Festival

Netflix is a Joke returns to LA this May, shining a worldwide spotlight on stand-up comedy in Los Angeles. On Tuesday, the third installment of the sprawling event put on by Netflix announced the first wave of A-list comedians including Bill Burr, Ali Wong, Kevin Hart, Nikki Glaser and many more performing between May 4-10 at venues across LA. Though the fest itself has been cut down from 11 days to 6, the amount of talent jammed into that week doesn’t appear to have slimmed down much at all.

Hosting more than 350 live events, the festival taking place in comedy clubs across LA including the Comedy Store, Laugh Factory and Hollywood Improv as well as major venues such as the Hollywood Bowl, Intuit Dome and the Greek Theater. As per usual a mix of stand-up, variety shows, major comedy podcasts, tapings, exclusive events and screenings, and talent from various Netflix series and films will draw comedy fans from all over the world.

“What makes this fest so special is the sense of community—it’s a rare moment where the comedy industry and the fans come together in one place. We’re not just putting on shows; we’re creating one-of-a-kind experiences that celebrate the range, depth, and sheer brilliance of the comedy world right now,” said Tracey Pakosta, Netflix VP of Comedy Series.

So far other noteable performances on the bill include Mo Amer, Fred Armisen, Maria Bamford, Ralph Barbosa, Nate Bargatze, Ronny Chieng, Margaret Cho, Deon Cole, Larry David, Bert Kreischer, Nick Kroll, Bobby Lee, David Letterman, Lizzo, Conan O’Brien, Adam Sandler, Andrew Schulz, Iliza Shlesinger, Tom Segura, Jerry Seinfeld, Shaq, Taylor Tomlinson, Kill Tony, Mike Tyson, and Noah Wyle.

A few of the planned show highlights announced on Tuesday include “Night of Too Many Stars” hosted by Jon Stewart featuring A-list comics performing to raise money for benefit NEXT for Autism, a national organization providing programs and support for people living with autism.
The comedy competition show “Funny AF with Kevin Hart” seeking to find the next big comedian will begin streaming on Netflix April 20 and will hold its live semi-finals and finals during the festival. Bargatze is performing two nights at the Intuit Dome along with other major gigs from Colombian pop star Feid and Saturday Night Live’s Marcello Hernandez teaming up to bring together the largest Spanish language comedy show to the Hollywood Bowl in the venue’s history as well as a variety show tribute to the late Pee-Wee Herman.

“In just 4 years, Netflix Is a Joke Fest has grown into the world’s biggest celebration of comedy. This year, we’re bringing together legends, trailblazers, and the next generation of voices for an entire week of unforgettable moments across Los Angeles,” said Robbie Praw, Netflix VP of Stand-up and Comedy Formats. “From iconic stand-up shows and live podcast tapings to musical mashups and surprise events, the scope of this festival truly reflects the variety and excitement of comedy today. We’re thrilled to welcome fans from all over to experience the magic, energy, and laughter that only Netflix can deliver.”

Tickets for events across the festival will go on sale beginning at 10am PT on January 23rd. A full list of performances can be found on the festival’s website.

If you want to visit a seaside town that’s like stepping back in time, this pretty stretch of coast is full of well-preserved historic buildings and even has Britain’s oldest running Punch and Judy show

A day at the seaside is a classic British activity, but sadly, many of the charming traditions associated with these holidays are melting away as quickly as a dropped Mr Whippy as families opt to jet off on sunny breaks instead.

However, one seaside town in Wales has a range of old-fashioned holiday attractions to enjoy, and it even has a yearly festival dedicated to its Victorian heritage.

While Llandudno has roots dating back to the Stone Age, the area saw a huge amount of growth in the Victorian era as men flocked to the area to work in the copper mines, as well as fishing and agriculture. It was then developed into a seaside resort, with the addition of Llandudno railway station in 1858 bringing flocks of Victorians to the coast for fresh air and relaxation.

In the same year, a small wooden pier was added, offering a place for visitors to wander and enjoy the sea air. Around 20 years later, it was rebuilt as Llandudno Pier, which remains standing today with its distinctive Victorian cast-iron railings and domed buildings. There are cafes, bars, and shops along the walk, plus amusements and small fairground rides at the end of the pier.

Another marvel of Victorian engineering is the Great Orme Tramway, a funicular railway that climbs up through Great Orme Country Park and Nature Reserve to the peak of Great Orme. The tram station starts in a small station close to the pier, where you board these beautifully preserved vintage carriages. The route is about a mile long up the rocky cliffs and takes about 20 minutes, with spectacular sea and countryside views along the way.

Stop at the halfway station and you can explore Great Orme Mines, which date back 4,000 years to the Bronze Age. First discovered in the 1980s, a huge network of tunnels has been uncovered since, and you can take a tour to explore this winding underground mine. Be warned, it’s not an experience for the claustrophobic, and you’ll need sensible shoes and clothing for safety reasons.

North Shore Beach is one of the town’s most popular attractions, especially on sunny days. While it’s mostly sandy and pebbly, there are softer areas where you can set up a blanket and build a sandcastle. You can even take a donkey ride along the promenade, which the kids will love. During peak season, you can enjoy Britain’s oldest running Punch and Judy show, which is performed by the fifth generation of the Codman family. The performers still use the original puppets from the town’s Victorian heyday, which were carved from driftwood found on the beach.

Llandudno has a lively town centre, also made up of modern buildings, such as a large shopping centre, alongside Victorian architecture. There’s a good selection of high street and independent shops, as well as cafes, pubs, and restaurants all a short walk from the seafront.

Visit during the May bank holiday weekends and you can enjoy the Llandudno Victorian Extravaganza, a free street fair that celebrates the town’s Victorian heritage. This year, it’ll run from May 2 to 4 with further dates to be confirmed.

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Along the streets, you’ll find vintage fairground rides such as old carousels, steam engine displays, and food stalls selling seaside favourites from candy floss to fish and chips. You can also book tickets for a traditional Victorian circus, as well as enjoy street entertainment and an overall wholesome atmosphere during these popular weekend events.

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Director of Adelaide Writers’ Week steps down amid wave of speaker withdrawals and board resignations.

The director of a top writers’ festival in Australia has stepped down amid controversy over the cancellation of a scheduled appearance by a prominent Australian Palestinian activist and author.

Louise Adler, the director of Adelaide Writers’ Week, said in an op-ed published on Tuesday that Randa Abdel-Fattah had been disinvited by the festival’s board despite her “strongest opposition”.

Writing in The Guardian, Adler called Abdel-Fattah’s removal from the festival lineup a blow to free expression and a “harbinger of a less free nation”.

“Now religious leaders are to be policed, universities monitored, the public broadcaster scrutinised and the arts starved,” Adler wrote.

“Are you or have you ever been a critic of Israel? Joe McCarthy would be cheering on the inheritors of his tactics,” she added, citing a figure in Cold War history commonly associated with censorship.

Adler’s resignation is the latest blow to the beleaguered event, which has experienced a wave of speaker withdrawals and board resignations in protest of Abdel-Fattah’s cancellation.

The festival’s board announced last week that it had decided to disinvite Abdel-Fattah, a well-known Palestinian advocate and vocal critic of Israel, after determining that her appearance would not be “culturally sensitive” in the wake of a mass shooting at Sydney’s iconic Bondi Beach.

Fifteen people were killed in the December 14 attack, which targeted a beachside Hanukkah celebration. Authorities have said the two gunmen were inspired by ISIL (ISIS).

Abdel-Fattah has called her removal “a blatant and shameless act of anti-Palestinian racism” and a “despicable attempt to associate me with the Bondi massacre”.

On Monday, New Zealand’s former prime minister, Jacinda Ardern, announced that she would not go ahead with her scheduled appearance at the festival, adding her name to a boycott that has swelled to some 180 writers, including former Greek Finance Minister Yanis Varoufakis and award-winning novelist Zadie Smith.

But Peter Malinauskas, the premier of the state of South Australia, as well as several federal politicians and a number of Jewish groups have backed the revocation of Abdel-Fattah’s invitation.

Abdel-Fattah’s critics have pointed to statements critical of Israel to argue that her views are beyond the pale.

She has, for instance, said that her “goal is decolonisation and the end of this murderous Zionist colony”, and that Zionists “have no claim or right to cultural safety”.

In her op-ed on Tuesday, Adler said pro-Israel lobbyists are using “increasingly extreme and repressive” tactics, resulting in a chilling effect on speech in Australia.

“The new mantra ‘Bondi changed everything’ has offered this lobby, its stenographers in the media and a spineless political class yet another coercive weapon,” she wrote.

“Hence, in 2026, the board, in an atmosphere of intense political pressure, has issued an edict that an author is to be cancelled.”

Separately on Tuesday, Australian Prime Minister Anthony Albanese said the country would hold a national day of mourning on January 22 to honour the victims of the Bondi Beach attack.

Albanese said the day would be a “gathering of unity and remembrance”, with flags to be flown at half-mast on all Commonwealth buildings.

A HUGE festival that is completely free to visit will land in the UK next month.

Bristol Light Festival will return to Bristol for 10 nights next month, between February 19 and 28.

One of the headline events recently announced will be an installation called The Lite Series.

Visitors will be able to see a number of illuminated hot air balloons gathered by Cameron Balloons, which when fired will create a burst of colour in the balloon.

The more people who fire the hot air balloons, the brighter they get and more sound plays from them.

Jess Siggers, marketing manager at Cameron Balloons, said: “Bristol’s skyline has been shaped by our balloons for generations, so we’re thrilled to bring that heritage back down to earth in an entirely new way for Bristol Light Festival.

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“The Lite Series invites everyone to feel the magic of ballooning up close.

“It’s playful, it’s interactive and above all, it celebrates the engineering and imagination that Bristol is famous for.”

Another exhibit at the festival will be an installation by artist Liz West, who will transform Cabot Circus’ multi-storey car park into a light show.

The entire festival will sprawl across the city and will host a number of events for the public to get involved in.

Other details about the festival will be announced in the coming weeks but in previous years activities and events have included a Neon Kids Rave.

The rave was free of charge and kids even ate for free.

Other family-friendly activities have included art clubs as well.

It isn’t just about families though, as there are plenty of adult activities on as well such as paint in the dark, dine in the dark and run club events.

And there are usually photography and walking tours.

A number of venues around the city usually have offers too, such as cheap drinks.

Last year’s festival brought in £11million to the city, with visitors spending £9.4million across the event.

Many people have taken to social media to express their excitement for the festival.

One person commented: “We’re coming up from Cornwall again for the festival ! Can’t wait was brilliant last year !”

Another added: “I can’t wait to return to epic Bristol.”

A third person said: “One of the highlights of Winter – can’t wait to see what spectacular light you’ll be bringing to the darker months!”

If you are looking for somewhere to stay in the city, there is a spa hotel with an award-winning restaurant and salt sauna.

Or you could head to another hotel with a sauna, that is opposite the historic railway station.

And for inspiration on what to do when you are there, the city has street art tours, 19th century hotels and ‘top-notch’ cuisine.

In other festival news, pop megastar in talks to play massive UK festival comeback show nine years after last British concert.

Plus, new farm-themed festival to launch in the UK and Jeremy Clarkson is headlining – with live music and tractor shows.

IBIZA Final Boss Jack Kay is a millionaire after he became a sudden viral international superstar and he is now planning his own festival.

The former Newcastle construction worker became an internet sensation after footage of him dancing on the party island, sporting a chunky gold chain, designer sunglasses, a black vest, and his distinctive, sharp bowl haircut went viral.

Dad-of-one Jack later came forward to tell the world: “I am the Ibiza Final Boss. Jack Kay. Get to know.”

Jack missed out on trademarking his brand Ibiza Final Boss after someone grabbed the name while he was raking in the cash last summer.

But he revealed how he’d earned £800,000 in just six weeks after the footage went global and since then, he’s added another £200,000 to his ever-expanding bank balance.

He confessed in a hastily made documentary about his rise to fame just how much cash he’d made in the summer.

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Jack admitted: “I’m trying to keep myself on a level head with it because I’ve got a little daughter back home

“I had nothing growing up so to give her the life when she’s older, she can have anything she wants, is just unbelievable.”

In one scene, a friend asked him directly, “What’s the dough like?”, leading the star to hint at the substantial amount of money he had made in the six weeks since his viral moment.

He told his friend to “pick a number”, before revealing it’s a “little tidge more” than £800,000.

And since then he’s been enjoying the fruits of his celebrity.

Jack now drives a £55,000 Range Rover SVR with the private plate BOSS BZA after inking a string of money-spinning deals.

He secured a five-figure contract with fashion chain Boohoo Man.

Following his overnight fame, he went on a club appearance tour, returning to Ibiza by private jet and earning £60,000 a day.

He returned to Wayne Lineker’s O Beach Club, the venue where the original video was filmed, to wow fans.

Lionheart Entertainment, a Scottish nightclub events promotions firm booked Jack for a string of events in the UK, and he teamed up with London musician Carnao Beats and they released a techno tune on Spotify.

He also appeared on stage at rave festival Creamfields in Cheshire.

Jack also commands £2,000 a post plugging goods and services on Instagram.

He sells his own merchandise, with the person who recorded the original video also profiting from selling their own line of Ibiza Final Boss gear.

Jack has also appeared in various media, including the Channel 4 documentary that tracked his rise.

He has also cashed in with numerous freebies, including a yacht trip valued at over £10,000.

And he has just filed documents with the UK’s Intellectual Property Office to trademark the slogan Be Your Own under the “presentation of music concerts; music festival services”.

The application also gives him the scope to open his nightclub and to use the name exclusively as a recording artist, DJ, and producer.

His papers were filed just days ago and will stay in place for 10 years once passed to protect Jack from bootleggers who have already begun to prey on his name.

Beyond a misty veil, dawn breaks above Shetland – sort of. The days feel as if they never quite get going here at this time of year, and it’s important, as the long nights of winter drag on, to have a hobby. Here in Lerwick, the capital of the archipelago, the locals have divined a unique way of passing the time, while honouring the deep-rooted Scandinavian influences on Shetland’s culture and history.

A rattling and murmuring begins to grow, and round a corner emerges a marching horde of lusty Vikings in homemade costumes, brandishing axes and round shields, beards flowing over leather breastplates. They carry turquoise standards bearing the flag of Haraldr Óláfsson, the 13th-century king of Mann and the Isles, and sing battle songs of raven flags flying in distant lands, of blazing torches and Vikings ruling over oceans vast.

As the mob approaches, a shed door creaks open behind me, and a dragon-prowed, glacial blue longship emerges, pulled on ropes by a team dozens strong. This beautiful galley will be paraded through the streets of Lerwick today before being ritualistically set ablaze – the centrepiece of Up Helly Aa, Shetland’s riotous fire festival. As an act of ritual destruction it evokes the sand mandala, the Tibetan Buddhist practice of creating ornate cosmological artworks only to sweep them away as a metaphor for non-attachment and impermanence. “It’s a symbol of renewal,” says Lyall Gair, who has led the Up Helly Aa procession in years past and retains an impressive, Viking-worthy beard. A man standing next to us in the crowd has an alternative explanation. “There’s fuck all else to do around here all winter,” he says, shivering against the morning breeze.

After Christmas, the hootenannies, paper hats and midnight countdowns of 31 December can feel a little lame. Thankfully, Shetland offers a second bite of the cherry when it comes to seeing in the new year, with Up Helly Aa’s series of fire festivals setting the archipelago alight between January and March – timed to mark the end of the pre-Christian winter festival of Yule (others include Scalloway fire festival, also on Shetland, and Uyeasound on Unst). There are 11 festivals spread across the islands, but by far the largest and best-known is held in late January here in Lerwick, which sits on Mainland, the largest Shetland island (on 27 January in 2026).

The procession, with the galley in its wake, disappears round another corner. There will now be a lull in proceedings for the watching public, though not for the Vikings in the main procession, known as the Jarl Squad, who spend the day attending to various civic duties – a boozy brunch with local luminaries, some visits to schools and hospitals, then a lush, louche luncheon, before more processions through the streets, chanting and rattling of swords and shields, and general merriment.

I take advantage of the break in the schedule to swot up on the history of the event, meeting Jolene Garriock, a tour guide with Island Vista, at Fjarå, a cafe overlooking the ocean. “The Lerwick Up Helly Aa’s been going for over 100 years, and I’ve been going for 30,” says Jolene, who grew up on the west coast of Mainland, and now lives in the Tingwall valley, a short drive from Lerwick.

Up Helly Aa seems to have begun in the 19th century, after Shetland’s young men returned from the Napoleonic wars with frazzled minds, a low boredom threshold and a facility for pyrotechnics. They channelled their energy into tar barrelling, the practice of stuffing wooden barrels with straw and tar, setting them alight and parading them through the town. Rival “squads” of tar barrellers would often brawl in the streets, leading a wide-eyed missionary, visiting in 1824, to describe Lerwick as “in an uproar: from 12 o’clock last night until late this night blowing of horns, beating of drums, tinkling of old tin kettles, firing of guns, shouting, bawling, fiddling, fifeing, drinking, fighting”.

The chaos, Jolene says, proved too much for the authorities, who by the late 19th century had done away with the tar barrelling and replaced it with the building and burning of the galley, reshaping Up Helly Aa into a celebration of Shetland’s Nordic heritage, as well as a festival celebrating the new year and return of the light. “Hogmanay is dying in Shetland – nobody makes an effort for that any more,” she says. “Up Helly Aa is the biggest thing of the year.”

By the time I bid Jolene goodbye, it has long since gone dark; Lerwick’s streetlights have been extinguished in advance of the burning of the galley, and the streets are thronging with thousands of people. The Jarl Squad are out again, redder-eyed and sloppier than this morning after the day’s libations, but still in strong voice, and now carrying blazing torches. They’re followed by hundreds of men in fancy dress: nuns, Wombles, French maids. These are the modern incarnation of the original tar-barrelling squads, who have nowadays swapped brawling in the streets for touring venues across Lerwick on Up Helly Aa night, staging comedy skits.

The procession files into a play park in the centre of town, where the galley lies waiting, doused in paraffin. The Jarl Squad and their entourage throw their lit torches into the belly of the boat, and before long it is engulfed in flames, warming the watching crowd. As the fire dies down and the spectators file away into the warmth of the town’s afterparty venues, for a night of comedy skits and folk dancing, soup and sandwiches, and much taking of drink, I observe the smouldering wreckage. It’s almost painful to think of the energy and care that went into the galley’s creation, only for it to go up in flames – until I remember Lyall’s words to me that morning, on Up Helly Aa’s power as a vehicle for renewal. “We just build another one next year,” he had said. “We start anew.”