With Dorsey grad Mustard providing a rousing halftime concert aided by a Super Bowl-like sound system and Nike supplying players with much-appreciated sports apparel, the rivalry football game between host Crenshaw and Dorsey on Friday night was both loud and hip. The school colors blue and green were worn proudly by both sides.
On the field, Crenshaw (5-1) came away with a 12-8 victory on the strength of a 25-yard interception return for a touchdown by Kyion Rattler and a 20-yard touchdown reception by Deonce’ Lewis, both in the first half, for a 12-0 halftime lead.
Lewis provided a spark with big catch after big catch from quarterback Danniel Flowers. Lewis had five receptions for 77 yards.
This was a Coliseum League opener to determine which team might be able to give King/Drew competition for first place. Dorsey (2-4) hadn’t scored in its previous two games before Makhi McCluster ran three yards for a touchdown late in the third quarter.
Absent from the game was Crenshaw coach Robert Garrett, who missed his first Dorsey-Crenshaw game since he took over as head coach in 1988. Garrett is on administrative leave, receiving full pay and assigned to home. He went to Friday’s Sierra Canyon-Gardena Serra game in Chatsworth to watch a couple players on both teams with Crenshaw ties, including the brother of former Crenshaw standout De’Anthony Thomas.
Garrett’s longtime assistants have been running the team, with Terrence Whitehead the interim coach.
“We miss him so much,” Lewis said of Garrett, who prepared the team through the summer. “That’s all we play for. Without him, none of this is possible. We have to keep going. The other coaches are stepping up. I’m very proud of them.”
As long as Garrett eventually returns as head coach, every Crenshaw victory this season will count toward his pursuit of 300 career victories, according to CalHiSports.com. He’s at 295 career wins, the winningest coach in City Section history. But when his administrative leave will be resolved remains uncertain.
Dorsey wide receiver Mario McWilliams cuts across the field for extra yardage against Crenshaw.
(Gina Ferazzi / Los Angeles Times)
For now, Crenshaw is progressing. The team that struggled with player turnout in recent years had 30 players on Friday listed as suiting up. Three players from eight-man power Animo Robinson have made an impact in the transition to 11-man football.
“They’re great add ons,” Lewis said.
Also contributing has been sophomore defensive lineman Jeremiah Alexander, who was playing drums in the school band at this time last year. Garrett got him to come out, and Alexander had a sack before being taken out because of an injury.
Dorsey put the pressure on Crenshaw in the second half behind two sacks from Saul Avila-Machado.
Crenshaw got the ball back clinging its 12-8 lead with 4:53 left and was able to run out the clock thanks to clutch completions by Flowers to De’Andre Kirkpatrick for nine yards and Lewis for 20 yards.
Lewis said it was “cool” that Mustard performed at halftime, but he and his teammates were too busy with football to listen. “We have to show the City is still alive,” he said.
Crenshaw wide receiver Deance’ Lewis (11) makes a catch against Dorsey defenders Jordan Young (12) and Jordan Johnson (16).
But, in what became a frustrating 4-2 loss to the Boston Red Sox at Fenway Park, Crochet bobbed and weaved around every knockout blow the Dodgers tried to land.
“I thought we played hard. I thought we competed,” manager Dave Roberts said. “He made pitches when he needed to.”
Indeed, in a game that was decided on the margins — through high-leverage at-bats and two-strike battles and risky decisions that backfired on the basepaths — Crochet was just a little bit better than Dodgers starter Clayton Kershaw, using his heavy fastball and premium all-around stuff to wiggle out of trouble in a way his aging 37-year-old counterpart couldn’t.
While Crochet limited damage over the rest of his six-inning start, striking out 10 batters to prevent each of the eight other Dodgers who reached base from scoring, Kershaw faltered when his back was up against the wall, yielding the lead in a three-run second inning before exiting after another run in the fifth.
“Obviously, when you’re facing a guy like Crochet, there’s not gonna be a ton of runs,” said Kershaw, who once invoked such fear from opponents but now has to grind with gradually diminished stuff. “Our guys did a good job getting a lead there early and really having good at-bats. Just frustrating not to be able to hold it.”
Making his first career regular-season start at Fenway Park (he had only previously pitched here in the 2018 World Series), Kershaw appeared to be battling his mechanics from the start. He delivered a first-pitch strike to only five of the first 14 batters. Even worse, he couldn’t put guys away on two-strike counts.
It culminated in the three-run second inning from the Red Sox (56-50). Trevor Story worked a leadoff walk. Carlos Narváez belted a double off the Green Monster. And, on a night he had two triples and a double, Jarren Duran laced a line drive to center that got over Andy Pages’ head to plate two runs (Duran would later score on a sacrifice fly).
All three batters did their damage with two strikes.
“Needed to figure it out a little bit better,” Kershaw said of the second inning. “The last few innings [after that], I actually felt pretty good with everything. Just couldn’t make the adjustment that second inning. And that’s what cost us.”
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1.Dodgers pitcher Clayton Kershaw delivers in the first inning Saturday.2.Boston starting pitcher Garrett Crochet delivers in the first inning Saturday.(Steven Senne / Associated Press)
Kershaw eventually settled down. He rediscovered his command in the third, working around a pair of singles with a double-play grounder and strikeout of Story. He found the kind of rhythm that has keyed his surprisingly strong 18th season from there, retiring seven consecutive batters to work his way into the fifth inning.
But with two outs in the fifth, Red Sox slugger Alex Bregman outlasted Kershaw in another two-strike battle, bouncing a single through the infield on the 10th pitch of the at-bat. Then, rookie star Roman Anthony drove him home with a double off the Monster.
Kershaw’s night ended there, with four runs (tying the second-most earned runs he has allowed this season) and only two strikeouts over 4⅔ innings raising his season earned-run average to 3.62.
“Could have been a super frustrating day,” Kershaw said. “Now it’s only mildly frustrating — just that that’s still in there, I can still get people out. It’s just that second inning got to me.”
Crochet, meanwhile, never wavered after the Dodgers (61-44) did their early damage.
“When you’re facing guys like Crochet, you don’t get so many good pitches to hit,” Hernández said. “The ones that you do, you just have to put it in play and hopefully you can get good contact, do some damage, like we did in the first inning. After that, he was throwing the ball very good. He didn’t miss many pitches in the strike zone.”
The Dodgers, in an effort to manufacture extra offense, didn’t help their own cause on the bases, either.
After the first-inning home runs, another rally fizzled when Freddie Freeman was thrown out trying to go from first to third base on a Pages single that was initially booted by Duran in left field.
The Dodgers challenged the call, with Roberts applauding Freeman’s aggressiveness from the dugout, but the out was upheld. Tommy Edman lined out to end the inning an at-bat later.
“I thought that was a good play, I liked that,” Roberts said of Freeman’s decision. “He’s got to make a perfect throw to get Freddie right there. But in a first and third [situation] with a two-run lead, if we get into a situational spot right there, it could’ve been a different game.”
Instead, the rest of the night was more of the same.
The Dodgers had two other innings end with outs on the bases. Hernández was caught stealing for the final out of the fifth (on a close play the Dodgers were unable to review after burning their challenge earlier, but one Hernández was told likely would’ve been upheld). Will Smith was gunned down trying to turn a single into a double in the seventh, after Crochet’s exit.
“If you try to play it straight and try to collect a bunch of hits, it’s just not going to happen,” Roberts said of the Dodgers’ game plan on the bases. “We had a chance early and then he started bearing down and the velocity ticked up. Then hits were harder to come by.”
Dodgers star Shohei Ohtani examines his bat before striking out in the fourth inning Saturday.
(Steven Senne / Associated Press)
And if that wasn’t enough, Ohtani squandered several more chances in deflating sequences at the plate.
Despite extending his National League lead with his 38th home run to start the game, the slugger also moved into the top-five of the NL in strikeouts with three in each of his remaining at-bats Saturday, finishing with 124 on the season.
In both the second and fourth, No. 9 hitter Hyeseong Kim managed to single off Crochet (surprising results given Kim’s recent struggles, which Roberts said have been magnified by a recent shoulder injury). But both times, Ohtani followed with inning-ending Ks, chasing out of the zone on a fastball up and a cutter that was well away.
The Dodgers, nonetheless, gave themselves one last chance against Red Sox closer Aroldis Chapman in the ninth, bringing the tying run to the plate after a two-out walk from Esteury Ruiz.
The batter representing that tying run: Mookie Betts, who was out of the starting lineup for a second straight game after spending the week back home in Nashville following a death in his family, but arrived at the ballpark shortly after first pitch to be available to pinch-hit.
His number was called with the game on the line, in what marked just his second trip back to Fenway Park since being traded from the Red Sox to the Dodgers in 2020.
Alas, the former MVP brought a night of missed chances to a frustratingly fitting conclusion, getting rung up on a called third strike to set up a series rubber match Sunday.
Welcome to Screen Gab, the newsletter for everyone who longs for the expansion of dirty soda chain Swig so we can feel better equipped to deal with #MomTok drama (IYKYK).
It’s been a week since the second season of “The Secret Lives of Mormon Wives” dropped on Hulu, but die-hard reality TV watchers have likely already inhaled all nine episodes with the same unwavering commitment as the cast member trying to make us believe that her husband is related to Ben Affleck. (Spoiler alert: He is not. But we sure hope the actor watches while sipping on a 44-ounce iced coffee.) Taylor Frankie Paul, the self-proclaimed founder of #MomTok, the TikTok infuencer group that unites them, stopped by Guest Spot to talk about the new season of friendship and backstabbing.
Also in this week’s Screen Gab, our resident true-crime expert Lorraine Ali tells you why a docuseries about 1982’s unsolved Tylenol murder case is worth watching, and TV critic Robert Lloyd dives into the pleasures of watching professional surfers chase giant waves. Be sure to also find time to take in Lloyd’s tender tribute to “quintessential Regular Guy” George Wendt, who died this week at age 76; it’s linked below.
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Actor George Wendt, best known for his role as Norm in NBC’s long-running sitcom “Cheers,” holds a glass of beer in a barroom in Los Angeles on June 13, 1983.
Recommendations from the film and TV experts at The Times
Professional big-wave surfer Garrett McNamara in HBO’s “100 Foot Wave.”
(HBO)
“100 Foot Wave” (Max)
The continuing story of big-wave surfer Garrett McNamara, his family and friends becomes a trilogy with the third season of Chris Smith’s great HBO docuseries, crazy to contemplate yet beautiful to behold. Garrett, a maverick who put the Portuguese town of Nazaré on the map for its massive waves, set a record there, surfing a 78-footer — imagine an eight-story office building coming up behind you. But with the spot well-established and many records having been matched, the series has become less about competition than community and compulsion. (A middle-aged adolescent with a seemingly high tolerance for pain, Garrett, despite age and injury, cannot stop surfing.) Back again, with a cast of top big-wave surfers, are charismatic Nicole McNamara, Garrett’s level-headed wife and manager and mother to their three, one might say, “other children,” and her brother C.J. Macias, suffering from surfing PTSD after breaking his arm at Nazaré. The climax of the season is a surfing safari to Cortes Bank, 100 miles off the coast of Southern California, where an undersea island creates huge waves with no land in sight. — Robert Lloyd
A still showing Tylenol pills from the Netflix documentary “Cold Case: The Tylenol Murders.”
(Netflix)
“Cold Case: The Tylenol Murders” (Netflix)
If you’re not ready to switch to Advil, stop reading here. Netflix’s three-part, true-crime docuseries deftly chronicles one of the largest criminal investigations in U.S. history involving the 1982 murder of seven victims in Chicago who died after ingesting Extra Strength Tylenol tablets laced with cyanide. No one was ever charged with their murders.
Directed by Yotam Guendelman and Ari Pines (“Conversations with a Killer: The Ted Bundy Tapes”), the series includes interviews with family of the victims, investigators, police and prosecutors who were directly involved in the case. Together their accounts recall the bizarre and terrifying nature of the crimes, the national panic caused by the tainted pills and the stunning lack of scrutiny on the medication’s manufacturers, Johnson & Johnson.
Private citizen James W. Lewis eventually emerged as one of two main suspects in the case, and he served 12 years in prison for sending an extortion note to Johnson & Johnson demanding $1 million to “stop the killing.” But authorities couldn’t pin the murders on Lewis. The documentary features an exclusive interview with Lewis before his death in July 2023 in which he proclaims his innocence yet appears to still revel in the media attention. The series also calls into question the culpability of Johnson & Johnson and the possibility that the poisoned capsules may have come straight from the factory before landing on drugstore shelves, where they were purchased by the unwitting victims. The murders ultimately led to an overhaul on the safety packaging we see on today’s over-the-counter medication.
Also worth your time is “This is the Zodiac Speaking,” Netflix’s riveting 2024 docuseries chronicling a family of siblings who were intimately involved with the top suspect in the still unsolved Zodiac killings of the 1960s and ‘70s. Sleep tight. — Lorraine Ali
Guest spot
A weekly chat with actors, writers, directors and more about what they’re working on — and what they’re watching
Mayci Neeley and Taylor Frankie Paul in “The Secret Lives of Mormon Wives.”
(Fred Hayes / Disney)
“The Secret Lives of Mormon Wives” feels like the new wave of soapy reality TV in the way it builds off social media personas to create ridiculously addictive drama. The Hulu reality series follows the lives of a group “momfluencers” who push against traditional Mormon norms — they’re the breadwinners, some are divorced, many drink, and at least one faced the dilemma of promoting a sex toy brand. Taylor Frankie Paul, the founding member of #MomTok, stopped by Guest Spot to discuss what makes great reality TV versus social media content and the scripted show that reminds her of her life. — Yvonne Villarreal
The women spend a lot of the season saying #MomTok has veered away from what it was initially conceived to be about — women supporting women. How do you think the reality show — this additional layer of sharing your personal life with an audience — has both helped its evolution and threatened its survival?
I think it’s threatened the survival because when you share, you get vulnerable and, unfortunately, when doing so it could eventually be used against you. With that being said, it helps the evolution by doing the same thing — being vulnerable can bring people closer together as well.
What have you learned makes great reality TV and how is that different from what makes great social media content?
What makes great reality TV is sharing as much as you can — both pretty and ugly — so they [followers] can see [the] bigger picture. What makes great social media content is leaving some mystery. It’s ironic that it’s opposite!
Viewers had a strong reaction to how your family engaged with you about your relationship with Dakota, particularly at the family BBQ. What struck you in watching it back?
Watching the scene at my family BBQ made us all cry because my family loves me dearly and the approach was maybe not the best (including myself), but everyone’s emotions were heightened. A lot was happening and all I remember is feeling overwhelming pain. But I do know my family has my best interest [in mind] even if that moment doesn’t show that. I know and that’s all that matters. I don’t like seeing the backlash because they are my village and I love them so much.
I notice that I come off intimidating or harsh, however I’m very soft and forgiving. I typically need to feel safe to show more of that. I feel like I’m always on defense, and I need to give people the benefit of the doubt — not everyone is going to cause pain; in other words, [I need to] open my heart more.
What have you watched recently that you’re recommending to everyone you know?
My current go-to watch is “Tell Me Lies” [Hulu]. I’m not a reality TV girl, ironically. I’m obsessed with this show. It’s so toxic and so good. It’s a lot like my life, so it’s entertaining to watch someone else’s life.
