Guardian

Soft Cell’s David Ball, hitmaker behind ‘Tainted Love,’ dies at 66

David Ball of Soft Cell, whose delectably sleazy synth-pop arrangement drove that English duo’s 1981 hit “Tainted Love” to the top of the U.K. singles chart, died Wednesday. He was 66.

The producer’s death was announced in a post on Soft Cell’s website, which didn’t state a cause but said that Ball died at his home in London. On Facebook, the duo’s singer, Marc Almond, wrote that Ball’s health “had been in slow decline over recent years” due to an unspecified illness.

“It is hard to write this, let alone process it, as Dave was in such a great place emotionally,” Almond said on Soft Cell’s site. “He was focused and so happy with the new album that we literally completed only a few days ago. It’s so sad as 2026 was all set to be such an uplifting year for him, and I take some solace from the fact that he heard the finished record and felt that it was a great piece of work.”

Ball and Almond performed as Soft Cell at last month’s Rewind Festival in England; the LP they’d just wrapped is set to be titled “Danceteria” after the New York City nightclub that became an incubator of new wave and synth-pop in the early ’80s.

Soft Cell was an “experimental electro band [writing] weird little pop tunes about consumerism,” as Almond told the Guardian in 2017, when the duo decided to record a cover of “Tainted Love,” which the soul singer Gloria Jones had introduced to little success in 1964.

Ball devised his take on the song using his “dodgy old Korg synths” as well as a state-of-the-art Synclavier that cost more than £100,000, according to the Guardian. Soft Cell’s cover felt “twisted and strange,” Ball said, which suited the “weird couple: Marc, this gay bloke in makeup, and me, a big guy who looked like a minder.”

With Almond’s panting vocal over Ball’s sexy yet sinister production, “Tainted Love” hit No. 1 in the U.K. the same year as the Human League’s “Don’t You Want Me” and “Prince Charming” by Adam & the Ants. In the U.S., “Tainted Love” peaked at No. 8 on Billboard’s Hot 100 in 1982.

Today the song has been streamed more than 1 billion times on Spotify, kept alive in part by Rihanna’s prominent sample of “Tainted Love” in her 2006 hit “SOS.”

Ball was born May 3, 1959, in Chester, England, and grew up in an adoptive family in Blackpool. He and Almond formed Soft Cell in 1979 after meeting as students at Leeds Polytechnic, where Almond was known for a performance art piece in which “he’d be naked in front of a full-length mirror, smearing himself with cat food and shagging himself,” Ball told the Guardian.

The duo released its debut album, “Non-Stop Erotic Cabaret,” in 1981, then followed it with two more LPs before splitting in 1984. “Few groups took as much pleasure in perversity,” said Rolling Stone, which called “Non-Stop Erotic Cabaret” a “conceptual salute to the sex industry.” In 2022, Pitchfork said the duo’s debut offered “a snapshot of pre-AIDS queer life at its heady peak.”

After Soft Cell’s breakup, Ball collaborated with Genesis P-Orridge of Throbbing Gristle and formed a dance group called the Grid with the producer Richard Norris; he also worked in the studio with the likes of Kylie Minogue, the Pet Shop Boys and David Bowie.

Soft Cell reunited in 2001 and again in 2018; the statement on the band’s website said “Danceteria” would come out in early 2026. According to the statement, Ball’s survivors include four children.

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Terry Reid, singer who turned down Led Zeppelin and Deep Purple, dies at 75

Terry Reid, the bombastic British singer who famously passed on fronting both Led Zeppelin and Deep Purple, has died. He was 75.

Reid’s representatives confirmed his death in a statement to the Guardian. He had been treated for cancer just before his death, and a GoFundMe had been set up for donations.

Reid, born in Cambridgeshire, England, had a uniquely resonant and soulful voice with an enormous range that earned him the nickname “Superlungs.” He was a coveted figure among the arena-rock titans of the era — even vocal powerhouse Aretha Franklin once claimed in 1968 that “There are only three things happening in England: the Rolling Stones, the Beatles and Terry Reid.”

Reid first found local success in the teen rock group the Redbeats, and soon joined the band Peter Jay and the Jaywalkers. After a performance at London’s Marquee club, where Mick Jagger and Keith Richards caught Reid’s set with the Jaywalkers, the Rolling Stones brought the group on a support tour. Also on that package — Ike & Tina Turner and the Yardbirds, then the main project of guitarist Jimmy Page.

Reid, who had also become close friends with Jimi Hendrix then, left the Jaywalkers to become a solo act. The Stones asked him to support them on a U.S. tour. Citing those tour obligations, he declined Page’s offer to front a new group he was forming. Reid instead recommended vocalist Robert Plant and drummer John Bonham of Band of Joy, and that group soon debuted as Led Zeppelin.

“Lots of people asked me to join their bands,” Reid told the Guardian. “I was intent on doing my own thing. I contributed half the band — that’s enough on my part!”

Led Zeppelin wasn’t only the massive act Reid nearly fronted. He also turned down Ritchie Blackmore’s pitch to front Deep Purple, after Rod Evans left the band in 1969. Ian Gillan took the job instead.

As a solo artist, Reid signed a deal with the influential talent manager Mickie Most, and his debut 1968 LP, “Bang Bang, You’re Terry Reid,” included a song, “Without Expression,” he wrote at 14. That song would become a popular cover of the era — John Mellencamp, Crosby, Stills, Nash & Young and REO Speedwagon all took a crack at it.

He supported Cream, Fleetwood Mac and Jethro Tull on tour (and nearly opened for the Stones at the infamous Altamont festival, but skipped that date), but he never achieved chart success commensurate with his proximity to fame. Yet exquisitely performed albums like 1973’s ‘River” remain cult classics in the ’70s rock canon, and in the ’80s he turned to session work with Bonnie Raitt, Don Henley and Jackson Browne. Reid befriended Brazilian musicians Gilberto Gil and Caetano Veloso after they moved to the U.K. during Brazil’s military coup, and he played both the first Isle of Wight festival and opened the Pyramid stage at Glastonbury’s 1971 festival, with David Bowie side stage.

Reid later moved to California and lived outside Palm Springs in his later years. His musical reputation was revived by both the crate-digger era of DJs (the virtuoso turntablist DJ Shadow collaborated with him) and the ’90s and 2000s rockers enamored with his vocal prowess. Chris Cornell, Marianne Faithfull and Jack White’s band the Raconteurs covered his songs. He reportedly recorded a number of unreleased tracks with Dr Dre. Reid told the Guardian the rap mogul “became fascinated with [Reid’s album] ‘Seed of Memory’ and invited me into his studio where we reworked it alongside his rappers, a fascinating experience.”

Reid is survived by his wife, Annette, and daughters Kelly and Holly.

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