Amanda Batula and West Wilson weren’t being coy — not “purposely” anyway.
The stars of the Bravo reality series “Summer House” — where a group of friends spend their summer weekends in the Hamptons and drama ensues — were just letting the romance percolate. And now they’re making it official.
The pair shared statements on their Instagram stories that they “wanted to provide some clarity” as rumors swirled about their status.
“It was never our intention to purposely hide anything. Given the complicated relationship dynamics involved and the scrutiny that comes with being on a reality show, we need a little space to process things privately before speaking on it,” the couple wrote. “We’ve shown up for each other as friends over the years, through all the highs and lows, and what’s developed recently was the last thing either of us expected.”
Over the course of the series, which debuted in 2017, relationships have become intertwined.
Wilson dated fellow “Summer House” co-star Ciara Miller, a close friend of Batula, in 2023.
And Batula was married to series co-star Kyle Cooke. In January, she announced their split, writing on an Instagram story that the couple had decided to “mutually and amicably” end their relationship. They married in 2021 and documented their struggles on “Summer House,” including when Cooke cheated on Batula in 2019, and spent the night at a fan’s apartment in 2025.
The pair explained that they chose to wait to publicly announce their relationship “to take time to understand” what they felt.
“Our connection grew out of a genuine, long-standing friendship, which made it especially important for us to approach this with care,” they wrote. “We also recognize that this has had an impact beyond just us and never wanted our actions to cause any hurt or be perceived as careless.”
Wilson previously insisted that Batula was just his “home girl” on an episode of “Watch What Happens Live With Andy Cohen.”
“We were just hanging out in New York. She’s single, I gotta show her the streets a little bit,” Wilson said on Friday. “But if it’s not clear, that’s a very important person to me, and I care about her a lot.”
While on “Watch What Happens” in early March, Cooke said he found the rumors about Batula and Wilson “ outrageous,” and that he didn’t think “there’s any merit to it.” Although he denied the rumors, he still voiced his support for Batula.
“It would certainly catch me by surprise and feel a little reckless. And I think I’d probably be the last person people would be worried about,” Cooke said. “But if it made Amanda happy, I think I just would have to vote ‘yay.’”
The bass genius Thundercat has, to his regret, been spending way too much time absorbing bad news on his phone.
“We are cellphones at this point, basically,” he said. “That’s what life feels like. It’s a weird one we’re living through right now, to say the least. You have to try to stay inspired, to keep moving forward. But like, you’re processing absolute hell and war in the background, and you’re still supposed to look cute.”
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
That whipsaw feeling — processing grief and destruction, while doing your song-and-dance to survive, all via the same rectangle — is the backdrop of Thundercat’s new album, “Distracted,” his fifth LP and first in six years. The album is a typically dense and playful showcase for his extravagant musicality, and packed with guests like ASAP Rocky, Tame Impala and Lil Yachty.
But it’s poignantly introspective on tracks like “What Is Left to Say” and “I Wish I Didn’t Waste Your Time.” “She Knows Too Much” has a touching cameo from his late friend and frequent collaborator Mac Miller.
“After [Miller’s] death, there were a lot of questions, a lot of stones left unturned,” Thundercat said. “But this song came to be from the simplicity of making music between friends. It’s a language, a snapshot. It was a beautiful moment between us.”
Thundercat, born Stephen Bruner, grew up in L.A. immersed in the city’s progressive jazz scene, playing with everyone from Kendrick Lamar to Suicidal Tendencies. These are some of the places around Los Angeles that still keep his inner comics-nerd satiated and musical curiosity fed — no matter what bleak news is blowing up his phone.
9 a.m. Find some coffee that slaps
If I notice that I’m doomscrolling, if stuff is getting a little bit too dark and weird and twisted, I’ll put my phone down and go drink some coffee and get way too much energy. I’ll go to the good old boys at Commissary. That’s good coffee.
My day doesn’t always consist of me picking my instrument up, but it’s more like as it feels right. If I’m not intentionally writing or working on somebody’s music, a lot of the time it’s just me. The time between is just as important as the time spent with music, so it’s learning to be OK without my bass in my hands for a second.
But there’s still so much to learn about harmony and melody from that instrument, you know? Nothing makes up for spending time with an instrument and learning it in a different manner. That’s how Larry Graham came up with slap bass. It has no bounds for what you want to create. It’s just about how far your mind can go with it.
Noon. Pick up a comic book
I find myself to be very much like a Lebowski-like character. The things that I enjoy bring me peace, like fashion and comics. The family at Golden Apple on Melrose have been my family since I was a child. The family there has always looked out for me and been avid supporters of my career. They remember my dad bringing me in — I remember the day that Image Comics premiered at Golden Apple. It’s nothing but love and artistry and great people to meet in Golden Apple — they’ve been one of the through lines in my life that has just been consistent. L.A.’s landscape keeps changing, but Golden Apple has been a beacon of nerdisms.
5 p.m. Fun at the movies
I have always been a fan of Universal CityWalk’s AMC theaters, even though they charge ridiculous prices. Everybody’s trying to keep their industry alive in this moment; it’s of one of those grit-and-bear kind of things. But at the same time, the experience that you have there is absolutely golden.
I love seeing movies there, because there’s so much to do around there. There’s a comic store, Halloween Horror Nights, Nintendo Land. There’s a Hot Topic, because I am a goth hoochie daddy. I’ve been going my whole life. I just enjoy going to the movies there by myself or with friends. Sometimes they get bored, because I will keep choosing to do this, but I don’t care, because it is a movie theater that I love. It’s always a joy to have AMC at Universal City Walk.
8 p.m. Sushi that’s a cut above
One of my favorite restaurants in L.A. is a restaurant by the name of Asanebo. It’s a sushi restaurant that is of very high prestige. The chefs there are very loving and caring. They make the most amazing food on the planet. It’s a beautiful environment — one of the best sushi restaurants, I would say, in the world. But it’s about the history for me, and the family that is built there, from the waitresses to the hosts. They treat you like royalty there.
10 p.m. Fun with friends and all that L.A. jazz
Most of the time, I don’t know what the hell is going on. A lot of the time, I would rather just sit on the couch and watch “Star Trek.” I’m not always wanting to immediately get up and just go sacrifice myself to the nightlife.
I really enjoyed growing up playing gigs all over L.A., but a lot of those places don’t even exist anymore. We could play outside the Hollywood Bowl. We’d play at a dive bar or play at a wedding, but my childhood friendships were linked to to the functionality of music in my life. If we were playing at a musty bar or some weird coffee house, it was like, “I get to play with Kamasi [Washington], and they’re going to pay us in sandwiches.”
I enjoyed The World Stage in Leimert Park. Low End Theory at the Airliner — I’d be hanging out with Flying Lotus or Tyler would drop an album and come up to perform. It was about my friends and hanging with the people that I love.
I think as time progresses, I enjoy spending time with my friends — whatever that entails. If it’s going out to a club and all that, seeing a friend perform, my friend Anderson has a beautiful club called Andy’s. There’s a restaurant called Verse, that’s owned by my friend Manny, that serves absolutely amazing food and has live music. It’s just fantastic. They just erected a Blue Note here in Los Angeles, which is awesome.
Where would you go to listen to a song by me and Channel Tres where you can dance on somebody’s butt? I’m still gonna say Andy’s, but I can finish off the night at Living Room. That’s a good place to listen and enjoy the nightlife, just a great club.
Joey Browner, a star defensive back at USC and a six-time NFL Pro Bowl selection, has died. He was 65.
“The Vikings are mourning the loss of Ring of Honor member Joey Browner,” the team said Sunday in a statement. “Browner will be deeply missed by former coaches and teammates, as well as many others he impacted throughout his life.”
The Vikings added in a separate post: “He helped define what it is to be an NFL safety.”
No cause of death was given. In August, former Minnesota quarterback Tommy Kramer organized a fundraiser for Browner, who Kramer said was “battling through some serious health issues.”
On Sunday, Kramer wrote about Browning on Facebook: “Not only a great player, a great person. Rest in peace my friend.”
Browner was one of six brothers, all of whom played college football and four of whom went on to play in the NFL. Younger brother Keith Browner, who also played at USC and spent five seasons in the NFL, died in November at age 63 after a sudden illness.
Oldest brother Ross Browner, who played 10 NFL seasons for the Cincinnati Bengals and Green Bay Packers, died in 2022. Another older brother, Jim Browner, who played two seasons for the Bengals, died in 2024.
A high school standout in football, basketball and track and field, Browner played at USC from 1979-1982. He was named team MVP his senior year and finished his college career with nine interceptions and 40 pass deflections, as well as one punt return for a touchdown.
In the 1983 draft, Browner became the first defensive back to be selected by the Vikings in the first round (19th overall). He went on to play nine seasons in Minnesota, making the Pro Bowl six times (1985-1990), and spent his final NFL season with the Tampa Bay Buccaneers.
Browner finished his career with 37 interceptions, 17 forced fumbles and 17 fumble recoveries. He was named to the NFL 1980s all-decade team, as selected by the Pro Football Hall of Fame, and inducted into the Vikings’ Ring of Honor in 2013.
Sean Salisbury, a former quarterback whose career intersected with Browner’s in college and the NFL, was one of many in the football community paying their respects to the four-time All-Pro player.
“This is a major gut punch,” Salisbury wrote on X. “I was blessed to be his teammate at USC and with the Vikings! Phenomenal player and loved by so many. One of the best players I’ve ever played with in both college and the NFL. Very grateful to have called him a good friend. God Bless him and his family.”
Former tight end Steve Jordan, who played nine seasons with Browner in Minnesota, recently visited his former teammate in the Twin Cities, according to a Vikings news release.
“We’ve lost a great friend and one of the best Vikings teammates,” Jordan said in a statement released by the team. “God blessed Joey with phenomenal talent and a big heart to love people and be a beacon of positivity. Truly, he will be missed.”
Former quarterback Rich Gannon, who played five seasons with Browner in Minnesota, wrote on X: “Sad to hear about the passing of my former teammate Joey Browner. On the football field he was one bad dude, off he was a kind soul!”
Retired punter Greg Coleman wrote on X that “one of the happiest moments of my time with the Vikings” was learning that Browner was going to be added to the punt team.
“One of the best teammates you could have and a man I called Friend!” Coleman wrote. “Prayers up for his family. RIP JB!”
Current Vikings cornerback Dwight McGlothern wrote on X: “Dang, I had a chance to meet him my rookie year & I was wearing #47 at the time during camp & hearing about his accomplishments, I’m grateful to [have] had the chance to meet him & [represent] the # he wore with the Vikings !! Everytime I walk in the DB room I always see greatness on the wall !!”
On March 29, Taix as we know it closes forever. The iconic French restaurant originally opened downtown in 1927 and relocated to its current chalet on Sunset Boulevard in 1962. It’s a grim reminder of L.A.’s insatiable appetite to destroy its own heritage and especially devastating to a certain milieu of writers and artists, myself very much included. Since it announced its closure, I’ve been visiting as often as I can to say farewell, not only to the charmingly shabby faux-1920s interiors, but to the many lives I’ve lived at its tables. First as a young guitarist when a bandmate worked the bar’s soundboard, next with the Chinatown artist scene, then with Semiotext(e)’s avant-garde lit circle, later through firecracker romances and heartbreaks during the art party Social Club, recently floating through the louche carnival of Gay Guy Night and now with the circus of beatniks from my reading series Casual Encountersz.
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It’s difficult to explain why this cavernous and windowless restaurant means so much, so I’ve tried to list everything I love about Taix.
I love that they don’t play music. I love the 1960s bathrooms. I love the bottomless tureens of soup. I love the complimentary crudité from the pre-pandemic era. I love the cold pats of butter. I love that you can always get a table, no matter how many people roll in. I love the free refills on Diet Cokes. I love the 80-year-old couples on dates. I love how the dim lighting makes everyone seem chic. I love the frayed carpeting. I love the fake votive candles. I love the icy martinis. I love the corner booth beside the fireplace. I love the smoked mirrors and tin-plate ceilings in the elegant back dining rooms. I love the small fortune I’ve spent there picking up the check for many strippers, poets and bohemians. I love its rundown glamour, which miraculously evokes Old Hollywood, Belle Époque and trashy Americana all at once. I unironically love the food, which isn’t spectacular, but is very comforting. I love how a waitress once ran off with a friend of mine and slept on my couch for a week. I love how my wife generally hates eating at restaurants but loves eating at Taix. I love how every L.A. artist I know has their own singular version of this list.
The only thing I don’t love about Taix is that its owners are tearing it down to erect soulless condos. I know the city needs housing, but not like this. I hope we’ll all find a new place to call home again soon.
Taix shaped me as a writer and artist, along with so many others, which is why before the new owners demolish this cultural institution, I asked other creatives what the Echo Park landmark means to them.
Chris Kraus.
(Ariana Drehsler / For The Times)
Chris Kraus, writer, artist and co-editor of the independent press Semiotext(e): When I moved to L.A. in 1995, Taix was the go-to place, with its deep banquettes, cuisine bonne-femme and its nightly prix-fixe specials. Mostly it was police officers and their wives who went there. Sylvère Lotringer and I went often, for him it was a little reprieve from the non-Frenchness of L.A. He could order in French and exchange pleasantries with an elderly French waiter who seemed to live there. Years later, when Sylvère moved to Ensenada and was less active with Semiotext(e), Taix was the site of our “Annual General Meetings” — Hedi El Kholti, Sylvère and I would have dinner together and Hedi would catch Sylvère up on all the forthcoming publications and projects. Taix was a place to run into people unexpectedly. About a decade ago, when the bar was refreshed, it changed again and I kind of lost track of it.
Rachel Kushner, novelist: I dined at Taix probably once per week for 23 years. It hurts so much that it is closing. I simply stopped going, so that I could begin to grieve, and also to avoid every last random tourist standing by the host station, on their phone, and the glum possibility of being seated in the second dining room, a.k.a “the Morgue” as my friend Benjamin Weissman put it. I want to protect my memories of the special occasions I enjoyed in this perennial special occasion establishment … I want to remember Bernard, a cheerful Basque from Biarritz who worked there 60 years, got progressively trashed over the course of his shift, went to Bakersfield on Sundays to party with his sheep-herding countrymen, came back Wednesdays sunburned and happy. The old valets who were let go during the pandemic. I used to give them a Christmas bonus every year, as a thanks for letting me park my classic out front. Look, I was born in Taix. I mean, in a way. I nursed my newborn in Taix. He grew up there. People who criticize the food are losers, and will never understand. The steak frites are great. The panna cotta, discontinued after the pandemic, was my favorite. The Louis Martini Cabernet was reliable. (Bernard told me the wine cellar downstairs took up the entire footprint of the main restaurant. Don’t know if that’s true.) Meanwhile, I can’t put my arm around a memory. All the smart girls know why. It doesn’t mean I didn’t try.
Cord Jefferson, writer and director: When I started going to Taix, in 2004, you could still gamble at the bar. They sold keno slips and lottery tickets, and whenever Powerball got over $100 million, I’d buy a ticket with my pint. Where else can you do all that while simultaneously watching a game and eating a tourte de volaille? Taix was where I watched the heroic Zinedine Zidane headbutt the gutless Marco Materazzi in the saddest World Cup final ever. When France lost that afternoon, my favorite server, Phillipe, cried. Phillipe’s teeth were often as wine-stained as his customers’. He’d bum me cigarettes in the parking lot and speak abusively about the ways the neighborhood was changing. I’m happy Phillipe is not around to see the digital renderings of what they plan to erect once they demolish the Taix chateau: another condo building with all the charm of a college dorm. It’s a damn shame what’s happening to Taix. I wish I had more money so I could buy it and keep it around, but I never won the Powerball.
John Tottenham, novelist and poet: It’s a shame that Taix is closing, not only because other plans will now have to be made for my funeral reception, but because it was the last civilized watering hole in the neighborhood. There isn’t anywhere else that one can walk into and immediately satisfy the social instinct among a convivial and refreshingly diverse clientele in what is becoming an increasingly homogenized locality. It has been the nexus of my social life for over 20 years, and is simply irreplaceable.
Jade Chang.
(Ariana Drehsler / For The Times)
Jade Chang, novelist: I’d only known Taix as a raucous bardo of a French restaurant, then there was a memorial service for Alex Maslansky, my beloved friend Max’s brother, owner of Echo Park’s best bookstore, Stories. Alex was a beautiful and beleaguered soul, born worried, born romantic, difficult and hopeful and apparently a shockingly good poker player. The room was packed with music people and book people, sober friends and poker friends, packed with the gorgeous girls who’d always loved him, our collective sorrow potent and sweet enough to pull the walls in around us tight as we said goodbye and goodbye.
Alexis Okeowo, New Yorker staff writer: I was a late discoverer of Taix, stumbling upon it when I moved to a bungalow just above Sunset during the pandemic from New York. I seemed to only see writer friends there. I met up with a journalist for drinks and then ran into a new writer friend at the bar. I later had a big, spontaneous dinner with TV writer friends and then a birthday celebration in the dining rooms that ended in two friends escorting me home, sick and happy off a mostly-martini meal and the selfies I took in the bathroom with the iconic pink and gold wallpaper. Every time, there was talk about ideas and gossip and so, so much laughter.
Alberto Cuadros, writer/curator and co-founder of the Social Club: About 10 years ago, Max Martin and I started Social Club as a weekly social salon at Taix. We thought of it as a kind of Beuysian social sculpture, it was a weekly ritual, and over time it became something of an institution in the L.A. art world. Everyone knew where to go in L.A. on a Wednesday if they wanted to meet interesting people or find friends. I even met my wife there who was visiting from Montreal.
Siena Foster-Soltis, playwright: Taix felt like one of the few remnants of the L.A. I grew up in and love so dearly.
Ruby Zuckerman.
(Ariana Drehsler/For The Times)
Ruby Zuckerman, writer and co-founder of the reading series This Friday: Taix is the only restaurant in L.A. that doesn’t lose its mind if new friends drop in halfway through dinner or if you stay at your table for hours after you stopped ordering. That kind of flexibility leads to spontaneous nights where what started off as an intimate hang expands into an all-out party. As a writer, that flexibility has allowed me to meet editors, collaborators and readers, drawn together by pure fun rather than networking. One of my favorite nights involved getting in a physical altercation with novelist John Tottenham after he stole my phone to send prank texts to my boyfriend. I’ll miss taking selfies in the bathroom.
Blaine O’Neill, DJ and events organizer: I always say Taix is the “People’s Country Club.” It is exceptional because of the staff who understand the importance of hospitality, and the scale of the space is humane. You’re able to evade feeling pinched by the noose of transactional cosmopolitanism.
Tif Sigfrids, gallerist and publisher Umm…: Taix was a cultural nexus. A space with broad range. It went from being the dark bar I read books and day-drank at in my 20s to the place where I rented a private room to host my son’s first birthday party. It’s where I watched Barack Obama get elected twice, the Lakers win back-to-back championships, and where I indulged in countless night caps and an unreasonable amount of all-you-can-eat split pea soup. You never knew what kind of hot jock, wasted poet or other type of intrigue you might run into there. You can’t make a place like Taix up. It’s a place that just miraculously happens.
Kate Wolf, writer and editor: Though I have been going to Taix for nearly 20 years, embarrassingly, it was only in the last year that I realized the building wasn’t from the 1920s. Those smoke-stained mirrors, that tin ceiling, the drapery and light fixtures are in fact set-dressed — ersatz! Which of course only makes me love the place more. Taix’s history, and its spot in the city’s cultural firmament, cannot be denied. But what really makes it so special are the people who work there and the clientele, not its past. This point is perhaps my only hope in losing what is my favorite restaurant in Los Angeles. That by some divine grace, we will all find each other again in another spot, designed to a different decade than the horror-filled present, and fill it with the same warmth, the same bottomless soup bowl, the same cheer.
1/4
Hedi El Kholti, the co-editor of Semiotext(e). (Ariana Drehsler/For The Times)
2/4
Writers Lily Lady and Siena Soltis-Foster. (Ariana Drehsler/For The Times)
3/4
Poet Meat Stevens (Steven Lesser). (Ariana Drehsler/For The Times)
4/4
Sammy Loren, writer and curator of Casual Encountersz. (Ariana Drehsler/For The Times)
Hedi El Kholti, artist and co-editor Semiotext(e): Taix is where we would end up after every reading since 2004 when I started working at Semiotext(e). I have memories of being there with Kevin Killian, Dodie Bellamy, Gary Indiana, Michael Silverblatt, Colm Tóibín, Rachel Kushner and Constance Debré among others … Taix has that particular anachronistic vibe that made L.A. so charming when I moved here in 1992, one of these places that time forgot. It was odd when it became really hip in the last 10 years. It made me think of what Warhol wrote about Schrafft’s restaurant when it had been redesigned to keep up with the fashion of the moment and had consequently lost its appeal. “If they could have kept their same look and style, and held on through the lean years when they weren’t in style, today they’d be the best thing around.”
Loren is the founding editor of the art and literary conceptual “tabloid” On the Rag and curator of the reading series Casual Encountersz.
“What happened to my dreams? Simply put: they changed,” reads Phil Augusta Jackson aloud to a crowd in a furniture store. Tonight’s theme is change. From a podium, the television writer reflects on the long, thorny odyssey of his career. A pinball machine blinks in the background. Behind him, dreamy abstract prints hang on the wall, their shapes seeming to melt in the unseasonable spring heat.
Alongside mid-century furnishings and art in Echo Park, siblings Madeline Walter and Evan Walter host their wildly popular reading series, Essays. It’s a warm spring night. In a tender essay, Evan considers what he’s inherited from his idiosyncratic father. “I scream-sneeze like him now,” he reads. “It feels like a mess figuring out what parts of your parents you’re going to keep.”
In March 2024, the Walter siblings began the reading series in a friend’s backyard. “It was cold and wet, and we were so nervous nobody would come,” says Madeline. Since then, the show has moved through a series of venues before settling into a home at The Hunt Vintage. In just two years, it has grown into a local phenomenon, regularly drawing crowds of more than 150 people into the singular space.
The idea for Essays took shape during a conversation about creative constraints. Both writers and comedians, the siblings wanted to host a show that pushed beyond snappy punchlines and polished half-truths. “The objective is different from just being funny,” Madeline says. “It’s to tell me about yourself. Tell me something you’re thinking about.”
Siblings Madeline and Evan Walter host a popular monthly reading series called Essays at Echo Park’s Hunt Vintage.
(Ryan Wall )
Like many readings across Los Angeles, Essays taps into a growing appetite for sincerity. “People are really craving a space where you can be funny, be vulnerable, laugh at yourself — and where there’s an earnestness,” Evan says. That sensibility feels familiar to them. They grew up in what Madeline describes as a “very NPR-coded household that loved David Sedaris-style stuff.” She adds: “Doing something in the essay space feels like a surprising return to form.”
“One of my roommates describes it as a church-like experience, because everything is just so emotionally0driven and connective,” says Kaitlyn Kilmer, a longtime attendee.
The legacy of the series has begun to ripple outward. Their reading series has created a complementary Substack. Kilmer is now hosting a reading in her living room among friends.“We decided that we wanted to do our own, so I gathered a few friends who had been fans of the Essays show,” she says.
Essays exists in a larger network of reading series that make up Los Angeles’ diverse and ever-evolving literary scene. “There are so many readings now,” explains non-fiction writer Diana Ruzova, who frequently attends readings. “I’m not mad at it, though, mostly grateful that L.A. has a thriving literary community.”
In Los Feliz, Skylight Books continues to host intimate book launches for some of the most anticipated literary releases, drawing local favorites and celebrities.
“Our vibe is cozy,” says Mary Williams, general manager of Skylight Books. “We set up chairs under the big tree that grows in the middle of the store, and we hope this is a go-to place for our community to see their favorite authors while mingling with other book lovers.”
Elsewhere, at Heavy Manners Library, the tone of literary events leans more toward the experimental. “Experimental, unpolished writing can be shared and reflected on in an accessible, communal setting,” says program assistant Jane Shin.
This spring, literary events across the city run the gamut — from independent book fairs to poetry workshops, from the bizarre to the deeply vulnerable — welcoming everyone from curious newcomers to die-hard bookworms.
When Estuardo Mazariegos was 22, he was pulled over by Los Angeles police officers who found a gun and ammunition in the back seat of his Nissan Sentra.
The gun, he said, was not his. He was holding onto it for a friend, he said, but he got hit with a felony gun possession charge, later pleading it down to a misdemeanor.
Seventeen years later, Mazariegos is running for Los Angeles City Council — and he believes his gun conviction makes him a better candidate.
“I think it’s a strength. It’s not a liability,” said Mazariegos, who was born in Guatemala and grew up in Hollywood and South L.A. “I feel like it creates more of a connection with me and the community, because there’s so many people that are justice-impacted.”
But the gun charge could also be an issue for Mazariegos in his race against five other candidates to represent Council District 9, which covers part of South L.A. He was also convicted of shoplifting when he was 19.
The district is the poorest the city, and the council race is expected to be one of the most competitive city contests this June, with the current council member, Curren Price, terming out.
Mazariegos is head of the Alliance of Californians for Community Empowerment Los Angeles, a grassroots advocacy organization. The 40-year-old is backed by the L.A. chapter of the Democratic Socialists of America and supports leftist policies like reducing funding to the LAPD to spend more on other programs.
Jose Ugarte, a District 9 candidate who was a longtime Price staffer, believes his opponent’s criminal history is a red flag.
“Getting arrested and convicted for multiple crimes, including carrying a concealed loaded gun, should disqualify Estuardo in this race,” Ugarte said in a statement. “Instead, the Democratic Socialists of L.A. are propping up his candidacy and hiding his criminal past from voters who deserve to know the truth.”
DSA-LA co-chair Leslie Chang said her group is “proud” to stand with Mazariegos.
Mazariegos’ supporters say he hasn’t hidden his past.
Georgia Flowers-Lee, a vice president with United Teachers Los Angeles, said Mazariegos discussed his gun conviction and the circumstances surrounding it during his interviews with the union, which ended up endorsing him.
“He was up front, honest about the challenges and honest about the gun charge,” she said. “Walked us through what had happened and where it led and how and why he ended up pleading it out,” she said.
Flowers-Lee, who lives in the district, said that young men of color like Mazariegos are overpoliced.
“I do not see this as a disqualifier. And let’s talk about redemption,” she said.
Wednesday night, Mazariegos released a campaign video featuring him discussing gun violence and his conviction with childhood friends. He said it was a turning point in his life.
“That was the moment where I was like, it’s either now or never,” he said. “Either I leave this s— behind, or it’s going to eat me up. I’m never going back to that lifestyle. I’m going to dedicate myself to the people.”
Mazariegos said he never carried a gun, except for that one day, but many of his friends did.
“Guns were a very common thing. It was almost like having a bike,” he said.
Mazariegos said that in 2009, he was driving home from the San Fernando Valley in the early morning, after dropping friends off, when he was pulled over by the LAPD. He said the officers gave no reason for stopping him, but they made him get out of his car and searched it without a warrant, finding the gun.
He was a permanent resident at the time, after moving from Guatemala at a young age, and was advised by his attorney to plead guilty to a misdemeanor charge of carrying a concealed weapon in a vehicle, to avoid possible deportation, he said.
He was sentenced to 24 months of probation and one day in jail, court records show.
Growing up in Hollywood and Hyde Park, among other parts of the city, Mazariegos was intimately familiar with gun and gang violence.
His friend, Oscar Michael Morales, was shot to death in 2001 at age 14. He remembers Morales’ mother cleaning the blood off the sidewalk the next day.
His gun conviction helps him connect with residents of Council District 9, Mazariegos said, and he frequently discusses it while door-knocking.
Price himself has been criminally charged with four counts of voting on matters in which he had a conflict of interest, five counts of embezzlement and three counts of perjury. Prosecutors allege he voted to approve deals with developers or agencies that had done business with his wife.
Imagine cutting the cost of accommodation on your next holiday to about £5 a day. You can have a whole house, rather than just a bedroom. And you can go almost anywhere in the world and stay as long as you like, within reason. Welcome to house swapping.
You’re sceptical, I know. I was, too. Our terrace house was too small. Too overflowing with stuff. The 1980s kitchen was too old (and battered). We aren’t in a nice enough neighbourhood. Who would want to stay here? Lots of people, it turned out.
Our first swap was with a pair of retired Australian judges who had lived in the UK decades before. They came to our house first and, over a cup of tea and cake in our living room, we talked about where to find a good pint and the best fish and chips locally, as well as mastering the idiosyncrasies of how to run our dishwasher. They told us about their favourite local parks (warned us about snakes) and when to put out the bins, before we headed for our month-long stay at their house in Perth. It’s these conversations and connections that really make house swapping special.
Yes, we have stayed in some truly extraordinary homes. There was a house in Florida where we watched rocket launches while lounging in the pool; a clapboard cottage with a hot tub in the Stockholm suburbs; and a swanky five-bedroom villa in the south of France that we shared with friends. We couldn’t have afforded any of these if it were not for house swapping. In fact, the swaps themselves are free, but I pay $235 (£177) a year to use Home Exchange, a house swap booking platform, which works out at about £5 a night for the 35 or so nights I used it last year.
Rory Boland and family on a house swap holiday in New York. Photograph: Rory Boland
The greatest pleasure, however, is in the genuine relationships forged. Through the messages exchanged before and during the swap, friendships are created. You become, however briefly, part of each other’s lives. We have swapped pets and cars, and watered plants along the way. For a week, we became passionately involved in helping pick a summer school for our Basque guests’ kids. Warm welcomes are universal. We’ve had olive oil from the garden grove of a house in Greece and marmalade from Seville. In return, guests at our house can expect to find sparkling wine from Kent, Essex jam and a pile of Cadbury chocolate bars to try – French guests are big fans of the Crunchie.
Even in challenging moments we found friendship, such as when our shower sprang a leak and rained all over the dining table. We had to arrange an emergency repair via video call with our Spanish guests, an Albanian plumber and a UK insurer, all while frantically looking for a reliable phone signal in the countryside. The babel of languages resulted in a tube of silicone being applied and both parties leaving five-star reviews.
I won’t go back to hotels. I have saved tens of thousands of pounds over the past five years, but what has really hooked me is the interactions with hosts and guests that make my holidays more fulfilling. It’s like having a friend everywhere you go.
Q&A – Everything you need to know
Will I be comfortable house swapping? If you’re precious about the things in your home or anxious about someone sleeping in your bed, a swap is not for you. Likewise, if spending the last day of your holiday cleaning is a deal-breaker.
How do I house swap? For some sites, you pay a flat annual membership fee (£100-£200) to use a booking platform with thousands of homes. I use Home Exchange because it verifies member identities and offers some guarantees such as damage, theft and cancellation protection. Kindred is a smaller and generally more expensive rival, focused on upmarket homes. Instead of locking you into membership, it charges variable service and cleaning fees.
How does it work? Classic swaps are simultaneous; you exchange houses on the same dates. But non-direct swaps are also allowed via a points system: you are awarded credits for stays at your house, which you can then spend to stay somewhere else.
What about scams and safety? Everyone on Home Exchange is a host and a guest, so there is a high degree of trust. Most swaps don’t involve money, so scams are rare. The only exception is a cleaning fee, payable when the stay is at an end. If you’re asked for money in advance, it’s a scam.
The Home Exchange website. Photograph: Home Exchange
How do I pick my accommodation? This is time-consuming. The website looks similar to Airbnb, where you filter by availability, destination and the type of property you want, but you need to match with a host, too. Hosts and guests both have ratings from previous stays, but some people still like to phone or video call before agreeing to an exchange. Then once the exchange is agreed, there are messages to organise the swap and answer questions such as how to use the cooker or where the bedding is. Many hosts prepare a house manual. Cancellations are rare but do happen, usually due to illness in our experience. The one time it happened to us, Home Exchange helped us find a new host in the same city, and it will pay for a hotel in a true last-minute emergency.
Do I need to own a luxury house? No. If you have a pool, hot tub or luxurious mansion, you will certainly get more offers, but flats and smaller houses near popular UK destinations (whether that’s Edinburgh, or the Dorset coast) do just as well. Most houses, like ours, are completely ordinary.
Do I need to put my stuff in storage? Clear a few drawers, perhaps a wardrobe, for guests, and that’s it. Most of the houses on Home Exchange are family homes.
What about cleaning? You do need to scrub that oven and clean that grout. Cleanliness expectations are high (and should be agreed upfront). We usually spend much of the last day of our holiday cleaning, and return to find our own house absolutely sparkling. Some hosts give you the option of paying a cleaner.
And DIY? One of the fringe benefits of house swapping is that it has made us look after our house a little better. Sticky door handles and dripping taps need to be dealt with.
What if I break something? We have broken small things, as have our guests; usually this is simply forgiven. Put more precious items away. For more expensive items, such as a TV or screen door, house swap platforms usually offer a level of cover, but you should make sure you have home insurance.
Will my home insurance cover my house swap? Ask. Some insurers offer no cover, others offer it for a certain number of exchanges, or you may need to buy a bolt-on. House swapping is still relatively unusual, so persevere to get a clear answer. Insurers that cover holiday lets, such as Pikl, are also useful.
Are there legal restrictions? Because no money is exchanged, house swapping is not restricted in the same way as Airbnb and similar services – except in Amsterdam, where only reciprocal swaps are allowed (so no paying with points). You do need to check visa rules if looking after someone’s pet – some countries (such as the US) may view this as providing a service and in breach of a visitor visa.
MAFS star Charlene Douglas has revealed the heartbreaking “final days” she spent with her late friend Mel Schilling following her tragic death.
The relationship expert said she was left “devastated” as she opened up about their last moments together.
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MAFS expert Charlene Douglas remembers her final moments with Mel SchillingCredit: Instagram/@charlenedouglasofficial/Charlene said she will “forever treasure” the memories they sharedCredit: Instagram/@charlenedouglasofficialThey both apppeared on Married at First Sight UK alongside Paul BrunsonCredit: Channel 4
Alongside touching pictures of Mel, he said: “Melanie Jane Brisbane-Schilling passed away peacefully today, surrounded by love.
“In her final moments, when I thought cancer had taken away her ability to speak, she ushered me closer and whispered a message for Maddie and me that will sustain me for the rest of my life.
“It took all of her remaining strength, and that gesture summed up our wee Melsie perfectly. Even then, her only thought was for Maddie and me.”
He continued: “This is a woman who became a new mum and a TV star at 42 — and nailed both.
“This is a woman who, through two years of chemotherapy, when she could barely lift her head from the pillow, never complained and never stopped showing courage, grace, compassion and empathy, and never missed a day of filming.
“To most of you, she was Mel Schilling — matriarch of MAFS and queen of reality TV. To Maddie and me, she was our wee Melsie: an incredible mum, role model, and soulmate.”
Channel 4hailed Mel as a friend who “radiated joy, warmth and optimism”.
Issuing a statement, it said: “Our thoughts and condolences are, first and foremost, with her family and loved ones.
“We’re privileged to be the channel that is home to Mel’s work, which was at the heart of Married At First Sight‘s phenomenal success, both in the UK and Australia.
“It reflected so much about her – her fierce advocacy for other women, her passion for healthy relationships and her mission to unite people in love.
“For many who work for Channel 4, Mel was not just a colleague but a friend, someone who radiated joy, warmth and optimism, who energized every room she walked into, with humour and positivity.
“Everyone who knew her will miss all this about her and much more. We share in the sorrow that we’re sure many viewers will now feel at this terrible loss.”
Tributes have poured in for the TV star since the tragic announcementCredit: Channel 4Mel was previously diagnosed with colon cancer in 2023, which later spread to her lungs and brainCredit: Channel 4Her husband Gareth Brisbane announced the heartbreaking news today in an emotional Instagram postCredit: Instagram
A FEMALE rapped has died aged 37 after suffering a heart attack as her devastated friends pay tribute.
Gianina Gheorghiu recently passed away with her close friends revealing she had been battling an alcohol problem.
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Romanian rapper Gianina Gheorghiu has died aged 37 after suffering a heart attackCredit: Jam PressShe went by the stage name Chica Con Canna and forged an impressive careerCredit: Jam Press
Going by the stage name Chica Con Canna, the rapper dominated the scene in her country, forging an impressive career.
The news left her friends and fans devastated after her death was announced on March 9.
The Romanian rapper was huge in her local scene, collaborating with stars such as Tony Batrânu, Vladone and Mike Diamondz.
Her close friend Dana Marijauna spoke of her death in a heartbreaking tribute to the musician.
Although there is no official confirmation on what caused the heart attack Dana believes she “did not win the fight against alcohol”.
The rapper stated: “With tears in my eyes, with a fantastic love for Chica, who did not win the fight against alcohol.
“A girl with great talent, the best female voice and interpretation in English in the world of Romanian rap, soulful, generous, strong character.
“In vain, alcohol did not take into account all its countless qualities.
“We love you even in a billion years.
“We were supposed to record new songs, but we will do it without physical presence.”
The star’s untimely death has left a void in the Romanian rap industry with a number of artists, including Dana, claiming they had future projects with her.
The rapper confirmed that the projects will go ahead in her memory.
The news has left her friends and fans devastatedCredit: Jam Press
I’ve had my fair share of bad neighbors over the years. Ones who’d stomp their feet above my bedroom at odd hours of the night or who’d block my parking garage without warning every time they had guests over. Talking to friends in L.A., such experiences seem to be the norm rather than the exception — people either have gripes about their neighbors or no feelings at all. A Stanford study showed that the percentage of Americans who frequently interact with their neighbors declined among all age groups from 2017 to 2023.
As someone who doesn’t live near any family, I know that good neighbors can be a godsend. And though I’ve had some questionable ones, I’m lucky to have also had some of the best. Like Joseph, who let me borrow his portable air conditioner — and even installed it — when a heat wave hit Los Angeles. Or Mr. Art, who’d close my garage whenever I was in a hurry and forgot to do it. And my current neighbor, Ms. Cassandra, who always makes sure to save me a plate when she grills her mouthwatering barbecue ribs.
Neighbors can become your friends — or even your family. That’s why we’re looking for Los Angeles’ most neighborly neighbors. And we want you tell us about yours. What’s the most remarkable thing they’ve done for you, big or small? Did they lend you a cup of sugar when you were baking a five-layer cake? Did they offer you a ride to work? Did they babysit for you last minute? Or invite you over for a holiday dinner so you wouldn’t have to spend it alone?
Nominate your favorite neighbor below. We may feature them in a future story.
WASHINGTON — As Congress responds to President Trump’s attack on Iran, lawmakers who served on the front lines of Iraq and Afghanistan are making their voices heard in a war debate that has taken on intensely personal meaning.
Many admit mixed feelings, taking satisfaction in seeing vengeance taken on the leadership of an Iranian regime that has targeted U.S. service members for decades, yet fearful that another generation of soldiers could soon face the same combat experiences that they did.
“Do I take gratification? You know there’s the Marine side of me: Yeah, of course,” said Arizona Democratic Sen. Ruben Gallego, whose company suffered some of the heaviest losses on the U.S. side during the Iraq War. “I know they killed a lot of American soldiers, American Marines. But do I also understand that I have a responsibility not to let my lust for revenge drive my country into another war?”
Experiences in the post 9/11 wars are also coloring the decisions of the Trump administration, given that top officials, including Vice President JD Vance and Defense Secretary Pete Hegseth, were once deployed to Iraq.
Gallego, like others on Capitol Hill, leaned heavily on his firsthand experience of fighting in the wars after the Sept. 11, 2001, attacks as he assessed the Iran conflict. Lawmakers wore bracelets etched with the names of friends killed in battle, told stories of coming under attack from Iran-backed militant groups and reflected on their own life-changing injuries suffered during combat.
Veteran lawmakers are wary of war
While the initial votes on Iran saw Congress divide mostly along party lines, with Republicans backing Trump’s actions and Democrats warning of an extended conflict, veterans in both parties share deep reservations about entering the conflict.
“As somebody who knows a lot of friends that didn’t come home and a lot of Gold Star families, that’s why the week before the attack, I was actually one of the ones that was talking about caution and why we needed to avoid at all costs getting into another long, drawn-out Middle Eastern war,” said Republican Rep. Eli Crane of Arizona, a former Navy SEAL who left college to enlist the week after the Sept. 11 attacks.
Crane said his concerns were partially assuaged by briefings from the Trump administration that indicated to him the president is not planning a drawn-out war. He voted against a war powers resolution that would have halted attacks on Iran unless Trump got congressional approval.
But Crane said wars are never straightforward. “I’ve been on military operations that did not go to plan many times, and so I understand the nature,” he said, adding that he was calling for the Trump administration to approach the conflict with “humility and caution.”
Gallego and other Democrats worried that it was too late for that approach. They paid tribute to the six U.S. military members who were killed in a drone strike in Kuwait and worried that there could soon be more American casualties. A seventh service member died on Sunday from wounds suffered during a March 1 attack in Saudi Arabia.
“War is dirty, and mistakes happen,” Gallego said. The longer the conflict drags on, he added, the greater the chance there will be for U.S. military members to be killed. He experienced that firsthand in Iraq when friends would be killed by seemingly random shots from enemy combatants.
Still, many Republicans argued that it was necessary to attack Iran to stop a regime that for decades has helped train and arm militant groups throughout the Middle East. Republican Rep. Brian Mast, who chairs the House Foreign Affairs Committee, led the debate on the House floor against the war powers resolution.
Mast, who served as an Army bomb disposal expert, now uses prosthetic legs after receiving catastrophic injuries from an improvised explosive device in Afghanistan. “Me especially, many of my other colleagues, no one wants to see our military go into combat or war,” he said.
Then he added, “But Iran’s terror, which has caused the deaths of thousands of Americans, it has to stop.”
Trying to push soldiers to forefront of war debate
Important questions loom for Congress as the conflict with Iran unfolds and spreads to other parts of the Middle East. The price of the operation is already likely running into the billions of dollars, likely forcing the Trump administration to soon seek billions in funding from Congress. The outbreak of war has also scrambled global alliances and the future of U.S. foreign policy.
Shadowing it all is the potential of another drawn-out conflict. Lawmakers said they owe it to their fallen comrades to ensure that doesn’t happen.
“To me, it’s to speak out. It’s to say another generation should not go fight in an open-ended, ill-conceived regime change war in the Middle East,” said Democratic Rep. Pat Ryan, his hand moving to a bracelet etched with the names of friends who were killed during his two Army combat tours in Iraq.
Others remembered how frustrated they became with Washington during their service, especially as soldiers tried to fight with insufficiently armored vehicles and not enough troops.
“I know what it was like to be on the very end of the receiving line of the decisions made in Washington,” said Democratic Rep. Jason Crow, who entered the Army as a private before being promoted to a captain and deployed to both Iraq and Afghanistan.
Crow said that front-line soldiers often suffered “because people stopped asking tough questions. People stopped being held accountable. Congress stopped voting on it.”
Another veteran, Democratic Sen. Tammy Duckworth of Illinois, said that was one of the reasons she sought a congressional seat in the first place. As a Blackhawk helicopter pilot with the Illinois National Guard, Duckworth lost her legs when her helicopter was hit by a rocket-propelled grenade in Iraq.
“I ran for Congress so that when the drums of war started beating once again, I’d be in a position to make sure that our elected officials fully considered the true cost of the war,” she said. “Not just in dollars and cents but in human lives.”
By Mark Oppenheimer G.P. Putnam’s Sons, 480 pages, $35
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One of the biggest takeaways from the biography “Judy Blume: A Life” may not be in the story itself but in its author. Because of her frank talk about puberty and sexual awakenings, Blume’s work is usually associated with young female readers. Her biographer, Mark Oppenheimer, is a middle-aged father of five.
He says he received minimal pushback on the idea that a man should be allowed to write Blume’s definitive life story. If the whole point of her books is that there should be no shame in body awareness, what service does it do to say only a woman has the authority to write her story? Plus, although her books aren’t selling as well as they used to — who’s are? — Oppenheimer’s biography points out that there are still plenty of parents who will throw a copy of her seminal “Are You There God? It’s Me, Margaret.” at their kids rather than have the menstruation talk or risk any misinformation that may be online.
“No good writer should be ghettoized,” Oppenheimer says during a recent Zoom call with The Times. “If you’re a good writer, you shouldn’t be marketed just to girls or just to boys or just to white people or just to straight people. Good art should be for everyone.”
It is intrinsic and impossible not to parlay Blume’s stories of sibling rivalries, first loves, friends and frenemies, and (most famously) puberty with what was going on in your life when you read them. Books like “Deenie” and “Superfudge” and “Margaret” are also remarkably malleable enough so that, even if a kid picks them up decades after their release or cannot relate with a parallel experience, they can become placeholders and explainers for what must be going on in the minds of their classmates. Last year, TV creator Mara Brock Akil adapted “Forever,” Blume’s 1975 story of the kind of mutually shared devotion that feels like it will last eternally, into a miniseries set in 2018 Los Angeles.
“I think for many of us, Judy’s books are our first crush or our first love and they do hold a special place that no book we read in our world-weary, cynical 40s can hold,” says Oppenheimer.
Some of this can be attributed to time and brain space. Oppenheimer discovered Blume’s work when he was a child. He’s now a parent, with a career and all the other time-sucks that come with adulthood.
“The books I read as a child imprinted on me in a way that books today don’t,” he says. “I probably remember more plot points of the first Judy Blume books that I read than I do of any book I’ve read in the past five years.”
But what of Blume herself? Can America’s mom also be a three-dimensional person who makes her own mistakes? Discovering her four adult novels — especially “Wifey,” a book about a gilded-caged suburban housewife that even Oppenheimer describes as “a very salacious, one might say, smutty, adult novel” that even some of Blume’s collaborators wanted her to publish under a pseudonym — or watching documentaries about her like 2023’s “Judy Blume Forever,” in which she is seen joking about masturbation with employees at her Key West, Fla., bookstore, can seem as evasive and dangerous as reading your mom’s diary.
Author Mark Oppenheimer
(Lu Arie)
There have been other books about Blume and her work, most notably Rachelle Bergstein’s 2024 deep-dive “The Genius of Judy: How Judy Blume Rewrote Childhood for All of Us.” But Oppenheimer’s biography is a more straightforward tracing of Blume’s life and career. He starts with her childhood when she was encouraged to read Philip Roth at home and went to sleepovers at friends’ houses that were more about body awakenings. He discusses her stifling first marriage, which gave her the last name she carries with her to this day and her two children but is also where she hung her college diploma and another award over her washing machine as reminders of her intellect. There’s talk of her second marriage, which Blume has always been reluctant to discuss, as well as the two abortions that resulted from it. And there are details on her life with her third husband, the polymath George Cooper.
Oppenheimer relied on past news stories about Blume, as well as a collection of her work and professional correspondences that are archived at Yale’s Beinecke Rare Book & Manuscript Library and, probably most informatively, his own interviews with Blume and her friends and family. (Although Blume did agree to speak with Oppenheimer for his book, she declined our request to interview her for this story about that book).
“I think that the difficult subjects are sometimes the ones that make her more relatable,” Oppenheimer says of his subject. “I think most of her fans will find it interesting and admirable that she speaks so candidly about her abortions, about especially her divorce from her first husband, which came as she was getting involved in the [second-wave] women’s movement, about her early same-sex experiences, about masturbation as a girl; these are things we would expect Judy Blume to be candid about.”
Oppenheimer matches how these life events correspond with the ones of Blume’s characters because, for better or for worse, she almost always was an author who wrote what she knew even if her fandom transcended it. What her books lack in character diversity, they make up for in specificity. And that, in turn, also makes them relatable.
“Judy found incredibly compelling human drama in books about the New Jersey suburbs, and that’s a testament to her strength as an artist,” Oppenheimer says.
Writer Judy Blume at her nonprofit bookstore Books and Books on March 26, 2023, in Key West, Fla.
(Mary Martin / Associated Press)
Examining and reexamining Blume’s work as an adult also gave Oppenheimer a better perspective of her writing style. Blume didn’t begin to try to write professionally until she was a married mother of two and some have criticized her work for not being as flowery and polished as others’.
“All of her books tend to take a fairly tight focus on the characters,” Oppenheimer says. “They don’t tend to pull back and look at large societal forces or changes going on in the country or the world. And that’s fine. You know, the same could be said of Jane Austen.”
Perhaps the best example of this is Blume’s own religious foundation. Her most autobiographical novel, “Starring Sally J. Freedman as Herself,” has a protagonist who is paranoid that she sees Adolf Hitler on park benches and whose life is imprinted with stories of a relative who followed her mother into the concentration camps and the neighbors sitting shiva (a time of mourning) for their daughter who got pregnant with her non-Jewish boyfriend. And yet, Oppenheimer notes, Blume is not always immediately thought of as a Jewish writer. Nor have most of her readers been Jewish.
“I think that her Judaism is there, if you know where to look,” says Oppenheimer, who spends the early part of his biography looking at how the synagogue and religious community were a normal part of a young Blume’s life. He adds that “she is somebody who speaks really, really well across religious, cultural and racial differences, and that’s partly why she has sold tens of millions of books.”
Oppenheimer acknowledges that Blume’s characters may not be diverse enough by today’s standards; that they don’t usually discuss “gender identities or sexualities; children of multiracial backgrounds; children who have disabilities.” They can also feel like time capsules to other dimensions; his 12-year-old daughter was scandalized by how normative bullying was after she read “Blubber,” Blume’s 1974 novel about tween mean girls and body shaming.
He adds that some of today’s bestselling young adult novels, like Rick Riordan’s Percy Jackson series about a teen demigod or Suzanne Collins’ dystopia-set “Hunger Games” books, are “contemporary realism [that] focus on extraordinary or unusual circumstances.” And while he’s happy for these books’ popularities, he says that some subjects may be better told by kids who also aren’t tasked with saving the world. (I am pretty sure I learned more about male puberty from Blume’s 1971 story “Then Again, Maybe I Won’t,” which is as much about wealth divides and questionable friend choices as it is about a 13-year-old boy’s inner monologues about her awkward adolescence).
“If what you’re looking for is realism that isn’t focused on obvious external differences, but rather on interiority,” Oppenheimer says, “then Judy Blume still remains one of the premier novelists that you would want to read.”
Friedlander is a pop culture and entertainment journalist based in Los Angeles who hates coffee but loves Coke Zero.
Jennifer Runyon, a film and television actor known best for her roles on “Ghostbusters,” “A Very Brady Christmas” and “Charles in Charge,” has died. She was 65.
Runyon died Friday, according to a Sunday statement reportedly posted to her social media account, which has since gone private.
“This past Friday, our beloved Jennifer passed away. It was a long and arduous journey that ended with her surrounded by her family,” the statement read, according to ABC7. “She will always be remembered for her love of life and her devotion to her family and friends. Rest in peace our Jenn.”
“Bewitched” actor Erin Murphy shared in a Sunday post on Facebook and Instagram that Runyon died “after a brief battle with cancer.”
“Some people you just know you’ll be friends with before you even meet,” Murphy wrote in her tribute. “She was a special lady.”
On the 1980s sitcom “Charles in Charge,” Runyon portrayed Gwendolyn Pierce, a fellow college student of the show’s titular live-in housekeeper (portrayed by Scott Baio) and the target of his affections.
In his Facebook tribute, fellow “Charles in Charge” actor Willie Aames described Runyon as a “dear dear friend, muse, and encourager.”
“From the moment we met on set all those decades ago- I knew you ‘got me,’” wrote Aames. “Watching you slip away these last few months was one of the hardest times of my life… I can still hear your voice so clearly. No one will ever be able to fill the massive hole that’s been left in our hearts… ever.”
A Chicago native, Runyon made her television debut as Sally Frame in the long-running soap opera “Another World.” She also appeared in episodes of “Magnum, P.I.,” “Quantum Leap” and “Murder, She Wrote.” Runyon also portrayed the grown-up Cindy Brady in “A Very Brady Christmas.”
Her film credits include the 1984 classic “Ghostbusters,” where she appeared as one of the students participating in the ESP study conducted by Bill Murray’s Peter Venkman.
On Instagram, Runyon’s daughter Bayley Corman, an actor who has appeared on TV shows such as “Chilling Adventures of Sabrina,” “Bel-Air” and “Running Point,” described her mother as “the kindest most compassionate person i’ve ever known.”
“All of the best parts of me came from you,” Corman wrote in her tribute. “i would give anything for one more day together.”
