It is the season for wrapping up warm and enjoying an autumnal walk, and this beautiful village in the north of England has been compared to the fictional town of Stars Hollow where Gilmore Girls is set
This beautiful village has been compared to Stars Hallow in beloved autumn show Gilmore Girls (file)(Image: visitbradford)
As the chillier days arrive, many of us are putting up our Halloween decorations, lighting candles, snuggling on the sofa with a blanket and switching on our favourite cosy, autumnal shows and films. While many choose horror films at this time of year – or programmes like Wednesday or Stranger Things on Netflix for magic and excitement – one of the most cherished cosy autumn shows is Gilmore Girls.
The programme, created in the early ’00s, is set in the fictional New England town of Stars Hollow, renowned for its autumn festivals, pumpkin patches, and coffee shop culture – and recently one Yorkshire town has been likened to it. Haworth has been dubbed the “real life Stars Hallow in England”.
The enchanting West Yorkshire location is steeped in history and perfect for those wanting to discover a picturesque, charming village this autumn. Tucked away in the Yorkshire Moors, it is best known for being the residence of the Brontë sisters, who penned some of the most revolutionary novels in history.
From delightful cafés, independent shops like Mrs Brighton’s Sweet Shop and The Cabinet of Curiosities, and excellent pub food, there is plenty to do.
You can picture Gilmore Girls’ Lorelai strolling around the cobbled streets before pausing for a coffee, and Rory relishing reading and selecting a new book in one of the shops.
In a recent video shared on her social media, @lilyjbet gushed: “Just found England’s very own Stars Hollow. Haworth, a dreamy Yorkshire village, feels like stepping straight into Gilmore Girls – filled with cosy cafés, charming bookshops, and the sweetest little independent stores. Easily reached by train to Keighley and a short bus ride, it’s the perfect autumn escape.”
Another user chimed in: “It’s a gorgeous place! It’s where the Brontë sisters grew up, their parsonage is just around the corner from those shops. Steeped in history.”
A second added: “I love it there it has the Brontë sisters house and it gives of Gilmore girls.”
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Another fan enthused: “I adore it here, well worth the trip to the Brontë house/museum while you’re there.
“Oh my god, I need to move there,” one user exclaimed.
“Awww such a magical place,” another commented. Another user shared: “Haworth is so pretty, I’m desperate to go back, its been a while.
“It’s so dreamy,” echoed another.
How to get there
If you’re driving there are a number of car parks you can use. The Bronte Village car park is open from 6pm to midnight, while the Gas Street car park is open 8am until 6pm, and the museum car park is open 8am until 10pm.
Keighley is the nearest train station to Haworth. According to Trainline, from London there are typically two trains a day that run to Keighley and it will take you just short of three hours. From Birmingham to Keighley there are around 28 train per day, and there are over 160 trains per day from Manchester to Keighley, taking around 2 hours and 26 minutes to get there.
Lauren Perlmutter is a “Gilmore Girls” superfan. She’s watched the show on a loop for the past 10 years. It’s mostly been in chronological order, and sometimes just in the background while she’s working on something else but craving the show’s comforting familiarity.
“It’s like my bowl of chicken noodle soup,” she said.
Perlmutter, 23, like many fans of the beloved series, was born after it first debuted Oct. 5, 2000 on the WB. Her mom, Joelle, had caught “Gilmore Girls” every now and then when it was airing, and she introduced it to her daughter years later, watching it more intently with her new viewing partner.
The series, which starred Lauren Graham as Lorelai Gilmore, a young single mom, and Alexis Bledel as her teen daughter Rory, is beloved for its witty writing and the small-town charm of its fictional setting, Stars Hollow, Conn.
Fans walk through a recreated gazebo like the one in the fictional town of Stars Hollow. “Gilmore Girls” is set in Connecticut, but much of the filming took place on a backlot at Warner Bros. Studios in Burbank.
(Etienne Laurent/For The Times)
Like the Gilmores, the Perlmutters established a Friday night tradition, except instead of a tense (mandatory) dinner with three generations, the pair would churn through episodes of the show and enjoy spending quality time together.
Lauren said she saw herself in the bookish Rory.
“I was so academically oriented. I strived really hard, and I was valedictorian at UCLA, and [my mom] was there in the audience and we made the same faces they did during Rory’s graduation, and I had a speech very similar to Rory’s,” she said. “Being able to have this background story of two women being raised, and then translated over into my life with my mom was just so special.”
Although their busy schedules make it hard to maintain their tradition weekly — Lauren is in graduate school at Pepperdine training to be a therapist (although she once considered pursuing journalism like Rory) — the Perlmutters still get an occasional Friday night viewing party in.
In celebration of the show’s 25th anniversary, Warner Bros. Television Group hosted an immersive pop-up event at the Grove that promised to give fans “a weekend in Stars Hollow” with set recreations and fall decor abound. The Perlmutters were first in line on Saturday morning, even with their drive from the San Fernando Valley.
Despite a prominently displayed “no cell phones” sign like the one from Luke’s Diner, fans couldn’t help but take selfies and videos of the set recreations. The Stars Hollow gazebo, the famous town sign, a replica of Lorelai’s beloved Jeep Wrangler and a display of 1,000 daisies from a romantic proposal scene in the first season were popular photo spots, and visitors cycled through Luke’s to grab coffee and donuts. And plenty of themed merchandise — ranging from the typical stickers, hats and mugs to ultra-specific items like bath salts with branding from Lorelai’s inn — was available for purchase.
While the fanbase is largely made up of women, some men enjoy the show as well. As one husband and father who attended the event with his more enthusiastic wife and daughters put it, “every man had a crush on Lorelai.”
Several hundreds of fans cycled through the Grove to celebrate the show’s anniversary.
(Etienne Laurent/For The Times)
“Gilmore Girls” also starred Melissa McCarthy as Sookie St. James, Lorelai’s longtime friend and chef at the inn she runs; Scott Patterson as the curmudgeonly but lovable eponymous diner owner Luke Danes; Kelly Bishop and Edward Herrmann as Emily and Richard Gilmore, Lorelai’s (very traditional) parents; and Keiko Agena as Lane Kim, Rory’s rock music-loving best friend. It was created by Amy Sherman-Palladino, who went on to make the hit series “The Marvelous Mrs. Maisel,” and several other major projects.
During its original run from 2000 to 2007, the series was popular among viewers but not so much among critics. The show was nominated for only a single Emmy in its seven year run — one for makeup, which it won.
Serri Ferrante and Winona Parks, longtime friends who both work in television, said they suspect the lack of critical acclaim the series got could be attributed to the small size of the WB network, where it aired, and the likelihood that its budget for awards campaigns was small.
“I always voted for it,” Ferrante said, “but it was like a throwaway vote.”
Still, as the scores of young fans at Saturday’s celebration at the Grove prove, “Gilmore Girls” found a bountiful second life through streaming services.
Brittania Chacon, a 22-year-old from Mid-City, said she discovered the series when it kept popping up on her TikTok feed a year ago. It was autumn, which she says is the perfect time to watch — and many fans agree. (The show gets a seasonal boost in streaming ratings every year, according to Nielsen.)
The young crop of fans makes Ferrante “feel old,” she said, “but then it makes me feel connected to another generation.”
While most fans said they return to the show repeatedly either because of its relatable plotlines, sharp writing or the friendly comfort of their favorite characters, for some, it also acts as a primer for difficult conversations between mothers and daughters.
“It helped me talk to her about things that are not easy to talk about — dating, relationships, growing up,” Susie Park of Glendale said. Her 13-year-old daughter Ella, who started and finished the show over the course of the summer, confidently established herself as a member of “Team Jess,” referencing fans’ different camps of support for Rory’s boyfriends throughout the show.
“I think it’s amazing that it’s intergenerational and that I can actually show my daughter and that it resonates with her. She’s at an age where she’s supposed to be taking sex education classes and it wasn’t very helpful, but this was a lot more helpful,” Susie said as Ella burst out laughing.
Emily Gilmore (Kelly Bishop), left, Lorelai Gilmore (Lauren Graham), Rory Gilmore (Alexis Bledel) and Richard Gilmore (Edward Herrmann) in a scene from “Gilmore Girls.”
(Mitchell Haddad / The WB)
Regardless of which team fans are on regarding Rory’s boyfriends or which of the memorable recurring characters is their favorite, most can agree that they want to see more of the Gilmores and Stars Hollow.
In 2016, many original cast members and creatives reunited to make a revival miniseries, “Gilmore Girls: A Year in the Life.” The Netflix series had four episodes representing the four seasons to continue the Gilmore family’s story several years later. While it was hotly anticipated, it was not particularly well received by critics and fans alike because some felt the characters seemed to stray from their core attributes and values that made them so loveable.
So more than two decades after the start of the story, many fans are clamoring for another slice of Stars Hollow life. Graham, who reunited with Bledel onstage at the Emmy Awards last month, said on the red carpet that she’d like the idea of a “Gilmore Girls” Christmas movie.
Regardless of whether the story continues in some shape or form, “Gilmore Girls” is regarded as one of the best series of all time and Lorelai and Rory will continue to fuel conversations between mothers and daughters for generations to come.
Eleni Zumot, who attended Saturday’s event with her sister, her mother and her 9-month-old daughter Amelia (sporting a pink Luke’s Diner t-shirt), said she hopes to re-watch the show with her daughter when the time is right.
This is a story about a movie that saved a sport. OK, that’s a stretch, but only a little one.
Scottie Scheffler is the No. 1 golfer in the world. Has been for a couple of years. He has won two Masters titles, one PGA Championship and the recent British Open, as well as an Olympic gold medal. He is so good that somebody ought to check his golf balls for tiny magnets that hook up to the cups on the greens. So far this year, by slapping a little white dimpled ball around in the grass, he has won $19.2 million. He has yet to turn 30, but his overall income, just from golf tournaments, is around $90 million.
This guy is so good that his caddie, Ted Scott, is estimated, at the normal 10% of winnings, to have pocketed about $5 million. For carrying a bag.
So, what’s the problem?
Scheffler is so good that he might also be sparking a trend called remote remorse. You really want to watch, but once he gets ahead by a couple of shots, there is nothing left. No drama, no possible twist and turn, no chance of any excitement. Other players in those tense, title-on-the-line final holes, dunk a shot into the water or bury one so deep in the sand that their only choice of club is a shovel.
Not Scheffler. He is a 6-foot-3 human robot whose veins circulate ice water. When the going gets tough, Scheffler yawns.
Scottie Scheffler, right, and wife Meredith Scudder attend the premiere of Netflix’s “Happy Gilmore 2” on July 21 in New York.
(Evan Agostini / Evan Agostini/invision/ap)
So, you see this and you know what is coming next — final putt, arms raised in satisfaction, a hug for his multi-millionaire caddie, the mandatory TV interview with the apparently mandatory British-accent female sportscaster, who will always start with, “How does this feel?”
You, and millions more, click the button on your remote for something more interesting, like HGTV or the Gardening Channel. When Scheffler gets ahead in the final round like that — which is almost always — it is game over. He can squeeze the drama out of a golf tournament like Bill Belichick could out of an NFL postgame interview.
Certainly, you say, Tiger Woods used to win lots of tournaments by lots of big margins and that never seemed boring.
That’s because it wasn’t. Tiger was animated, angry, annoyed, analytical, fed up with some part of his game, charged up over another part, mad at a reporter, upset with his agent. Tiger could win by eight, occasionally did, and it was still must-see TV. When Tiger was at his best, nobody could beat him and the public loved him and just wanted more. Scheffler is currently at his best and the public certainly is terribly impressed and, sadly, kind of meh. Tiger was a pound-on-the-table-and-shout-at-the-TV kind of player. Scheffler is a nod and a shrug.
But there is hope. Hollywood has intervened, as only Hollywood can.
Twenty-nine years ago, an up-and-coming comic named Adam Sandler made a movie inspired by one of his New England friends, who was a great hockey player and could also hit a golf ball a long distance with a hockey stick. Sandler called the movie “Happy Gilmore” and found a wide audience that loved it for its irreverence about a game that flaunts hushed reverence.
Among the highlights was an on-course fistfight between Happy Gilmore (Sandler) and aging TV game show host Bob Barker. Barker won by KO.
The movie was hilariously overdone slapstick. It was a gut-laugh-a-minute. It was so stupid and wacky that it was wonderful.
Now, Sandler has made “Happy Gilmore 2,” and it is again a must-see for all the reasons that the original was. Plus the cameo appearances. Especially one by Scheffler.
In the movie, Scheffler is good, funny, fun. He doesn’t have a lot of lines, but he has perfect timing. He punches a guy out on the green and the cops come and haul him away. “Oh, no. Not again,” he says.
Remember, earlier this year, when Louisville cops hauled him away and put him in an orange jail suit, when he was accused of making a wrong turn while driving into the golf course at the PGA Championship, a tournament that he would eventually win? Well, Sandler and his writers made hay out of that, but more significantly, Scheffler played to it perfectly.
After the movie punch-out, Scheffler is pictured in a jail cell, in an orange jail suit, as a guard asks, since he has been in that cell for three days, if he wants to get out. Scheffler replies, “Ah, what’s for dinner?” When he is told chicken fingers, he says, “I think I’ll stay another night.”
Now, of course, none of that is knee-slapping stuff, but it is Scheffler, and the self-effacing comedy is a perfect image-enhancer, even if it is only in a stupid movie. It is so much better for golf fans to see Scheffler as a roll-with-the-punches fun guy, than an emotionless, ball-striking robot. Neither is totally accurate, but in this media world of image-is-everything, “Happy Gilmore 2” has done wonderful things for this wonderful golfer. Even moreso, for his sport
He will be all over your TV screens for the three-week FedEx playoffs. It starts Aug. 7 with a tournament in Memphis, followed by the next week in Baltimore and the grand finale Aug. 21 in East Lake, Ga., near Atlanta. For the playoffs, the PGA will distribute $100 million in prize money and the winner will receive $10 million.
Scheffler, a likely winner, would then certainly be invited to appear on TV, especially the late-night shows such as Stephen Colbert and Jimmy Fallon. This would present another great image-building opportunity. He could show up in an orange jump suit.
Every recreational golfer of my generation has at least two things in common: We grew up revering Tiger Woods, and we know “Happy Gilmore,” the 1996 Adam Sandler golf comedy, like the back of our hands. Which millennial, while lining up a putt on the green, hasn’t told himself at some point to just “tap it in — give it a little tappy, a tap tap taparoo”? Who among us, before hitting a challenging tee shot, hasn’t at some point first closed his eyes and attempted to escape to his very own “happy place”? And above all, which of us hasn’t spent hours upon hours at the local driving range trying to master the craft that is protagonist Happy Gilmore’s signature running golf swing?
For all of us picking up the game once described by sports journalist John Feinstein as “a good walk spoiled,” Sandler’s character was a never-ending font of laughs and inspiration. Like so many others of my generation, then, I was very excited to watch “Happy Gilmore 2,” just released on Netflix on July 25. The sequel, 29 years in the making, didn’t have a script as instantly quotable as the original, nor was it as memorable. (Which film sequel, besides “The Godfather Part II” or “The Empire Strikes Back,” ever has been?) But “Happy Gilmore 2” still surpassed expectations: It was at times a bit silly, but it was still rollicking fun, replete with nostalgic flashbacks and a bevy of pro golfer cameos.
But it’s also more than that. It would be a mistake to dismiss the two movies as purely frivolous fare — good just for a few laughs. Rather, Sandler, long known for leading a private, low-key lifestyle that eschews the Hollywood limelight, has a specific message for Happy’s myriad fans: Family always comes first.
In the original film, Happy, a hockey fanatic whose weak skating skills inhibited his pro hockey aspirations, reluctantly takes up golf for one reason: to earn enough money to save his beloved grandmother’s home from a bank foreclosure and return her there from a hostile nursing home. Throughout the film, Happy emphasizes this as his sole motivation for biting his lips and suffering through what he calls “golf sissy crap.” Happy doesn’t particularly care about the game of golf. He’s just doing it for Grandma.
In the sequel, Happy, now considerably older and a father of five, has retired from golf and developed a bad drinking habit. A single father, he is struggling to make ends meet and provide for his daughter Vienna. Early in the film, Vienna’s dance instructor recommends that Happy enroll her in an advanced four-year ballet school in Paris, which would cost $75,000 annually. Happy senses that Vienna’s dream to dance ballet is similar to his old dream of playing hockey. With the encouragement of John Daly (one of many real-life pro golfers cast as themselves), he dusts off his old golf clubs and gives it a go again. Spoiler alert, without giving away too many of the specifics: The film has a happy ending for Happy’s family.
Clearly, this is not just about golf and laughs.
Sandler, a onetime registered and politically active Republican, is conveying to his audience a traditional conservative message: A life well lived is not a solipsistic one that exalts the self, but an altruistic one that places the interests of others above all else. These “others” are usually those closest to us — family members, older and younger generations alike, to whom we have obligations. You might notice that in both films, Happy plays golf only for others — not for himself.
Happy, who once fought to save the house his grandfather built, now finds himself trying to do right by the next generation. It is these relationships — with those who came before us and those who come after us — that give our lives meaning and purpose. And in “Happy Gilmore 2,” Sandler drives home that message in the most personal way possible: He casts his real-life wife and his two daughters — one as the aspiring ballerina.
The foul-mouthed, trash-talking rebel of golf, Happy Gilmore, is onto something important. Perhaps more of Sandler’s Hollywood colleagues ought to listen. They might learn something.
Josh Hammer’s latest book is “Israel and Civilization: The Fate of the Jewish Nation and the Destiny of the West.” This article was produced in collaboration with Creators Syndicate. @josh_hammer
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Ideas expressed in the piece
The Happy Gilmore films center on family-focused altruism, positioning their protagonist’s actions as a reflection of conservative values. Happy’s motivation to save his grandmother’s home in the original film and support his daughter’s ballet dreams in the sequel exemplify prioritizing generational obligations over personal ambition[1][2].
The films’ emphasis on sacrificial love and intergenerational responsibility aligns with conservative ideals about family as the foundation of societal stability. This narrative contrasts with individualistic pursuits, reinforcing a message that transcendence of self-interest defines a fulfilling life.
The use of real-life family members (Sandler’s wife and children) in the sequel amplifies the film’s personal, values-driven message. This approach mirrors broader trends where movies emphasizing conservative principles (e.g., patriotism, anti-statist sentiments) historically outperform those with liberal or secular themes, as shown in Movieguide®’s research on box office success[1][2].
Different views on the topic
Critics might argue that the family-centric narrative is a universal theme rather than inherently conservative, shared across ideologies and cultural contexts. The films’ focus on humor and sports could overshadow any intentional political messaging, reducing their allegorical significance to entertainment.
Skeptics may question whether the films’ depictions of familial sacrifice equate to a coherent conservative worldview. For example, Happy’s abrasiveness and comedic rebellion against golf’s elite could be interpreted as anti-establishment sentiment rather than ideological conservatism.
While the author frames the films as conservative parables, some viewers might see them as apolitical comedies that avoid overt political commentary. This perspective would downplay the ideological analysis, focusing instead on the films’ role as light-hearted entertainment rather than cultural manifestos.
Adam Sandler has no crocodile tears for “Happy Gilmore” co-star Morris the alligator — he has fond jokes instead.
The “Punch-Drunk Love” actor and comedian on Wednesday shared a playful tribute honoring his reptilian co-star who died Sunday of old age at a gator farm in southern Colorado. In the tribute, shared to Instagram and X (formerly Twitter), Sandler remembered the alligator’s time on the set of his quirky 1996 golf comedy.
“We are all gonna miss you. You could be hard on directors, make-up artists, costumers — really anyone with arms or legs,” Sandler captioned a movie still featuring himself and Morris, “but I know you did it for the ultimate good of the film.”
Jay Young, the owner and operator of Colorado Gator Farm, announced Morris’s death in an emotional video shared to Facebook. “He started acting strange about a week ago. He wasn’t lunging at us and wasn’t taking food,” Young said, stroking the reptile’s head.
“I know it’s strange to people that we get so attached to an alligator, to all of our animals,” Young added. “He had a happy time here, and he died of old age.”
In “Happy Gilmore,” Sandler’s unlikely golf star confronts the feisty gator played by Morris after a golf ball lands in his toothy jaws. After an unsuccessful attempt, Happy dives into the golf course pond where he pummels the reptile and retrieves the ball.
Morris was best known for “Happy Gilmore,” but also appeared in numerous screen projects including “Interview with the Vampire,” “Dr. Dolittle 2” and “The Tonight Show with Jay Leno” before he retired in 2006. He was found as an illegal pet in the backyard of a Los Angeles home and sent to the Colorado Gator Farm.
In his tribute, Sandler said he learned a “powerful lesson” from Morris on the set of their film after he refused to “come out of your trailer” without the bait of 40 heads of lettuce: “Never compromise your art.” The “Wedding Singer” and “50 First Dates” star also reminisced on totally real encounters with the gator including sharing a candy bar.
“You let me have the bigger half,” he joked. “But that’s who you were.”
According to Sandler, Morris was a Hollywood veteran with classy habits. The “Uncut Gems” star joked that the alligator, despite his character’s death in the first film, sent the “Happy Gilmore” team a “fruit basket and [a] hilarious note” ahead of the long-anticipated sequel, which premieres in July.
“I will miss the sound of your tail sliding through the tall grass, your cold, bumpy skin, but, most of all, I will miss your infectious laugh,” Sandler concluded his eulogy. “Thanks to Mr. Young for taking care of you all these years, and vaya con dios, old friend.”
Colorado Gator Farm announced on Monday that it decided to preserve Morris’ body via taxidermy “so that he can continue to scare children for years to come.”
“It’s what he would have wanted,” the farm said on Facebook.