The NBA board of governors unanimously approved Mark Walter’s bid to buy a majority stake in the Lakers on Thursday, the league announced, marking a major shift for one of L.A.’s most significant sports teams.
The Lakers had been a family-run team since Dr. Jerry Buss bought the franchise in 1979. When he died in 2013, control went into a family trust with daughter Jeanie Buss acting as the team’s governor. The Buss family built the team into one of the most recognizable brands in sports, eventually attracting a record-breaking $10-billion valuation. While the sale was finalized, Jeanie Buss will be the team’s governor for at least five years after the transaction officially closes, the league announcement stated.
“The Los Angeles Lakers are one of the most iconic franchises in all of sports, defined by a history of excellence and the relentless pursuit of greatness,” Walter said in a statement released by the team. “Few teams carry the legacy and global influence of the Lakers, and it’s a privilege to work alongside Jeanie Buss as we maintain that excellence and set the standard for success in this new era, both on and off the court.”
Walter, who also heads the group that owns the Dodgers and the Sparks, was seated next to Buss at the Lakers’ season opener on Oct. 21. Walter and Todd Boehly have been minority stakeholders in the Lakers since 2021 when they bought 27% of the franchise.
To represent the team as a governor, a minority owner must have at least 15% stake of their team. Buss will continue to oversee day-to-day team operations for the foreseeable future, the Lakers announced.
“Over the past decade, I have come to know Mark well — first as a businessman, then as a friend and now as a colleague,” Buss said in a statement. “He has demonstrated time and time again his commitment to bringing championships to Los Angeles, and, on behalf of Lakers fans everywhere, I am beyond excited about what our future has in store.”
During a recent Lakers game, when the camera panned to Buss and Walter sitting courtside, Buss held one finger up to show off a gaudy Lakers championship ring. In 2020, she became the first female controlling owner to win an NBA championship as the Lakers collected their 17th title.
With 11 championships under the Buss family’s watch, the Lakers became a global sports phenomenon with stars including Kareem Abdul-Jabbar, Magic Johnson, Shaquille O’Neal and Kobe Bryant plus the latest wave of LeBron James and Luka Doncic. When Doncic signed a three-year, $165-million contract extension in August, the 26-year-old superstar thanked both Walter and Buss for their belief in his talent.
Get ready to enter the Grid: “Tron: Ares” has finally hit theaters.
Directed by Joachim Rønning, “Tron: Ares” is the third installment of the classic sci-fi franchise that kicked off with the 1982 film “Tron.” And like many modern movies that are part of an expansive Hollywood franchise, “Tron: Ares” makes sure to leave the door open for future storytelling.
“Tron: Ares” does so in the closing moments of the movie’s main story as well as in a stinger that plays after the credits start to roll.
The film, which picks up sometime after the events of “Tron: Legacy” (2010), stars Jared Leto as an advanced AI program named Ares created by Julian Dillinger (Evan Peters), a programmer and rising CEO of a tech corporation. Greta Lee portrays Eve Kim, also a programmer and the CEO of the tech company once led by original “Tron” hero Kevin Flynn (Jeff Bridges).
Although extensive knowledge of the previous films is not necessarily required to understand “Tron: Ares,” fans of “Tron” and “Legacy” will be the first to recognize the significance of the doors that the film leaves open. (Turn back now if you want to avoid spoilers.)
Evan Peters as Julian Dillinger in “Tron: Ares.”
(Leah Gallo / Disney)
The mid-credits scene is a callback to ‘Tron’
“Tron: Ares” ends with Julian — the grandson of Flynn’s original “Tron” rival, Edward Dillinger — escaping into Dillinger Corp.’s Grid.
The mid-credits scene shows Julian taking in the wreckage of his digital world before noticing and activating his identity disc. After taking ahold of the glowing circular object, his digital suit starts to form in a familiar silhouette.
Those who have seen “Tron” will recognize that Julian’s suit resembles that of Sark, the villainous program written by Ed Dillinger, who led the original film’s Master Control Program army. In “Tron,” Sark was played by David Warner, who also portrayed Ed.
The scene further cements Julian as the successor to his grandfather’s legacy and leaves the possibility open for his return as a villain in a future “Tron” installment.
Jared Leto as Ares in “Tron: Ares.”
(Leah Gallo / Disney)
‘Tron: Ares’ ends by teasing a future link-up with ‘Tron: Legacy’
The new “Tron” movie ends by hinting that Ares’ story is not quite over, either. In the final moments of the film, Ares is shown looking at images of Quorra, a character portrayed by Olivia Wilde in “Tron: Legacy.”
Quorra, like Ares, started her existence in the Grid and eventually made her way out into the real world. But Quorra isn’t a man-made program; she is an “isomorphic algorithm,” or a digital being who spontaneously came into existence in the Grid. She was introduced in “Legacy” as Flynn’s charge who was learning about humanity from him.
Could a meeting between Ares and Quorra be in the “Tron” franchise’s future? Only time (and likely “Tron: Ares’” box office returns) will tell.
The voyages of the starship Enterprise will include a 5½-mile stretch in Pasadena on New Year’s Day.
The iconic “Star Trek” flagship will be prominently featured on the franchise’s 2026 Rose Parade float, which celebrates the 60th anniversary of the storied sci-fi franchise. The design for the Star Trek 60 “Space for Everybody” entry was revealed on Monday.
In addition to the USS Enterprise and its bridge — where yet-to-be-announced actors will be stationed — the float will feature an homage to Vasquez Rocks, the local landmark where “Star Trek” has filmed, as well as the franchise’s future version of San Francisco, where Starfleet is headquartered. The design also incorporates planets and transporters.
As previously announced, the float’s design is meant to reflect values that “Star Trek” champions: hope, inclusivity, exploration and unity. It was designed by artist John Ramirez and will be built by the team at Artistic Entertainment Services.
The float will also promote the upcoming Paramount+ series “Star Trek: Starfleet Academy,” which stars Holly Hunter as a starship captain and chancellor leading the academy’s first new crop of cadets in more than 100 years. The show will premiere next year.
The theme for the 2026 Rose Parade is “The Magic in Teamwork,” which is meant to celebrate “the sense of accomplishment in knowing that by working together, we can collectively achieve outcomes so much richer than we can ever experience as individuals,” according to the Tournament of Roses website.
The Rose Parade float will kick off “Star Trek’s” yearlong celebration of its 60th anniversary, which will also include additional new shows, Lego sets and even a cruise.
The Sparks announced they are joining the WNBA’s facilities upgrade boom, building a $150-million, 55,000-square-foot training and practice facility in El Segundo that is set to open ahead of the 2027 season.
The venue will include two WNBA regulation basketball courts along with a locker room, weight room and athletic training space. The team states the facility will also feature an outdoor spa, indoor hydrotherapy suites, dedicated nap rooms, wellness spaces for yoga or mediation, and extensive use of natural light and retractable doors.
“We’re building a place where Sparks players can be at their best on and off the court,” said Eric Holoman, Sparks managing partner and governor. “From cutting-edge training and recovery spaces to family and community areas, every corner of this facility was designed with them at the center.”
The team did not disclose the venue’s address in El Segundo, which also is the location of Lakers, Kings and Chargers practice facilities.
The Sparks, who posted a 21-23 record and fell two wins short of clinching a playoff spot this season, are addressing one of the biggest complaints about the franchise’s commitment to player development. The team most recently trained at El Camino College, where they had no permanent locker room or weight room. The franchise has rented various training locations throughout its history, making the new building a dramatic upgrade for the team.
The team provided the following renderings of the facility.
A rendering shows the exterior of the Sparks’ future training and practice facility in El Segundo.
(Gensler)
A rendering shows the basketball courts in the Sparks’ future training and practice facility in El Segundo.
(Gensler)
A rendering shows an indoor hydrotherapy pool in the Sparks’ future training and practice facility in El Segundo.
(Gensler)
A rendering shows what the Sparks call a glamour area in their future training and practice facility in El Segundo.
(Gensler)
A rendering shows a locker room in the Sparks’ future training and practice facility in El Segundo.
(Gensler)
A rendering shows a weight and fitness room in the Sparks’ future training and practice facility in El Segundo.
There’s no guarantee the Chargers will pass through the gate of golden opportunity, but this 2-0 team has sawed the lock off the latch.
With Sunday’s home opener against Denver, the Chargers have the chance to go 3-0 in the AFC West with a week to go in September. That’s unheard of. The last time this franchise opened the season with three consecutive division games was 1988, and those Chargers stumbled to a 1-2 start.
These Chargers could be 3-0 for the first time since 2002 and are heading into a softer part of their schedule.
But how did it happen? Why did the NFL set up the Chargers schedule to go Chiefs, Raiders, Broncos when that kind of rollout is so rare?
Let’s rewind the tape.
Why did the Kansas City game wind up in Brazil?
The league had the Chargers hosting a game in São Paulo, and because of the distance, it only made sense to make it an opener. (Just as the Rams will open next season in Australia.) The team can “protect” two home games and the league won’t touch those, so the Chargers chose Washington and Minnesota. Pittsburgh couldn’t go to Brazil, because the Steelers already have an international game in Dublin, and it couldn’t be Philadelphia, either, because the Eagles opened in Brazil last season.
The NFL wanted to follow up that Packers-Eagles matchup with something similarly spectacular, so they needed the biggest opponent to pair with the Chargers, especially with this being the first YouTube game. No one has more sizzle these days than Kansas City.
From the Chargers standpoint, they got the Chiefs on a neutral field — SoFi Stadium is pretty much a neutral field anyway — and they were making their biggest division rival fly 12-plus hours to and from. Not an ideal way for anyone to start the season.
Jim Harbaugh’s team played a tremendous game, beating the Chiefs for the first time since 2021 and putting a spotlight on quarterback Justin Herbert, who was phenomenal. Not only that, but they handed Kansas City an unimaginably long flight home to prepare for a Super Bowl rematch with Philadelphia, which they lost.
Chargers quarterback Justin Herbert fist bumps coach Jim Harbaugh before a win over the Raiders on Sept. 15.
(Ian Maule / Getty Images)
Objective 1: Check.
The NFL would rather not have a team make a long flight back from an international game only the hit the road again the following week, but that’s what the Chargers had to do. There was a Chris Brown concert at SoFi Stadium on the Sunday of Week 2, so it worked out better to have the Chargers back on the road.
The fairest solution was to give the Chargers their shortest road trip, to Las Vegas, plus give them an extra day to prepare by making it the second half of a Monday night doubleheader. Allegiant Stadium, home of the Raiders, was in use that weekend for the Terence Crawford-Canelo Álvarez fight.
Again, Harbaugh had his team prepared and the Chargers assembled a defensive masterpiece against the Raiders, breaking up 15 passes and putting Geno Smith under near-constant pressure.
Objective 2: Check.
Now comes Denver, a club a lot of people see as one of the league’s surprise teams. There’s an interesting connection between Harbaugh and Broncos coach Sean Payton, and not just that they were born six days apart. Harbaugh, a star quarterback at Michigan, was a first-round pick of the Chicago Bears in 1987, a year when NFL players went on strike. Chicago’s replacement team was nicknamed the “Spare Bears” and Payton was the quarterback of that fill-in squad.
It was more random that the Broncos wound up being the opponent in Week 3, except that the league wanted to put the Chargers’ games against Minnesota, Pittsburgh and Philadelphia in prime time. So that limited the choices.
Nobody at The Bolt is complaining now. What looked to be a treacherous start could be a turbo boost for a franchise heading into a stretch that includes the New York Giants, Miami Dolphins and Tennessee Titans, who are combined 0-6. Anything can happen and fortunes of franchises can flip in an instant — oft-struggling Indianapolis is 2-0, for instance, and has yet to punt once — so looking too far in the future is foolish. But that’s what networks have to do, and there’s a lot of buzz right now that the Chargers are going to be a team to watch as we get deeper into the season.
That fits Harbaugh’s profile, too, because his teams have a history of improving in his second season.
With the new Nielsen methodology, which takes a far more comprehensive sampling of what Americans are watching, it’s increasingly important for the NFL to do well in big markets. The league has to be delighted, then, that both the Chargers and 2-0 Rams are playing so well. The only other season when both franchises were 2-0 at the same time was 2001, when the St. Louis Rams made it to the Super Bowl before losing to a young quarterback named Tom Brady and the New England Patriots.
Both the Rams and Chargers have outstanding quarterbacks, and interestingly, Matthew Stafford went 12 seasons in Detroit before finally winning a playoff game, in his first season with the Rams. Herbert, in his sixth season, has yet to win a playoff game.
Both teams have top-notch defenses.
It’s absurdly early to make end-of-season predictions but this much is set: SoFi Stadium will play host to its second Super Bowl next season.
Is a colossal turf war in the cards?
With that in mind, maybe the Chargers and Rams are peaking too early. They certainly hope so.
Anze Kopitar, widely considered the greatest player in Kings franchise history and poised to become the team’s all-time leading scorer, announced Thursday he will retire at the end of the 2025-26 season.
Entering his 20th season with the Kings and the final year of his contract, the decision was somewhat expected from the 38-year-old team captain. He told KCAL News last month he was thinking about retirement and that it could be his last NHL season.
Kings general manager Ken Holland told NHL Network Radio in July that Kopitar indicated he wasn’t seeking a contract extension this summer and was intending to take things a “year at a time.”
Kopitar is second all-time in franchise scoring, with 1,278 points in a franchise-leading 1,454 games played. He is 30 points away from breaking Marcel Dionne’s team record for most points (1,307). He ranks third all-time in franchise goals (440) behind Luc Robitaille (557) and Dionne (550) and leads in assists (838). He is a two-time Selke trophy winner (best defensive forward) and three-time Lady Byng trophy winner (gentlemanly play).
Drafted 11th overall by the Kings in 2005, Kopitar made an immediate impact during his 2006-07 rookie season, finishing with 20 goals and 61 points for a downtrodden team that was in the middle of a six-year playoff drought.
Kings center Anze Kopitar celebrates with the Stanley Cup after the Kings defeated the New Jersey Devils to win the franchise’s first title in 2012.
(Robert Gauthier / Los Angeles Times)
Eventually, with Doughty joining the team in 2008 coupled with steady growth from Brown, Quick and Kopitar, the Kings returned to the playoffs in 2010 before capturing the franchise’s first Stanley Cup in 2012.
Kopitar has stood out on a team that has had many greats, including NHL all-time leading scorer Wayne Gretzky.
“It’s really hard for me to sit here and say I’m the greatest King. That’s just not my personality. Far from it,” Kopitar told The Times’ Helene Elliott in 2023. “There’s been great Kings in this organization, with Marcel, Luc, Dave [Taylor], Wayne, Blakey [Rob Blake]. The list can go on for a little bit. Brownie. Individually, yes, but it’s about collective wins.”
With Kopitar’s decision, the biggest roster question facing the Kings remains whether they can re-sign Adrian Kempe to a long-term deal. Kempe, who has led the team in points the last two seasons, is in the final year of his contract.
The Kings open the preseason Sunday against the Ducks in the Empire Classic at Toyota Arena in Ontario. They begin the regular season against the Colorado Avalanche at Crypto.com Arena on Oct. 7.
This is a developing story. The Times will have more on Kopitar’s decision to retire at the end of the season soon.
It’s the year for horror and “The Conjuring: Last Rites” was no exception. Its opening weekend tipped the genre over $1 billion in earnings for this year’s domestic box office.
The horror sequel raked in $83 million domestically in 3,802 theaters, making it the third-highest domestic opening for a horror movie, behind “It” and “It: Chapter Two.” It’s now the largest horror opening internationally, with $104 million in earnings outside of North American theaters.
The film also broke records for the “Conjuring” universe, securing the biggest opening weekend in the franchise. The movie’s performance is a testament to the franchise’s success in producing classic horror movies since the first film released in 2013, said Paul Dergarabedian, senior media analyst for the data firm Comscore.
“Audiences know when they go in to see ‘The Conjuring,’ the minute this scary, ominous music comes up with the Warner’s logo, you know you’re in for a wild ride,” Dergarabedian said.
The film has received mixed reviews from critics, carrying a 55% on Rotten Tomatoes and a “B” CinemaScore.
Patrick Wilson and Vera Farmiga return to the big screen in the ninth installment of “The Conjuring” as the paranormal investigators Ed and Lorraine Warren, who attempt to vanquish a demon from a family’s home.
“Last Rites” also handed Warner Bros. Pictures yet another opening weekend box office win, becoming the distributor’s eighth No. 1 debut win this year and the studio’s seventh film in a row to debut with more than $40 million domestically.
The movie’s opening weekend numbers are nearly double that of other successful horror movies this year, including Zach Cregger’s August sleeper hit “Weapons,” “Final Destination: Bloodlines” and “Sinners” — all of which are Warner Bros. releases.
“It just shows how arguably more than any other genre, horror has stood the test of time,” Dergarabedian said. “That’s because there’s nothing quite like seeing a horror movie in a darkened room full of strangers.”
The horror genre last crossed the $1-billion mark in 2023. Meeting that threshold this early in the year is unprecedented, Dergarabedian said, “because usually you need a full year of horror movie box office to bank that much cash.”
Upcoming horror films like “Black Phone 2” and “Five Nights at Freddy’s 2” are likely to boost that number, Dergarabedian said.
“Last Rites” blew past other titles at the box office this weekend. Disney’s filmed version of “Hamilton” landed in second place with $10 million domestically. The film was “perfect counterprogramming” to “Last Rights,” Dergarabedian said.
The rest of the top spots were taken by several holdover titles. “Weapons” secured third place during its fifth weekend, bringing in $5.4 million in earnings in North American theaters. The movie’s debut partner, “Freakier Friday,” took fourth place with $3.8 million.
The crime caper “Caught Stealing,” which debuted last weekend, rounded out the top five with $3.2 million in domestic earnings.
The streaming video giant on Monday announced when it will open its first shopping, dining and entertainment complexes to the public.
The Los Gatos, Calif.-based company will open its first Netflix House in the Philadelphia area on Nov. 12. The company’s Philadelphia area location is located at King of Prussia shopping center, while its second Netflix House at Galleria Dallas will open on Dec. 11. A third location in Las Vegas will open in 2027.
The more than 100,000 square-foot space will offer fan experiences, merchandise and food inspired by Netflix content, in an effort to capitalize on its popular shows, movies and franchises.
For example, fans will be able to take selfies with Queen Charlotte, see screenings of “KPop Demon Hunters” and enjoy Netflix-themed food and cocktails, the company said in a statement.
The Netflix House complexes will be free for people to enter. Some fan experiences, such as Top 9 Mini Golf and immersive VR games in the Philadelphia location, will cost money.
Netflix House is part of the company’s push to expand further into in-person entertainment. The firm hosted balls similar to those featured on Regency era romance “Bridgerton” and worked with retailers and brands to sell clothing and other merchandise inspired by “Squid Game” and “Stranger Things.”
Such experiences also serve as marketing for the shows and movies.
The streamer could eventually have 50 or 60 Netflix House locations globally, said Netflix Co-Chief Executive Ted Sarandos last year at the WSJ Tech Live conference.
A decade ago, the languishing St. Louis Rams were ranked dead last in the NFL with a franchise valuation of $930 million.
Faced with an unappealing stadium lease and dwindling prospects in St. Louis, the Rams turned their attention westward, toward their Los Angeles roots. Quietly, they acquired two parcels of land at the former Hollywood Park racetrack in Inglewood, where they would eventually build SoFi Stadium, a state-of-the-art venue that would redefine the franchise and reshape the NFL’s footprint in Los Angeles.
This valuation comes a month after CNBC ranked Stan Kroenke’s portfolio of teams — the Rams, the NBA’s Denver Nuggets, NHL’s Colorado Avalanche and Premier League’s Arsenal — the most valuable in sports at $21.2 billion.
Cowboys chief operating officer Stephen Jones, Cowboys owner Jerry Jones and Rams owner Stan Kroenke talk before a preseason game at SoFi Stadium Saturday. The Cowboys and Rams are the two most valuable NFL franchises, according to a new Sportico report.
(Allen J. Schaben/Los Angeles Times)
The Rams join the Lakers as the city’s second sports franchise with a valuation of at least $10 billion. The latter was based on an actual sale. In June, the Buss family entered into an agreement to sell majority ownership of the Lakers to Dodgers owner Mark Walter for a franchise valuation of approximately $10 billion.
The Chargers, who are tenants at Kroenke’s stadium, are 21st on the Sportico list at $6.2 billion, one spot up from last year.
The valuations are based on the team itself, along with any businesses and real estate holdings related to the team.
David Carter, principal at The Sports Business Group and adjunct professor of sports business at USC, said teams are usually valued based on a multiple of their annual revenue, and that valuation also takes into account the likelihood of future revenue growth.
“For Kroenke and the Rams, this has always meant monetizing SoFi in as many ways possible, while simultaneously positioning the venue as a global leader in sports and entertainment,” he wrote in an email to the Times. “Having accomplished this, and with the team’s strong fan bases – both traditional and corporate – the recipe is in place to continue to achieve high valuations, especially when you also consider the team’s competitiveness of late.”
Attaching a number to these teams is largely an academic exercise, because the only true test comes when they are sold — and those sales are rare.
Three NFL franchises have changed hands in the past 10 years: the Washington Commanders (2023), Denver Broncos (2022) and Carolina Panthers (2018).
Writes Sportico’s Kurt Badenhausen: “Scarcity is a major driver in pushing team values higher, as more billionaires are minted each year and franchises are rarely added.”
Carter said the NFL franchise valuations published by Sportico and others aren’t entirely accurate because they don’t fully reflect the supply and demand for teams at any given time.
“The ultimate price, should a team be sold, will be determined by factors in real time,” he wrote, “such as how many bidders there are and how many teams are for sale at the time. This typically results in franchises being sold for more than the reported value calculated by the trade press. Nonetheless, these valuations serve as an important data point to those in the industry.”
As for the Rams, their valuation matters more directionally than numerically, reflecting success and stability in Los Angeles more than a specific price tag.
“As we enter our 10th season back in Los Angeles, Stan Kroenke’s vision to create the world’s greatest sports and entertainment district at Hollywood Park – and to build one of the NFL’s greatest stadiums – continues to help build the profile of the Rams and the NFL,” said Kevin Demoff, president of team and media operations for Kroenke Sports and Entertainment.
“While these rankings may reflect that, the focus remains on building great teams and a district that Angelenos can enjoy, more than focusing on valuations.”
The BIG3 basketball atmosphere is one of a West Coast summer-style block party — quite literally — bursting with frenetic hip-hop energy brought straight to the hardwood.
At the center is legendary rapper and Hollywood A-lister Ice Cube, who, between games, stands before a BIG3-branded backdrop in the bowels of the Intuit Dome, greeting families and flashing Westside hand signs as cameras click.
“It takes a village; all these people have honed their skills to be the best,” Ice Cube, the league’s co-owner and founder, said of the atmosphere.
Rooted in the streetball tradition of three-on-three hoops played on neighborhood blacktops, the league rolled out its Summer in the City tour — a day-long showcase with eight teams vying for a $1-million championship.
Anthony Anderson, left, and Cedric the Entertainer work as sideline reporters during Big3 games at the Intuit Dome in Inglewood on Saturday.
(Chapman Baehler / Big3)
Not shy on production value, the event offers an unusually intimate setting — players mingling casually around the concourse, almost like an AAU tournament. Or comedic stars Anthony Anderson and Cedric the Entertainer serving as guest sideline reporters, greeting every fan who stops by with a quick hello.
But for the South-Central–born rapper, whose league has toured the country, Saturday’s showcase in Inglewood marked the first time his hometown crowd could watch one of the BIG3’s newest — and first privately owned — franchises, the LA Riot, play live.
A franchise namesake born from L.A.’s history of tumultuous racial unrest — evoking memories of the 1992 Rodney King riots — also symbolizes a movement, rebellion and cultural takeover, just as Ice Cube envisioned.
“It was a dream come true, not too far from where I grew up,” Ice Cube said. “So to have a league like this, right at the house, is just beautiful.”
After seven years of unaffiliated teams, the BIG3 shifted to a city-based model to cultivate loyal fan bases and sell franchises to local owners. Using L.A. as the blueprint — with a $10-million price tag — the hope is to bring long-term stability to the league.
“We’re going to these eight cities every year,” Ice Cube said. “We can plan long term, hopefully grow the league to other cities, [who] want to get in on the act.”
Since 2017, part of that stability has been built on the backs of veteran players — athletes well past their NBA primes and no longer chasing NBA contracts. Among them is newly elected Naismith Hall of Famer Dwight Howard, alongside names like Joe Johnson, Michael Beasley, and Lance Stephenson.
Howard, a member of the 2020 Lakers championship team, made a highly anticipated return to the city where he played three seasons across three separate stints. With his signing, he has become the face of the Riot, committing to play his final season of professional basketball with the club.
Ice Cube’s Big3 three-on-three basketball league took over the Intuit Dome in Inglewood on Saturday.
(Chapman Baehler / Big3)
“It’s our first year, we’re just getting started,” Howard said. “We’re looking forward to keeping it going. Obviously, the first year is always a little difficult — trying to get to know each other — but we’re doing a great job.”
Howard has dabbled in ownership ventures, investing $7 million to purchase the WNBA Atlanta Dream — a deal that later turned out to be a scam — and joining the Asian Tournament, an international league, as a co-owner and player for the Taiwan Mustangs.
In his first Big3 season, Howard has witnessed how well the league connects with its fans, a connection he believes will be key to its long-term success.
Christopher Thomas, 35, a lifelong Angeleno who brought his daughter and best friend to Saturday’s Big3 games, was rocking a No. 12 Howard Riot jersey. Thomas left the arena converted after initially scoring free tickets through his job.
“I have to admit, I never heard of the BIG3,” Thomas said. “Now I’m leaving as a Riot fan, especially with my boy Dwight Howard on the team.”
For Thomas, the draw went beyond basketball. It was the atmosphere, constant energy between games and novelty the league offered. The experience was “something new, something different,” he said — the kind that will have him back in the stands when the BIG3 returns to town.
Making headway in localized markets, Howard — who has played overseas several times throughout his career — says the league can also tap into those international markets with smart decisions and profitability.
“Oh, international,” Howard said. “BIG3 international is what we’re looking for.”
On the globalization front, the league is planning exhibitions in Australia and Asia, which Ice Cube hopes will come to fruition soon.
For now, though, the focus remains on expanding and privatizing within the U.S., beyond L.A., Houston, Detroit and Miami. The BIG3 also aims to grow beyond its current eight-team format by securing investors for four city-based teams, and then aims for further expansion down the line.
“We got some smart people who are buying teams, people who can help us grow the league,” Ice Cube said. “Not just sign a check, but to help us be innovative. Help us with sponsors. We want owners who are active.”
While expansion plans continue to be discussed behind closed doors, the league’s public focus remains on its fast, physical and unpredictable style — all of which was on full display as the action at the Intuit Dome wound down.
The Riot’s matchup against the Boston Ball Hogs came down to the wire with a playoff berth on the line. Clawing back from a 48-45 deficit, the Riot unleashed desperate four-point shots and dove for loose balls galore.
Eventually taking the lead, the Riot-friendly crowd spilled from its seats into the walkways surrounding the court, watching with bated breath as Jordan Crawford drained a walk-off three-pointer to seal a 52-48 victory.
“At the end of the day, I can only do so much to get people hyped up,” Ice Cube said of the appeal of the Big3. “The basketball has to be pure.”
One of the things we looked at is the quality of player in each league, based on international caps across all formats.
We looked at the average number of international caps held by the starting XIs in each game and here is where the ILT20 comes out on top (423), followed by the PSL (351) and the IPL (335).
There is a huge disparity here between the top of the pile and the bottom, with the Big Bash average of just 145 almost 300 caps short of the ILT20.
This could be attributed to the fact Australia’s best cricketers are playing an international summer at the same time as the Big Bash is being contested, whereas in India, for example, the whole cricketing world stops for the IPL window.
Another factor is that the ILT20 allows up to nine overseas players per team, compared to the three or four spaces given up for players from abroad in other competitions.
The ILT20 manages to attract so many players from overseas because of the money on offer – only the IPL pays its players more, with one report in Forbes suggesting teams in the UAE have a salary cap of more than £2m for a month-long competition, compared to the £1.5m offered by the Big Bash for a competition that runs for almost twice as long.
One of the sticks used to beat certain leagues is how long they take to complete. How often have you heard a commentator say that IPL matches last four hours now?
Well, in the latest iteration of each competition, it’s actually the CPL – the league where spin is king – which takes the longest on average, with matches lasting just six minutes short of that four-hour figure.
The IPL is second on the list (three hours 44 minutes) with the Big Bash the most economical of the T20 leagues in terms of time (three hours 10 minutes).
The average men’s Hundred game – which is 40 balls shorter, don’t forget – lasted two hours 42 minutes.
Elijah Asante, the football coach at Hamilton High who’s never been shy about making predictions, wants it to be known that he believes freshman quarterback Thaddeus Breaux is a future first-round NFL draft pick.
He calls him “the Franchise,” and has plans to let him throw 50 passes a game.
Breaux, who is 6 feet 3 and 205 pounds, welcomes the challenge of living up to high expectations. Working out with the Yankees on their new grass field with lights earlier this week, Breaux stood out with his size. On Saturday, he’ll get to show off his arm in the Culver City passing tournament.
Last season, the Yankees went 2-9 in Asante’s first season after taking over just a few weeks before practice began. He’s ambitious, having tried to schedule Mater Dei this season but settling for a season opener against Gardena Serra on Aug. 28. Doubt him at your own peril because he twice had teams beat Mater Dei when he was head coach at Carson and helped quarterback James Boyd become City player of the year at L.A. Jordan.
The Yankees appear to have more depth and talent this season. Besides Breaux, Miles Manilay is a returning safety, Jacob Riley has shown promise as a receiver and Micah Butler is an imposing 6-3, 275-pound junior lineman.
Asante is bringing back his best one-liner, “We will shock the world.” The big question is what is Asante referring to.
Manilay, with a 4.38 grade-point average and a sister who attends Harvard, is one of the captains. He sees a much improved team but also isn’t about to let Asante off the hook.
“I don’t know what world he’s talking about,” he said when asked about “shocking the world.”
Hold on to your water glasses because you can hear the plot of “Jurassic World Rebirth” coming from a mile away. A ragtag group of adventurers land on a remote island planning to exploit dinosaur DNA — and some of them get chomped. The only new thing about this seventh installment is the cast: Scarlett Johansson and Mahershala Ali as freelance covert operatives Zora and Duncan, Jonathan Bailey as paleontologist Henry Loomis and Rupert Friend as a pharmaceutical titan named Martin who wants to treat coronary disease by harvesting samples from three massive reptile hearts. Gauging by the response every time this sequel has come up in conversation, it should have been subtitled: “This Time There’s No Chris Pratt.”
I went to the theater with my own heart as big as a Titanosaur’s. (Goofy name aside, it’s a real herbivore and you’ll see a herd of them.) After all, screenwriter David Koepp wrote the screenplay for the 1993 original and the franchise’s latest director, Gareth Edwards, made a serviceable “Godzilla.”
Alas, Edwards has made “Godzilla” again. “Jurassic World Rebirth” is a straight monster movie with zero awe or prestige. It’s incurious about its stomping creatures and barely invested in the humans either, tasking Johansson and most of the cast to play fairly similar shades of hardy and determined. You’ll see a nod to the 1962 adventure “One Million Years B.C.” (you know: Raquel Welch, fur bikini), which is more of a template than a kitschy joke. There isn’t a shiver of surprise about who gets the chomp, only disappointment that the fatalities are so bloodless — they’re mild even for PG-13.
Some of this ennui is by design. The narrative backdrop is that after 32 years of who-coulda-thunk-it rampages, humankind is tired of dealing with the darned things. Audiences can relate.
To establish this miserliness of spirit, the present-day scenes start with a Brooklyn traffic jam caused by an escaped sauropod lying collapsed and dying on the side of the road. It’s the same species that transformed Sam Neill, Laura Dern and Jeff Goldblum into giddy, glassy-eyed children, only now drained of all majesty. Some creep has even spray-painted its hindquarters with graffiti.
Plenty more dinosaurs will arrive in the film’s two-hour-plus running time: swooping Quetzalcoatlus, splashing Mosasaurus, frilled Dilophosaurus and a bitty Whoknowswhatasaurus that Ali’s Duncan keeps in a bamboo birdcage by his boat dock in Suriname. But the only one that made me feel anything was that pathetic sauropod abandoned like a sidewalk sofa.
A beat later, “Rebirth” cuts to a shuttering museum exhibit where workmen are trashing their copy of that iconic banner that reads “When dinosaurs ruled the earth.” The original “Jurassic Park” inspired a generation of kids to dream of scientific discoveries. This era is throwing in the towel.
The action sets sail with a hefty oceanic sequence where Edwards leans on his expertise in sluicing fins and underwater ka-thumps. Our heroes also scoop up a rather ungrateful shipwrecked family: yachtsman Reuben (Manuel Garcia-Rulfo), his daughters Isabella (Audrina Miranda) and Teresa (Luna Blaise) and Teresa’s good-for-nothing boyfriend, Xavier (David Iacono). Initially, we can’t wait for Iacono’s louse to get eaten but we come to treasure his comic relief, particularly when Xavier wanders off to relieve himself next to a nest of velociraptors. Danger lurks and the doofus just stands around with his johnson in his hand.
Eventually, the crew makes land on Ile Saint-Hubert near French Guinea, where a genetic dinosaur laboratory was evacuated 17 years earlier. In an opening flashback, we learn that a technician concocting a freakish T. rex littered a Snickers wrapper, causing a chain reaction that within two minutes resulted in the snacker becoming a snack.
You may consider yourself inured to product placement. Even so, its use here is brazen and strange, from this case of death by chocolate to an “E.T.” embezzlement in which Isabella befriends a baby Aquilops with red rope licorice. There’s even a scene in an abandoned convenience store which, despite a decade and a half left in the custody of pesky dinosaurs, the snack labels remain tidily pointed toward the camera. At least that setting has a modified raptor pausing at a soda cooler to admire its reflection.
I don’t think Johansson and Ali will take as much pride in “Rebirth,” assuming they bother to watch it. Both get through the film without embarrassing themselves, in part because neither is very committed. Johansson’s tough security expert swaggers, Ali smiles and our sturdy goodwill for both actors keeps us from holding the movie against them. Early on, the two get one scene together where they put on a pretense of speaking in shorthand about the emotional costs of a career in Blackwater-style skulduggery. It has the air of a stretch before buckling in for a long haul flight.
This is composer Alexandre Desplat’s “Jurassic” debut and he dutifully reworks John Williams’ famous notes of wonder and yearning a few ways, like a subtle tinkling when Bailey’s strapping science geek imagines the joy of witnessing a dinosaur not in a zoo or a theme park, but in the wild. Bailey is a fine actor and his Loomis would be the soul of the movie if he wasn’t battling for screen time. He’s the only character who seems to like dinosaurs — everyone else sees them as dollar signs or boogeymen.
The series itself has gotten so bored with the beasties that it continues to invent new ugly mutants. “Rebirth” unleashes the Distortus rex — imagine a parakeet’s head on a bodybuilding cockroach. All the dinos struggle to feel convincing as they seem to change size every time you look at them (and the CG backdrops are chintzy). Yet, I still prefer the trusty regulars like the amphibious Spinosaurs, who resemble dog-paddling hellhounds, the pecking Quetzalcoatlus that gulps people like sardines and, of course, the Tyrannosaurus rex, now striped and able to hide in ways that defy physics but at least get an audible chortle.
“Rebirth” is a confounding title for a downbeat entry that’s mostly preoccupied by death and neglect. Who knows whether we’re at the head or tail of the Anthropocene, but the movie seems weary of our dominion. “I doubt if we make it to even 1 million,” Loomis admits, adding that he hopes to die in shallow silt so he can become a fossil too. With the franchise officially out of ideas, how about skipping to “Jurassic Park: One Million Years A.D.” so a futuristic species can resurrect us for some malevolent fun and games?
‘Jurassic World Rebirth’
Rated: PG-13, for intense sequences of violence/action, bloody images, some suggestive references, language and a drug reference
The trio of women let the cameras follow them again as they try to find (or keep) love, look after their kids and build businesses
18:00, 03 Jul 2025Updated 18:23, 03 Jul 2025
Binky, Lucy and Rosie are back for more action on E4 later this year(Image: PA)
Made in Chelsea breakout stars Binky Felstead, Lucy Watson and Rosie Fortescue are returning to E4 for a second series of Beyond Chelsea.
And this time around viewers will follow the three women, now in their mid-thirties, as they balance motherhood, family life and relationships, while running businesses and navigating life in the public eye.
The two-part fly on the wall spin-off, to air on E4 later this year, will give viewers more information about Binky’s mum’s challenges with MS (multiple sclerosis). The audience will also find out whether Rosie has had any success with finding a partner, after last time around she decided she was ready to welcome romance back into her life, with Binky acting as wing woman.
Binky, Lucy, Rosie will return to our television screens with the return of one of Made in Chelsea’s 11 spin-offs(Image: Channel 4 / Rob Parfitt)
The cameras also follow as Lucy moves into her new home mid-development while Binky takes on yet another new business venture, with all three trying to balance motherhood, family life and relationships.
Production boss Helen Kruger Bratt told the Mirror that other Made in Chelsea favourites would also pop up. “The love for Made in Chelsea, and the franchise as a whole, just keeps growing,” she told the Mirror. “Every series brings in new fans, while longtime viewers stay closely connected to the lives of our brilliant cast.
“With Beyond Chelsea, we’ve loved reconnecting with some of MIC’s most iconic OGs in a way we’ve never done before. Featuring these three amazing women, and guest appearances from other ex-MIC favourites, this second series promises to be even more revealing, emotional, and hilarious.”
Binky, seen here with Ollie, was seen in tears last year after finding out Alex had cheated(Image: Monkey Kingdom)
Channel 4 Senior Commissioning Editor Clemency Green added: “Binky, Lucy and Rosie’s lives are chaotic and yet they still find time to allow the cameras back in. The Made in Chelsea fans are going to love seeing what they have been up to this past year, catching up on the gang as they share the ups and downs of their lives.”
Main series Made in Chelsea will also be back on E4 for a 29th run. The BAFTA award-winning show, which first launched in 201, has since notched up a staggering 332 episodes. This time some of the cast head off to a luxury resort in Thailand – where they are joined by a new faces who are “set to cause a stir”.
In January, Binky hinted the show would be back with more appearances from some of the original cast from when the show started 14 years ago. “We only had time to do two episodes last year and to test people’s interest… which was off the charts and overwhelmingly positive,” she said. “Since then we’ve had 3/4 of the OG’s reach out who want to be part of the next phase – all very exciting.”
Vin Diesel says the planned finale of the long-running “Fast & Furious” franchise will come with an unexpected passenger.
Speaking at Fuel Fest, an automotive event in Pomona over the weekend, Diesel told fans that the final “Fast & Furious” film will bring back one of the series’ most beloved characters: Paul Walker’s Brian O’Conner. The longtime on-screen partner to Diesel’s Dominic Toretto, O’Conner last appeared in 2015’s “Furious 7,” which was completed after Walker’s death in a car accident in 2013 at age 40.
The franchise — known for its blend of street racing, elaborate heists and outsized action — has grown into one of the most successful of all time, with more than $7 billion at the global box office.
“Just yesterday I was with Universal Studios,” Diesel said in a video from the event. “The studio said to me, ‘Vin, can we please have the finale of ‘Fast & Furious’ [in] April 2027?’ I said, ‘Under three conditions’ — because I’ve been listening to my fanbase.”
Those conditions, he said, were to bring the franchise back to L.A., return to its street-racing roots and reunite Dom and Brian.
“That is what you’re going to get in the finale,” Diesel promised.
How the production might accomplish that reunion remains unclear. When Walker died during the making of “Furious 7,” the filmmakers turned to a mix of archived footage, digital effects and performances by Walker’s brothers, Caleb and Cody, who served as stand-ins for unfinished scenes. Artists at Weta Digital created more than 300 visual-effects shots to map Walker’s likeness onto his brothers’ bodies, often piecing together dialogue from existing recordings. The film’s farewell — showing Brian and Dom driving side by side before splitting onto separate roads — became one of the franchise’s most memorable and emotional moments, widely seen as a tribute to Walker’s legacy.
A return for Brian O’Conner would join a growing list of posthumous digital performances in major franchises — a practice that continues to stir debate over where the line should be drawn. In 2016’s “Rogue One: A Star Wars Story,” Peter Cushing’s Grand Moff Tarkin was recreated through a mix of motion capture, CGI and archival material, decades after Cushing’s death. In 2019, “The Rise of Skywalker” relied on previously unused footage and digital stitching to return Carrie Fisher’s Leia to the screen three years after the actress’ passing.
And in last year’s “Alien: Romulus,” the late Ian Holm’s likeness was recreated as an android using AI and digital effects, with the approval of his estate — a choice that sparked controversy and led to more practical effects being used in the film’s home release.
OKLAHOMA CITY — Shai Gilgeous-Alexander walked off the court for the final time this season, collapsed into the arms of coach Mark Daigneault and finally smiled.
It was over.
The climb is complete. The rebuild is done. The Oklahoma City Thunder are champions.
The best team all season was the best team at the end, bringing the NBA title to Oklahoma City for the first time. Gilgeous-Alexander finished off his MVP season with 29 points and 12 assists, and the Thunder beat the Indiana Pacers — who lost Tyrese Haliburton to a serious leg injury in the opening minutes — 103-91 in Game 7 of the NBA Finals on Sunday night.
“It doesn’t feel real,” said Gilgeous-Alexander, the Finals MVP. “So many hours. So many moments. So many emotions. So many nights of disbelief. So many nights of belief. It’s crazy to know that we’re all here, but this group worked for it. This group put in the hours and we deserve this.”
Jalen Williams scored 20 points and Chet Holmgren had 18 for the Thunder, who finished off a season for the ages. Oklahoma City won 84 games between the regular season and the playoffs, tying the 1996-97 Chicago Bulls for third most in any season.
Only Golden State (88 in 2016-17) and the Bulls (87 in 2015-16) won more.
It’s the second championship for the franchise. The Seattle SuperSonics won the NBA title in 1979; the team was moved to Oklahoma City in 2008. There’s nothing in the rafters in Oklahoma City to commemorate that title.
In October, a championship banner is finally coming. A Thunder banner.
The Pacers led 48-47 at the half even after losing Haliburton to what his father said was an Achilles tendon injury about seven minutes into the game. But they were outscored 34-20 in the third quarter as the Thunder built a 13-point lead and began to run away.
Indiana Pacers guard Tyrese Haliburton falls to the court in pain after sustaining an apparent Achilles tendon injury in the first half against the Oklahoma City Thunder in Game 7 of the NBA Finals.
(Nate Billings / Associated Press)
Bennedict Mathurin had 24 points and 13 rebounds for Indiana, which still is waiting for its first NBA title. The Pacers — who were 10-15 after 25 games and were bidding to be the first team in NBA history to turn that bad of a start into a championship — had leads of 1-0 and 2-1 in the series, but they simply didn’t have enough in the end.
Home teams improved to 16-4 in NBA Finals Game 7s. And the Thunder became the seventh champion in the last seven seasons, a run of parity like none other in NBA history.
Pacers forward Pascal Siakam was part of the Toronto team that won in 2019, Thunder guard Alex Caruso was part of the Lakers team that won in the pandemic “bubble” in 2020, Milwaukee won in 2021, Golden State in 2022, Pacers forward Thomas Bryant and Denver prevailed in 2023, and Boston won last year’s title.
And now, the Thunder get their turn. The youngest team to win a title in nearly a half-century has reached the NBA mountaintop.
The Thunder are the ninth franchise to win a title in NBA Commissioner Adam Silver’s 12 seasons. His predecessor, David Stern, saw eight franchises win titles in his 30 seasons as commissioner.
“They behave like champions. They compete like champions,” Daigneault said. “They root for each other’s success, which is rare in professional sports. I’ve said it many times and now I’m going to say it one more time. They are an uncommon team and now they’re champions.”
Facing unrestricted free agency for the first time in his illustrious career, Khalil Mack could have chosen any team to chase his championship ambitions. Why did the star edge rusher choose to stick with a franchise that has never won the Super Bowl?
“Why not here?” the Chargers edge rusher wondered back.
Praising the leadership under coach Jim Harbaugh and general manager Joe Hortiz, the players on the roster and his familiarity with the franchise, Mack’s decision to return to the Chargers wasn’t that complicated at all.
“It was a no-brainer,” he said this week during Chargers minicamp in his first comments with local reporters since January.
In his last public comments, Mack was swirling in the disappointment of the Chargers’ wild-card loss to the Houston Texans. The 34-year-old flirted with retirement. For a former two-star recruit who went to Buffalo, Mack has little else to prove at the professional level. Nine Pro Bowl selections. Three All-Pro honors. The 2016 Associated Press defensive player of the year.
But still no playoff wins.
“You’re chasing that feeling of wanting to win important games deep in the season,” said Mack, who has gone one-and-done in the postseason five times. “Being that I haven’t reached that point yet, I couldn’t give up on that dream and that goal for myself and for this franchise.”
Mired in their own postseason drought, the Chargers have not won a playoff game since the 2018 season. Their last two attempts flamed out spectacularly. The 27-point blown lead in Jan. 2023 was the largest in franchise history. Last year, quarterback Justin Herbert threw a career-high four interceptions against Houston.
Despite the jarring end, the Chargers’ surprising 11-6 regular-season record in the first year under Harbaugh positions the franchise well for the long-awaited breakthrough. Wanting to continue the momentum was a key hope for the offseason.
“l was begging and pleading with him to come back,” safety Derwin James Jr. said. “I just knew for him to come back like that, he really loves us and he really wants a shot at it again.”
Mack, who signed a reported one-year, $18 million deal, had six sacks and 39 tackles last season, a stark drop from his resurgent 2023 that featured a career-high 17 sacks and 75 tackles. Nursing a complicated groin injury, he missed a game for the first time in his Chargers tenure.
But entering his 12th season, Mack insists getting in top physical shape is the easy part. On Thursday, Harbaugh was shocked when reminded that Mack was 34 years old. Mack was working with Chargers executive director of player performance Ben Herbert for weeks before the team started their offseason regimen, defensive coordinator Jesse Minter said.
The workouts suddenly got so popular that one random weekday, Minter was stunned to see so many players that they could have held a defensive walk-through. Echoing Harbaugh, Minter called it the “Herb Effect.” It has Mack under its spell.
“Herb is a big deal,” Mack said. “He was a big part of that decision coming back here as well. Just knowing the mindset that he has and how he thinks about the body. It’s just the same approach and the same mindset that I have when I train by myself or with anybody else. I want to be a machine. I want to be as solid as possible, as strong as possible. Move people easy. And this program is all of that.”
For the first time in his Chargers tenure, Mack is without running mate Joey Bosa, who was cut in a salary-saving move. After three injury-riddled seasons punctuated his nine-year Chargers career, Bosa signed with the Buffalo Bills.
It’s weird without his former teammate, Mack said. He recently texted Bosa about how different the edge rusher room felt without Bosa breaking the silence with awkward jokes. They will at least reunite at Bosa’s wedding next year.
Bosa’s departure opens the door for third-year edge rusher Tuli Tuipulotu to step into a starring role. The USC alumnus started 20 games in the last two seasons as Bosa struggled with injuries and had a career-best 8 1/2 sacks last season.
“Tuli is a special player, man,” Mack said. “I’ve been saying that ever since he stepped foot into the building, what, three years ago now. … It’s not going to be no surprise to me when he’s a 10, 12 sack guy this year.”
The Chargers drafted SEC defensive player of the year Kyle Kennard in the fourth round to bolster the edge room that also includes 32-year-old Bud Dupree.
Mack’s return was one of the first offseason moves the Chargers announced, and while he could have waited longer to entertain options from other teams as an unrestricted free agent, he chose not to linger on the market. Balancing financial decisions with his career and family, Mack kept a single focus.
“It’s just not wanting to give up on that goal and that ambition that I had ever since I had stepped in the league,” Mack said. “I knew I wanted to play in important games and win a Super Bowl at least.”
Rashawn Slater not focused on contract extension talks
After missing organized team activities while waiting for a contract extension, star left tackle Rashawn Slater returned to mandatory minicamp this week with no concerns about the status of his deal approaching the season.
“Realistically speaking, I’ve known for a long time it’s how these things go,” Slater said Thursday on the final day of minicamp of getting an extension done before the season. “It’s not something that’s bothered me. It’s just the business of football, so I have full confidence.”
In 2025, Slater would play on a fifth-year option due to pay him about $19 million. The left tackle coming off his second Pro Bowl selection was rated the second-best tackle last year, according to Pro Football Focus.
Many teammates were at the Chargers practice facility during organized team activities, but Slater continued his routine in Texas, where he works with Duke Manyweather, the top private offensive line coach among the NFL’s best. Despite not working with the Chargers strength staff, Slater was more than prepared upon his return. The offensive lineman passed the conditioning test, and Harbaugh said Slater reported it was “too easy.”
But Slater wanted to correct the record.
“I didn’t say ‘too easy,’” he said Thursday. “I just said it was ‘easy.’ I’m not trying to rub it in anybody’s face.”
The Los Angeles Lakers, a family-run business since Jerry Buss purchased the franchise in 1979, will be sold to Dodgers controlling owner Mark Walter and TWG Global, according to multiple people briefed on the deal.
The deal is expected to occur with the Lakers’ valuation being about $10 billion — a record for a professional sports franchise.
Walter will now lead the city’s two premier professional sports teams.
Control of the Lakers went into a family trust after Buss died in 2013, with daughter Jeanie Buss operating as the team’s governor. The structure of the trust meant the majority of Buss’ six children — Johnny, Jim, Jeanie, Janie, Joey and Jess — would need to agree for a sale to occur.
The Lakers didn’t respond to requests for comment.
The sale was viewed as a massive surprise in NBA circles.
Jeanie Buss reportedly will remain governor under the terms of the sale. All controlling governors representing teams in league meetings need to own at least 15% of the franchise to serve. The Buss family owned 66%.
The sale will end family-run control of the Lakers, who have achieved incredible success — 11 NBA championships earned by some of the league’s most iconic figures, including Kareem Abdul-Jabbar, Magic Johnson, Shaquille O’Neal, Kobe Bryant and LeBron James — under Buss and his children’s leadership.
“I know that my sister Jeanie would have only considered selling the Lakers organization to someone she knows and trusts would carry on the Buss legacy, started by her father Dr. Buss. Now she can comfortably pass the baton to Mark Walter, with whom she has a real friendship and can trust,” Magic Johnson wrote in a post on X.
“She’s witnessed him build a winning team with the Dodgers and knows that Mark will do right by the Lakers team, organization, and fans! Both are extremely intelligent, visionaries, great leaders, and have positively impacted the greater Los Angeles community! I love both my sister @JeanieBuss and my business partner Mark Walter.”
In March, Bill Chisholm purchased the Boston Celtics from Wyc Grousbeck for $6.1 billion. Mark Cuban sold his control of the Dallas Mavericks late in 2023 for $3.5 billion.
And earlier that year, Marc Lasry sold the Milwaukee Bucks for $3.5 billion. Grousbeck and Cuban were two of Jeanie Buss’ closest confidantes among league ownership.
Walter and Todd Boehly became the Lakers’ largest minority shareholders in 2021 when they bought 27% of the franchise — a stake previously held by Phil Anschutz.
“The Los Angeles Lakers are one of the most successful and admired franchises in sports history,” Walter said in a news release at the time. “I have watched the organization grow under Jeanie’s leadership and couldn’t be more excited to partner with her and the entire management team. I am committed to supporting the franchise’s iconic status by continuing to bring together culture, community and entertainment to Lakers’ fans.”
Walter was a relatively anonymous billionaire in 2012, when Johnson and Stan Kasten were the marquee partners in the purchase of of the Dodgers for $2 billion, then the largest price paid for a Major League Baseball team.
Critics scoffed at the purchase price, but Walter and Boehly then negotiated a record $8.35-billion local television deal with Time Warner Cable. Sportico this year valued the Dodgers at $7.73 billion and estimated that they generated $1 billion in revenue last year, highlighted by the global economic boost they gained from signing Shohei Ohtani to a record $700-million contract.
The Dodgers also won the World Series last year, their second championship and fourth World Series appearance in the last eight years. In the 13 seasons since Walter and his group bought the Dodgers, the team has posted a winning record every year. In that same 13-season span, the Lakers have one championship, one NBA Finals appearance and six winning records.
After buying the Dodgers, Walter and Boehly explored buying AEG, the entertainment giant that owns the Kings and Crypto.com Arena. Walter subsequently bought the Sparks, invested in the Lakers and launched a professional women’s hockey league in which the championship trophy is called the Walter Cup.
If the Dodgers’ purchase is any indication, Walter might not make an immediate flurry of changes with the Lakers. After he bought the Dodgers, he retained general manager Ned Colletti through the 2014 season before replacing him with Andrew Friedman.
The beloved O’Malley family sold the Dodgers before the turn of the century, saying the economics of professional sports had exploded beyond the means of families with no other significant source of income.
Under Walter, the Dodgers have not only raised their payroll to record levels but invested heavily in areas that they believe help deliver a winner, from a vaunted analytics department to dietitians for their major and minor league players and expanded clubhouses with the latest in hydrotherapy. The owners also have invested more than $500 million into renovating Dodger Stadium, adding modern amenities to a 63-year-old ballpark.
The Lakers, whose minority owners include Los Angeles Times owner Dr. Patrick Soon-Shiong, are entering a critical moment in the franchise’s history. James, the NBA’s all-time leading scorer, has a $53-million player option that he needs to either accept or decline by June 29. If he declines, he’d be an unrestricted free agent.
The team also is trying to sign Luka Doncic, who it acquired in a shocking trade last February, to a massive contract extension functionally making him the future face of the franchise. He’s eligible to sign an extension on Aug. 2.
Times staff writer Jack Harris contributed to this report.
Universal Pictures’ “How To Train Your Dragon” soared over the competition this weekend, as family-friendly films continued their dominance at the box office.
The live-action adaptation of the animated franchise from DreamWorks Animation grossed $83.7 million in its opening weekend in the U.S. and Canada, according to studio estimates.
It beat out fellow live-action remake “Lilo & Stitch” from Walt Disney Co., which hauled in $15 million over the weekend for a cumulative total of $366 million so far after 24 days. A24’s “Materialists,” Paramount’s “Mission: Impossible — The Final Reckoning” and Lionsgate’s “Ballerina” rounded out the top five.
Expectations were high for the Universal film, which revives a profitable franchise for the studio.
The original animated movie was released in 2010 and grossed nearly $495 million in global box office revenue. A sequel soon followed in 2014 and brought in more than $621 million worldwide. The most recent film in the trilogy, “How to Train Your Dragon: The Hidden World” came out in 2019 and made almost $540 million globally.
“How to Train Your Dragon” comes at an opportune time for family films. After a lackluster first quarter at the box office, theater attendance has been turbocharged, at least in part by the success of kid-friendly movies such as Warner Bros. Pictures “A Minecraft Movie” and Disney’s “Lilo & Stitch.”
Though family audiences were initially slow to return after the pandemic, movies that appeal to those theatergoers have turned out to be box office juggernauts.
Last summer, Disney and Pixar’s “Inside Out 2” and Universal and Illumination Entertainment’s “Despicable Me 4” drove theater revenues at a time when the industry was collectively wringing its hands after a slow Memorial Day weekend.
This summer, “How to Train Your Dragon” and “Lilo & Stitch” are demonstrating the power of the hybrid film, which combines live actors with computer-animated creatures — a strategy that has proved valuable, said David A. Gross, who writes movie industry newsletter FranchiseRe.
The trend began back in 1988 with Robert Zemeckis’ “Who Framed Roger Rabbit” but has seen recent success with films like Paramount’s “Sonic the Hedgehog” franchise and StudioCanal’s “Paddington” movies.
“It’s just a logical step in computer filmmaking,” Gross said. “It’s a very powerful storytelling tool.”
Plans to hold a European T20 franchise tournament this summer are to be shelved until 2026 because three potential owners are instead focusing on completing deals to buy team stakes in The Hundred.
The European T20 Premier League (ETPL), part owned by Bollywood star Abhishek Bachchan, and involving city-based franchises from Ireland, Scotland and the Netherlands, was set to start next month.
The six-team tournament was slated to take place from 15 July to 3 August but multiple sources have told BBC Sport the event will definitely not happen this year.
The project is being led by Cricket Ireland in collaboration with the boards of Scotland and the Netherlands.
Dublin, Belfast, Edinburgh, Glasgow, Amsterdam and Rotterdam were the designated venues for the ETPL, which promised to “elevate local talent, draw global superstars, and ignite a wave of cricketing enthusiasm across Europe”.
Deals for at least three of the six city-based franchises are understood to be very close to being signed off, and it was initially hoped that once they were wrapped up, the remaining three would soon follow.
However, three of those potential ETPL franchise owners are also acquiring stakes in The Hundred and are said to have prioritised those deals.
In April, the England and Wales Cricket Board (ECB) extended the deadline to complete sales of the Hundred franchises that were agreed earlier this year.
The knock-on effect of the delay in those sales is the postponement of the ETPL, with a formal announcement to confirm it has been rescheduled to be made within the next 48 hours.
Bollywood actor and film produce Bachchan was announced as part-owner of the ETPL in conjunction with Rules Sport Tech when it was launched in January.
Rules Sport Tech are a private Indian company who “promote and create high quality sports initiatives, tournaments and events”.
Mumbai-born Bachchan, 49, travelled to Dublin in March to promote the tournament via a series of media interviews and Instagram posts.
It is not the first time a European T20 franchise tournament involving the Dutch, Irish and Scottish cricket boards has struggled to get off the ground.
That came after team names were announced, a draft held and marquee players including Eoin Morgan were allocated to franchises.
The tournament was then postponed several times over subsequent years and never took place.
Organisers are buoyant about the ETPL’s prospects, even though no franchises have yet been sold, and are confident it will not be plagued by the same issues as the Euro T20 Slam.
Cricket Ireland, Cricket Scotland and the Royal Dutch Cricket Association all declined to comment.
