feel

Stu Spencer, guru of political gurus, towed three old Latino buddies to the side at his annual holiday party. “Here, listen to these guys,” he said. “You don’t need to quote me.” Minutes later he returned with another, and then another. “They’ll tell ya. . . . Hey Manuel, don’t talk his ear off.”

Manuel Hidalgo, 67, East Los Angeles attorney. Frank Veiga, 59, East Los Angeles mortician. Albert Zapanta, 55, executive vice president of the U.S.-Mexico Chamber of Commerce. . . .

All had one thing in common besides their Mexican ancestry. They’re lifelong California Republicans who are disenchanted with their party. Not just disappointed and discouraged, but downright disgusted.

“I like the [Republican] philosophy, but they don’t like me,” Hidalgo said. “I like ‘em, but I can’t go to the party.”

Zapanta: “The party has too much of a bigot streak in it. And that’s 25 years of Republican activism talking.”

They’ve been working up to this point for years. Proposition 187 pushed them to the edge. Proposition 209 was one more boot. In their view, the policies were bad enough–taking public services from illegal immigrants and dismantling race-based affirmative action. Much worse was the politics.

“187 was racist, bigoted,” said Veiga. “Who’d you see in the ads?”

Not Russians or Asians, he and his friends noted. TV viewers saw Mexicans streaming across the border and were told, in ominous tones, that “they keep coming.” Latinos–even third-generation Americans–saw Republican fingers pointed at them. This year, again, GOP ads pointed to brown skins.

And Latino fingers pointed back–particularly at Gov. Pete Wilson, the wizard of wedge.

“We’ve lost a lot of respect for him,” Veiga said. Added Zapanta: “Pete’s a big boy. He knows what he’s doing.”

*

Playing the race card?

“Pete does not play the race card,” Spencer insisted. “He just got to the point where he believes [the policy].”

Spencer has been a Wilson loyalist for 30-plus years. He won’t criticize him personally. But he does think that the governor’s 187 ads, in the heat of a reelection campaign, “scared the hell out of” Latinos. “The fallout’s going to be around for awhile.”

In fact, Spencer said the dubious duo of 187 and immigrant bashing by conservatives nationally could drive Latinos away from the GOP en masse–just as blacks aligned solidly with Democrats during FDR’s New Deal and, later, the civil rights movement.

Rather than pushing punitive 187, asserted the guru and his Latino buddies, the GOP merely should have attacked President Clinton for neither enforcing the border nor reimbursing the state for its illegal immigrant costs.

Republicans paid the price in last month’s elections. How much of that price is directly attributable to the state ballot props and the Buchanan-style immigrant bashing is only speculative. But clearly it’s substantial.

We do know, according to The Times’ exit polling, that the Latino slice of the California vote jumped 43% between 1992 and 1996, to 10% of the total. In 1992, 51% of Latinos voted for Clinton; this year, 75% did.

Latinos apparently tipped the balance in several legislative and congressional races. A record 14 Latinos were elected to the Assembly, which then elected its first Latino speaker, Cruz Bustamante (D-Fresno).

Bustamante attended Spencer’s party Tuesday night.

*

Pundits and pols everywhere have been expounding on the growing muscle of Latinos. But Spencer has been doing it for decades, mostly to plugged ears.

Although he could steer Ronald Reagan to the governor’s office and the White House and help elect countless other candidates, Spencer has struck out trying to persuade Republicans to focus on Latinos.

“I keep losing every battle,” he lamented. “They don’t get it.”

Spencer, 69, cut his political teeth in East L.A. in the 1950s, organizing Mexican Americans for the party. In the early ‘60s, he opened a community “service center”–precursor to a would-be political machine–and “handed out goodies” like free polio shots. But the GOP shut it down when he left.

“We never have taken advantage of our patronage–judgeships, commissions. You’ve got to get people active and reward them. You’ve got to look at the figures and see that the future of this state is going to be determined by Mexicans. We don’t have to change our basic message–get government off our back, low taxation, family values. . . .

“But I’m past that point. There’s got to be a young Stu Spencer out there somewhere who understands it.”

I am blindfolded and seated in a vintage armchair set in the center of a darkened, red-lit room with Gothic accents. An actor is performing nearby. I hear their voice, but cannot, of course, see them. I suddenly spring upward in my seat, alarmed at the touch of some sort of cloth — or perhaps a feather? — across my ankles.

I’ll never be entirely sure. For wearing the small veil across my eyes was a requirement to participate in “Poe: Pulse & Pendulum,” the debut offering from new troupe Theatre Obscura L.A. The company’s initial performance contains two one-act plays, modern interpretations of Edgar Allan Poe’s “The Pit and the Pendulum” and “The Tell-Tale Heart.”

While the stories are familiar to many, Theatre Obscura increases the levels of discomfort. In this room, I am at times unsettled, at once tracking the movements of the actors while attempting to remain hyper aware of any sudden touch or scent. “The Pit and the Pendulum,” the first half of the program, translates especially well to this setting, its dark sense of demented confinement keeping my nerves on high alert.

Conjuring such a state of anxiety was the point.

“If you take the visual away, it’s going to make you feel uneasy,” says Paul Millet, who devised the concept.

There are jump scares. Downtown event space the Count’s Den has been outfitted with about 50 speakers for the Obscura shows, which run through April 12. Some are visible before one puts on the blindfold. Many, though, are hidden under seats or couches, as the audio will trail the actors around the room, or perhaps a sudden crash or door opening will have me jolting my attention elsewhere.

“The Pit and the Pendulum” is a story of torture, and as the narrator, here played by Melissa Lugo, desperately speaks of a blade swinging above, actors will fan us, timing their waves with each swoosh of the audio. I was prepared for that one, as a fellow theatergoer nearby let out a soft yelp when the unseen gestures first arrived above their head.

For many, sight is the most coveted sense. “If you take that away, you’re already naturally uncomfortable,” Millet says. “So we lean into that. We know you’re going to be uncomfortable. We know this is not the norm. But get on that ride with us. Be willing to be uncomfortable. Discomfort, I think, helps to heighten the experience, and ideally allow it to trigger the emotional reactions that the story does.”

“Poe: Pulse & Pendulum” is two one-act, audio-focused performances of Edgar Allan Poe stories.

(Joe Camareno / Theatre Obscura)

Still, touch is limited in the show. Occasionally a rattling of a chair, but little more. The fluttering I felt near my ankles was to mimic the sensation of a running critter. The troupe will ask for audience consent, and participants can opt out. While I went in wondering if “Poe: Pulse & Pendulum” would seek to recall more extreme haunt experiences with lengthy waivers, Millet wanted to keep it light — an audio play, primarily, with just a few in-the-flesh signals.

“We want people to feel unease, but I don’t want anyone taken out of the story because a boundary or line was crossed,” Millet says.

Scent, too, is used with restraint. There are moments when guests will get a whiff of a fragrance that pairs with the storyline. Millet considers the first run of Theatre Obscure to be an experiment in how much touch and scent audiences may want to endure. Smell, he says, is tricky, as the aroma may linger and become a distraction.

Millet has been honing the concept since 2023. Previously, he was part of the team behind Wicked Lit, which ended in 2019 after running for a number of years at unique locations such as Altadena’s Mountain View Mausoleum. Those immersive performances would feature casts and guests walking the venue. Theatre Obscura, however, is fully seated.

“Poe: Pulse & Pendulum” focuses on the fear that something may happen to us when stripped of sight.

(Joe Camareno / Theatre Obscura)

And while the stories of Poe lend themselves to the Halloween season, spooky events increasingly occur year round. Long-running production “The Willows” is set to wrap in early April, and “Monster Party,” a period piece that takes guests to a devilishly extravagant cocktail party, is re-launching in mid-April. Millet, a longtime theater producer who has a day job in television editing, is hoping to stand out by avoiding “the glut” of horror events that occur each September and October.

Theatre Obscura may face challenges, namely persuading potential guests that “The Pit and the Pendulum” is more than simply a live reading with audio effects.

“You can feel the movement of the characters around you,” Millet says. “You’re in the environment with the story as it unfolds. You can experience it on a more visceral level.”

Blindfolded, I felt Theatre Obscura was mostly playing off our fears rather than giving in to them, largely keying in on our anticipation that something may happen to us when stripped of sight. Lugo in much of “The Pit and the Pendulum” circles guests, who are seated sporadically around the room, allowing each of us to imagine how close or far we may be from the hole we are told is at its center. Each show deals with claustrophobia in some way, either of a space, or of a mind.

“The Tell-Tale Heart” is louder, more crowded. The sounds of crashing glass and creaky floorboards had my head working overtime to draw a floorplan, only to then have it distorted when actors would unexpectedly whisper in both of my ears to bring forth the protagonist’s nightmares. While I expected Theatre Obscura to be slightly more aggressive in its uses of touch and scent, it’s a show that asks us to live in our heads, and to sit in our own feeling of trepidation.

“I was intrigued,” Millet says, “with really trying to engage the audience’s imagination.”

SHE is an Oscar-winner married to a former James Bond, but Rachel Weisz says Hollywood made her feel so ugly she considered having plastic surgery.

When the British beauty first went there in the Nineties, she contemplated a nose job, boob job or liposuction to get noticed and boost her career.

Rachel, now 56 and one of the world’s most sought-after stars, said: “I went into quite a major depression.

“I was watching so many daytime TV shows. And then I would get in my car and drive to these auditions while listening to the radio.

“I feel sick now when I listen to the radio, all these commercials for different car dealers.

“I just felt like the world was so desperate and lonely and sad and people were trying to sell cars and no one wanted to buy them.

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“People are very focused on their own thing. In LA unless you’ve just won an Oscar or you’re ‘Mr Studio Head’, no one talks to you. Even at parties. I was at this big Hollywood party, and no one looked.

“Everyone is blinkered and they just kind of scan the room for ­anyone important. LA makes you feel ugly. Because if you’re an actress, no one pays you any attention.

“And you immediately start thinking, ‘God, I must have a nose job. Or, I must get that boob job, or I must get that lipo’, whatever it is.”

For Rachel, who started her career with bit-parts on Inspector Morse and whose new thriller Vladimir was released on Netflix on March 5, real success and happiness came when she turned her back on the glitz and glamour of Los Angeles.

She decided to split her time between London, where she grew up, and New York with her then-partner, director Darren Aronofsky, and their son Henry, now 19.

Rachel, who has been married to 007 actor Daniel Craig since 2011, told Index mag: “There’s not much room for eccentricity in Hollywood, and eccentricity is what’s sexy in people.

“I think London’s sexy because it’s so full of eccentrics.”

The actress’s breakthrough came in 1999 when she landed the role of feisty librarian Evelyn Carnahan in blockbuster The Mummy.

By 2006 her A-list status was cemented when she won the Best Supporting Actress Oscar for The Constant Gardener.

She went on to star in 2009’s The Lovely Bones and 2015’s Youth, as well as 2021 Marvel film Black Widow.

Now Vladimir sees her as ­married college professor M, whose life spirals into a steamy, all-consuming obsession with her younger colleague, played by One Day and White Lotus star Leo Woodall.

The series is based on the book of the same name by Julia May Jonas, which Rachel describes as a ­brilliant piece of writing.

She added of the character she plays: “I deeply empathise with her and understand her. But I left her when I got home.

“She’s like a projection of what a viewer might want to live out.”

Rachel and Daniel, who ­officially ended his 15-year stint as James Bond with No Time To Die in 2021, were friends for years before falling for each other in 2010 while filming thriller Dream House.

Within months they secretly wed in New York and went on to have daughter Grace, now seven. They split their time between Brooklyn in New York and ­Primrose Hill in North London.

But the couple deliberately choose not to do films together.

Rachel said: “I think we really love our private life as a life, as a family, and then we go to work separately.

“It means we can alternate, so I can stay home with the family while he works. We can swap out. If we’re both doing ­something at the same time, it’s probably less ideal.”

Rachel grew up in ­Hampstead, North London, with dad George, a Hungarian-Jewish mechanical engineer, and mum Edith, who originated from ­Austria and was a teacher-turned-psychotherapist.

The star started modelling at 14 and studied English at ­Cambridge University, with her parents hoping she would choose a more traditional career.

Rachel told the Sunday Sitdown With Willie Geist podcast: “They were just the kind of ­parents who were like, ‘You’ve got to get a degree, like you have to go to ­college’, which in the end I did.

“They wanted me to have a fall-back, so I could be a teacher . . . that would be a really good job.

“My parents would be really happy if I was a teacher. My dad was very sceptical about my career choice. I think he wasn’t very impressed by what I was doing.

“He was my harshest critic for a very long time. I think he only, after a good 15 years, was like, ‘OK, yeah’.

“He was tough — yeah, he was tough, in a good way. He was always honest, he didn’t make it nice. He’d take things apart and say, ‘I didn’t understand what you were doing,’ or, ‘That was a bit wooden’.”

But winning her Oscar changed everything.

Rachel said: “That definitely changed my life. Maybe my dad was like, ‘OK, all right, you were OK’.

“He would never be more over the top than that.”

And that Oscar meant she had the freedom to choose the roles she truly wanted, just like the one in Vladimir.

She said: “In the beginning of my career, I just did whatever job I got so I could pay the rent. I wasn’t picky.

“Now I’m in this luxurious position where I can choose things. It’s really about the character and writing, if it appeals to me or if it seems it would be interesting to ­pretend that story.

“I was never the kind of kid that got on the table and did a tap dance and a song. I wasn’t the star of the school plays or ­anything. I was ­actually really shy.

“I think a lot of actors, when I meet them as grown-ups, they go, ‘I was really shy too’.

“I think I’m just a daydreamer. I think storytelling is, in a way, daydreaming, but ­putting your daydreams into ­writing and getting people to embody them.

“I think my daydreaming skills have just come into it, I get paid for it.”

Despite now being praised for her stylish looks, ranging from velvet trouser suits to Valentino haute ­couture, walking the red carpet still makes Rachel nervous even today.

She said: “I don’t think any actress would say doing the red ­carpet is not terrifying. The way to get through it is to pretend.

“It’s a fantasy, like walking into a fantasy world. These people, they transform you, and that is fun.

“What you see on the red ­carpet is not a character that has anything to say.

“I used to be very shy, and in a way that was what was so great about the idea of ­acting. You can hide the real you behind that character.”

But after years of ­struggling with fame, Rachel says she has finally learned to be ­content with exactly where she is in life.

She said: “Someone once said to me when I was younger, ‘Never think the best party is somewhere else’. You know that feeling of being somewhere and thinking you should go somewhere better?

“You can’t do that. ­Wherever you are is the right place to be.”

Whether it’s a long-haul flight or a weekend city break, there’s one item I always ensure I pack, and it’s an absolute game-changer for feeling refreshed, and it costs just £3

Before jetting off abroad, there are a few essentials I always make sure I pack, and there’s one particular item I can’t go without. While I thought it was pretty common, it turns out not everyone does, and I guarantee it’s a game-changer for feeling fresh after a flight.

Packing my hand luggage ahead of a flight, or any trip for that matter, has become something of a ritual. I’ll lay everything out on my bed, deciding between what is essential and what I can go without (in a bid to save space), tick everything off my mental checklist, and then stuff it neatly into my bag.

My noise-cancelling headphones are often top of the list, followed by my eye mask, my reusable water bottle, hydration tablets and a handful of skincare products, so I can feel somewhat restored, particularly after a long flight. Yet, nestled among my bag and packed alongside everything else is my toothbrush and toothpaste.

After every flight, without fail, I will brush my teeth. Whether that’s on the aeroplane or in the airport bathroom, it’s a lifesaver for feeling refreshed after a flight. And if I ever forget it, I’m a little out of sorts.

Aside from a simple skincare routine to level out the dryness, I guarantee that brushing your teeth before landing will leave you feeling like a new person. And if you’re concerned about using tap water on an aeroplane to brush your teeth, simply go to the bathroom and use bottled water.

I know it’s not glamorous, and I know there are other ways to leave feeling refreshed, but this small everyday item can really do wonders. Plus, there’s nothing worse than walking around worried that you have bad breath, and sometimes chewing gum just doesn’t quite cut it, especially after a long flight, and those G&Ts or red wines.

What’s more, it will barely take up any space in your hand luggage, as nifty travel toothbrushes are available on Amazon. Instead of packing my electric toothbrush, which is a bit unnecessary for a flight, I take a portable bamboo toothbrush that folds into a cylinder case, reducing it to half its size.

Not only does it ensure the toothbrush remains clean, but it also attaches the toothbrush head to the case, creating a standard-sized toothbrush. Plus, it’s good for the environment as it’s made from bamboo rather than plastic.

A pack of two portable bamboo toothbrushes is available from Amazon for £5.99, or just over £3 each. The travel toothbrushes are also handy for any trip, whether that’s a festival, a weekend away, or just having a spare in your bag whenever you want to clean your gnashers. (Boots also offers Bamboo toothbrushes from £3 ).

To accompany my travel toothbrush, I always pack a mini tube of toothpaste to save extra space. I often grab these from my local dentist, but they’re available at various shops, so it really couldn’t be easier to stay refreshed after your flight.

Do you have a travel story to share? Email webtravel@reachplc.com

NESTLED in the Yorkshire Dales, you will find a camping and glamping site with a twist.

Instead of your usual glamping pods, at Catgill Farm, you can stay in Moroccan and Alpine-themed pods.

For example, the Alpine-themed pod has a converted ski lift cart outside that is now a booth to sit and eat in.

The Moroccan-themed pod features sleek styling, with bold pinks and oranges and sleeps up to four people via a bunk bed and a double bed.

If you are travelling with your four-legged best friend, then there are options for you as well such as The Duck glamping pod, which has an enclosed outdoor area for your pooch to roam in.

Each of the glamping pods comes with its own private, log-fired hot tub as well.

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And for the evenings, you can set light to the fire pit for warmth and barbeques.

Fancy something a little more like camping but still a little refined? Then opt for one of the two luxury bell tents that sleep up to four people.

And of course, they all have views of the rolling Yorkshire Dales.

At night, guests can also make the most of stargazing as the Yorkshire Dales National Park is a designated dark skies area of the UK.

If you do have your own tent, then there is a campsite open between April and October as well, which features 34 electrical hookup pitches.

On-site there are also alpacas known to join morning yoga sessions and a playing field for letting off some steam.

As for facilities, there is everything you could need including modern shower blocks, a washing up area and even a small shop selling essentials such as air beds, coffee, milk and kindling.

If you don’t fancy cooking for yourself, you can grab some food from Cat’s Kitchen which is onsite, serving up hot drinks and wood-fired pizzas.

When it comes to the local area, you’ll be surrounded by amazing walking and cycling routes (even the Tour de France and Tour de Yorkshire routes).

Just a short walk from the campsite itself, you will reach Bolton Abbey Station on the Embsay and Bolton Steam Railway line.

The station is in the style of the original Midland Railway from the 1800s and a ticket to travel to the half way station and back costs £17 per adult.

Not much further from the campsite, you will find the remains of Bolton Abbey which you can explore.

The site often hosts events as well like an Easter trail.

If you walk for 15 minutes from the glamping and campsite, you will reach the Devonshire Arms brasserie-style pub serving dishes such as sirloin steak and roast beef.

When you stay at Catgill Farm, you can also get 10 per cent off of Shipton Canal Boat Trips and also 10 per cent off of entry to Stump Cross Caverns.

Stays cost from £179.99 per night for one of the glamping pods or from £14 a night for a grass tent pitch.

For more inspiration on glamping sites in the UK, here’s the tiny UK glamping site named best in the UK by AA with cosy pods, treehouse and hot tubs.

Plus, UK glamping hotspot where you can enjoy breathtaking views from a vintage cheese vat turned hot tub.

Holloway, 34, first did the point-down against Ricardo Lamas in 2016, while he repeated it against Dustin Poirier last year in becoming the first fighter to defend the BMF title.

In every fight Holloway has initiated the point-down, he has been up on the judges’ scorecards and closing in on a win, meaning he has given opponents one final opportunity to steal victory.

“My coaches aren’t a fan of it, they want me to circle away, stay away and be smart for the 10 seconds,” said Holloway.

“But they come up with great game plans and we execute it to that point. So let me have my 10 seconds of fun, you know. If I’m on the wrong end, then so be it.”

Fans imitate the gesture during meet-and-greets with Holloway, while fellow fighters have also copied it during bouts.

Charles Oliveira, who faces Holloway for the BMF title at UFC 326 in Las Vegas on Saturday, has even been filmed training for the edge-of-your-seat exchange which follows the point-down.

Holloway has created a set of rules for any fighter, including Oliveira, planning to initiate the point-down.

“If you’re winning the fight, you are the person who can call the 10 seconds. And then when you call the 10 seconds, you cannot step back, or shoot or clinch,” said Holloway.

“The other guy, if he obliges and then shoots or clinches, whatever, because he’s on the losing side already.”

LET’S face it, there is a lot of things going on abroad that might be making you apprehensive about travelling right now.

Thankfully, the UK is home to some amazing destinations which can transport you to somewhere further afield.

From the south of England all the way up to Scotland, you can find white sandy beaches and Med-like villages along the way.

So we’ve rounded up five of the best places which are often said to look more like abroad.

Swap Spain for Lusty Glaze, Cornwall

Cornwall‘s Lusty Glaze is often compared to Spain, with its Ibiza-liked beach restaurant.

The aptly named Lusty Glaze Beach Restaurant overlooks the sandy cove and is the best place to watch the sunsets.

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The beach even hosts a number of events such as Ibiza Club Classics, as well as Sundowner Sessions.

One person even said on Tripadvisor: “It’s like your own mini Ibiza in Cornwall.”

Swap Italy for Portmeirion, Wales

The village of Portmeirion in Wales doesn’t just look like Italy by chance – but was entirely designed that way.

Designed by Sir Clough Williams-Ellis between 1925 and 1975, inspired by Italy as he once said: “How should I not have fallen for Portofino?”

The multicoloured houses certainly resemble the famous Cinque Terre.

It might be a stretch to call it a seaside… but sits on the Dwyryd Estuary, which has its own tidal beaches.

Swap Thailand for Isle of Harris, Scotland

The Scottish isles are often compared to destinations very far away, such as the Carribean.

Yet some of the sandbanks on the Isle of Harris could be something from Thailand.

Luskentyre Beach is a dead ringer for the beach of Nang Yuan island.

The weather, however, might not be as warm so this is definitely a beach to visit in the summer…

Swap France for Durdle Door, Dorset

The famous arch of Durdle Door might soon be one of the few in the world, after Italy’s Lover’s Arch collapsed earlier this year.

Thankfully, one in France remains and looks just like the Dorset beach.

Etretat Beach on the north coast of France is famous for the Porte d’Aval arch.

If you did want to see it, you can get there without hopping on a flight – ferries travel from the UK to Le Havre which is just over half an hour by car

Swap America for Camber Sands, Sussex

Camber Sands is often called the Hamptons of the UK, and even the beaches are alike.

The American comparison to the Essex seaside comes mainly from the The Gallivant hotel, built in the shaker style and also with a “Hamptons air”.

However, the dune-backed beaches of Camber Sands are a spitting image of the ones in Montauk, a hamlet in East Hampton.

Here’s how to find the best UK beach for the least rain.

And here are five beaches that are better to visit in winter.

George added he would be happy to let his two-year-old daughter play the sport if she chose to.

While a group of former players are taking legal action against rugby’s authorities claiming that more should have been done to protect their brain health in the past, there are a series of measures in place to protect players from concussion.

They include ‘smart’ gumshields that measure the forces players heads withstand in a tackle, pitchside doctors, mandatory assessments and stand-down periods for players diagnosed with having had a concussion.

“We are in very, very safe hands,” George added.

“Of course, there is a risk that you might get a concussion in a full-contact sport. We are aware of the risks that come with that, but at the same time, we have the utmost confidence in the people around us, the protocols that are in place and that we are being as well looked after as we possibly can be.”

Ben Earl, George’s Saracens and England team-mate, is equally confident in the care he gets for both club and country.

“I have never once felt like I’ve been managed poorly,” he said.

“If anything, it’s probably too far the other way. They’re probably sometimes holding you back when you feel like you’re ready to go, but actually they’re just looking after you and your body.

“So, in terms of my personal experience with the game and safety, I have felt unbelievably well cared for.”