Fraser

Edinburgh: Underachieving URC side need ‘whole new vision’ – Fraser Brown

After a poor run of form in the first half of last season, Everitt appeared to be under pressure before a late season upturn in performances and results took Edinburgh to the URC quarter-finals and the semi-finals of the Challenge Cup.

The South African’s contract expires at the end of the season and he confirmed he has yet to receive an offer of a new deal from Scottish Rugby.

Results in the next few months could determine Everitt’s future, but Brown believes Edinburgh’s problems run deeper than just the head coach.

“Edinburgh seem to be going between either a Richard Cockerill character, where they have to be shouted at and it’s very authoritarian all the time, or a Mike Blair or Sean Everitt character,” Brown, who started his career with Edinburgh before forging his reputation at Glasgow Warriors, said.

“It just seems like they can’t quite hit that sweet spot in the middle. At the same time, you can’t forget that’s a squad packed full of Scotland starters.

“Why is it that they can’t get results? They can get the one-off, the big results. We saw that in the run at the end of last season, getting into European play-offs, but they don’t seem to be able to get consistency throughout the week from game to game. I don’t think that’s just a coaching issue.

“We can’t just keep getting into that kind of cycle of new head coach, get rid of the head coach, new head coach, get rid of the head coach. There is something kind of systemic there.”

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Traitors’ Freddie Fraser shocks fans with ‘cheating’ vid hours after Yasmin and Jamie split

TRAITORS star Freddie Fraser shocks fans with ‘cheating’ vid hours after Yasmin and Jamie split.

The BBC mystery game competitor has been caught up in the midst of controversy after the former Love island couple called it quits.

Yasmin Pettet and Jamie Rhodes from Love Island posing in front of a colorful heart sculpture.

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Yas and Jamie have called time on their Love Island romanceCredit: Shutterstock Editorial
Freddie Fraser in a suit and tie looking at the camera with an open mouth.

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Freddie shocked fans with a somewhat pointed videoCredit: Tiktok
Yasmin Pettet attending the 2025 National Television Awards.

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The Sun revealed how Jamie whispered into the ear of Freddie at the ceremonyCredit: Alamy

At the National Television Awards, we exclusively revealed how Yasmin was cosying up to Freddie.

She even whispered in the ear of The Traitors star to escape prying eyes, saying: “We need to go somewhere private, no one can see.”

Meanwhile Jamie lamented her disappearance, and as our exclusive video shows.

He was heard telling pals she had “f**ked off” – appearing to admit that the TV couple were on the rocks.

Now Freddie has caused a stir with his latest TikTok video where he flaunted his sleek black wide leg suit and double breasted jacket he wore to the event.

But in a more pointed nod, the song he used as the backing track was Rihanna‘s 2007 hit track, Breakin’ Dishes.

In an even more cheeky move, the lyrics of the song are: “Is he cheatin’?

“Man, I don’t know. I’m lookin’ ’round for somethin’ else to throw.”

Given the recent news, fans could not help but see the irony of the track as they took to the comments section with a flurry of speculation.

One user exclaimed: “The song seems fitting.”

Love Island’s Jamie tries to track down Yasmin after NTAs

A second fan took note of the lyrics as they simply commented with their spin on the quote, writing: “Is she cheating…..cause her man don’t know”!!”

“[Crying with laughter emoji] song choice,” said a third follower.

While a fourth stated: “The song choice is wildddd after the reports today [bold eyes emoji]”

As someone else claimed: “Sings really fitting well rn [two skull emojis].”

LOVE ISLAND VOTING PERCENTAGES

TONI and Cach won the Love Island 2025 final – yet what were the exact voting percentages?

Las Vegas waitress Toni Laites and professional dancer Cach Mercer went head-to-head with OG islanders Shakira Khan and Harry Cooksley in a nail-biting finale.

However, Toni and Cach were triumphant and won the summer series after surviving a love triangle just two weeks before the final.

A results table shared on Love Island’s Instagram account this afternoon showed Toni and Cach were the runaway winners on the night, taking over a third of the votes, with 33.5% of viewers backing them for the crown.

However, Shakira and Harry drew a sizeable 26.2% of the votes, and Yas and Jamie were not far behind taking 22% on the nose.

Aesthetics practitioner Angel, 26, only made her debut on July 17, but managed to secure an impressive 18.3% of the overall voting audience with Casa Amor boy Ty.

While a sixth remarked: “The song choice is crazy if I’m being honest”

And a seventh added: “The song choice [crying with laughter emoji],” alongside a GIF of Sharon Osbourne bursting into hysterics on The X Factor.

Freddie Fraser wearing a black suit with unique silver clasps.

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The Traitors star showed off his sleek black wide leg suitCredit: Tiktok
Love Island's Yasmin Pettet and The Traitors' Freddie Fraser look cosy as new pics from the NTA's appear on socials.

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The pair looked cosy as they attended the after party togetherCredit: Instagram
Yasmin Pettet and Jamie Allen talking on Love Island.

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The Love Island couple confirmed that they have split upCredit: Shutterstock Editorial

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BBC The Repair Shop’s Rob Fraser issues warning over ‘heartbreaking’ restoration

Rob Fraser, the heritage stonemason at BBC’s The Repair Shop, was tasked with a delicate restoration that required careful attention to detail, as he warned ‘this is not going to be easy’

Rob Fraser
BBC The Repair Shop expert says heartbreaking restoration is ‘not going to be easy’(Image: BBC)

The latest instalment of BBC’s The Repair Shop left viewers reaching for the tissues, as newcomer Rob Fraser was given the task of restoring an item with enormous sentimental value.

During Tuesday’s (August 26) episode, which recently saw one expert fret about their repair, heritage stonemason Rob Fraser was introduced to a couple, John and Margaret Ivin, who had brought along a fragment of plaster from their kitchen wall for restoration.

The damaged pieces of plaster bore writing on them, which prompted BBC favourite Dominic China to ask about its importance.

Margaret explained that during a kitchen refurbishment last summer, their builder had uncovered the message concealed behind one of the original cupboards. She said: “Where they’d taken one of the original cupboards off the wall, this was behind it and it was a complete shock to see it there.”

John and Margaret on The Repair Shop
John and Margaret had an important item with them that needed fixing(Image: BBC)

The message had been penned by their late son Christopher when he was approximately 14-years-old. It read: “This is original wallpaper. Friday 4:15 8th December 1989. Please leave this wallpaper, Chris.”

Margaret, clearly emotional, explained that Christopher frequently left messages for them. She then disclosed the devastating news that their son had tragically passed away from a rare form of testicular cancer when he was nearly 35.

She said: “It was 18 months from diagnosis to when he died. When you lose a child, you never get over it, you get through it and we’ve just got through it.”

Discovering their son’s handwriting once again on the plasterwork proved deeply emotional, and it became apparent that Rob was facing an enormously difficult task ahead.

Broken plaster
The broken plaster was found during their kitchen renovation(Image: BBC)

Taking a closer look at the damaged plaster, he said: “There’s so much going on, the paper is really fragmented, so that’s very risky. I’ll have to take my time, I might need some help.

“It’s not going to be easy. I need to get eyes on all these pieces and work out what condition each individual piece is in. I’m really nervous about handling this. This is gypsum plaster, which is very brittle.”

In the end, Rob successfully managed to restore the plasterwork and the time came to show John and Margaret the final result as the expert called upon two more specialists from the workshop to help.

When the big reveal happened, they were completely amazed as Margaret gasped: “That’s amazing.” Both were moved to tears as John could be spotted wiping his eyes.

Rob Fraser
BBC The Repair Shop expert says heartbreaking restoration is ‘not going to be easy’(Image: BBC)

She added: “What can I say? What can I say? It’s funny handwriting, he would be chuffed to bits to see that. I mean, he was what, 14? and he would’ve been 48 this year.”

John said: “He was a lovely boy, yeah.” Both thanked the experts for fixing the damaged plaster as they stressed how incredible it was.

The Repair Shop is available to watch on BBC iPlayer.

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‘Murderland’ review: Caroline Fraser links killers to toxic smelter

Book Review

Murderland: Crime and Bloodlust in the Time of Serial Killers

By Caroline Fraser
Penguin Press: 480 pages, $32
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The first film I saw in a theater was “The Love Bug,” Disney’s 1969 comedy about a sentient Volkswagen Beetle named Herbie and the motley team who race him to many a checkered flag. Although my memory is hazy, I recall my toddler’s delight: a car could think, move and communicate like a real person, even chauffeuring the romantic leads to their honeymoon. Nice Herbie!

Or not so nice. A decade later, Stanley Kubrick opened his virtuosic “The Shining” with fluid tracking shots of the same model of automobile headed toward the Overlook Hotel and a rendezvous with horror. Something had clicked. Caroline Fraser’s scorching, seductive “Murderland” chronicles the serial-killer epidemic that swept the U.S. in the 1970s and ’80s, focusing on her native Seattle and neighboring Tacoma, where Ted Bundy was raised. He drove a Beetle, hunting for prey. She underscores the striking associations between VWs and high-yield predators, as if the cars were accomplices, malevolent Herbies dispensing victims efficiently. (Bundy’s vehicle is now displayed in a Tennessee museum.) The book’s a meld of true crime, memoir and social commentary, but with a mission: to shock readers into a deeper understanding of the American Nightmare, ecological devastation entwined with senseless sadism. “Murderland” is not for the faint of heart, yet we can’t look away: Fraser’s writing is that vivid and dynamic.

"Murderland: Crime and Bloodlust in the Time of Serial Killers" by Caroline Fraser

She structures her narrative chronologically, conveyed in present tense, newsreel-style, evoking the Pacific Northwest’s woodsy tang and bland suburbia. Fraser came of age on Mercer Island, adjacent to Lake Washington’s eastern shore, across a heavily-trafficked pontoon bridge notorious for fatal crashes. Like the Beetle, the dangerous bridge threads throughout “Murderland,” braiding the author’s personal story with those of her cast. A “Star Trek” geek stuck in a rigid Christian Science family, she loathed her father and longed to escape.

In Tacoma, 35 miles to the south, Ted Bundy grew up near the American Smelting and Refining Co., which disgorged obscene levels of lead and arsenic into the air while netting millions for the Guggenheim dynasty before its 1986 closure. Bundy is the book’s charismatic centerpiece, a handsome, well-dressed sociopath in shiny patent-leather shoes, flitting from college to college, job to job, corpse to corpse. During the 1970s, he abducted dozens of young women, raping and strangling them on sprees across the country, often engaging in postmortem sex before disposing their bodies. He escaped custody twice in Colorado — once from a courthouse and another time from a jail — before he was finally locked up for good after his brutal attacks on Chi Omega sorority sisters at Florida State University.

Fraser depicts his bloody brotherhood with similar flair. Israel Keyes claimed Bundy as a hero. Gary Ridgway, the prolific “Green River Killer,” inhaled the same Puget Sound toxins. Randy Woodfield trawled I-5 in his 1974 Champagne Edition Beetle. As she observes of Richard Ramirez, Los Angeles’ “Night Stalker”: “He’s six foot one, wears black, and never smiles. He has a dead stare, like a shark. He doesn’t bathe. He has bad teeth. He’s about to go beserk.” But the archvillain is ASARCO, the mining corporation that dodged regulations, putting profitability over people. Fraser reveals an uncanny pattern of polluting smelters and the men brought up in their shadows, prone to mood swings and erratic tantrums. The science seems speculative until the book’s conclusion, where she highlights recent data, explicitly mapping links.

Author Caroline Fraser

Caroline Fraser laments the lack of accountability that the wealthy Guggenheim family has faced for operating a company that spewed toxins in Tacoma air for decades.

(Hal Espen)

Her previous work, “Prairie Fires,” a biography of Laura Ingalls Wilder, won the Pulitzer Prize and other accolades. The pivot here is dramatic, a bit of formal experimentation as Fraser shatters the fourth wall, luring us from our comfort zone. While rooted in the New Journalism of Joan Didion and John McPhee, “Murderland” deploys a mocking tone to draw us in, scattering deadpan jokes among chapters: “In 1974 there are at least a half a dozen serial killers operating in Washington. Nobody can see the forest for the trees.” Fraser delivers a brimstone sermon worthy of a Baptist preacher at a tent revival, raging at plutocrats who ravage those with less (or nothing at all).

Her fury blazes beyond balance sheets and into curated spaces of elites. She singles out Roger W. Straus Jr., tony Manhattan publisher, patron of the arts and grandson of Daniel Guggenheim, whose Tacoma smelter may have scrambled Bundy’s brain. She mentions Straus’ penchant for ascots and cashmere jackets. She laments the lack of accountability. “Roger W. Straus Jr. completes the process of whitewashing the family name,” she writes. “Whatever the Sackler family is trying to do by collecting art and endowing museums, lifting their skirts away from the hundreds of thousands addicted and killed by prescription opioids manufactured and sold by their company — Purdue Pharma — the Guggenheims have already stealthily and handily accomplished.” Has Fraser met a sacred cow she wouldn’t skewer?

Those beautiful Cézannes and Picassos in the Guggenheim Museum can’t paper over the atrocities; the gilded myths of American optimism, our upward mobility and welcoming shores won’t mask the demons. “The furniture of the past is permanent,” she notes. “The cuckoo clock, the Dutch door, the daylight basement — humble horsemen of the domestic Apocalypse. The VWs, parked in the driveway.” “Murderland” is a superb and disturbing vivisection of our darkest urges, this summer’s premier nonfiction read.

Cain is a book critic and the author of a memoir, “This Boy’s Faith: Notes from a Southern Baptist Upbringing.” He lives in Brooklyn, New York.

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