feb.

Call it the Mick Cronin Say Something Nice Challenge.

Not something nice-ish, not a chocolate-covered diss or an insult teased as affirmation. Just a compliment, no chaser.

It’s not impossible, it turns out.

“We have great guys,” Cronin said about his team, which demolished USC 89-68 at Galen Center on Saturday to finish the season 21-10. “I have to make myself yell at some of these guys, because they’re such good guys. And I did that by design.”

He’ll have a funny way of showing it, but Cronin likes the guys he recruited or plucked from the transfer portal. He really, really likes them.

They put up with him, after all. They get him.

Coming after an impressive 72-52 triumph against No. 9 Nebraska on Tuesday, Saturday’s victory launched his Bruins men’s basketball team into tournament play, starting with a third-round Big Ten tournament game Thursday, and then the NCAA tournament.

And, no, the controversial coach won’t likely be excused from his post anytime soon. Not with another four years on his contract, a current buyout price of $22.5 million and now a not-terrible finish to this strange season of all peaks and valleys and no plateaus.

The Bruins are on the way up at the right time, even playing enough defense for Cronin’s taste — though, of course, he’s prepared for that to change.

“I’ve been around these guys for five months,” he said, “so I know that the fight is not over with that. We can go right back to who we were, which was a bad defensive team.”

What can you say? The man’s service might be questionable, but his backhands are unparalleled.

UCLA coach Mick Cronin talks about the Bruins’ win over USC on Saturday.

His opening statement the last time UCLA clocked USC, 81-62 on Feb. 24: “Proud of the guys, they got the job done …” and, wait for it, “I’m well aware you’re going to ask about rebounding, and as I tell people, you can’t be great at everything. And we’re surely not.”

There was the time he actually fell on the proverbial sword after his team’s 86-74 loss to Ohio State: “Blame me — blame me,” he said, only kidding: “I recruited ’em, I signed them as free agents.” (The bums!)

He isn’t exactly dropping jewels of inspiration suited to be posted in classrooms beside John Wooden’s “Pyramid of Success.”

But after five up-and-down months with him, his players say they’re cool with Cronin, who has shaken off what feels like an annual wave of national criticism. This time it hit after he booted his own center Steven Jamerson II from a game at Michigan State on Feb. 17, overreacting because he mistook a clean basketball play for something else.

UCLA coach Mick Cronin shouts instructions to a player during the Bruins’ win over USC on Saturday.

(Allen J. Schaben / Los Angeles Times)

“I’ve adapted to how he coaches and how he runs stuff,” said Donovan Dent, the Bruins’ sure-handed point guard who had 25 points on 11-of-15 shooting to go with his seven assists without a turnover Saturday.

How does he coach? “Fun, very fun,” Dent laughed, acknowledging that, yes, “absolutely” players have to have some thick skin if they’re going to play for Cronin.

“He can get on you,” Dent said, “but he just wants the best for you.”

“I mean,” forward Tyler Bilodeau said, “he’s intense. Coach Cronin has no off days, he is who he is every single day. You gotta respect that.”

And Cronin’s bait-and-switch bit? It would kill at a comedy club, but working a locker room? Maybe he’s found the right audience of young athletes.

“I’m at a point in my career, I want guys who are good guys,” said Cronin, whose team went 17-1 at Pauley Pavilion and 4-9 away from it. “I don’t want to be fighting with guys, I don’t have the energy for it. I won enough games, it’s not worth it.”

Well, about that.

The Bruins will have made the NCAA tournament five times in Cronin’s seven-year tenure with the team, and they’ve advanced to the Final Four and twice to the Sweet 16. But the Final Four run was six seasons ago, and in the past two years, UCLA made just one tournament appearance and got only as far as the second round.

That hardly seems sufficient for a UCLA program that’s regularly supposed to be breathing rarefied air without caveats or qualifiers.

But he thinks he’s found the right players to roll with his punchlines, and to play defense too.

“We can keep winning games,” Cronin said, “if we stop the other team.”

Wouldn’t that be nice?

Shia LaBeouf says he isn’t too keen on seeking treatment to manage his sobriety after his two arrests over a drunken brawl in New Orleans.

The “Megalopolis” and “Holes” actor, 39, denied struggling with alcohol abuse and seemingly took accountability for his violent Mardi Gras behavior in a rambling interview. He spoke with Andrew Callaghan, the journalist best known for his Channel 5 News YouTube page.

“My side is this: My behavior, b—. I got to deal with that,” the former Disney Channel child star said in the interview published Saturday. “Does that mean I got to go to rehab again? I’m just not into it, bro. I don’t think my answers are there.”

A New Orleans judge last week ordered LaBeouf to begin substance abuse treatment and undergo weekly drug testing after he was arrested on suspicion of assaulting two men in the city’s French Quarter. The actor was initially charged with two counts of simple battery in the Feb. 17 brawl, but he racked up an additional charge for the same count on Saturday.

LaBeouf was released from jail shortly after his first arrest on Feb. 17 and posted $100,000 in bond. More than a week later, on Friday, New Orleans Police Department issued a warrant for LaBeouf’s second arrest in connection with the incident, a spokesperson confirmed. The actor turned himself in on Saturday and was released after posting bond again.

“No regular person would be required to post over $100,000 in bonds, and be jailed two separate times for one misdemeanor incident,” attorney Sarah Chervinsky said, according to the Associated Press. “Just as he does not deserve preferential treatment, Mr. LaBeouf also does not deserve to be treated more harshly by the police and courts just because he is a public figure.”

At the beginning of his chat with Callaghan, LaBeouf said he “1,000%” takes responsibility for the altercation and that he “had a great time” on Mardi Gras. A legal representative for LaBeouf — who has yet to enter a formal plea to the charges — did not immediately respond to a request for comment on Monday.

The New Orleans Police Department said its officers responded to a report of an assault on the 1400 block of Royal Street early on Feb. 17. The former “Even Stevens” child star was “causing a disturbance” at the business, leading staff to remove him from the premises, police said. The actor allegedly “used his closed fists” on one of the victims “several times.”

Authorities said LaBeouf left the business but returned, “acting even more aggressive.” According to the incident report, an unspecified number of people tried to subdue him and eventually let him go “in hope that he would leave.” Instead, police said, LaBeouf began assaulting the same man as before, hitting his upper body with closed fists. The actor is accused of punching the second man in the nose.

People held down LaBeouf until officials arrived. He was taken to a hospital, treated for unknown injuries and arrested and charged upon his release.

An additional police report identified a local entertainer as one of LaBeouf’s alleged victims. The “Disturbia” actor, whose history of violent behavior has led to previous arrests and other legal troubles, allegedly threatened the man’s life and shouted homophobic slurs.

LaBeouf told Callaghan that he was drunk and that, leading up to the incident, he “felt infringed upon.” Elsewhere in the conversation, he said, “big gay people are scary to me,” and said he was wary that “three gay dudes are next to me, touching my leg.” He subsequently apologized and owned up to his homophobic comment.

“I wasn’t in my right mind so it’s on me,” he said elsewhere in the interview. “I said words not OK. I’m wrong for what I did.”

“I am wrong for touching anyone, ever and that’s the end of my statement on this whole s—,” he also said.

Additionally, LaBeouf confirmed his separation from “Frankenstein” and “Pearl” star Mia Goth (they share a daughter), discussed his on-and-off sobriety over the years and stated plainly: “I don’t think I have a drinking problem.”

Instead, LaBeouf said he has a “small man complex,” something akin to a Napoleon complex but more “to do with anger and ego more so than my drinking.” For reference, he stands 5 feet 9 inches.

Last week, Orleans Parish Criminal Court Judge Simone Levine shared a different take on LaBeouf’s habits. She alleged the actor “does not take his alcohol addiction seriously.”

Chervinsky said during her client’s court appearance that “being drunk on Mardi Gras is not a crime,” a sentiment LaBeouf echoed to Callaghan.

“I was drunk and it was Mardi Gras,” he said.

Feb. 28 (UPI) — On this date in history:

In 1784, the Methodist Church was chartered by John Wesley.

In 1885, the American Telephone and Telegraph Co. was incorporated in New York as a subsidiary of American Bell Telephone.

In 1935, nylon was invented by DuPont researcher Wallace Carothers.

In 1942, Japanese forces landed in Java, the last Allied bastion in the Dutch East Indies.

In 1983, the concluding episode of the long-running television series M*A*S*H drew what was then the largest TV audience in U.S. history.

UPI File Photo

In 1986, Swedish Prime Minister Olof Palme was assassinated on a street in Stockholm.

In 1992, a bomb blast blamed on the IRA ripped through a London railway station, injuring at least 30 people and shutting down the British capital’s rail and subway system.

In 1993, federal agents attempting to serve warrants on the Branch Davidian religious cult’s compound near Waco, Texas, were met with gunfire that left at least five people dead and 15 injured, and marked the start of a month-and-a-half-long standoff.

In 1994, NATO was involved in combat for the first time in its 45-year history when four U.S. fighter planes operating under NATO auspices shot down four Serb planes that had violated the U.N. no-fly zone in central Bosnia. The action came to be known as the Banja Luka incident.

UPI File Photo

In 2008, Prince Harry, third in line for the British throne, was pulled from the front lines in Afghanistan immediately after word got out that he was on army duty. He had spent 10 weeks in the war zone.

In 2013, Pope Benedict XVI officially stepped down as leader of the Roman Catholic Church, citing a “lack of strength of mind and body.” He was the first pontiff to resign in nearly six centuries.

In 2024, Sen. Mitch McConnell, R-Ky., announced he planned to step down as Republican leader after serving in the position for 17 years. On February 20, 2025, he said he won’t seek re-election in 2026, ending four decades in the upper chamber.

File Photo by Bonnie Cash/UPI

We made it! After this weekend, when the Producers Guild of America and Screen Actors Guild hand out their highly predictive precursors, the final shape of the Oscar race should be (reasonably) clear — and nominees worn out by months of campaigning will be breathing a sigh of relief.

Before I share highlights from this week’s issue, one programming note: This will be my last letter from the editor until our inaugural Cannes issue drops in May. (Don’t worry, I will be plenty busy in the interim catching up on this year’s top Emmy contenders.)

Thanks as always for following along, and may you triumph in your Oscar pool!

Cover story: Rose Byrne

(Ryan Pfluger / For The Times)

Times columnist Mary McNamara and I don’t agree on everything, but we do agree on this: “Damages” deserves to be ranked alongside “Mad Men” and “Breaking Bad” in any discussion of the Golden Age of TV.

That’s thanks in one part to a gripping flash-forward narrative structure now so common it could be considered a cliché, and in another to Glenn Close’s indelible performance as ruthless litigator Patty Hewes. But it’s also a testament to the multifaceted talents of Rose Byrne, who went “toe-to-toe” with Close in what would become her breakthrough role — and then confidently pivoted to projects like “Insidious,” “Bridesmaids” and “Spy.”

“Byrne is something of a creative chameleon, moving easily from drama to comedy to horror, film to television to stage and back again,” McNamara writes in this week’s cover story. “In many ways, her gut-wrenching, darkly funny performance as a woman pushed beyond all endurance in “If I Had Legs I’d Kick You” is a culmination of all the characters she brought to life before it.”

Inside Warner Bros.’ dominant Oscar haul

(Christina House/Los Angeles Times)

Whether you come down on the side of “Sinners” or “One Battle After Another” in the best picture race may be perfect fodder for debate with friends over a few small beers, but for Warner Bros. executives Mike De Luca and Pam Abdy it would be akin to choosing a favorite child. After all, both projects emerged from the pair’s desire, as contributor Gregory Ellwood writes, to make WB “a destination where filmmakers of all varieties, including auteurs, bring their projects for ‘white glove’ treatment.”

As De Luca explains, “Everything was original once… If you don’t refresh the coffers with new IP to create new franchises, at some point you get to Chapter 10 or 11 and people start to move on.”

The many faces of ‘The Secret Agent’

(Ryan Pfluger/For The Times)

The moment Tânia Maria arrives onscreen as Dona Sebastiana in “The Secret Agent,” you can’t help but ask yourself, “Who is that?!” (Star Wagner Moura had the same reaction.) But the real feat casting director Gabriel Domingues pulls off in the Oscar-nominated Brazilian thriller is to make you ask yourself the same question, over and over, every time a new character appears.

How did Domingues find a range of actors to represent the country’s endless diversity? It’s part of his process, writes contributor Carlos Aguilar: “He prides himself on doing the shoe-leather work of looking for fresh, compelling faces in cities where others might not think to look — those without a prominent arts scene, for instance.”

More stories from our Feb. 26 issue

Feb. 21 (UPI) — On this date in history:

In 1848, The Communist Manifesto was published by Karl Marx and Friedrich Engels. A rare copy of the publication sold at auction for $39,600 in 1986.

In 1878, the New Haven, Conn., Telephone Co. published the first phone directory. It listed 50 subscribers.

In 1885, the Washington Monument, a 555-foot-high marble obelisk built in honor of America’s revolutionary hero and first president, was dedicated in Washington.

File Photo by Pat Benic/UPI

In 1916, Germans launched the Battle of Verdun. More than 1 million soldiers in the German and French armies were killed in nearly 10 months of fighting. It was the longest battle of World War I.

In 1925, the first issue of The New Yorker was published.

In 1934, Nicaraguan guerrilla leader Cesar Augusto Sandino was killed by members of the country’s national guard.

In 1953, Francis Crick and James D. Watson discovered the double helix structure of the DNA molecule. It took another three decades for scientists to produce a clear, direct picture of the DNA molecule.

The Francis Crick Letter titled “Secret of Life” is on display at Christie’s in New York City on April 5, 2013. The letter from Francis Crick to his son dated March 19, 1953, outlines the revolutionary discovery of the structure and function of DNA. File Photo by John Angelillo/UPI

In 1965, Black Muslim leader Malcolm X was assassinated at a rally in New York.

In 1972, Richard Nixon became the first U.S. president to visit the People’s Republic of China.

In 1994, longtime CIA counterintelligence officer Aldrich Ames and his wife, Maria, were arrested and charged with selling information to the Soviet Union and Russia. Ames was sentenced to life in prison; his wife got a five-year term.

In 1995, a Russian commission estimated up to 24,400 civilians died in a two-month uprising in the separatist republic of Chechnya.

In 2007, nuclear neighbors India and Pakistan signed a treaty in New Delhi aimed at preventing the accidental use of atomic weapons.

In 2014, U.S. President Barack Obama met the Dalai Lama, Tibet’s exiled spiritual leader, at the White House after the Chinese government warned the meeting would damage U.S.-China relations. A White House statement said Obama “reiterated the U.S. position that Tibet is part of the People’s Republic of China and that the United States does not support Tibet independence.”

In 2019, the Japanese Space Agency’s Hayabusa-2 probe touched down on asteroid Ryugu. It was the first probe to deploy working rovers onto an asteroid.

In 2022, Russian President Vladimir Putin ordered “peacekeeping” troops into two separatist regions of eastern Ukraine under new decrees recognizing them as independent republics. Three days later, Russia invaded Ukraine.

File Photo courtesy of Kremlin Pool

We’re in something like award season no man’s land right now: the whirlwind of the Oscar nominees luncheon is behind us, but most of the major precursors have yet to be handed out. Which leaves less for the pundits to chew on, perhaps, though it also means there’s finally some spare time to catch up on your reading.

I’m Matt Brennan, editor in chief of The Envelope. Let me be of some assistance.

Cover story: ‘Sentimental Value’

(Christina House / For The Times)

After an entire award season’s worth of conversations about one of the top contenders, it’s rare to hear a new one this late in the game. But when I ran in “Sentimental Value” director Joachim Trier last week, he happily shared his point of view on an anecdote his editor, Olivier Bugge Coutté, recently shared with The Envelope about killing one of Trier’s darlings. “He was right,” Trier admitted with a half-rueful smile, after describing the elaborate aerial shot over a theater audience with which he originally intended to open the film.

Such candor is also a mark of contributor Bob Strauss’ interview with Trier and star Stellan Skarsgård about making the year’s most-nominated international feature, from their discussion of the stroke that permanently altered the actor’s process to bon mots about the film’s depiction of Netflix, demanding directors and more. I was most tickled by Skarsgård’s, um, unvarnished description of the small screen: “The narrative form of television is based on you not watching,” he tells Strauss. “It explains everything through dialogue so you can make pancakes at the same time.”

Digital cover: Kate Hudson

(Christina House / Los Angeles Times)

When contributor Amy Amatangelo sent me her pitch for a story on “Song Sung Blue,” it swiftly answered the question I want every pitch to answer: Why are you the right person to write this story?

“I am a lifelong Neil Diamond fan,” she wrote. “My dad loved him. I saw him in concert as a child. My dad and I danced to ‘Beautiful Noise’ at my wedding.”

So it was a no-brainer to set her up with this week’s digital cover star, nominated for playing one half of the film’s Neil Diamond tribute band. “Although she’s had a slew of successes in the interim,” Amatangelo writes of the 25 years since “Almost Famous,” “it can sometimes seem that we’ve underappreciated, and perhaps underestimated, Kate Hudson.”

‘Train Dreams’’ not-so-secret weapon

(Lauren Fleishman/For The Times)

Speaking of pitches, the most frequently suggested subject for coverage since the Oscar nominations (not-named-Chalamet-or-DiCaprio division) may be “Train Dreams” cinematographer Adolpho Veloso. Which already made the Brazilian’s wizardry one of the industry’s worst-kept secrets. Count contributor Emily Zemler’s profile among the final nails in the coffin.

“Capturing the enormous trees that would have existed in the early 20th century was a challenge,” she writes of the film, which spans the life of an itinerant logger in the Pacific Northwest. “The production went to protected parks, where they had to be cautious about not affecting the environment. ‘How do you shoot a movie where they’re supposed to be cutting those trees, but they cannot even get close to those trees?’ Veloso says. ‘It was almost like shooting stunts.’”

More stories from our Feb. 19 issue