a call.

“I don’t want to have another thing in my mind … then you lose your focus on your at-bat,” he said.

Jackson Ferris to start Sunday’s game

Left-hander Jackson Ferris, the Dodgers’ minor league pitcher of the year in 2024, will start Sunday’s game against the San Diego Padres at the Peoria Sports Complex.

Ferris, acquired along with outfield prospect Zyhir Hope from the Chicago Cubs for Michael Busch two years ago, logged a 3.86 ERA and 1.46 walks plus hits per inning pitched across 26 games and 126 innings at double-A Tulsa last season.

“I like Jackson,” Roberts said. “I like the player. He’s a good kid. A lot of talent. I think for me, it’s just trying to harness his arsenal. It’s a good fastball. He needs to continue to get ahead, be able to put hitters away with the secondary pitches, be efficient with his pitches per inning, but I like Jackson. He’s really talented. He’s scratching the surface, but he’s gotta go out there and perform, so I’m excited to see him on Sunday, and throughout the spring.”