Bad Bunny’s Superbowl halftime show may have been dubbed the sexiest in sporting history, but many fans were busy watching another A-list star during the performance.
Hollywood actor Jon Hamm sent fans wild with his hilarious “dad dancing” as he watched the performance pitchside.
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Hollywood legend Jon Hamm has left fans in stitches after hilariously ‘dad dancing’ to Bad Bunny’s Superbowl halftime performanceCredit: GettyThe Puerto Rican performer brought the house down with a performance dubbed the ‘sexiest’ in Superbowl historyCredit: Shutterstock EditorialAnd Jon was seemingly his biggest fanCredit: TikTok
He admitted at the time: “You can’t listen to his music and not smile. He’s a really nice guy. He’s funny, and he’s fun and his music is awesome.”
Bad Bunny rocked the iconic halftime show slot during last night’s superbowl, which saw the Seattle Seahawks reign victorious.
The Puerto Rican’s spicy performance included raunchy dancing and close-up making out which the thousands in attendance and the millions watching at home lapped up.
The performance also featured special guest appearances from Lady Gaga and Ricky Martin.
Meanwhile global stars like Pedro Pascal, Jessica Alba and Cardi B – girlfriend of New England Patriots star Stefon Diggs – danced on stage as part of the spectacle.
Jon didn’t hold back on busting a move as he watched the show pitchsideCredit: TikTokJon has previously described himself as a ‘massive fan’ of Bad BunnyCredit: TikTokWhile his wife, Anna, even donned a Bad Bunny jersey for the sporting eventCredit: GettyHis performance featured several stars, including Lady GagaCredit: Shutterstock Editorial
A real couple said “I do” at the Super Bowl halftime show — and Bad Bunny and Lady Gaga were there to bless the union.
For those analyzing the details in Bad Bunny’s 15-minute halftime performance, there was a real wedding that took place at Levi’s Stadium in Santa Clara in front of 75,000 fans.
The couple signed their nuptials as Lady Gaga performed a salsa rendition of her ballad “Die With a Smile” — notably without collaborator Bruno Mars.
According to a statement released by Bad Bunny’s publicist, the couple had first invited Bad Bunny to attend their wedding but were instead invited to be part of the Apple Music halftime show performance.
Amid his busy performance — which included dancing on utility poles, a bodega, a field filled with laborers and the pink casita stage created during his 2025 residency in San Juan, Puerto Rico — the Puerto Rican star still made time to sign off on their marriage certificate before the newlyweds relished their first slice of cake.
The Seattle Seahawks lead the New England Patriots 9-0 at halftime of Super Bowl LX on a pair of field goals by kicker Jason Myers.
That’s a pretty low score — but it’s not close to being the lowest halftime score in Super Bowl history. That came in Super Bowl IX following the 1974 season.
In a struggle between two classic NFL defenses — Pittsburgh’s Steel Curtain vs. Minnesota’s Purple People Eaters — the only first-half points midway through the second quarter. On second and 7 from his own 10-yard line, Vikings quarterback Fran Tarkenton lost the ball and had to fall on it in the Vikings’ end zone. He was touched by Steelers defensive end Dwight White, who was credited with the sack.
It was the first safety ever in a Super Bowl, giving Pittsburgh a 2-0 lead that stood at halftime. The Steelers went on to defeat the Vikings 16-6 for their first of four Super Bowl wins in a six-year stretch.
Following the 2018 season, the Patriots led the Rams 3-0 at the intermission of Super Bowl LIII, the second-lowest halftime score in Super Bowl history, on a 42-yard field goal by Stephen Gostkowski early in the second quarter.
A few months back, a discussion broke out in the De Los chat about whether or not Bad Bunny would win album of the year at the 68th Grammy Awards for his LP “Debí Tirar Más Fotos.”
I was firmly in the “yes” camp from the day the nominations were announced and I was right!
But if I’m being honest, I had my doubts that it would happen until the second that presenter Harry Styles called out the Puerto Rican singer’s name Sunday night.
Those in the “no” camp — who were still rooting for him to win — had history in their favor. It’s so rare for any major awards show, but especially the Grammys, to recognize artists at the peak of their powers. It’s almost as if these voting bodies feel that some (usually Black) artists must go through a weird humiliation ritual before being deemed worthy.
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Fidel Martinez delves into the latest stories that capture the multitudes within the American Latinx community.
Really it was less so that I believed Bad Bunny would win as much as I felt that he needed to win.
The past year has been exceedingly trying for the Latinx community as Immigration and Customs Enforcement raids have been conducted throughout the country. It has oftentimes felt as though being Latinx — looking a certain way, speaking Spanish, having certain names — is a crime. I don’t know how many times I’ve seen videos of or heard heartbreaking stories of Latinx people being separated from their families, harassed or even killed due to activities of federal agents.
So even if it was just a moment of recognition for Bad Bunny, I had a lot riding on one win for Latinx people. A win for an album that is unapologetically in Spanish, explored ideas of resistance toward colonization and dared to be joyful, would mean something to me.
When he won, I had the same reaction as him. I couldn’t believe it and I cried — genuine tears in my Latina eyes.
It felt like an acknowledgment that Latinx people exist and matter. I was also moved when he explicitly shouted out immigrant and Latinx communities. There was just something that felt radical, too, in him giving the majority of his acceptance speech in Spanish.
De Los writer Andrea Flores also had faith in Bad Bunny’s Grammys viability from the very beginning.
“I knew Bad Bunny was going to win big at the Grammy Awards the moment he released this album,” she told me. “Bad Bunny made music for Puerto Rico, and the world listened.”
“I cried when I saw that Bad Bunny won album of the year. For me, it felt like sweet vindication for Latinx artists — reggaetoneros, more specifically — who have long been ignored, and at times vilified, by mainstream media for so many years. But what made me even more emotional was seeing posts on X showing Bad Bunny in 2016 as a bag boy at a local Puerto Rican supermarket. He looks familiar in that picture, like a cousin, brother or childhood friend. That was only 10 years ago. It’s proof to me that so much can change if you believe in your art and in yourself.”
It’s weird that a Latinx artist from an American colony is the most powerful cultural figure in the country at the same time that Latinx people face the most tenuous situation in the U.S. that I’ve seen in my life.
When Bad Bunny takes the stage for the Super Bowl halftime show on Sunday, I wish he’d get up there and call out ICE again on an even-bigger stage or do some kind of spectacular act of protest against the vile political class that has always and continues to push through discriminatory policies against non-white communities.
It’d be awesome if that happens, but even if it doesn’t, there will still be something profoundly radical about him simply being there and performing exclusively in Spanish.
(Jackie Rivera / For The Times; Martina Ibáñez-Baldor / Los Angeles Times)
The latest on Trump’s immigration enforcement
(Joel Angel Juarez / Getty Images)
After killing two U.S. citizens, forcibly extracting immigrants and using force against protestors, some 700 federal agents are being pulled out of Minnesota. About 2,000 officers will remain in the state, White House border czar Tom Homan said early this week.
On Tuesday, immigration officers in Minneapolis pulled their guns on and arrested protestors who were trailing their vehicles, the AP reported.
The duo was released thanks to a ruling from the U.S. District Judge Fred Biery.
“[T]he case has its genesis in the ill-conceived and incompetently-implemented government pursuit of daily deportation quotas, apparently even if it requires traumatizing children,” the judge wrote in his ruling.
Stories we read this week that we think you should read
Unless otherwise noted, stories below were published by the Los Angeles Times.
Bad Bunny is constantly making history. Last Sunday he broke a new record by winning album of the year at the Grammys for his 2025 album, “Debí Tirar Más Fotos,” which was the first fully Spanish-language album to claim the title; and come Feb. 8, a.k.a. Super Bowl Sunday, he’ll be the headlining act at the Super Bowl halftime show.
Yet he is also teaching history. Bad Bunny’s latest record is not only a celebration of Puerto Rico and its people, but it offers a window into some of the challenges the embattled territory is currently facing — including massive migration, displacement and an infrastructure on the brink of collapse. In a moment when education is under attack, both in the United States and Puerto Rico, Bad Bunny is using pop culture’s biggest stage to offer the world a history lesson. And in this political context, that matters greatly.
In December 2024, I was contacted by Bad Bunny’s team to produce 17 pages outlining Puerto Rican history, to pair with each song’s YouTube visualizer for “DTMF.” Altogether, they have been viewed more than 775 million times.
I later produced 40 slides jam-packed with historical and cultural facts about Puerto Rico, which were screened at Bad Bunny’s 31-show residency in San Juan. These ranged from facts about the history of women’s suffrage to the founding of Puerto Rico’s oldest punk band, La Experiencia de Toñito Cabanillas.
When Bad Bunny was announced as the NFL’s choice to headline the halftime show, I was hardly surprised by the backlash from conservatives — including multiple Fox News hosts, podcasters and even President Trump, who said, “I don’t know who he is. I don’t know why they’re doing it … [It’s] crazy.”
As communities of color celebrated on social media, critics raised two questions: Why would a Spanish-speaking artist — even if he is the most-streamed artist on Earth — be chosen for that stage? And why wouldn’t they choose a more patriotic, Anglo-American artist?
While undoubtedly xenophobic in nature, these questions highlight their acute ignorance about the place that birthed Bad Bunny, and its ongoing entanglement with the United States.
Puerto Rico was first colonized by the Spanish from 1493 until 1898, the year that the United States occupied the country as part of the Spanish-American War. Later, in 1917, Puerto Ricans became U.S. citizens through the Jones Law. Eventually, we drafted a constitution and became a Commonwealth of the United States in 1952. But there is never one single historical narrative.
What these facts occlude, however, is that Puerto Ricans are second-class citizens who cannot vote for the president — and those in the archipelago are not fully protected by the U.S. Bill of Rights. According to the U.S. Supreme Court’s early-20th century Insular Cases, we belong to the United States, but we are not part of it.
Put simply: We are a colony of the United States in the 21st century.
When drafting the historical narratives for “DTMF,” Bad Bunny understood that Puerto Rican history is often unknown, even to our own people. He was interested in making history available for those who don’t have access to higher education. He wanted me to write these narratives in a candid manner to be read by people in the barriadas y caserios (working-class neighborhoods and the projects). These were the places where I came of age in Puerto Rico.
With the success of “DTMF,” Puerto Rican history was amplified to the world. I’ve had countless conversations with journalists from around the globe, who marveled at how little they knew about Puerto Rico’s history or its relationship to the United States. This is precisely what I think drives those debates about language and who gets the right to claim Americanness — a lack of information.
And even though Bad Bunny is a U.S. citizen, conservatives have organized an alternative “All-American Halftime Show,” which reveals how “Americanness” is policed through language and race. This is the product of willful ignorance.
Puerto Rico’s history is also that of Latin American, Caribbean, United States and Latinx communities. I believe Bad Bunny’s performance will invite people to understand the beauty and complexity of our people’s history, even if it makes outsiders uncomfortable. That he will also be doing so entirely in Spanish in a moment when Latinx people in the United States are being arrested or interrogated by federal agents for speaking in Spanish — or simply for having an accent? That matters.
Of course, artists alone will not save us from the perils of racism and xenophobia — I learned that from my time in the punk community. We cannot just wait on anyone, especially not celebrities, to change institutions without some people power to back them up.
Yet given his enormous reach — just this week his latest album hit No. 1 on Apple Music in China — Bad Bunny has the power to move the cultural needle. And if there’s one thing to take from the Grammys ceremony last Sunday, it’s that he’s not alone — other artists have taken a stand on anti-immigrant violence. They are living up to the moment. That matters too.
So while conservatives organize their bland counter to the Super Bowl halftime show — with none other than Kid Rock as headliner — Bad Bunny will be offering the world a much more valuable history lesson, full of sazón, batería y reggaetón.
Jorell Meléndez-Badillo is the author of “Puerto Rico: A National History”and associate professor of Latin American and Caribbean History at the University of Wisconsin-Madison.
When it was announced in the fall that Puerto Rican singer and rapper Bad Bunny was chosen to headline the Super Bowl LX halftime show, some folks took it personally.
Why not an American pop star (he is) who speaks English (he does) and likes the president (good luck, did you watch the Grammy Awards?)?! The right felt slighted, again, this time as the victim of a great left-wing conspiracy to turn football’s biggest night against them.
Then Turning Point USA — the conservative organization founded by Charlie Kirk and helmed by his wife, Erika Kirk, following his assassination — came up with an idea. They’d put on their own show in the barn, so to speak. Performers’ sets would be in English, unlike most of Bad Bunny’s material. And this great display of American-ness would take place during the Super Bowl, stealing away viewers and ratings from that other guy with the funny name.
On Monday, Turning Point finally announced the lineup for its counter-event, the “All-American Halftime Show.” Described by Fox News as a “star-studded alternative to the Super Bowl halftime show,” the roster’s brightest luminary is Kid Rock, who hasn’t had a hit song since Obama’s first year in office. The rest of the lineup consists of country artists you’ll likely have to Google to identify (Brantley Gilbert, Lee Brice and Gabby Barrett). Their sets will be streamed live on Sunday around 5 p.m., the same time Bad Bunny is slated to perform at Santa Clara’s Levi’s Stadium. It can be watched on Turning Point USA’s YouTube, X and Rumble channels, alongside conservative networks such as Daily Wire+, Real America’s Voice, TBN and OAN. Additional musical entertainers will be announced, the organization’s website says.
Kid Rock when he wasn’t wearing an American flag as a poncho.
(Pool Photo)
“We’re approaching this show like David and Goliath,” Kid Rock (aka Robert Ritchie) said in a statement. “Competing with the pro football machine and a global pop superstar is almost impossible … or is it?”
It is impossible, of course. Bad Bunny (aka Benito Antonio Martínez Ocasio) is an American pop sensation who has conquered the globe with a vibrant mix of reggaeton, Latin pop, rap and R&B. The 31-year-old was Spotify’s most-streamed artist of 2025 and made history just a couple of days ago at the Grammy Awards when he became the first Spanish-language artist to win album of the year.
Sunday, he will reach an even wider audience as part of the country’s most-watched television event when the New England Patriots face off against the Seattle Seahawks.
But Kid Rock, 55, appears to have high hopes, with an opportunity to regain relevance likely at the top of his wish list. There’s no better way to gain attention than ripping on the most popular artist around. “He’s said he’s having a dance party, wearing a dress, and singing in Spanish?” said Kid Rock of Bad Bunny. “Cool. We plan to play great songs for folks who love America.”
The “Bawitdaba” singer is familiar with right-wing outrage over a halftime show wardrobe choice, and knows what it’s like to have your patriotism questioned by primed mobs. In 2004, he was one of several performers flanking Super Bowl headliner Janet Jackson. He angered conservatives when he wore a defaced American flag as a poncho and later tossed the flag/garment into the crowd.
But that was then, this is now. There are windmills to slay, crises to fabricate, rings to kiss. And headlining a spite concert provides a great distraction from the real issues plaguing Trump’s presidency, be it the soaring cost of living, Americans killed by ICE agents under his watch, or the nausea-inducing contents of the Epstein files.
Are we still talking about those? Yes, we are. The New York Times identified more than 38,000 references to Trump, his family and his Mar-a-Lago Club in the latest batch of emails, government files, videos and other records released by the Justice Department. Previous installments of the Epstein files, which the department released late last year, included 130 files with Trump-related references.
No wonder his followers need a distraction.
Bad Bunny can take the heat. He used his acceptance speech at Sunday night’s Grammys ceremony in Los Angeles to condemn the Trump administration’s nationwide immigration crackdown. “Before I say thanks to God, I’m going to say ‘ICE out,’” he said. “We’re not savages. We’re not animals. We’re not aliens. We are humans, and we are Americans.”
The official Super Bowl halftime show on Sunday will feature Bad Bunny, the Grammy winner for album of the year, at the height of his powers and influence. Those upset by his onstage comments about the dignity of Latinos and immigrants, however, can turn to a competing bill featuring Kid Rock and Gabby Barrett.
Rock, the perennial MAGA raconteur and country-rock singer, will perform for the far-right activist group Turning Point USA’s counterprogramming event streaming across the conservative mediasphere. Turning Point USA is the activist group founded by the late Charlie Kirk, who was killed last year at a speaking event in Utah.
“We plan to play great songs for folks who love America,” Rock said in a statement announcing the bill. “We’re approaching this show like David and Goliath. Competing with the pro football machine and a global pop superstar is almost impossible … or is it?”
“He’s said he’s having a dance party, wearing a dress and singing in Spanish? Cool. We plan to play great songs for folks who love America,” Rock said, in an overt jab at the actual Super Bowl halftime show headliner.
Veteran country acts Lee Brice and Brantley Gilbert and Barrett, an “American Idol” alum with a 2019 Hot 100 hit in “I Hope,” will also perform.
While Rock’s right-wing politics have largely eclipsed his musical relevance in 2026, he’s recently tried to position himself as a power broker for MAGA-friendly concerts with just enough plausible appeal for more neutral country and rock fans. His planned 2026 touring festival, Rock the Country, is set to feature Blake Shelton, recent Grammy winner Jelly Roll, Creed and Miranda Lambert, but lost Ludacris and Morgan Wade following blowback from fans.
When Bad Bunny was booked for the Super Bowl in October, House Speaker Mike Johnson (R-La.) said, “I didn’t even know who Bad Bunny was. But it sounds like a terrible decision, in my view, from what I’m hearing. It sounds like he’s not someone who appeals to a broader audience.”
“There are so many eyes on the Super Bowl — a lot of young, impressionable children. And, in my view, you would have Lee Greenwood, or role models, doing that. Not somebody like this, ” he added.
President Trump said a bill featuring the Grammy-winning Puerto Rican superstar — and the famously anti-Trump punk band Green Day — was part of the reason he would not attend the game this year. “I’m anti-them. I think it’s a terrible choice,” he said. “All it does is sow hatred. Terrible.”
CHAMPAIGN, Ill. — Lauren Betts overcame early foul trouble to score 23 points and pull down nine rebounds, leading No. 2 UCLA to an 80-67 win Wednesday night over Illinois.
Betts, the Bruins’ 6-foot-7 AP All-American center, picked up her second and third fouls — the latter on a technical foul — with 1:29 left in the first quarter.
She sat out the rest of the first quarter and the second quarter, returned to the court after halftime, and ended up playing nearly 24 minutes. She had just six points at halftime.
Angela Dugalic scored 12 points for UCLA (20-1, 10-0 Big Ten), which won its 14th straight. Gabriela Jaquez had 11, and Kiki Rice, Gianna Kneepkens and Sienna Betts — Lauren’s sister — each added 10.
Cearah Parchment had a career-high 26 points and seven rebounds for Illinois (15-6, 5-5) before fouling out with 36 seconds left. She was 10 of 13 from the field.
Destiny Jackson had 15 points and six assists, Maddie Webber scored 12 points and Berry Wallace had 11 for the Illini.
Illinois, which played without injured Gretchen Dolan, has lost five of seven after an 11-game winning streak.
UCLA led 45-31 at halftime. Illinois cut the lead to five points twice in the third quarter, but didn’t get any closer.
The Bruins won despite making just one three-pointer, going one of 10 from distance. They had 48 points in the paint to Illinois’ 24 and also doubled the Illini in bench points, 24-12.
UCLA hasn’t lost since it fell 76-65 to No. 4 Texas on Nov. 26 in Las Vegas.
In the 10 games before facing Illinois, the Bruins beat their opponents by an average of nearly 40 points and scored an average of more than 91 points a game.
