ghost

The remains of the original Griffith Park Zoo are imbued with memories of the past. Forgotten animal pens, decaying cages and stony backdrops now sit in various states of abandonment.

It is, in other words, a prime location for a haunted narrative.

“Ghost in the Machine: The Old Zoo” is just that, a site-specific interactive experience in which specters come to life via our mobile phones. In the story, our devices become a gateway to another world — or, rather, a halfway point between our universe and the afterlife. We’ll see visions of a medium, hear fragmented remembrances and explore a trail while discovering a tale that feels like an intimate glimpse into a grief-stricken past. And we’ll learn a little bit of Griffith Park history along the way.

The augmented reality project is the vision of Koryn Wicks, a trained dancer and choreographer who has created her own immersive entertainment pieces while working in the broader theme park space. The project is being remounted this Friday and Sunday afternoons at Griffith Park to coincide with “Ghosts in the Machine” being named a finalist for an award with IndieCade, a once in-person independent game festival that now exists primarily online.

Koryn Wicks, designer of “Ghosts in the Machine: The Old Zoo.” Wicks is an independent immersive creator who works in the theme park space.

(Kayla Bartkowski / Los Angeles Times)

John Houser, 43, from the San Gabriel Valley playing the augmented reality game “Ghosts in the Machine: The Old Zoo.”

(Kayla Bartkowski / Los Angeles Times)

“Ghosts in the Machine” exists as an app in a testing phase, hence the reason for the event-like approach to letting guests experience it. Wicks will be stationed outside the old zoo’s location for about two each hours each day, facilitating downloads and answering questions about the self-guided experience.

Once those who opt to play are set up with the game and near the old zoo, which opened in 1912 with a collection of only 15 animals and closed in 1966 to make way for the current animal park, they’ll receive a call. A medium, but “not like a celebrity medium,” has been trying to reach someone, anyone, and is at risk of losing her memory as she’s trapped between worlds. We’re asked to turn on our camera, and via augmented reality we see an alternate version of the landscape in front of us, one obscured by blue and green hues, and filled with static. The images feel fragile.

This medium, Phoebe, needs our help, and if we agree, the game begins. We’ll be directed to follow a map toward abnormalities around the old zoo. Things may get a little frightening. An apparition will appear before us. Yet Phoebe is telling us ghosts are not meant to be feared. A spirit, she says, is usually lost and confused.

“I wanted to do sort of a haunted location,” says Wicks, 36. “I’m a big nerd for horror stuff. I really like it. I really like the idea of ghosts. I read this book called ‘Ghostland’ and it looked at ghost stories throughout American history and the way they’re practiced and who gets cast as a ghost versus who gets haunted. So the first scripts I was writing were more meta, they were about ghosts in general. Then I gradually narrowed into an actual story with characters. That’s the dancer in me. I tend to think a little more abstractly.”

As the story was honed, it became one that focused more on familial bonds. Without spoiling the experience, which should be able to be completed in a little less than an hour, “Ghosts in the Machine” gradually transitions from a haunt to a tale that focuses on forgotten promises, lost loved ones and the lonely pings that can come from unresolved grief. “Ghosts in the Machine” begins with tension. It resolves as something more meloncholic, a game-like story built for contemplation.

John Houser, 43, left, and Parker Cela, 26, right hold up their phones to scan the staircase while playing the augmented reality game “Ghosts in the Machine” at Griffith Park.

(Kayla Bartkowski / Los Angeles Times)

And it’s staged in a location perfect for rumination. “Ghosts in the Machine” will take us up stairs, around pathways and into now-deserted zoo enclosures as we try to free a spirit from purgatory. There are some game-like mechanics as we’ll gather fragments of memories hidden throughout Griffith Park.

The park, the character of Phoebe tells us, is a “beacon for spiritual phenomenon.” Throughout, she’ll allude to stories of mistreated animals and the Griffith Park fire of 1933, heightening the sense that we are in the presence of unnatural occurrences. The space is dear to Wicks: it’s where her husband proposed, but “Ghosts in the Machine” pulls from more painful memories in her life.

“It had a lot to do with grief and memory,” Wicks says. “It can be so painful to engage with memory when we’re going through grief, and it can also be really complicated. Because there are good memories and there are also complicated memories. How do you hold space for both? That was something I was thinking of a lot at the time.”

The project was born during the worst days of the COVID-19 pandemic. Wicks, who had in the past staged numerous dance performances for small groups, initially envisioned a show in which audiences would use their smartphones to follow a dancer through an outdoor space. It gradually morphed into something more ghostly.

With a tiny team, a day job and the occasional teaching gig, Wicks has found that maintaining the app to the degree in which it can be properly released has not been feasible. For instance, for this weekend’s pop-ups, the map function had to be completely rebuilt. That’s another reason Wicks will be on site, aiming to help those who may be new to AR, or to troubleshoot on the various devices audience members may bring.

“I think we like to talk about technology as having a permanence to it, but there is no permanence to it,” Wicks says. “Very few people still have their cassettes. Records are still around, but technology phases out.”

Wicks is open to the idea of continuing to develop “Ghosts in the Machine,” and has looked into institutional or commercial support. But she confesses she hasn’t hit on a solution yet.

In the meantime Wicks, who hopes to stage a show later this year that intermixes dance with tarot themes, has created an experience that uses modern augmented reality technology and yet feels ephemeral. And that’s fitting, of course, for a ghost story.

The pub in Bardsey village near Leeds is believed to be Britain’s oldest pub, with 1,000-year-old stones, reported ghost sightings, and a fascinating history dating back to 905 AD

Nestled on the outskirts of Leeds is a charming village that harbours a wealth of history, often overlooked by those who stop for a pint in what’s claimed to be Britain’s oldest pub.

Bardsey is home to the legendary The Bingley Arms, reputedly Britain’s most ancient inn and pub, with the building’s stone tracing back an impressive 1000 years. Boasting a history that supposedly began as early as 905 AD, the Church Lane pub has a rich and intriguing past, including a former name unfamiliar to its current patrons.

Originally known as The Priests Inn, it reportedly served as a sanctuary for Catholic priests, monks, and others threatened by Henry VIII’s dissolution of the monasteries. However, these claims have been met with scepticism by some historians who dispute the medieval origins and trace the history back to the 18th century instead.

Inside, the pub retains much of its historical charm, exuding an authentic pub atmosphere with original oak beams and stone. It also features an inglenook fireplace and a 17th-century Dutch oven in its original location. Today, the site provides ample parking for visitors and boasts a diverse menu offering classic English pub dishes with a modern twist, using locally sourced ingredients. Outside, a spacious beer garden beckons for leisurely summer drinks, and within it stands a yew tree, believed to be older than the pub itself.

Praising what they described as a “five-star welcome”, one diner said: “The atmosphere was delightful, the staff were very warm and welcoming. Also, very, very good food. 10/10 would highly recommend to anyone in the area or passing through. Absolutely bloody lovely.”

Another customer said it was “always worth the visit”, explaining: “We visit The Bingley Arms every couple of months and are never disappointed. From the moment we walk through the door, we’re always welcomed by the lovely Kath, and it truly makes such a difference. Being treated like a friend rather than just another customer is exactly why we keep returning here instead of going elsewhere.”

Contributing to the glowing testimonials, one reviewer wrote: “Oldest Inn in England? They’ve been around long enough to know exactly what they’re doing. Outstanding food and drink! ! !” They described it as their “favourite British pub”. The establishment is believed to have a reputation for paranormal activity and ghostly encounters, which attracts visitors hoping to experience something supernatural. One person: “Warm welcome. Gorgeous food and always so welcome!”.

“In addition, what an amazingly beautiful setting. Oldest pub in England. A couple of secret priest holes and allegedly a few ghosts!”. Those interested in experiencing the historic venue firsthand can make reservations through the pub’s website, where they can secure a table within its ancient thousand year old walls.

A British expat has shared an insight into what Benidorm is like in the winter season and she offered a worrying reason why some tourists may be avoiding the streets

An expert on all things Benidorm has shared insight into what the popular Spanish resort is like in the winter months – declaring that it is “completely dead”.

Expat Lucy Young runs the Benidorm Stuff YouTube channel and she recently toured the usually bustling strip that looked more like a ghost town.

Starting her vlog, she said: “It’s very quiet… in fact it’s dead! Pretty much as dead as it gets. There are plenty of places open but there are just not many people around. So let’s go for a wander and see if we can find any life in December. The whole of Benidorm is just completely dead at this time of year.”

Lucy, who has lived there for over 20 years and is known as the Benidorm Enthusiast, began her stroll on a Tuesday night just after 10pm and she told her 75,900 subscribers it was as deserted as they would ever see.

However, being low season, she acknowledged that the empty bars and quiet streets were as expected, but she still sometimes forgets just how silent it gets.

She added that she highlights just how “absolutely wild” the resort is during high season, and therefore it was important to show it at its quietest period too.

During her walk past bars that are usually heaving with partygoers, Lucy shed some insight into the different reasons why the streets were almost empty.

She explained how Levante Beach remained a hive of activity during the day time in winter and that the Old Town has got a buzz about it in the afternoon – but where does everyone go when the sun drops?

She said: “Many tourists that come in December just stay in their hotels. It can get pretty nippy and I don’t think people realise just how nippy it can get.”

The content creator said temperatures drop rapidly by 10 degrees or so once night falls and there is no escaping the chill.

She added that hotel rooms were warm, cosy and provided entertainment, and therefore many tourists preferred to simply stay put.

Citing a more worrying reason, she hinted that the strip was not as safe as it could be, and some folk were unwilling to venture out too late.

She explained: “I think it is down to the age group as well. We do get a slightly more mature age group at this time of year and I think sadly some just don’t feel particularly safe around here late at night anymore.

“It is a real shame because this area used to be welcoming for all ages at all times of the year really. But I think in recent years most people will agree that this area has changed and not for the better.

“If you are not a hardcore partygoer you may well be put off by this area these days. Even I can feel a little bit intimidated walking around here and I know these streets like the back of my hand.”

She added that the liveliest parts of Bendiron were around the Hotel California bar and The Crown pub where a few people were gathered for drinks.

Lucy later joked that she expected to see tumble weeds rolling down the road by the time she reached the end of the strip because of how quiet it was.

The YouTuber acknowledged that some people will prefer Benidorm this way, usually because they can get a seat for entertainment shows that are performed all year without having people talk over them.

But as for anyone coming in winter, she advised them not to expect the strip to be “absolutely bouncing” before emphasising one final time: “The strip at night? It is pretty dead and deserted.”

After posting the video, which you can watch here in full, one person commented: “Omg don’t think I have ever saw it so empty Lucy.”

Another wrote: “Coming out for the new year, really looking forward to it and hope it’s worth it.”

A third said: “Still love Benidorm at New Year it will be so different then.”

One person added: “Why is it like this? I live 45 minutes away, never seen it like that since lockdown.”

A TOWN frozen in time since World War II will open to the public for a limited time.

The abandoned ghost village stays cut off from the world for most of the year, with visits only permitted this week.

History buffs and nature lovers alike swarm to the area, where 150 people once lived until 1943.

Since then, the abandoned village of Imber in Wiltshire, only sees visitors for 12 days out of the year.

During the second World War, residents of the area were given 47 days to evacuate their homes so the village could be turned into a military training area for troops.

While they were promised they would be able to return after the war, the village is still occupied by the Ministry of Defence (MoD) to this day.

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And now it has invited the public to visit, with roads opening through Imber this week, until 8am on Friday, January 2.

Public access has been granted to the village as well as the Grade I-listed St Giles Church, which will be open from 11am to 4pm daily.

The original surviving building is free to visit during open days with any donations going towards the Churches Conservation Trust (CCT) for maintenance and restoration.

Along with an old pub, the church is one of the few remaining original structures in the village.

Most of the larger stone buildings were damaged during military training, and were subsequently demolished.

Meanwhile, other houses in the village are either hollowed-out shells or have been converted into modern windowless buildings createdto simulate urban environments for military training.

While those who once lived in the village have the right to be buried on the church grounds, the only living residents now are an abundance of undisturbed wildlife, including owls, badgers, birds, and foxes.

Imber also holds open days during Easter weekend and a single day in summer, with all visitors required to adhere to the public rights of way and designated areas, and comply with signposting.