fighting

Feb. 19 (UPI) — More than 1,000 Kenyans and other Africans have been deployed by Russia to fight in Ukraine after being recruited by “rogue” agencies that some accuse of human trafficking, a Kenyan intelligence report indicates.

Kenya’s National Intelligence Service on Wednesday reported the number of Kenyans deployed by the Russian military rose from more than 200 in November to more than 1,000 now.

The report indicates at least 89 of those deployed in Russia were serving on the front lines. At least one has died and others have returned to Kenya with injuries or mental trauma.

Kimani Ichung’wah, majority leader of the Kenyan Parliament, blamed a network of corrupt state officials whom he accused of cooperating with human traffickers to provide the Russian military with Kenyans to fight in Ukraine.

Staff at the Russian Embassy in Nairobi and the Kenyan Embassy in Moscow also helped Russia to recruit Kenyans, the Kenyan lawmaker said.

The Russian Embassy denied the allegation and said it never has issued visas to Kenyans to travel to Russia to participate in military operations.

Ichung’wah said many of those fighting for Russia are civilians and former police officers and military personnel ranging in age from their mid-20s to 50 and seeking overseas job opportunities, The Guardian reported.

Russia allegedly is paying them a monthly salary of about $2,700 plus housing and offering bonuses and Russian citizenship for their service.

Kenya is not the only African nation that has citizens allegedly fighting for Russia.

Ukrainian Foreign Minister Andrii Sybiha in November alleged more than 1,400 Africans from 36 countries were deployed by the Russian military to fight in Ukraine.

Many of those soldiers are being held as prisoners of war in Ukraine, Sybiha said.

Russia invaded Ukraine on Feb. 24, 2022, and has resisted peace overtures despite participating in ongoing peace talks.

Alesha Dixon and Simon Cowell both returned to the judging panel of Britain’s Got Talent, alongside Amanda Holden and YouTuber KSI, while Ant and Dec returned as the show’s hosts

Britain’s Got Talent is back, and the nation is ready to watch along as the search for the next big thing gets underway. But for Alesha Dixon, filming the show resulted in a horror injury.

Speaking to the press at a launch event for the show, which kicks off its 19th series on Saturday, 21 February, Alesha revealed how a fight against Simon Cowell left her physically hurt. “I injured myself trying to stop Simon pressing the Golden Buzzer,” she said.

During the audition phase of the series, the judges – Alesha, Simon, Amanda Holden and KSI – can press the Golden Buzzer to send an act straight through to the live semi-finals. Simon shared that he and the other judges were “fighting over the Golden Buzzer a lot” this year.

READ MORE: Alesha Dixon’s emotional journey to father’s homeland unearths shocking secretsREAD MORE: ITV star addresses ‘personal beef’ with Britain’s Got Talent ‘I’m fuming about it’

In one case, this meant Alesha hurt herself. “There was an act where we were quite competitive for the Golden Buzzer. And I could sense Simon getting up, so I literally dived across the desk.

“I’ve never done that before, I dived onto the desk. And then they wanted me to recreate this dive. So how can I recreate this? Because I injured myself just to stop him getting his way.”

Alesha has been a judge on Britain’s Got Talent since 2012. Two of her fellow judges, Amanda and Simon, have been on the show since it began in 2007, but YouTuber KSI is a newcomer. Having made a few guest judging appearances last year, he took over for Bruno Tonioli this year.

Speaking on the series as a whole, Alesha said: “It was so funny. For me, overall, this season felt like we were back to the chaos that we love on our show. More than ever, it just felt bonkers.”

This comes just weeks after the Mirror reported that Alesha’s band Mis-Teeq were in talks to reunite for their 25th anniversary and were eying up a potential Britain’s Got Talent performance.

A reunion had previously seemed unlikely, as Sabrina Washington had launched legal proceedings against Alesha and their prior label, Universal, for royalties six years ago, but she and the BGT judge now seem to be on talking terms again.

Sabrina had claimed that Alesha had “wrongfully claimed” credits for writing their first two singles. At the time, a spokesperson for Ms Dixon said: “Alesha wrote the raps on both Why? and All I Want and that is why she gets a split. The rest of the song was written by a production team. Sabrina has no reason to sue Alesha.”

This now appears to be water under the bridge for the stars, though. Speaking to the Mirror, a source said: “There’s always talk of a reunion and projects on the table, but it’s a matter of trying to get everyone together. Alesha and Su both have children; Su’s in Australia permanently, and Sabrina has been doing a lot of solo gigs across the UK and Europe.

“Sabrina and Su participated in the Girlbands documentary, albeit separately, but it raised more questions than answers, with Sabrina being visibly upset when asked about how the group split, following their UK label’s collapse. Su mentioned there was a potential new record deal for the group at the time, which then became an Alesha solo deal. Nobody’s sure if Sabrina was aware of that, or if the first time she found out was watching the documentary. “

Our source added: “They will want to do something that’s meaningful, but they haven’t been in a room as a trio, together, since their split in 2005. They’ve seen each other individually and speak to each other, but some are most closer than others. They haven’t physically been together yet, and it seems there’s a lot to discuss before they’re in a place to do a reunion.”

A source also told The Sun : “One thing that has come up is the idea of a one-off show. It could be an intimate gig for their die-hard fans or a performance on a big TV programme such as Britain’s Got Talent.”

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A viral AI-generated video of actors Brad Pitt and Tom Cruise fighting atop a building is causing a stir online.

The 15-second video comes from the latest AI video-generation platform, Seedance 2.0. The platform was launched this week by its owner, ByteDance, the same Chinese parent that oversees TikTok. As the video circulates online, the Motion Picture Assn. and other industry stakeholders have called out the video for its unauthorized use of copyrighted works.

Charles Rivkin, chief executive of the Motion Picture Assn., wrote in a statement that the company “should immediately cease its infringing activity.”

“In a single day, the Chinese AI service Seedance 2.0 has engaged in unauthorized use of U.S. copyrighted works on a massive scale,” wrote Rivkin. “By launching a service that operates without meaningful safeguards against infringement, ByteDance is disregarding well-established copyright law that protects the rights of creators and underpins millions of American jobs.”

The video was posted on X by Irish filmmaker Ruairi Robinson. His post said the 15-second video came from a two-line prompt he put into Seedance 2.0.

Rhett Reese, writer-producer of movies such as the “Deadpool” trilogy and “Zombieland,” responded to Robinson’s post, writing, “I hate to say it. It’s likely over for us.”

He goes on to say that soon people will be able to sit at a computer and create a movie “indistinguishable from what Hollywood now releases.” Reese says he’s fearful of losing his job as increasingly powerful AI tools advance into creative fields.

“I was blown away by the Pitt v Cruise video because it is so professional. That’s exactly why I’m scared,” wrote Reese on X. “My glass half empty view is that Hollywood is about to be revolutionized/decimated.”

Reese isn’t alone in thinking AI could potentially “decimate” Hollywood and take away jobs. Creating protections against AI was one of the main reasons both SAG-AFTRA and the Writers Guild went on strike in 2023. But some members argue that those measures — now nearly three years old — did not go far enough.

As SAG-AFTRA reentered contract negotiations with the studios earlier this week, AI is still one of the union’s highest priorities. It’s expected that the actors union could propose what has been called the Tilly tax, a fee that studios would have to pay to the union in exchange for using an AI-generated actor — a response to the introduction of Hollywood’s first AI actor, Tilly Norwood.

In a statement to The Times, SAG-AFTRA confirmed that the union stands with the studios in “condemning the blatant infringement” from Seedance 2.0, as video includes “unauthorized use of our members’ voices and likenesses.”

“This is unacceptable and undercuts the ability of human talent to earn a livelihood. Seedance 2.0 disregards law, ethics, industry standards and basic principles of consent,” wrote a spokesperson from SAG-AFTRA. “Responsible A.I. development demands responsibility, and that is nonexistent here.”

Four players have been suspended by the NBA in connection with a brawl that broke out during the Detroit Pistons-Charlotte Hornets game Monday night, the league announced Wednesday.

It was the same four players that were ejected during the Pistons’ 110-104 victory at Spectrum Center in Charlotte, N.C.

Detroit center Isaiah Stewart was suspended seven games for leaving the bench area, aggressively entering an on-court altercation and fighting. This is Stewart’s fifth suspension in his six-year NBA career. One resulted from an altercation with the Lakers’ LeBron James in 2021 and another from an altercation that spilled into the stands during a game against the Minnesota Timberwolves last year.

“The length of Stewart’s suspension is based in part on his repeated history of unsportsmanlike acts,” the NBA said in a statement.

Charlotte forwards Miles Bridges and Moussa Diabaté were each suspended four games for fighting and escalating the altercation. Detroit center Jalen Duren received a two-game suspension for initiating the altercation and fighting.

The incident took place midway through the third quarter after Duren was fouled by Diabaté while driving toward the basket. Duren approached Diabaté and the two men appeared to bump into each other. Duren then appeared to hit Diabaté in the face with an open hand to ignite a brawl that lasted more than 30 seconds.

Bridges and Duren exchanged punches at one point, and Stewart left the bench and fought with Bridges.

The suspensions begin Wednesday, when the Pistons play the Raptors in Toronto and the Hornets host the Atlanta Hawks.

Soon after the punishments were announced, Diabaté posted an apology to “the Hornets coaches, staff, front office, teammates, and best fans in the NBA” on his Instagram Story.

“As a player, I pride myself on my passion and my commitment to giving everything on the court during every possession,” he wrote. “However, in the heat of a highly competitive and physical matchup, I allowed my emotions to get the better of me, and for that, I am truly sorry.

“I understand the responsibility I carry as a professional athlete and as a role model. I view this as a learning experience and am fully committed to growing from it both as a player and a person. … Thank you for your understanding and continued support.”

The Associated Press contributed to this report.

Kremlin spokesperson says Russian forces would continue fighting until Kyiv makes necessary ‘decisions’ to end the war.

The number of Ukrainian soldiers killed on the battlefield as a result of the country’s war with Russia is estimated to be 55,000, Ukrainian President Volodymyr Zelenskyy said, adding that a “large number” were also missing.

President Zelenskyy’s remarks on Wednesday came in the run-up to the fourth anniversary of Russia’s invasion of Ukraine and amid crucial ceasefire talks in Abu Dhabi, where negotiators are trying to end Europe’s largest conflict since World War II.

“In Ukraine, officially the number of soldiers killed on the battlefield – either professionals or those conscripted – is 55,000,” said Zelenskyy, in a prerecorded interview with France 2 TV.

Zelenskyy, whose comments were translated into French, added that on top of that casualty figure was a “large number of people” considered officially missing.

The Ukrainian leader did not give an exact figure for those who are still missing.

Zelenskyy had previously cited a figure for Ukrainian war dead in an interview with the United States television network NBC in February 2025, saying that more than 46,000 Ukrainian service members had been killed on the battlefield.

In the middle of 2025, the Center for Strategic and International Studies in Washington, DC, estimated that close to 400,000 Ukrainian troops have been killed or wounded since the war began.

Last month, the United Nations Human Rights Monitoring Mission in Ukraine reported that Russian attacks had killed 2,514 civilians and injured 12,142 in Ukraine in 2025, almost a third higher than the number of casualties in 2024.

Russia has also incurred heavy losses in the ongoing war.

In January, Ukraine’s military commander, Oleksandr Syrskii, was quoted as saying that in 2025 alone, almost 420,000 Russian soldiers were killed and wounded while fighting against Ukrainian forces.

An October 2025 estimate by British defence intelligence put the overall number of Russian soldiers killed or wounded in the war at 1.1 million.

Both Ukraine and Russia rarely disclose their own casualty figures in the war, though they actively report enemy losses on the battlefield.

Analysts say both Kyiv and Moscow are likely underreporting their own deaths while inflating those of the other side.

Kremlin spokesperson Dmitry Peskov said on Wednesday that Russia would keep fighting until Kyiv made the “decisions” that could bring the war to an end, while in Abu Dhabi, Ukrainian and Russian officials wrapped up a “productive” first day of new US-brokered talks, Kyiv’s lead negotiator Rustem Umerov said.

US President Donald Trump’s administration has been pushing both Kyiv and Moscow to find a compromise to end the fighting, although the two sides remain far apart on key points despite several rounds of talks.

The most sensitive issues are Moscow’s demands that Kyiv give up land it still controls and the fate of the Zaporizhzhia nuclear power plant, Europe’s largest, which now sits in a Russian-occupied area of Ukraine.

Moscow has demanded that Kyiv pull its troops out of all the Donbas region, including heavily fortified cities regarded as one of Ukraine’s strongest defences against Russian aggression, as a condition for any deal to end the fighting.

Ukraine said the conflict should be frozen along current front lines and rejects any unilateral pullback of its forces from territory it still controls.

Russian forces occupy about 20 percent of Ukraine’s territory, including Crimea and parts of the eastern Donbas region seized before the 2022 invasion.