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Last December, Ravyn Lenae stood in the street and pointed her phone at herself to film a TikTok set to her song “Love Me Not.”

“Me after linking with him one last time cause I’m not bringing him into 2025,” she captioned the video — a cutesy kiss-off to a guy she’d clearly decided was holding her back from where she was meant to go.

Nearly a year later, it appears the singer was right: In early April, “Love Me Not” — a swinging, lightly psychedelic soul number about a hot-and-cold lover — gave Lenae her first entry on Billboard’s Hot 100; a week later, she made her debut at the Coachella Valley Music and Arts Festival. Several months after that, she performed to an enthusiastic crowd at Lollapalooza just before “Love Me Not” peaked at No. 5 in mid-August.

Now, with one of 2025’s biggest hits under her belt, Lenae, 26, is winding down her breakout year by opening for Sabrina Carpenter as Carpenter’s Short n’ Sweet tour wraps up this week with six sold-out shows through Sunday at Crypto.com Arena.

“A lot of this period has been me asking other artists, ‘Is this how it normally is?’” Lenae tells me on a recent evening. “How do you balance the social aspect and the online aspect and the touring with also staying highly creative?”

Not to mention tending to a personal life.

“What’s that?” she asks with a laugh. “That’s literally nonexistent.”

The runaway success of “Love Me Not,” which has been streamed more than 700 million times on Spotify, is no doubt what’s put the breathy-voiced Lenae before many listeners for the first time. (A remix featuring Rex Orange County has another 164 million Spotify streams.)

At one point as the song was blowing up, she responded to a fan on TikTok who’d been surprised to learn that Lenae is Black — “Y’all didn’t read the name Ravyn Lenae and think, ‘Oh, that’s a Black girl?’” the singer asks in the clip — then went ahead and clarified that also she’s not British, as some evidently had assumed.

Yet “Love Me Not” actually comes a decade into a career that began while Lenae was still in high school. She signed to Atlantic Records at age 16 and soon was touring and working in the studio with the likes of SZA and Steve Lacy; “Hypnos,” her debut LP, came out in 2022 and made Pitchfork’s closely watched list of the year’s best albums.

“I’m pretty conceited about the fact that I’ve loved Ravyn for as long as I have,” says the singer and actor Reneé Rapp, who like Carpenter took Lenae out on the road this year as an opening act. Rapp discovered one of Lenae’s early EPs when she herself was in high school and has been a fan ever since. “I’m like, ‘You bitches are new, and don’t get me wrong — I’m so happy you’re here. But let’s get it right: I was boots on the ground first.’”

To Rapp’s ears, Lenae’s airy soprano “has this beautiful ping at the top that I’ve only ever heard in Minnie Riperton,” she says. “She’s just like a little fairy. She floats around, and her voice does the same thing.”

“Love Me Not,” which is still hanging out in the upper reaches of the Hot 100, is from Lenae’s sophomore album, “Bird’s Eye,” which came out in August 2024. She recorded the song with the producer Dahi, who’s known for his work with Kendrick Lamar and Vince Staples; Dahi started the track years ago with Anderson .Paak then put it in a drawer before he’d finished it.

“At the time, I was really into MGMT,” Dahi says, referring to the alternative rock duo whose dreamy-jangly guitar sound echoes throughout “Love Me Not.” With Lenae, he pushed the song toward classic R&B — “something that would be played on ‘Happy Days’ or some s—,” he says — but retained a spacey vibe that keeps it from feeling rooted in any specific era or genre.

Lenae says her goal was to create something “soulful and Black but that transcends time and race”; the result can be heard in a lineage of enduring hard-to-classify hits like Outkast’s “Hey Ya!” and Gnarls Barkley’s “Crazy” that charm listeners across demographic lines.

“If you don’t like ‘Crazy,’ there’s something wrong with you,” Lenae says as a pedicurist exfoliates her feet in a West Hollywood hotel room. It’s the end of a long day that began with an early-morning flight from New York, where Lenae performed with Kali Uchis on “The Tonight Show” and at Madison Square Garden. Now, after a photo shoot, she’s changed into gray sweats to sneak in a moment of self-care during our chat.

“With the heels I’m wearing all the time, you can see the corns,” she says, looking down to check out the pedicurist’s progress. “I wonder what Beyoncé’s feet look like. ’Cause if mine look like this? She’s putting in work.”

Though “Love Me Not” was singled out by critics right away, the song really took off late last year after a DJ posted a viral TikTok that mashed it up with Solange’s “Losing You” as part of a series exploring “euphoric” breakup songs. An admiring post on X by SZA — “One of my fav albums this year,” she wrote of “Bird’s Eye” — helped bring more attention to Lenae’s music.

Ravyn Lenae in West Hollywood.

(Ian Spanier / For The Times)

The singer grew up in Chicago, where her mother’s parents landed in the late ’70s as immigrants from Panama. That’s their house on the city’s south side in the music video for “Love Me Not,” which Lenae directed and which shows her and her younger sister dancing just outside the bedroom where Lenae slept as a kid.

“I knew this song would be a lot of people’s introduction to me, so I wanted them to immediately jump into my world,” she says. “My grandparents are very shy people, and when my grandma saw the video, she was like, ‘Oh, Ravyn, baby …’”

Singing at talent shows as a 12-year-old, Lenae wanted to be a “a mix between Alicia Keys and Beyoncé,” as she puts it; later, she learned to perform Christina Aguilera’s “Beautiful” and Rihanna’s “Take a Bow.”

“I was like, ‘I’m-a win ’em over with this one,’” she says of the dramatic ballads. “I’m sure I sound crazy on video.”

Lenae, who went on to study at the Chicago High School for the Arts, came to understand that the soft lilt of her voice distinguished her from those powerhouses; she found inspiration in “the sensuality and the femininity” of music by Diana Ross, Patrice Rushen and Janet Jackson, whose “All for You” album — released in 2001, when Lenae was 2 — would become a touchstone.

“There’s a lot to win by not being the loudest in the room,” says Rapp.

Lenae moved to L.A. in 2020. Her first year here was rough, she says — she missed her mom and felt the burden of a bank account with $100 in it. “I remember some crying in the shower,” the singer says now.

Her 2022 song “Skin Tight,” a yearning flirtation she wrote and recorded with Lacy, registered as a turning point; so did the success of Lacy’s quirky soul-rock hit “Bad Habit,” which topped the Hot 100 on its way to Grammy nominations for record and song of the year.

“That was a historical moment for artists like us that have been working at it for a long time — Black artists who’ve always been a little to the left of what was going on,” Lenae says. “Steve going No. 1 showed there really are no rules and that there’s space for all of us.”

Beyond “Love Me Not,” highlights on “Bird’s Eye” include an intimate acoustic number, “From Scratch,” that Lenae says she and Dahi modeled on Lauryn Hill and D’Angelo’s “Nothing Even Matters”; the lush and whispery “Dream Girl,” which features input by Jackson’s longtime collaborators Jimmy Jam and Terry Lewis; and “Bad Idea,” a percussive electro-funk jam that interpolates Bow Wow and Ciara’s early-2000s “Like You.”

“All those Ciara hits, I had the choreo down,” Lenae says.

The album also contains the tender yet mournful “One Wish,” which Lenae wrote about her dad not being around as she was growing up.

“I never, ever thought I’d talk about that publicly, but I think I was just at a point in my life where it felt natural,” she says. “And me and him had just started reconciling, so it was very top of mind.” She invited her father to come to L.A. to appear in the song’s video, which depicts a young girl running after a car as a man angrily drives away; the day after the shoot, they went to Roscoe’s and had a long talk about her childhood.

“Yesterday was his birthday, and I forgot,” she tells me. “I felt horrible, but then I was like, Should I feel horrible? I go back and forth with it all the time.”

Lenae is extremely close with her mother, who’ll sometimes join her on the road “just to spend time with me or hold my hand — to sleep in the same hotel bed,” she says. “That’s the person I know I can keep counting on.”

After this week’s dates with Carpenter, Lenae will head east for a handful of shows on iHeartRadio’s Jingle Ball tour — one more chance to build upon “Love Me Not’s” Top 40 breakthrough. Then she and Dahi plan to focus on finishing her next album.

So far, Lenae says, it’s shaping up to be “a little more punchy and explosive” than “Bird’s Eye.” One of the new songs is about her mom; Lenae played it for her when she was here visiting not long ago.

“I had the lyrics up, and as she was reading it, she looked up at me and there was a tear in her eye,” she recalls. “Then we started bawling together. I think that one might end up her favorite.”