gallery

A CLOSED-off part of a major London landmark is opening to the public today after being shut for almost a century.

The Natural History Museum is letting visitors inside a hidden gallery that has been closed since World War II.

Previously, it was used as a skeleton gallery, then closed in order to store a surviving botanical collection after the museum’s original herbarium was damaged during the war.

It completely closed in 1943 but reopened to the public earlier today.

The new gallery is called ‘Nature and Us’ and on display are 50 specimens and objects all to do with humans’ relationship with the natural world.

This includes a miniature model of a Crystal Palace dinosaur, a Victorian skeleton of a monk seal and visitors can touch a replica jaw of one of Britain’s very first domesticated dogs.

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There’s also a 400,000-year-old handaxe and a bryozoan-encrusted Star Wars toy.

Visitors will still be able to see the room’s original wooden cabinets from when it was used as a herbarium.

The gallery will remain open for 18 months, with some objects being moved to a permanent space in 2029. Those chosen will be based on visitor feedback.

Dr Doug Gurr, director of the museum, said: “It’s a wonderful space with a fascinating history, and we’re excited for visitors to discover it for themselves.

“Opening the doors is a really special moment for everyone involved in bringing this space back to life, and we can’t wait to see visitors exploring it for the first time.”

If you want to see the gallery, you’ll find it on the second floor of the South Kensington’s Waterhouse Building.

The reopening of the gallery is part of the NHM150 campaign which includes opening a new or revitalised gallery each year until 2031.

Another new attraction coming in 2027 will be a new permanent  gallery specifically for young children.

It will be designed for four to seven-year-olds with lots of hands-on interactive experiences about the natural world.

The Natural History Museum is completely free to enter – if you want to guarantee entry at a certain time then make sure to book in advance.

I wasn’t born in Los Angeles, but it’s the city that raised me. I moved here fresh out of college with a doe-eyed dream of stepping into the kind of art scene I’d read about in history books. Instead, it quickly became clear that I wasn’t going to be able to just waltz in with my Southern charm and big smile; there would need to be some sort of hack into the art world — a place rife with unspoken roles and gatekeeping — if I wanted to get anywhere as a non-nepo artist.

After years of blister-inducing heels-on-the-ground gallery hopping and late-night schmoozing, I found myself falling in love with this city and slowly realizing that the best parts of L.A. were rarely found in mainstream spaces. There’s an inventiveness here that comes from the sprawl of the city — artists like myself who are constantly improvising, building their own ecosystems because nothing is handed to them. I fell in love with how “never-ending” the artist’s practice can feel in Los Angeles, how a studio visit can veer into an hours-long conversation about life. It made the city feel less like a scene to fit into and more like a living, breathing network you have to contribute to before receiving anything back.

In 2014, Alex Benzer and I decided to put our hard-earned knowledge to work by creating Curate LA: a community-driven platform designed to pull back the curtain on the Los Angeles art world by mapping under-the-radar exhibitions and adventurous artist-run spaces, and connecting our audiences directly with artists, curators, galleries and collectors through candid interviews, weekly guides and real-time event recommendations. Because despite appearances, an art scene isn’t held up by pristine white walls; it’s built by the artists sharing a cig and an idea outside on the sidewalk, the gallerists stocking the free booze and championing new voices, and the person you meet sitting at the front desk who tells you about the cute spot around the corner with affordable bites.

For me, an ideal L.A. weekend is a little bit of all of that: a great studio visit that turns into an unexpected conversation, stumbling onto an unconventional exhibition of an artist I’ve never heard of, eating something delicious with friends who I ran into at a show opening, and ending the night at a bar where half of the room just spilled out from the gallery down the street. What I’ve made for you is my personal, slightly circuitous, weekend guide to Los Angeles’ sprawling creative landscape. These are my snapshots of the places and people that I return to, the ones that have fed me, surprised me, taught me something or made a long day of circling the block to find parking impossible to forget.

FRIDAY: Downtown → MacArthur Park → Koreatown

Greg Ito with “Personal Effects,” 2026, “The Spectrum Within,” 2025 and “Love is a Vessel,” 2026.

1. My first stop is visiting Greg Ito at his DTLA studio. I love the way his work draws me into a layered dreamscape and rearranges my sense of time and space. Greg is also a great storyteller. Pulling from archival family photos and childhood memories as a fourth-generation Angeleno in West L.A., his work weaves together a certain kind of nostalgia that always makes for a heartfelt studio visit. DM @gregitooo for availability and address.

   

   Eduardo Medrano at John Doe Gallery.

2. From there, I head over to John Doe Gallery, which is run by two artists, Eduardo Medrano Jr. and Alfonso Gonzalez Jr. They show some of the best up-and-coming artists in Los Angeles, and their openings are always a good time. It’s the kind of place where I’m just as likely to run into someone I know as I am to discover someone I don’t, which in my opinion is exactly what a good art space should do. 107 E. 11th St., Los Angeles. DM @johndoegallery for open hours.

   

   Vita Kari in front of “My Girlfriend Named Herself After a Water Bottle,” 2024, at their DTLA studio. Kari wears Barrio Drive.

3. You might recognize Vita Kari as “The craziest thing about being creative” personality from IG, but what you might not know is that they completed their MFA with a thesis on “Virality as Form,” wherein lies the proof in the pudding, a.k.a. their art. Vita uses textiles, performance and video to speak about internet culture, along with stunning visuals that incorporate their family’s Middle Eastern diaspora and history. DM @vitakari for availability and address.

   

   Samala Meza in her DTLA studio with works in progress.

4. I make my way over to Samala Meza, who creates soft, sexy paintings that look like she literally breathed a secret into them. Her studio is situated at Princess Castle, an artist-run studio space, so you can pop over to some other great artists while you’re there. DM @samalameza for availability and address.

   

   Devin Troy Strother on the roof of his studio overlooking DTLA.

5. Devin Troy Strother is an L.A.-born and -based artist and co-founder of Coloured Publishing, a printing press making books, zines, T-shirts and other editioned works, all by artists of color. Nestled among the produce district, there’s never a dull moment in Devin’s studio. Often working all hours of the night, there’s usually a cast of characters coming in and out, similar to the subjects you’ll see throughout his paintings. DM @devintroy for availability and address.

   

   Commonwealth and Council Team (L to R clockwise): Isabel Einaudi, Audrey Bui, Brenda Reyes-Chavez, Oliver Sweet and Young Chung.

6. What began as an artist-run exhibition space in Young Chung’s apartment 15 years ago has grown to be one of L.A.’s most championed emerging artist safe havens, Commonwealth and Council. I’ll always make time for this space if I’m in the neighborhood. 3006 W. 7th St., Suite 220, Los Angeles, door code: 01220 (please note that this space is not wheelchair–accessible). Thursday to Saturday, 10 a.m. to 5 p.m., @commonwealthandcouncil

   

   Holcomb in front of the Prince. Styled by Jocelyn Corona, wearing AYANEGUI, TANAMACHI and Vacr.

7. To round out the day, I recommend decompressing at the Prince in K-Town, a place where you can spot celebrities and L.A. artists under one roof. Many galleries have had their after-parties here, where you can catch up on the night’s gossip in a dimly lit booth over a kimchi pancake. 3198 1/2 W 7th St., Los Angeles. Call before your visit to confirm hours and dining details (this space is also not wheelchair–accessible). princektown.com

SATURDAY: Beverly Hills → Hollywood → Eastside

Jerson Hondall in the library of Gagosian Gallery, Beverly Hills.

8. I start the day by visiting one of my favorite people in the L.A. art scene, Jerson Hondall. Jerson worked for Curate LA back in the day, but now you can find him working as an artist liaison at Gagosian Gallery and serving on the board of LACE. He is a literal art encyclopedia, which you can see through his Instagram series #dosisdiariadearte, and he is one of the loveliest people you will find, so don’t be afraid to approach him if you see him out and about. DM @jersonhondall for availability.

   

   Jonny Negron in his Los Feliz studio featuring works in progress “virtue signal” and “tellurian lube.”

9. Next, I head east to Los Feliz to visit Jonny Negron at his home studio. His paintings make you feel like you’re sitting across the bar from some of the coolest people in the room. You might recognize his work, which was commissioned for Rosalía’s single “Dolerme.” There’s something about seeing his works in the exact place where they were made that makes the paintings feel even more alive. DM @jonnynegron777 for availability and address.

   

   LAST Projects exterior in Lincoln Heights with co-founder Ilona Berger and pup.

10. I then make my way to Lincoln Heights and visit LAST Projects, an alternative space and gem. This gallery has given many artists in L.A. their first shows in their early careers (myself included). It’s one of those places where I know I’m going to see something that makes me pause, even if I have no idea what I’m walking into beforehand. 206 S. Ave. 20, Los Angeles. Open Thursday, 1 to 5 p.m. and Sunday, 1 to 6 p.m. @last_projects

    

11. Next I visit Drex, owned and curated by Vivian Hicks, a vintage homeware store tucked into Cypress Park. With a knowledge of designers that is truly unmatched, Vivian scours the internet and estate sales to hand-select some of the most desired American Modern, Italian and French design collectibles ranging from the early 20th century to the early 2000s. DM @drex.drex.drex for an appointment and address.

    

    Huevos a la Mexicana breakfast burrito at Lupita’s Restaurant in Cypress Park.

12. I skipped breakfast, so Vivian recommends I go around the corner to Lupita’s Restaurant, and they do not disappoint with their huevos a la Mexicana breakfast burrito. Simple but effective. 2634 Idell St., Los Angeles. Open daily 7 a.m. to 2 p.m.

    

    Ever Velasquez outside of Charlie James Gallery on Chunk King Road, Chinatown.

13. Satiated, I hop over to Chinatown to visit curator Ever Velasquez at Charlie James Gallery. While her name might not be on the door, Ever is the star of the show, putting together show after show of L.A.’s hottest rising artists. 969 Chung King Road, Los Angeles. Open Tuesday to Saturday, 11 a.m. to 5 p.m. and by appointment. @charliejamesgallery @ever.a.k.a.thegirlabouttown

    

    Human Resources exterior in Chinatown.

14. A few blocks away, there is Human Resources. An L.A. staple, HRLA has been around for 16 years now and continues to showcase some of the most experimental works coming out of the city. This space is truly a breeding ground for pure creativity and expression. Make sure to check the calendar on their website to see what’s happening. 410 Cottage Home St., Los Angeles. @humanresourcesla

    

    Drinks at El Prado in Echo Park.

15. Finally, I end the day at El Prado, a local artist watering hole. Nick Fisher, the owner, used to bartend his personal bar called FISHTANK at gallery openings and come up with the craziest drink concoctions and home-brewed beers on theme with whatever exhibition was opening that evening. With names like the Loudspeaker cocktail and a Blood and Fire Smoked Lager, they were sure to get you litty. You can still sample his creations at the bar, albeit they might not be as experimental as they once were. 1805 Sunset Blvd., Los Angeles. Open Monday to Friday, 5 p.m. to 2 a.m., Saturday to Sunday, 2 p.m. to 2 a.m. @ficknish, @elpradobar

SUNDAY: South L.A. → Mid-City → Pico

Aleza Zheng in her South L.A. studio featuring “The Unbearable Lightness of Being,” 2026, “Of Providence,” 2026 and “All That Is In Heaven,” 2026.

16. I start Sunday with Aleza Zheng at the artist-run Tlaloc Studios. Much like her artwork, she is quite the whimsical, spontaneous person. The first time we met, I was deep in the trenches of L.A. Art Week, starving at my probably fifth art event of the day. I was ready to call it quits when Aleza popped out of her car, dressed to the nines, with multiple bags of In-N-Out. She’s been feeding me ever since. DM @alezazheng for availability and address.

    

    Dominique Clayton at Harun Coffee in Leimert Park.

17. From there I spend some time with Dominique Clayton in the heart of Leimert Park, where she was born and raised. Dominique is an L.A. native, curator and woman about town. She’s currently organizing Mom’s Night Out at Harun Coffee, a bimonthly meetup of mothers looking to connect with other creatives and artist moms. I love the way Dominique thinks about community — not as some abstract art world buzzword, but something you have to actually cultivate IRL. DM @lookatdominique to connect.

    

    Jamal Hasef in front of his mural “Sky is the Limit,” 2026 on 11th & Vernon in Leimert Park.

18. I make my way to see Jamal Hasef, who uses paint to move between the personal and the political, digging into the complex and sublime afterlives of the African diaspora in his canvases and portraits. You can check out his mural on the corner of 11th and Vernon or visit him at his studio in nearby Baldwin Hills. @_hasef_ DM for availability and address.

    

    Holcomb in front of Watts Towers in Watts, wearing Desigual and styled by Jocelyn Corona.

19. If you haven’t heard of or visited the fairy-tale world of Simon Rodia’s Watts Towers, you’re in for a treat. Next door to the famous landmark is the Watts Towers Arts Center, a historical site of political activism and assemblage art, most notably by L.A. legendary artist Noah Purifoy, who once ran the gallery. I love bringing people here because it reminds me of why I’m so enamored with the city: It’s weird, completely handmade and unlike anything else. 1727 E. 107th St., Los Angeles. Gallery hours are Wednesday to Saturday, 10 a.m. to 4 p.m., but you can check out the towers from the street any day of the week. wattstowers.org

    

    Books purchased from Reparations Club in Mid City (L to R): “Assata: An Autobiography,” “Love Poems’ by Nikki Giovanni, “Directed by Desire: The Collection of Poems” by June Jordan and “Communion: The Female Search for Love” by bell hooks.

20. By now I’m ready for some retail therapy, so I head to Reparations Club in Mid-City, my absolute favorite bookstore in Los Angeles. I could buy the entire store if my wallet and storage would allow, but on this particular trip my haul was “Assata: An Autobiography” by Assata Shakur, “Love Poems” by Nikki Giovanni, “Communion: The Female Search for Love” by bell hooks and “Directed by Desire: The Collected Poems of June Jordan.” Considering the state of literacy we are facing in this AI-driven world, I’d say we all could benefit from frequent visits here. 3054 S. Victoria Ave., Los Angeles. Open Monday to Saturday, 11 a.m. to 7 p.m., Sunday 11 a.m. to 5 p.m. @reparations.club

    

21. And finally, I end the weekend with pure sustenance. My last stop is Merkato, an Ethiopian cafe where the walls are filled with eclectic knickknacks and the plates are eat-with-your-hands style, packed with flavorful goodness; it’s the kind of meal that makes you want to linger. If you have the time, don’t skip out on the traditional Ethiopian coffee. 1036 1/2 S. Fairfax Ave., Los Angeles. Open daily 11 a.m. to 11 p.m.

Shelley Holcomb is an artist, curator, writer and cultural leader, whose work spans painting, installation, storytelling, advocacy and making art more accessible.

Families in Nepal held symbolic funerals for relatives who remain missing, hoping to free their souls after they were presumed dead.

In Hindu tradition, cremation is a vital final rite, and for some families, performing the ceremony without the bodies of their loved ones has brought a measure of spiritual release.

Authorities in Nepal have meanwhile been burying recovered bodies in temporary graves until they can be identified. DNA samples are being preserved, distinguishing facial features photographed and other identifying details recorded to help match the remains with missing people and eventually return them to their families.

The August 26 flash flood has been one of the deadliest disasters to hit the Himalayan nation in recent years.

More than 1,200 people were killed and about 4,750 remain missing in Nepal and China’s Tibet region, after a huge wave of mud and debris destroyed towns, roads, bridges and several hydropower dams.

Celebrated artist Sliman Mansour, one of the founding figures of contemporary Palestinian art, has died at the age of 79 after a long illness, his family announced on Monday.

Born in Birzeit, near Ramallah, in 1947, Mansour rose to prominence in the 1970s as part of a generation of Palestinian artists, writers and poets seeking to rebuild a threatened identity through symbols rooted in land and memory. Over more than five decades, his paintings came to embody the story of Palestine: the farmer clinging to his soil, the stone house on a hill, the embroidered thobe and the smile of a young girl carrying the hope of return.

Mansour studied art in Beirut and Washington and went on to exhibit extensively, both in solo shows and group exhibitions across the Arab world and internationally. His works are held in museums and private collections worldwide, and he received numerous awards in recognition of his contribution to Arab and Palestinian culture.

His visual language drew deeply from the region’s ancient civilisations – Canaanite, Pharaonic and Assyrian – as well as Islamic and Arab art, particularly calligraphy and geometric motifs. At the same time, his upbringing in Birzeit anchored his work in the everyday life of Palestinian villages: the landscape, peasants, traditional homes and clothing. Mansour also absorbed influences from global art that carried messages of freedom and resistance, blending local forms with a universal appeal.

During the first Intifada, he helped found the New Vision group with fellow artists, turning to mud, straw, wood, leather, henna and natural dyes after Palestinian artists boycotted Israeli-made supplies. This shift, he later said, forged a vital link between post-Nakba art and the work of younger generations.

For many Palestinians, Mansour’s canvases were more than images; they were a visual archive of the cause itself. His brush, critics and admirers agree, carried the homeland.

Al Jazeera looks at some of his famous paintings.

Ukrainians have observed a national holiday meant to instil patriotism during the fifth year of their war against Russia.

On Ukrainian National Flag Day on Sunday, participants raised the flag, observed a minute of silence for those killed in the war, sang the Ukrainian national anthem and listened to patriotic and folk songs performed by a military orchestra.

President Volodymyr Zelenskyy attended ceremonies in the capital, Kyiv.

Addressing military personnel, Zelenskyy said the flag “symbolises what is most precious” to the thousands of soldiers defending “our entire Ukraine”.

Ukraine’s National Flag Day was established as a national holiday on August 23, 2004, one day before its Independence Day.