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Tens of thousands of people have gathered around the world for al-Quds Day, an annual event on the final Friday of Ramadan demonstrating solidarity with Palestine and opposition to Israeli occupation.

Rallies took place across numerous countries, including Iran, Malaysia, Indonesia, Kashmir and Yemen. In Tehran, thousands marched, chanting “death to Israel” and “death to America” as the United States-Israeli military campaign entered its 14th day of conflict.

The event has long been associated with Iran, and was established by the country’s first supreme leader, Ayatollah Ruhollah Khomeini, in 1979.

This year’s observance coincided with the US-Israel attack on Iran that has killed at least 1,444 people, including the Iranian supreme leader, Ali Khamenei.

Crowds turned out in Tehran and other cities, despite ongoing US and Israeli strikes in the region during the commemoration, state media reported.

Demonstrators worldwide expressed solidarity with both Palestinians and Iranians. In Kashmir, protesters burned mock coffins bearing images of US President Donald Trump and Israeli Prime Minister Benjamin Netanyahu while shouting slogans against the United States and Israel.

For the first time in 40 years, the United Kingdom banned London’s al-Quds Day march, citing risks of public disorder related to the “volatile situation in the Middle East” and potential confrontations between opposing groups. This marks the first protest ban since 2012, when authorities prohibited marches by the far-right English Defence League.

According to Iran’s Health Ministry, another 18,551 people have been injured in US-Israeli attacks on Iran since February 28.

Multiple explosions have been reported across Iran’s capital, Tehran, and other cities as United States-Israeli attacks and Iranian retaliation continue.

As the conflict saw its 13th day on Thursday, Iran’s representative to the United Nations, Amir Saeid Iravani, said at least 1,348 civilians have been killed.

The humanitarian toll continues to mount with more than 17,000 injured in Iran since the US and Israel launched their war on February 28. UNICEF described the situation as “catastrophic”, noting that more than 1,100 children have been reported injured or killed.

The Office of the UN High Commissioner for Refugees (UNHCR) estimated that up to 3.2 million people have been displaced within Iran since the conflict began. “This figure is likely to continue rising as hostilities persist, marking a worrying escalation in humanitarian needs,” UNHCR said in a statement.

Meanwhile, in Lebanon, Israeli attacks since March 2 have killed at least 687 people, including 98 children, according to Information Minister Paul Morcos.

Israeli strikes have killed more than 100 people in Lebanon as Israel issued more leave-or-die threats to the suburbs of Beirut, and across vast areas of the country’s south.

Lebanon’s Ministry of Public Health reported on Thursday that the death toll from the Israel-Hezbollah conflict has reached 102, with 638 wounded since Monday.

New strikes hit Hezbollah’s stronghold in Beirut’s southern suburbs early Thursday, with AFPTV footage showing smoke rising from the area.

Lebanon’s National News Agency (NNA) reported that an Israeli drone strike on an apartment in the Beddawi Palestinian refugee camp near Tripoli killed senior Hamas official Wassim Atallah al-Ali and his wife.

On Thursday, Israel expanded its forced evacuation threats to residents across hundreds of square kilometres of southern Lebanon, citing imminent military action.

The escalating conflict has triggered a humanitarian crisis, displacing more than 83,000 people within Lebanon. According to Syrian authorities and the UN refugee agency, at least 38,000 people, primarily Syrians, have fled Lebanon for Syria.

Israeli military spokesperson Avichay Adraee posted on X: “Urgent warning to residents of southern Lebanon: you must immediately continue evacuating to the north of the Litani river.” The warning specifically mentioned the cities of Tyre and Bint Jbeil.

Israel’s military announced on Tuesday it was establishing a buffer zone inside Lebanon to protect Israeli citizens. By Wednesday, it confirmed that three divisions comprising infantry, armoured and engineering units were operating inside Lebanese territory.

“Across the Middle East and beyond, a troubling displacement picture is emerging in the aftermath of the ongoing conflicts in the region,” UNHCR spokesperson Babar Baloch said Thursday.

On Thursday, the Israeli military extended forced evacuation orders to Beirut’s southern suburbs, instructing residents to “save your lives and evacuate your homes immediately,” indicating potential intensified bombardment amid the widening of the Iranian conflict.

While previous forced evacuation threats focused on southern Lebanon below the Litani River, this marks the first comprehensive evacuation threat for areas near the capital since hostilities resumed.

By day, you’d be forgiven for walking past the newest theater in downtown L.A.

It isn’t hidden in an alley or obscured via a nameless door. No, this performance space is essentially a theater in disguise, as it’s designed to look like an electrical box — a fabrication so real that when artist S.C. Mero was installing it in the Arts District, police stopped her, concerned she was ripping out its copper wire. (There is no copper wire inside this wooden nook.)

Open the door to the theater, and discover a place of urban enchantment, where a red velvet door and crimson wallpaper beckon guests to come closer and sit inside. That is, if they can fit.

With a mirror on its side and a clock in its back, Mero’s creation, about 6 feet tall and 3 feet deep yet smaller on its interior, looks something akin to an intimate, private boudoir — the sort of dressing room that wouldn’t be out of place in one of Broadway’s historic downtown theaters. That’s by design, says Mero, who cites the ornately romanticized vibe and color palette of the Los Angeles Theatre as prime inspiration. Mero, a longtime street artist whose guerrilla art regularly dots the downtown landscape, likes to inject whimsy into her work: a drainage pipe that gives birth, a ball pit for rats or the transformation of a dilapidated building into a “castle.” But there’s just as often some hidden social commentary.

With her Electrical Box Theatre, situated across from the historic American Hotel and sausage restaurant and bar Wurstküche, Mero set out to create an impromptu performance space for the sort of experimental artists who no longer have an outlet in downtown’s galleries or more refined stages. The American Hotel, for instance, subject of 2018 documentary “Tales of the American” and once home to the anything-goes punk rock ethos of Al’s Bar, still stands, but it isn’t lost on Mero that most of the neighborhood’s artist platforms today are softer around the edges.

Ethan Marks inside S.C. Mero’s theater inside a fake electrical box. The guerrilla art piece is near the American Hotel.

“A lot of galleries are for what can sell,” Mero says. “Usually that’s paintings and wall art.”

She dreamed, however, of an anti-establishment place that could feel inviting and erase boundaries between audience and perfomer. “People may be intimidated to get up on a stage or at a coffee shop, but here it’s right on street level.”

It’s already working as intended, says Mero. I visited the box early last week when Mero invited a pair of experimental musicians to perform. Shortly after trumpeter Ethan Marks took to the sidewalk, one of the American Hotel’s current residents leaned out his window and began vocally and jovially mimicking the fragmented and angular notes coming from the instrument. In this moment, “the box,” as Mero casually refers to it, became a true communal stage, a participatory call-and-response pulpit for the neighborhood.

Clown Lars Adams, 38, peers out of S.C. Mero’s theater inside a fake electrical box. Mero modeled the space off of Broadway’s historic theaters.

A few days prior, a rideshare driver noticed a crowd and pulled over to read his poetry. He told Mero it was his first time. The unscripted occurrence, she says, was “one of the best moments I’ve ever experienced in making art.”

“That’s literally what this space is,” Mero says. “It’s for people to try something new or to experiment.”

Marks jumped at the chance to perform for free inside the theater, his brassy freewheeling equally complementing and contrasting the sounds of the intersection. “I was delighted,” he says, when Mero told him about the stage. “There’s so much unexpectedness to it that as an improviser, it really keeps you in the moment.”

A downtown resident for more than a decade, Mero has become something of an advocate for the neighborhood. The area arguably hasn’t returned to its pre-pandemic heights, as many office floors sit empty and a string of high-profile restaurant closures struck the community. Mero’s own gallery at the corner of Spring and Seventh streets shuttered in 2024. Downtown also saw its perception take a hit last year when ICE descended on the city center and national media incorrectly portrayed the hood as a hub of chaos.

Artist S.C. Mero looks into her latest project, a fake electrical box in the Arts District. Mero has long been associated with street art in the neighborhood.

“A lot has changed in the 13 years when I first got down here,” Mero says. “Everybody felt like it was magic, like we were going to be part of this renaissance and L.A. was going to have this epicenter again. Then it descended. A lot of my friends left. But I still see the same beauty in it. The architecture. The history. Downtown is the most populous neighborhood in all of L.A. because it belongs to everybody. It’s everybody’s downtown, whether they love it or not. And I feel we are part of history.”

Art today in downtown ranges from high-end galleries such as Hauser & Wirth to the graffiti-covered towers of Oceanwide Plaza. Gritty spaces, such as Superchief Gallery, have been vocal about struggles to stay afloat. Mero’s art, meanwhile, remains a source of optimism throughout downtown’s streets.

At Pershing Square, for instance, sits her “Spike Cafe,” a mini tropical hideaway atop a parking garage sign where umbrellas and finger food props have become a prettier nesting spot for pigeons. Seen potentially as a vision for beautification, a contrast, for instance, from the nature intrusive barbs that aim to deter wildlife, “Spike Cafe” has become a statement of harmony.

Elsewhere, on the corner of Broadway and Fourth streets, Mero has commandeered a once historic building that’s been burned and left to rot. Mero, in collaboration with fellow street artist Wild Life, has turned the blighted space into a fantastical haven with a knight, a dragon and more — a decaying castle from a bygone era.

“A lot of times people are like, ‘I can’t believe you get away with that!’ But most people haven’t tried to do it, you know?” Mero says. “It can be moved easily. It’s not impeding on anyone. I don’t feel I do anything bad. Not having a permit is just a technicality. I believe what I’m doing is right.”

Musician Jeonghyeon Joo, 31, plays the haegeum outside of S.C. Mero’s latest art project, a theater in a faux electrical box.

After initially posting her electrical box on her social media, Mero says she almost instantly received more than 20 requests to perform at the venue. Two combination locks keep it closed, and Mero will give out the code to those she trusts. “Some people want to come and play their accordion. Another is a tour guide,” Mero says.

Ultimately, it’s an idea, she says, that she’s had for about a decade. “Everything has to come together, right? You have to have enough funds to buy the supplies, and then the skills to to have it come together.”

And while it isn’t designed to be forever, it is bolted to the sidewalk. As for why now was the right time to unleash it, Mero is direct: “I needed the space,” she says.

There are concerns. Perhaps, Mero speculates, someone will change the lock combination, knocking her out of her own creation. And the more attention brought to the box via media interviews means more scrutiny may be placed on it, risking its confiscation by city authorities.

As a street artist, however, Mero has had to embrace impermanence, although she acknowledges it can be a bummer when a piece disappears in a day or two. And unlike a gallerist, she feels an obligation to tweak her work once it’s out in the world. Though her “Spike Cafe” is about a year old, she says she has to “continue to babysit it,” as pigeons aren’t exactly known for their tidiness.

But Mero hopes the box has a life of its own, and considers it a conversation between her, local artists and downtown itself. “I still think we’re part of something special,” Mero says of living and working downtown.

And, at least for now, it’s the neighborhood with arguably the city’s most unique performance venue.

Iran has held a mass funeral for 165 schoolgirls and staff killed in what it has described as a United States-Israeli attack on a girls school in the southern city of Minab.

Saturday’s strike came on the first day of the joint US and Israeli attacks on Iran. It was the deadliest incident in the campaign against Tehran so far.

The Israeli military said it was not aware of any Israeli or US attacks in that area. Throughout its genocidal war on Gaza, however, Israel has repeatedly denied responsibility for deadly attacks on Palestinian civilians, only to later backtrack when evidence emerged, often describing such incidents as “accidental”.

The attack in Minab has been condemned by UNESCO and Nobel Peace Prize-winning education activist Malala Yousafzai.

Deliberately attacking an educational institution, hospital or any other civilian structure is a war crime under international humanitarian law.

On Monday, Iranian Ministry of Foreign Affairs spokesman Esmaeil Baghaei said the two countries “continue to indiscriminately strike residential areas, sparing neither hospitals, schools, Red Crescent facilities, nor cultural monuments”.

Explosions have rung out across Tehran as the war entered its fourth day with the United States and Israel continuing to pound Iran’s capital and numerous other cities and locations after the assassination of Supreme Leader Ali Khamenei.

Iran continued on Tuesday to retaliate against Israel and throughout the Gulf where nations host US assets.

At least 787 people have been killed in US-Israeli strikes on a minimum of 131 cities across Iran, the Iranian Red Crescent Society said on Tuesday.

Israel’s military said it had “struck and dismantled” the headquarters of Iran’s state radio and television broadcaster, the Islamic Republic of Iran Broadcasting (IRIB), accusing it of “calling for the destruction of the State of Israel and for the use of nuclear weapons”.

In a post on Telegram, IRIB reported explosions near its headquarters in Tehran but said there had been no disruption to its operations.

Tehran’s streets have been largely deserted as people take shelter during the air strikes.

Iranian media also reported explosions in the city of Karaj, just outside Tehran, as well as in the central city of Isfahan.

Iran held a mass funeral on Tuesday for 165 schoolgirls and staff killed on Saturday in what Iran said was a US-Israeli attack on a school in the southern city of Minab.

As the Muslim holy month of Ramadan began last week, the Iraqi city of Mosul regained its spiritual and cultural vibrancy, with religious rituals blending with cultural activities that reflect the city’s heritage, identity and collective memory after years of war and devastation.

On the first night of Ramadan, immediately after the Maghrib call to prayer, the chant “Majina ya Majina”, a traditional Ramadan song, echoes through the old neighbourhoods. Children in traditional clothing roam the streets singing Ramadan songs, in a scene that revives longstanding customs.

“This gathering of children revives Mosuli and Iraqi heritage and teaches them the values of sharing and celebrating the holy month,” said Yasser Goyani, 31, a member of the Bytna Foundation for Culture, Arts and Heritage

Tarawih prayers, performed at night during Ramadan, have also returned to the Grand al-Nuri Mosque and its iconic leaning minaret, al-Hadba, for the first time in nearly nine years, just before the bombing of the mosque in 2017 by ISIL (ISIS) fighters at the peak of an Iraqi government campaign against the group that had taken control of the city.

“I feel great joy performing prayers again in the mosque after its restoration and reopening, which reflects its spiritual and historical importance,” adds Goyani.

The traditional storyteller, or hakawati, has also re-emerged during Ramadan evenings, recounting stories from Mosul’s past.

“The hakawati represents a link between the past and the present. We narrate stories about how life in Mosul used to be, especially during the holy month of Ramadan. Despite technological development, people still love returning to their old memories,” explained Abeer al-Ghanem, 52, who plays the storyteller.

Meanwhile, the musaharati – the traditional predawn caller who wakes people up for a small meal to help them cope with the daylong fast – still walks through neighbourhoods in the Old City of Mosul before dawn.

Ghufran Thamer, 34, who performs the role, says, “The musaharati reminds people of authentic Ramadan rituals and keeps the nights of Ramadan alive, despite the changes in modern life.”

Traditional games remain a key part of the Ramadan atmosphere.

“We have been playing the siniya game since the 1980s. It is closely associated with Ramadan and creates a warm and joyful atmosphere among participants during the nights,” said Fahad Mohammed Kashmoula, 55.

Mosul’s markets, particularly the historic Bab al-Saray, come alive during Ramadan as residents flock to buy seasonal staples. Dates are especially in demand, providing a quick source of energy for those fasting. Khalil Mahmoud, 65, who has been selling dates in Bab al-Saray for nearly 40 years, says date sales increase significantly during Ramadan, especially in this market.

“Dates are highly sought after by those fasting, because they help compensate for the sugar lost during the day,” he said

Raisin juice, another Ramadan drink, is also popular across the city.

“The juice is prepared from high-quality raisins and fresh mint from the mountains of Kurdistan. The raisins are soaked, strained, crushed and strained again before being poured into bags for sale. Shops become crowded as people seek to replenish their energy after fasting,” said Hussein Muwaffaq, a raisin juice maker.

Alongside religious and cultural activities, the city also sees growing humanitarian initiatives during Ramadan, including paying off the debts of people in need, distributing food baskets, setting up free iftar meals, and promoting the values of social solidarity.

The Winter Olympics ended as the twin flames in host cities Milan and Cortina d’Ampezzo were extinguished during a closing ceremony at the ancient Verona Arena, roughly mid-distance between the far-flung mountain, valley and city venues that made these the most spread-out Winter Games ever.

In declaring the 2026 Games over on Sunday, International Olympic Committee President Kirsty Coventry told local organisers that they “delivered a new kind of Winter Games and you set a new, very high standard for the future”.

The next Winter Games will be held in neighbouring France, which received the Olympic flag in the official handover earlier in the ceremony. Following the same spread-out model, the 2030 Winter Games will stage events in the Alps and Nice, on the Mediterranean Sea, while speed skating will be held either in Italy or the Netherlands.

A total of 116 medal events were held in eight Olympic sports across 16 disciplines, including the debut of ski mountaineering this year, over the course of 17 days of competition. With the final events wrapping up just hours before the ceremony, the 50km mass start men’s and women’s cross-country medals were awarded by Coventry inside the arena.

Hosts Italy won their highest Winter Olympic tally of 30 medals, including 10 gold and six silver, surpassing the previous record of 20 medals, set at the Lillehammer Olympics in 1994.

The closing ceremony paid tribute to Italian dance and music, from lyric opera to Italian pop of the 20th century to the DJ beat of Gabry Ponte, who got the 1,500 athletes on their feet and dancing while colourful confetti exploded on stage. Italian artist Achille Lauro delivered the last word with the song “Incoscienti Giovani”, or “reckless young people”, just before athletes who had so aptly harnessed their youthful energy for these games filed out.

The Milano Cortina Winter Olympics spanned an area of 22,000sq km (8,500sq miles), from ice sports in Milan to biathlon in Anterselva on the Austrian border, snowboarding and men’s downhill in Valtellina on the Swiss border, cross-country skiing in the Val di Fiemme north of Verona, and women’s downhill, curling and sliding sports in Cortina d’Ampezzo.

The closing ceremony concluded with the Olympic flames extinguished at the unprecedented two cauldrons in Milan and Cortina, viewed in Verona via videolink. A light show substituted for fireworks, which are not allowed in Verona to protect animals from being disturbed.

The Milan Cortina Paralympics’ opening ceremony will also take place in the Verona Arena, on March 6, and the games will run until March 15.

Pakistan says it has launched strikes on armed groups in Afghanistan after blaming recent suicide bombings, including attacks during the Muslim holy month of Ramadan, on fighters it says are operating from its neighbour’s territory.

Kabul has repeatedly denied allowing armed groups to use Afghan territory to stage attacks in Pakistan.

Afghanistan’s Ministry of Defence on Sunday said “dozens of innocent civilians, including women and children, were martyred and wounded” when strikes hit a school and homes in the eastern provinces of Nangarhar and Paktika.

Nangarhar police told the AFP news agency the bombardment started about midnight (19:30 GMT on Saturday) and hit three districts.

“Civilians were killed. In one house, there were 23 family members. Five wounded people were taken out,” police spokesperson Sayed Tayeeb Hammad said.

The Afghan Defence Ministry said it will “deliver an appropriate and calculated response” to the Pakistani strikes.

The two countries have been locked in an increasingly bitter dispute since the Taliban authorities retook control of Afghanistan in 2021.

Pakistani military action killed 70 Afghan civilians from October to December, according to the United Nations mission in Afghanistan.

Several rounds of negotiations followed an initial ceasefire brokered by Qatar and Turkiye, but they have failed to produce a lasting agreement.

Saudi Arabia intervened this month, mediating the release of three Pakistani soldiers captured by Afghanistan in October.

The deteriorating relationship has had repercussions for people in both countries with the land border largely closed for months.

Not only is Betye Saar a living legend, but the prolific L.A. artist continues to add to her impressive oeuvre day by day.

She’s been creating powerful, thought-provoking artwork since the ’60s and her pieces have been shown at the Smithsonian, the Museum of Modern Art, the Art Institute of Chicago and LACMA, as well as museums and galleries around the world.

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

As her centennial birthday approaches this July, Saar shows no signs of slowing down. She still routinely creates art and continues to garner headlines and accolades. Last year, she was honored with the distinction of “Icon Artist” at the Art Basel Awards. During the upcoming Frieze Los Angeles art festival, which opens Feb. 26, she will be the subject of the photography installation “Betye Saar Altered Polaroids.” And this May, “Let’s Get It On: The Wearable Art of Betye Saar” will debut at Roberts Projects, the gallery that represents her. The exhibition will feature pieces from her early career as a costume and jewelry designer.

Though she’s skilled at painting and photography, she’s most widely known for assemblage, the art of juxtaposing miscellaneous items to form a single cohesive work. Her dioramas, sculptures and large-scale multimedia installations explore the legacy of American slavery, confront racial injustice and celebrate the strength and resiliency of African American women.

“I work with found objects that had another purpose before they came to my hands,” Saar says while seated at a patio table in her succulent-filled tiered garden. “The hardest part of it is going to a flea market, secondhand stores, an estate sale or even just going behind a store to see what people throw away.”

Over the years, she’s traveled by plane, train and automobile in search of usable materials. Meanwhile, admirers, colleagues and gallery workers have sent her curios from New Mexico, Tennessee, New England and beyond. Her daughters — artists Alison and Lezley, and writer Tracye, their mother’s studio director — also stay on the lookout for objects that might catch her eye.

“I’ve been doing this for a long time, so I have quite a collection,” she says.

Indeed, Saar’s multi-level home studio in Laurel Canyon is bursting with dozens of old empty picture frames, discarded window panes, wooden chests, antique chairs and vintage clocks. But there’s always room for more.

Her idea of a perfect Sunday includes foraging for new items (or old ones, as the case may be) to use in her daily art practice. And she’d return to her roots to do it.

“Pasadena is my hometown and I still have a few relatives that live there,” she says.

While visiting her old stomping grounds, she’d embark on a multi-stop shopping spree and wander through a longtime favorite San Gabriel Valley attraction (where her work just so happens to be on display).

This interview has been lightly edited and condensed for length and clarity.

10 a.m.: Search for hidden treasures

Pasadena Community College Flea Market is something that’s part of “the hunt.” Alison usually drives, sometimes Tracye. Some people are there early to get the deals; we’re not like that anymore. I like to look around and sometimes I find interesting fabrics, scarves to wear and strange-shaped succulents for my garden. I hardly ever find really good antiquing things there, because those are at antique stores and they’re usually pretty pricey. But I bought an old, rusty metal birdcage the seller said was from France. I like rusty stuff for my art. I also found an indigo blue kimono to wear at an art event later this year.

1 p.m.: Replenish with Thai food

I’d go down Fair Oaks Avenue — there’s some secondhand stores. Usually, it’s nothing I can use, but I still can’t say no. I have to go see for myself. Then, lunch at Saladang Garden. I always order chicken sate and the green papaya salad. Last time I went, we tried the Thai corn fritter which was really good and crispy. If food is too spicy, I can’t eat it. But somebody in my party would always have something spicy and I can have a spoonful to add to mine.

2:30 p.m.: More shopping

I am attracted to all the odd things at Gold Bug. Notepads and trinkets, curious vintage-y things with animals or interesting patterns, strange candles. Sometimes I surprise myself by buying something. They have a mixture of things that — whether it’s for the color, or the texture — I feel that I can recycle and fit into an art object that I’m making.

3:30 p.m.: Visit a childhood haunt (with a side of more shopping)

I really like the Huntington’s gardens. I remember the first time I went there was with my mother and a friend of hers, and we walked around. All the paths were dirt, you know, they hadn’t even gotten around to paving it yet. But I just fell in love with it. And I really like their gift shop.

6 p.m.: Head west for a culinary classic

If I go someplace to eat for lunch, I usually have leftovers to warm up. Nothing wrong with leftovers — if you liked it the first time, you’ll like it again! But if I had to go out to dinner, the Apple Pan. I would go there in the ’80s with my daughters. I like their sandwiches, or the hickory burger with cheese, and there’s good French fries.

8 p.m.: Tuck into some wind-down watching

Before bed, I like to watch the news because, otherwise, I don’t know what’s going on. I also like a lot of shows on PBS. “Finding Your Roots,” or dramas like “Sister Boniface Mysteries” and “Call the Midwife,” which has been going on forever!

North Korean leader Kim Jong Un has showcased a newly constructed residential street for families of soldiers who have died fighting in Russia’s war in Ukraine, according to state media.

Intelligence agencies from South Korea and Western nations have reported that North Korea has dispatched thousands of soldiers to fight for Russia, and Seoul estimated they have suffered 2,000 casualties.

Experts suggested North Korea receives financial aid, military technology and essential supplies from Russia in exchange for this support.

Its official Korean Central News Agency (KCNA) released photographs showing Kim touring the new homes on Saeppyol Street in Pyongyang with his daughter, Ju Ae, widely regarded as his heir apparent.

South Korea’s intelligence agency recently claimed she has been “designated as a successor”, citing her involvement in high-profile events with her father.

One image depicted families inspecting utilities in their new apartments.

“The new street has been built thanks to the ardent desire of our motherland, which wishes that … its excellent sons who defended the most sacred things by sacrificing their most valuable things will live forever,” Kim said in a speech released by KCNA.

Although Monday’s report did not mention Russia, Kim recently pledged to “unconditionally support” all policies and decisions made by Russian President Vladimir Putin.

“Before their death, the heroic martyrs must have pictured in their mind’s eye their dear families living in the ever-prospering country,” he added.

The unveiling preceded the ruling Workers’ Party congress in Pyongyang, the nation’s most significant political event, scheduled this month. Observers are closely monitoring Kim’s announcements on foreign and domestic policy directions as well as whether Ju Ae will be granted any official party titles.

Hong Min, an analyst at the Korea Institute for National Unification, told the AFP news agency that the timing of the street inauguration represents a “highly calculated political move to justify its soldier deployment” before the party congress.

“It visualises the state providing tangible compensation to the families of fallen soldiers … as a symbolic showcase,” he said.

Defending champions India have thumped Pakistan by 61 runs in a grudge Group A match at the Twenty20 World Cup in Colombo, Sri Lanka, to secure their place in the Super Eight stage of the cricket tournament.

Suryakumar Yadav’s side made 175-7 after a flying start from Ishan Kishan’s superb 77, before bowling Pakistan out for 114 in 18 overs.

The defeat on Sunday extended Pakistan’s dismal record against India in World Cups.

India have now won eight of the sides’ nine meetings at T20 World Cups, as well as all eight of their encounters at ODI World Cups.

The cricket teams of the nuclear-armed, contentious neighbours only face each other in multi-nation tournaments at neutral venues under a longstanding compromise arrangement.

It has been more than 18 years since India and Pakistan last met in a Test match, and 13 years since either side crossed the border to play a bilateral series.

Thousands of fishermen converged on the milky waters of the Matan Fadan river, a UNESCO heritage site, winding through verdant landscape in northwestern Nigeria’s Argungu.

President Bola Tinubu joined thousands of spectators on Saturday, cheering competitors vying to catch the largest fish, despite security concerns deterring some attendance.

Participants employed only traditional methods, including hand-woven nets and calabash gourds, with some demonstrating their prowess using bare hands. The Kebbi State waterway teemed with woven nets and canoes as fishermen waded through.

This year’s champion landed a 59kg (130-pound) croaker fish, winning a cash prize. Other participants sell their catch, stimulating the local economy.

The river remains closed throughout the year, overseen by a titled authority known as Sarkin Ruwa, the water chief.

The fishing contest marked the pinnacle of the annual international fishing festival, which showcased cultural displays, including traditional wrestling and musical performances.

“I thank God that I got something to take home to my family to eat. I am very happy that I came,” Aliyu Muhammadu, a 63-year-old fisherman who participated in the competition, told The Associated Press news agency.

The festival originated in 1934, marking peace between the extensive Sokoto Caliphate – a vast 19th-century Islamic empire spanning from Nigeria into parts of modern-day Burkina Faso – and the previously resistant Argungu emirate.

Considered a symbol of unity, the festival ran continuously for decades until 2010, when infrastructure problems and growing northern Nigerian insecurity forced its suspension. It briefly resumed in 2020 before pausing again until this year.

Nigeria faces complex security challenges, particularly in the north, where thousands of people have been killed in attacks over the years.

While Tinubu characterised the festival’s return as a sign of stability, for many, it represents restored community pride.

“Our challenge now is that people are scared of coming. A lot of people don’t attend the event like before because of insecurity,” said Hussein Mukwashe, the Sarkin Ruwa of Argungu.