Hollywood’s biggest night is here, along with the biggest red carpet of awards season.
Not only is it massive in size — it takes about 2,400 hours and more than 400 workers to assemble the 25,000-square-foot red carpet, measuring 900 feet long and 60 feet wide — but enormous in influence. It boasts the most memorable, stylish and extravagant fashion in entertainment history. In fact, stars have been taking cues from Hollywood history at precursor awards shows. Old Hollywood glamour dominated January’s Golden Globes. And the Actor Awards, held two weeks ago, were themed “Reimagining Hollywood Glamour from the ‘20s and ‘30s.” So the Oscars red carpet may also pay homage to La La Land.
Here’s the best fashion from the 2026 Oscars, captured from every angle by The Times’ photo team. After the carpet wraps, the 98th Academy Awards will air live from the Dolby Theatre on ABC starting at 4 p.m.
Ji-young Yoo, who voices Zoey in “K-Pop Demon Hunters,” is pretty in purple.
(Christina House / Los Angeles Times)
Kevin Grandalski and Marlee Matlin
Marlee Matlin and husband Kevin Grandalski, a retired Burbank police officer, arrive on the red carpet. Matlin won the lead actress Oscar in 1987 for her debut film, “Children of a Lesser God.”
(Myung J. Chun / Los Angeles Times)
Mario Lopez
Mario Lopez arrives on the red carpet. The actor’s talk show “Access Hollywood” was abruptly canceled on Friday after nearly 30 years.
(Myung J. Chun / Los Angeles Times)
Nadim Cheikhrouha
French Tunisian film producer Nadim Cheikhrouha wears an Artists4Ceasefire pin, designed by Shepard Fairey. The collective of actors and filmmakers is advocating for a ceasefire in Gaza.
Catherine Zeta-Jones arrives on the red carpet at the 85th Academy Awards in 2013.
(Wally Skalij / Los Angeles Times)
The red carpet at the Oscars is the epitome of Hollywood glitz and glamour. We combed through our archives for photos of the Academy Awards since 2000 — from arrivals of the biggest stars to backstage candids to winners clutching their awards — to compile this trip down the Oscars’ memory lane.
So what do winners wear? Take a look at our collection below and you’ll see some of the best dressed stars through the years, including Lupita Nyong’o’s custom pale blue Prada gown in 2014 and Emma Stone’s gold Givenchy flapper-style dress in 2017. Around the dawn of the millennium, Halle Berry made a statement with an Elie Saab dress that had a sheer top with embroidered flowers when she won in 2002 while Reese Witherspoon went vintage with a beaded dress from Dior in 2006.
As we wait to see what the stars are wearing Sunday on the 98th Oscars red carpet, take a look at how Oscar fashion has evolved in the 21st century with photos of those who took home trophies for lead actress, lead actor, supporting actress and supporting actor.
2025
Mikey Madison shows off her leading actress Oscar for her role in “Anora” at the 97th Academy Awards.
(Jason Armond / Los Angeles Times)
Adrien Brody walks the red carpet at the 97th Academy Awards. He won the leading actor Oscar for “The Brutalist.”
(Allen J. Schaben / Los Angeles Times)
Zoe Saldaña accepts the supporting actress Oscar at the 2025 Academy Awards for “Emilia Perez.”
(Myung J. Chun / Los Angeles Times)
Kieran Culkin poses with his Oscar for “A Real Pain” at the 97th Academy Awards.
(Jason Armond / Los Angeles Times)
2024
Emma Stone won her second leading actress Oscar, for “Poor Things,” at the 96th Academy Awards.
(Myung J. Chun / Los Angeles Times)
Cillian Murphy accepts the leading actor Oscar for “Oppenheimer” at the 96th Academy Awards.
(Myung J. Chun / Los Angeles Times)
Da’Vine Joy Randolph won the supporting actress Oscar at the 96th Academy Awards.
(Myung J. Chun / Los Angeles Times)
Robert Downey Jr. poses on the red carpet at the 96th Academy Awards before winning the supporting actor Oscar for “Oppenheimer.”
(Christina House / Los Angeles Times)
2023
Michelle Yeoh, who won the leading actress Oscar for “Everything Everywhere All at Once,” arrives at the Governors Ball following the 95th Academy Awards.
(Jay L. Clendenin / Los Angeles Times)
Brendan Fraser clutches his Oscar backstage at the 95th Academy Awards at the Dolby Theatre.
(Robert Gauthier / Los Angeles Times)
Jamie Lee Curtis, the supporting actress winner for “Everything Everywhere All at Once,” cries as she holds her Oscar backstage.
(Robert Gauthier / Los Angeles Times)
Ke Huy Quan stands atop the engraving station after getting his Oscar for supporting actor engraved.
(Jay L. Clendenin / Los Angeles Times)
2022
Jessica Chastain arrives at the 94th Academy Awards before winning the Oscar for lead actress.
(Jay L. Clendenin / Los Angeles Times)
Will Smith and Jada Pinkett Smith pose on the red carpet at the 2022 Oscars. Smith won the leading actor award later that night after slapping Chris Rock during the show.
(Jay L. Clendenin / Los Angeles Times)
Ariana DeBose holds her Oscar for supporting actress backstage.
(Robert Gauthier/Los Angeles Times)
Troy Kotsur accepts the supporting actor award for “CODA” from Youn Yuh-jung.
(Myung Chun / Los Angeles Times)
2021
The 2021 Oscars had a modified format without a red carpet due to the COVID-19 pandemic.
2020
Renée Zellweger shows off her Oscar for lead actress for “Judy.”
(Allen J. Schaben / Los Angeles Times)
Joaquin Phoenix arrives at the 92nd Academy Awards. He won for lead actor for his role in “Joker.”
(Jay L. Clendenin / Los Angeles Times)
Laura Dern, winner of the supporting actress Oscar for “Marriage Story,” shows off her hardware.
(Allen J. Schaben / Los Angeles Times)
Brad Pitt wins the supporting actor Oscar for his role as Cliff Booth in “Once Upon a Time … in Hollywood.”
(Allen J. Schaben / Los Angeles Times)
2019
Olivia Colman wins the lead actress Oscar for “The Favourite.”
(Robert Gauthier / Los Angeles Times)
Rami Malek, winner for lead actor for “Bohemian Rhapsody,” poses in the photo room at the 91st Academy Awards.
(Allen J. Schaben / Los Angeles Times)
Regina King arrives at the Academy Awards, where she won for supporting actress in “If Beale Street Could Talk.”
(Jay L. Clendenin / Los Angeles Times)
Amatus Sami-Karim and Mahershala Ali pose at the 91st Academy Awards, where Ali won the supporting actor Oscar for “Green Book.”
(Jay L. Clendenin / Los Angeles Times)
2018
Frances McDormand was victorious for her role in “Three Billboards Outside Ebbing, Missouri.”
( Allen J. Schaben / Los Angeles Times)
Gary Oldman tightly grips his Oscar for lead actor.
(Allen J. Schaben / Los Angeles Times)
Allison Janney, winner of the supporting actress Oscar for “I, Tonya,” poses for photos.
(Allen J. Schaben / Los Angeles Times)
Sam Rockwell and Leslie Bibb pose on the red carpet at the 90th Academy Awards. Rockwell won for his role as troubled police officer Jason Dixon in “Three Billboards Outside Ebbing, Missouri.”
(Jay L. Clendenin / Los Angeles Times)
2017
Emma Stone delivers a touching acceptance speech after winning lead actress for her role in “La La Land.”
(Al Seib / Los Angeles Times)
Casey Affleck holds up his Oscar for lead actor for “Manchester by the Sea.”
(Marcus Yam / Los Angeles Times)
Viola Davis smiles backstage after winning the Oscar for supporting actress for “Fences.”
(Al Seib / Los Angeles Times)
Mahershala Ali arrives at the Oscars, where he won for his performance in “Moonlight.”
(Allen J. Schaben / Los Angeles Times)
2016
Brie Larson won the lead actress Oscar for her role in the drama “Room.”
(Jay L. Clendenin / Los Angeles Times)
Leonardo DiCaprio wins his first Oscar ever for “The Revenant.”
(Robert Gauthier / Los Angeles Times)
Alicia Vikander is Belle of the ball at the Oscars, where she won for supporting actress in “The Danish Girl.”
(Jay L. Clendenin / Los Angeles Times)
Mark Rylance walks backstage after picking up the supporting actor Oscar for “Bridge of Spies.”
(Al Seib / Los Angeles Times)
2015
Julianne Moore shows off her lead actress trophy.
(Allen J. Schaben / Los Angeles Times)
Eddie Redmayne arrives at the 87th Academy Awards, where he won gold for “The Theory of Everything.”
(Jay L. Clendenin / Los Angeles Times)
Patricia Arquette poses on the red carpet. The actress won an Oscar for her role in “Boyhood.”
(Jay L. Clendenin / Los Angeles Times)
J.K. Simmons holds his supporting actor Oscar for the movie “Whiplash.”
(Allen J. Schaben / Los Angeles Times)
2014
Matthew McConaughey accepts the lead actor award for “Dallas Buyers Club.”
(Robert Gauthier / Los Angeles Times)
Cate Blanchett stuns on the red carpet before picking up the lead actress Oscar for “Blue Jasmine.”
(Wally Skalij / Los Angeles Times)
Jared Leto arrives at the 86th Academy Awards, where he won for his role in “Dallas Buyers Club.”
(Jay L. Clendenin / Los Angeles Times)
Lupita Nyong’o twirls her dress on the red carpet at the Oscars, where she won for her feature film debut in “12 Years a Slave.”
(Wally Skalij / Los Angeles Times)
2013
Daniel Day-Lewis and Meryl Streep walk offstage at the 85th Academy Awards after Day-Lewis’ lead actor win.
(Al Seib / Los Angeles Times)
Jennifer Lawrence holds up her Oscar after her win for “Silver Linings Playbook.”
(Lawrence K. Ho / Los Angeles Times)
Christoph Waltz gives an acceptance speech after winning for supporting actor.
(Robert Gauthier / Los Angeles Times)
Anne Hathaway wins for supporting actress at the 85th Academy Awards.
(Robert Gauthier / Los Angeles Times)
2012
Jean Dujardin cheers after his Oscar win for lead actor at the 84th Academy Awards.
(Robert Gauthier / Los Angeles Times)
Meryl Streep holds up her Oscar for lead actress for “The Iron Lady.”
(Allen J. Schaben / Los Angeles Times)
Christopher Plummer examines his Oscar for supporting actor.
(Al Seib / Los Angeles Times)
Octavia Spencer cries as she accepts her Oscar for supporting actress.
(Robert Gauthier / Los Angeles Times)
2011
Colin Firth is photographed with his Oscar at the Governors Ball following his win for “The King’s Speech.”
(Gary Friedman / Los Angeles Times)
Natalie Portman arrives in style to the Oscars, where she won for her role in “Black Swan.”
(Liz O. Baylen / Los Angeles Times)
Christian Bale accepts his award for supporting actor during the 83rd Academy Awards.
(Robert Gauthier / Los Angeles Times)
Melissa Leo poses on the red carpet before her win for supporting actress.
(Kirk McKoy / Los Angeles Times)
2010
Jeff Bridges cheers after receiving the lead actor Oscar.
(Robert Gauthier / Los Angeles Times)
Sandra Bullock arrives at the 82nd Annual Academy Awards before winning an Oscar for her role in “The Blind Side.”
(Kirk McKoy / Los Angeles Times)
Mo’Nique receives an Oscar for her role in “Precious” during the 82nd Annual Academy Awards.
(Robert Gauthier / Los Angeles Times)
Christoph Waltz accepts his award for supporting actor during the 82nd Academy Awards.
(Robert Gauthier / Los Angeles Times)
2009
Sean Penn accepts the lead actor Oscar for his role in “Milk” during the 81st Academy Awards.
(Mark Boster / Los Angeles Times)
Kate Winslet stands backstage after her win for lead actress at the 81st Academy Awards.
(Al Seib / Los Angeles Times)
Sally Bell, Kim and Kate Ledger accept the Oscar for supporting actor awarded to Heath Ledger at the 81st Academy Awards.
(Mark Boster/Los Angeles Times)
Penelope Cruz receives her Oscar at the 81st Academy Awards for her role in “Vicky Cristina Barcelona.”
(Mark Boster / Los Angeles Times)
2008
Forest Whitaker escorts Marion Cotillard off stage after presenting her with the Oscar for lead actress at the 80th Academy Awards.
(Al Seib / Los Angeles Times)
Presenter Helen Mirren joins Daniel Day–Lewis backstage after his win for lead actor at the 80th Academy Awards.
(Lawrence K. Ho / Los Angeles Times)
Tilda Swinton accepts the supporting actress Oscar for her role in “Michael Clayton” at the 80th Academy Awards.
(Al Seib / Los Angeles Times)
Javier Bardem celebrates with the cast of “No Country for Old Men” after the film’s win for best picture and his victory for lead actor.
(Wally Skalij / Los Angeles Times)
2007
Helen Mirren accepts the Oscar for lead actress for her role in “The Queen.”
(Al Seib / Los Angeles Times)
Forest Whitaker accepts the leading actor Oscar for his role in “The Last King of Scotland.”
(Al Seib / Los Angeles Times)
Jennifer Hudson exits the stage with her Oscar after winning for supporting actress during the 79th Academy Awards.
(Al Seib / Los Angeles Times)
Rachel Weisz wipes lipstick off of supporting actor winner Alan Arkin’s cheek while walking offstage.
(Al Seib / Los Angeles Times)
2006
Reese Witherspoon arrives at the 78th Academy Awards, where she took home an Oscar for lead actress in “Walk the Line.”
(Al Seib / Los Angeles Times)
Philip Seymour Hoffman accepts the Oscar for lead actor for his role in “Capote” at the 78th Academy Awards.
(Mark Boster / Los Angeles Times)
Rachel Weisz accepts the supporting actress Oscar for her role in “The Constant Gardener.”
(Mark Boster / Los Angeles Times)
George Clooney greets fans at the 78th Academy Awards, where he took home the supporting actor Oscar.
(Al Seib / Los Angeles Times)
2005
Morgan Freeman, Cate Blanchett, Hilary Swank and Jamie Foxx pose with Oscar statuettes at the 77th Academy Awards.
(Ken Hively / Los Angeles Times)
Jamie Foxx and daughter Corinne arrive at the 77th Academy Awards.
(Béatrice de Géa / Los Angeles Times)
Hilary Swank arrives at the 77th Academy Awards, where she would win an Oscar for lead actress in “Million Dollar Baby.”
(Robert Gauthier / Los Angeles Times)
Morgan Freeman arrives at the 77th Academy Awards with his daughter, Morgana.
(Robert Gauthier / Los Angeles Times)
Cate Blanchett arrives at the Academy Awards, where she won an Oscar for her role in “The Aviator.”
(Béatrice de Géa / Los Angeles Times)
2004
Charlize Theron, Sean Penn, Rénee Zellweger and Tim Robbins pose with their Oscars at the 76th Academy Awards.
(Francine Orr / Los Angeles Times)
Charlize Theron, wearing Tom Ford for Gucci, arrives at the 76th Academy Awards.
(Myung J. Chun / Los Angeles Times)
Sean Penn accepts the leading actor Oscar for his role in “Mystic River.”
(Brian van der Brug / Los Angeles Times)
Actress Renée Zellweger poses with her Oscar for supporting actress for her role in “Cold Mountain” at the 76th Academy Awards.
(Francine Orr / Los Angeles Times)
Tim Robbins, his then-partner Susan Sarandon and their son flash peace signs as they arrive at the 75th Academy Awards.
(Robert Gauthier / Los Angeles Times)
2003
Adrien Brody, Nicole Kidman, Catherine Zeta-Jones and Chris Cooper prepare to pose with their Oscars at the 75th Academy Awards.
(Richard Hartog / Los Angeles Times)
Adrien Brody reacts to his Oscar win for “The Pianist.”
(Brian van der Brug / Los Angeles Times)
Nicole Kidman accepts the leading actress Oscar at the 75th Academy Awards.
(Brian van der Brug / Los Angeles Times)
Chris Cooper points to the camera after winning an Oscar for supporting actor for “Adaptation.”
(Anacleto Rapping / Los Angeles Times)
Catherine Zeta–Jones accepts the leading actress award at the 75th Academy Awards.
(Brian van der Brug / Los Angeles Times)
2002
Denzel Washington wins the leading actor Oscar for his role in “Training Day.”
(Ken Hively / Los Angeles Times)
Halle Berry arrives at the 74th Academy Awards, where she won an Oscar for her role in “Monster’s Ball.”
(Kevin P. Casey / Los Angeles Times)
Supporting actress Jennifer Connelly and supporting actor Jim Broadbent smile at the 74th Academy Awards.
(Don Kelsen / Los Angeles Times)
Jennifer Connelly accepts her Oscar for her role in “A Beautiful Mind.”
(Ken Hively / Los Angeles Times)
2001
Benicio del Toro, Marcia Gay Harden, Julia Roberts and Russell Crowe pose with their Oscars during the 73rd Academy Awards.
(Ken Hively / Los Angeles Times)
Russell Crowe wins an Oscar for his work on the film “Gladiator” during the 73rd annual Academy Awards.
(Al Seib / Los Angeles Times)
Julia Roberts celebrates after winning the leading actress Oscar at the 73rd Academy Awards.
(Al Seib / Los Angeles Times)
Benicio Del Toro clinches his fist after accepting the supporting actor Oscar for his role in “Traffic.”
(Al Seib / Los Angeles Times)
Marcia Gay Harden accepts her supporting actress Oscar at the 73rd Academy Awards.
(Al Seib / Los Angeles Times)
2000
Michael Caine, Angelina Jolie, Hilary Swank and Kevin Spacey smile backstage at the 72nd Academy Awards.
(Ken Hively / Los Angeles Times)
Kevin Spacey poses with his leading actor award for his role in “American Beauty.”
(Ken Hively / Los Angeles Times)
Hilary Swank accepts her Oscar for her role in “Boys Don’t Cry.”
(Robert Gauthier / Los Angeles Times)
Michael Caine accepts the Oscar for supporting actor during the 72nd Academy Awards.
(Robert Gauthier/ Los Angeles Times)
Angelina Jolie kisses her Oscar for supporting actress during the 72nd Academy Awards.
MOLLY-MAE Hague has faced backlash over her Maebe fashion event as an influencer called out a “disturbing” detail.
The former Love Island star, 26, has brought her premium womenswear brand to a one-day pop up in Bayswater, London, giving her fans a chance to check out the clothing in person while immersing themselves in the experience.
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Molly-Mae Hague is facing backlash over her Maebe pop-up eventCredit: GettyInfluencer Nas Ganev has claimed there was a lack of diversity at the pop-up eventCredit: @itsnasg/TikTokHe took to TikTok to share his claims in a videoCredit: @itsnasg/TikTok
However, after visiting the pop up during an influencer event prior to it being open to the public today, TikTok star Nas Ganev has claimed there was a lack of diversity in the room when he was there.
He posted a video of himself at the event and alleged: “You should avoid maybe village and here’s why. I went today and although it’s so pretty inside,
“I saw something very disturbing. There were only white women in the room. There was no diversity at all.
“And in a city like London that immediately stood out to me. Walking to a place that’s meant to celebrate women and seeing a room that looks like that felt really uncomfortable.
“If you booked your tickets because of me, I’d recommend cancelling them. Follow for more London pop-ups.”
The experience is available from 9am to 7pm today and is a ticketed event, with tickets having gone on sale on Thursday 26 February.
Contrary to the claims, the Maebe Instagram account have been posting attendees on their stories and they appear to be from all diverse walks of life.
The Sun contacted Molly-Mae’s representative but they declined to comment.
The mum-of-one and her team previously teased of the experience: “An immersive experience of shopping, coffee, food and wine, celebrating the women who shape Maebe in honour of International Women’s Day.
“It takes a village to create something meaningful, and we’re proud to give back to the women who make it all happen.”
She launched the clothing brand back in September 2024, with the first drop selling out in 24 minutes after being in the works for two to three years.
This isn’t the first time she’s faced backlash with Maebe as fans have previously hit out the high price point as well as the struggles to actually purchase the items due to the high demand.
One potential buyer wrote: “It’s very over-priced for what it is, but I genuinely just liked the set!
“It’s a rubbish experience, it’s just a game of whoever can type the fastest or who has their details saved, most shops allow you a bit of time to check out.”
The one-day experience is happening in London todayCredit: InstagramContrary to the claims, the brand’s Instagram account has been posting women from diverse backgroundsCredit: Instagram/maebestoreThey’ve been reposting stories from attendeesCredit: Instagram/maebestore
Molly-Mae directly responded to the comment on YouTube as she candidly expressed: “couldn’t agree with you more on the stock front, it’s really frustrating.
“Unfortunately I just didn’t back myself enough when we planned these quantities a very long time ago.
“I promise you this is something I am in total agreement with you on and it’s something that in the New Year we will improve upon now that we have an understanding of the demand.
“I’m really sorry you feel let down – I’m learning as I go and will make this a better buying experience for you as soon as we can.”
Despite some backlash, new accounts for her firm MMH International Ltd stated that Maebe made around £300,000 in profit for the 12 months to the end of March last year.
As of December 2025, cash deposits in the firm stood at £231,155, having risen from £65,071 the previous year.
Molly-Mae launched her premium womenswear brand back in 2024Credit: Getty
As a child in Newark, N.J., Narciso Rodriguez was often transported back to Cuba by the stories from his family and their friends. He walked the halls of El Encanto, a Havana department store and fashion mecca on the island — one that drew in celebrity clientele and featured haute-couture designs and fragrances from the far-flung fashion capitals of Paris and Milan.
“I don’t know that they could have afforded any of those things when they were in Cuba,” he tells De Los. “But they certainly filled my imagination with beautiful stories and laid the foundation for my work.”
It was the women in his life — the “amazing, powerful, loud, colorful dynamos,” as he describes them — who inspired him to pursue a career in fashion.
“Their stories, their lives, their power, their curves, it all influenced me,” he says. “They’re the reason I wanted to create things.”
Over the last three decades, the renowned designer has earned a reputation for sleek, flattering lines and effortless shapes, most famously seen on the career-launching dress he designed for his friend Carolyn Bessette-Kennedy to wear on her wedding day. The bias-cut silk slip has remained a source of inspiration for generations of brides since, and has been making waves again thanks to the FX series “Love Story: John F. Kennedy Jr. and Carolyn Bessette.”
Omari K. Chancellor as Gordon Henderson, from left, Sarah Pidgeon as Carolyn Bessette, Tonatiuh as Narciso Rodriguez in FX’s “Love Story: John F. Kennedy Jr. & Carolyn Bessette”
(Eric Liebowitz / FX)
“Love Story” will follow the couple’s wedding in the latest episode, out March 5. (Rodriguez is portrayed by Tonatiuh on the show.)
After designing Bessette-Kennedy’s dress, Rodriguez launched his own label and a fragrance line, and has continued to create designs that are woven into the fabric of American history — Michelle Obama wore his dress on election night in 2008.
De Los spoke with Rodriguez about his career, upbringing and memories of designing Bessette-Kennedy’s dress.
You’ve spoken about how inspired you were by the women in your life growing up. Are there any “fashion icons” from your family or neighborhood that you could point to from your childhood?
You know, I’m so lucky because I was raised in a very Cuban household in a very culturally rich community in Newark. I mean, it was Italian, Spanish, Cuban, Puerto Rican, Black. It was everything. But I always think back to when I was very, very young, there was a kind of matriarch here in the neighborhood. Her name was Concha and she was kind of this lightning rod. My dad’s sister was married to her son, so when my parents came to the U.S., she gave them a place to stay. She would teach all of the young women how to cook and gave everyone a place to stay until they got on their feet. She was larger than life, she was like “Auntie Mame.” She had these great ‘60s beehive wigs in amazing wig boxes, she made these beautiful Chanel suits for herself, and had all these gold bangles, great lipstick and stilettos. When she came into the room, she just radiated power, joy and style. I always think of her as being my first signpost on the road.
They were all beautiful, you know? My aunts and my mom were the most beautiful, glamorous women. None of them were wearing designer clothes, but they took great pride and great care in how they looked, and that really made an impression on me.
How did that impression translate into a concrete passion? How did you go about actually pursuing a career in fashion?
I loved architecture. I loved building things, so I was always drawing, sketching and sculpting. Then I would see my mom take a piece of fabric and the way she could take something flat and shapeless and turn it into a garment was fascinating. By the time I was 13, I was doing fashion illustration, and I got a job in a tailor shop. Later, I enrolled myself in Saturday courses at Parsons [School of Design], and I kind of had to hide it from my parents at first. I felt like I couldn’t be a fashion designer, you know, because of the whole “macho” idea, but I just kept going. I was lucky that I was someone who always knew what they wanted to do, and that Parsons recognized I had talent for it at a young age.
I was exposed to really great people there, too. Donna Karan was a critic, Calvin Klein was a critic, Oscar de la Renta too. I got to do projects with all of them, and then I was hired after school by Donna Karan while she was still at Anne Klein. It was an amazing experience, and then I got poached by Calvin Klein, which was a very different experience.
How so?
It was incredible, but just very different. Whereas Anne Klein was this melting pot of creativity, Calvin was much more image-driven and precision-driven. He brought in great talents to collaborate with, so on any given day, you’d be working with the most amazing photographers, stylists and art directors. It was a really great finishing school as a young person.
You arrived at Calvin Klein during a period of reinvention for the brand. This was in the era of Kate Moss, and the famous “Marky Mark” print ads. We see a version of it in “Love Story,” but what was it like to actually be there?
When I got there, I think around 1989, it hadn’t really started to change yet. And I thought, “Wow, I made a really big mistake. This is not my aesthetic, not my thing.” But it changed very quickly, and it was very exciting. [Calvin] worked very hard. He was very focused, and he appreciated that I could keep up. Like everybody, there was a rough initiation period, but afterward, he gave me the opportunity to work on some tailored pieces that sold really well at retail, so I was rewarded with more opportunities.
But it was the ‘90s, and it was New York, and it was brilliant. It felt like the whole city was reinventing itself, and Calvin was a leader in that. All the best photographers, the most brilliant artists were there. Jacky Marshall, Zack Carr, Carolyn — the talent was endless. I was really fortunate to experience it and build friendships that were lifelong.
I’m curious if you remember your first impressions of Carolyn. How did you two connect?
We were quite friendly immediately, and then we became the best of friends. We lived in the same building, so the rest was history. You know, she’s an incredible person, and she had great style. She was bigger than life.
Carolyn has been regarded as a fashion icon, and especially now, everyone is trying to re–create her look. There was something more subtle and interesting going on than just “minimalist” fashion, so how would you describe what made her style so special?
Carolyn was so authentic in so many ways, and I think that she was very pragmatic about her choices. She had a great eye. She knew what worked for her, and she knew how to present herself. She never wanted to be uncomfortable. She was very connected to herself. I think so many people have this relationship to fashion and what they think they should look like based on the ideas they see in a magazine or being sold to you by the industry, and Carolyn never fell into that trap.
I have this conversation often with young designers, with people, with journalists. Today, everything that we see is inauthentic. Celebrities are paid to wear designer clothes. They’re styled by a stylist, and nothing is innate. That is the opposite of Carolyn. She was 100% real.
Narciso Rodriguez in 1997.
(Paolo Roversi)
We have to talk about her wedding dress. If you’re a bride, it’s impossible to look for inspiration without coming across her dress. What was it like to have a friend ask you to create something for such a special, important moment?
You know, until my children were born, Carolyn was the love of my life. We were very close, and she asked me, as you said, to make the dress that she would marry the love of her life in. It was very personal for me. It wasn’t a press event, it was a conversation between two people who were very close. I knew what looked good on her, she knew what looked good on her. I knew that she would never want to be bogged down with trains and lace. It wouldn’t be her.
What was the actual design process like?
It was an effortless collaboration. She came to fittings in Paris, we pulled the neckline down a bit lower, and the dress was born. I added the gloves, the veil and the shoe. It was just magical, and exactly the way it should be. It really made her the focus. You know, she was the one who pointed that out to me about my work. She always said, “You create a frame for a woman’s beauty and personality to shine through.” I’ve always thought that was a really beautiful thing that she gave me, because it’s true. I never want my work to be what you see first. I think the success of that dress is that you see her and her happiness and the purity of it all.
Everything about the wedding, including the dress, had to be kept a secret. Was it a challenge to make sure that no one knew what you were working on?
I was working in Paris, and I got approval from the owner of [Cerruti]. He was discreet about it. I worked with one pattern maker. I had a fit model who was lovely. Nobody knew who it was for. They always asked. But because I was working in Paris, they didn’t really connect me to her. I was also quite cautious when the dress was in work, I remember I had become quite friendly with Azzedine Alaïa. I asked, “Can I take this dress over to you and have you check it out to see what I’m doing?” I went over and he looked at the prototype, and said, “Why don’t you move this seam over the bum by a centimeter. I think it’ll be more flattering.” And I did, because he was the master, and he tortured me to know who it was for, but I never told him. Later, when it was all over the press, he would call and pretend he was a fancy lady looking for a wedding dress for her daughter. [Laughs] He tricked me a few times into believing some of his gags, but he was an amazing person.
It was just a magical time in all of our lives. And then I flew to America with the dress and went to the wedding, and it was that simple. You know, I’ve heard all these amazing stories about how the dress didn’t fit, and I had to sew her into it, and that she was hours late because of it, and none of this is true. But I love that people have made up all these stories.
Maybe the dress on her seems so effortless that people want to invent a way to complicate it.
[Laughs] I really have heard so many crazy stories, but when you look at the pictures, it certainly doesn’t look like it didn’t fit. That’s for sure.
As you mentioned, the dress was all over the press later. How did that moment impact your career?
Well, I went from Paris to my best friend’s wedding, and then I flew home to New York to do a pit stop at my apartment. When I arrived, there was a huge crowd outside the building with news trucks. I kind of walked through the crowd and into the building, and I said to the doorman, “What’s all that about?” And he looked at me, and he said, “They’re here to see you.”
Oh, wow.
It was a very big, kind of scary, unexpected change in my life. I remember going up to my apartment and trying to navigate that when Anna Wintour’s office called and said, “Anna would like for you to come to the Princess [Diana] benefit in Washington.” And I said I couldn’t go, I needed to be back in Paris, I didn’t even have a white shirt. And they said, “It’s Princess Di and Anna Wintour. You’re going. We’ll send you a shirt.” So I went, and I met Princess Diana, and it was really strange to be at such a big event and have so many eyes on me, because I didn’t expect that, and everyone was curious. I remember they were shady journalists trying to sit next to me and get information about where [John and Carolyn] went on their honeymoon. Life changed dramatically, but it brought great attention to the work that I was doing in Paris, and I was able to then go off and start my own business and do my own thing.
I’m sure you had an understanding through Carolyn about what it felt like to be hounded or followed by photographers and press, but did that firsthand experience in New York give you another layer of understanding for what she was going through?
It’s so funny because society today will do anything for that. But it was a very different time, and she was a very private person. I was a very private person. It’s very invasive, and I was kind of stuck in the middle, because while I needed to promote my work and my shows, and sort of be in the press, it wasn’t something that I was very comfortable with. I mean, I love doing the work more than I like the things attached to it. It can be debilitating, and it was difficult for me, but I adjusted, because I could hide behind my work, but as a private citizen, it was more difficult for her.
Narciso Rodriguez.
(Sølve Sundsbø)
You’ve been a part of fashion history on numerous occasions. Michelle Obama frequently wore your designs, but most famously, on election night in 2008, and then during her final appearance as first lady. How does it feel to have been a part of those moments?
It’s hard to put into words. You know, you spend so much time in it, and you have these amazing moments, like designing a dress that became legendary for brides, or getting to dress the first lady, and it wasn’t until COVID that I took a step back. I think about my mother and father coming here to give their son a chance to live out his dreams. And to have been able to sit with my friends on election night and watch her appear in my dress on such a historic moment — the first African American elected president of the United States — words fail. [Michelle Obama] is such an incredible human being who I admire so much, and to have been a part of that night, I feel so lucky.
I don’t talk about my work with my children, but the other day, when they were on the bus headed to school, they told one of their friends, “My dad went to the Obama White House.” They were proud of me. My parents’ dreams came true, and now I get to share that with my children. It’s very special.
It’s really powerful to hear you frame it that way — that these moments mean so much because of your experience being the child of immigrants. How does it feel to be in the midst of a revival right now?
It makes me want to create more. It means a lot to me that people remember these pieces, and that they’re still part of the conversation. But it also means a really great deal to me because I think it’s an important story to tell today. I think it’s important that young people hear that this kind of thing can happen to the children of immigrants, especially as I’m watching all of the horrible things happening to immigrants now.
I could never do what my parents did. When I think about it now, my parents were so much more successful than I could ever be, because they left behind their home for a cold climate, in a place where they couldn’t speak the language, and they really struggled for a long time before I was born. And now, the idea that we’re trying to take that opportunity away from people? It just blows my mind.
My parents faced so many hardships, their life wasn’t easy, but I can’t imagine if they had been put through what immigrants are put through today. I am the “American Dream,” right? I got the chance I got to do the work that I love and succeed because of them. I want that for everyone. I want that to be the world we live in.
A TRAILBLAZING 80s supermodel who starred alongside TV titan Larry Hagman in Dallas has died aged 62.
Annabel Schofield – once one of the defining faces of Britain’s style revolution – passed away on February 28 in Los Angeles following a battle with cancer, it has been confirmed.
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She passed away on February 28 in LA following a battle with cancerCredit: GettyAnnabel Schofield has died aged 62Credit: GettyShe became internationally known in 1988 as Laurel Ellis in the US television series Dallas
The Welsh-born beauty became synonymous with the bold, rule-breaking glamour of 1980s London.
At the height of her fame, she was represented by London’s powerhouse Take Two Agency and became a cover girl sensation.
She fronted hundreds of fashion magazines and landing major campaigns for Yves Saint Laurent, Rimmel, Revlon and Boots No. 7.
Her international breakthrough came in unforgettable fashion – roaring through the desert in a black Ferrari for a Bugle Boy Jeans TV advert before delivering the now-iconic line: “Excuse me, are those Bugle Boy jeans you’re wearing?”
She later crossed into primetime television, playing Laurel Ellis opposite Larry Hagman in the hit US soap Dallas – cementing her place in pop culture history.
Melissa Richardson, former owner of London’s Take Two Agency, paid tribute in an emotional statement.
“She was one of David Bailey’s favorites and appeared in countless shoots for Italian Vogue. She was the forerunner of Take Two without her, we could never have made it as we did.
“We loved her because she was funny and real and beautiful and down to earth. She never changed from the sweet little 17-year-old Welsh girl I first met.
“She was directly loyal, caring, and above all, a raging beauty. She knew her craft. She was the best.”
Born on September 4, 1963 in Llanelli, Wales, Schofield was trained in the art of the silver screen.
Her father was British film production executive John D. Schofield – a powerhouse behind major box office hits including Romancing the Stone, Jerry Maguire and As Good as It Gets.
At the height of her modelling fame, Schofield made the bold move to Los Angeles – and swiftly landed a coveted role in 12 episodes of Dallas, playing Laurel Ellis opposite Larry Hagman’s legendary oil tycoon J.R. Ewing.
She starred as Alex Noffee in Solar Crisis alongside screen icon Charlton Heston, and went on to appear in Dragonard and Eye of the Widow.
In later years, she quietly built a formidable career behind the scenes, working in production on major films including The Brothers Grimm, Doom and City of Ember.
In 2010, she launched her own Burbank-based company, Bella Bene Productions, carving out a new chapter as an executive producer.
She developed commercials, music ventures and high-end fashion projects.
Schofield formed a creative partnership with director and graphic artist Nick Egan – famed for his work with music royalty including The Ramones, The Clash, Duran Duran and Oasis.
The beauty also collaborated with celebrated photographers Andrew McPherson, Ellen von Unwerth and Michael Muller.
She served as a producer alongside photographer Will Camden on the striking 3D Guerlain campaign starring Angelina Jolie.
She starred alongside Larry HagmanShe is best known for playing Laurel Ellis opposite Larry Hagman in the hit US soap DallasCredit: GettyIn later years, she quietly built a formidable career behind the scenes, working in production on major filmsCredit: Getty
The Screen Actors Guild Awards have been rebranded to the Actor Awards this year. As awards shows undergo major changes, including introducing new categories and moving to new platforms, the only thing that is constant is the red carpet parade of fashion.
Following a breakout year, Teyana Taylor has ruled one red carpet after another this season. She turned heads at the Golden Globes in a custom Schiaparelli bustier gown (with a built-in bedazzled thong), then covered up from head to toe in a plum trench coat-inspired Burberry dress at the BAFTAs. Her co-star Chase Infiniti has also been a sartorial standout in several structured strapless gowns. Other leading ladies sure to steal the spotlight include Kate Hudson and Emma Stone. On the TV side, Jenna Ortega is among the stars who has made a splash in the last few years while veterans Keri Russell, Claire Danes and Michelle Williams continue to impress.
The Actor Awards, hosted by Kristen Bell for the third time, will stream at 5 p.m. on Netflix live from Shrine Auditorium in L.A.
Here’s the best fashion from the 2026 Actor Award, captured by The Times’ photo team.
Erica Mahinay, showing with Make Room Gallery at Frieze L.A.
Some art shows are not just about the art. At Frieze L.A., it’s also about seeing — and being seen.
On Thursday morning, over 100 artists, gallerists and collectors representing 24 countries wafted into the maze that is Frieze at the Santa Monica Airport and transformed the space into a winding runway. The dress code was eclectic and appropriately L.A.: hyper-curated and nonchalant. Archival Mugler was paired with reconstructed relaxed denim. Silk pajama pants slouched over Wales Bonner loafers. And much like the works on display, attendees dared to be visually undefinable.
This year, the four-day frenzy is expected to draw about 30,000 attendees to exhibitions both in and outside the tent, including public installations from Frieze Projects’ “Body & Soul,” and the Focus section curated by Essence Harden, which spotlights young and lesser-known artists.
Storm Ascher, left, founder of Superstition Gallery and Greg Ito pictured with his solo booth, “A Cautionary Tale,” in the Focus Section curated by Essence Harden.
Undeniably, the art this year is a product of now. Outside, Patrick Martinez welcomes guests with neon quotes supporting immigrant rights. Across the tent, in a display of performance art, Amanda Ross-Ho continuously pushes a giant, inflatable Earth around a soccer field, symbolic of “the labor it takes to just keep things going all the time.” Walking around the fair, a shared sentiment of post-fire rejuvenation, cultural collaboration and a pride for the Los Angeles community was deeply felt.
Angeleno and artist Sharif Farrag said he’s “excited to show in the city [he] grew up in.” His ceramic collection “Hybrid Moments” with Jeffrey Deitch is a cultural analogy for his childhood. “I hope my work can reflect the times we’re in through a lens of color,” he said, “and the flora and fauna of L.A.”
Nicole Reber, an L.A.-based real estate agent, was giving “’90s sparkle princess,” coupling a pair of Chanel loafers with a vintage Escada jacket that’s “highly underrated.” She came to Frieze to scope out the next addition to her home. “There’s something valuable about living and collecting art,” she said. “It’s a chance to live with somebody else’s energy.”
Dr. Joy Simmons wore a calf-length button-down by South African designer Thebe Magugu. Collecting art, like clothes, is her way of exploring the diaspora. “I just want to find something that’s different,” she said. “[African American artists] bring a different kind of color palette and excitement to the art world.”
Sharon Coplan Hurowitz came to Frieze with her “support animal, ‘Hector.’” The pebble grain Thom Browne shoulder bag, though, was no size comparison to the 10-foot John Baldessari sculpture she stood in front of. Coplan, who recently authored a catalog of Baldessari’s notable art, is excited to see support for his archival works.
Nevine Mahmoud sculpture at Sebastian Gladstone Gallery
Sebastian Gladstone, owner of namesake New York and L.A. galleries, said he loves the L.A. art community because it brings together “people that would never mix otherwise.” If he could describe “good” art in a sentence, it would be: “an alchemy where there’s a mystery of its creation, and how it makes you feel.”
Kibum Kim, partner at the Commonwealth and Council gallery
rafa esparza at Commonwealth and Council booth
Kibum Kim, a partner at the Commonwealth and Council gallery, said sifting through Frieze is like making “Sophie’s choice.” He wore a jacket from Jakarta-based brand Tanah le Saé, adorned with mixed-matched buttons. In a similar spirit of upcycling, his exhibition shows Rose Salane’s newest project from Pompeii featuring rocks and other ephemera taken from the historic site.
William Escalera, left, and Francisco George
Francisco George, a longtime art collector and docent at LACMA, is a Frieze regular. To him, good art “grabs your attention and keeps it. It communicates.” He visits the fair with his husband, William Escalera, who this year is looking for art that incorporates textiles. “It’s different,” he said.
Gallerist Susanne Vielmetter
Gallerist Susanne Vielmetter layered an Issey Miyake Pleats Please dress with a skirt from J.Crew underneath. At Frieze, she never knows whether it’s going to be cold or hot in the tent. “It’s an onion look,” she said. Although she is particularly excited to display paintings by Alec Egan, depicting the trauma of the Palisades fire, she is glad that the fair is bustling and joyous. “People are just done with doom and gloom,” she said. “They’re positive, they’re energetic, they want to go back to collecting.”
Shio Kusaka, left, and Jonah Wood
An artwork by Jade Guanaro Kuriki-Olivo, aka Puppies Puppies
Conny Maier wears a Healthy Boy Band tee and MISBHV biker shorts.
Just months ago, Demi capped off a stellar career comeback by being named Glamour’s Woman of the Year.
She was interviewed by her Substance co-star Margaret Qualley for the mag and said: “With everything I’ve been through, which has been a lot, I wouldn’t trade where I am today.”
She added a difference with her younger self is the “freedom to know I don’t have to have the answer, and life is not going to be completely stolen from me if I somehow don’t know”.
The actress has battled countless traumas and rejections during her life – including her biological dad leaving before she was born, saving her drug addicted mum from suicide, two spells in rehab and being raped aged 15.
The star of Ghost, Indecent Proposal and A Few Good Men’s return to form in the satirical horror movie The Substance is one of the greatest Hollywood comebacks of all time.
Having struggled to land a hit movie over the past couple of decades, Demi thought “this was it.”
In her speech, Demi said: “In those moments when we don’t think we’re smart enough, or pretty enough, or skinny enough, or are basically just not enough, I had a woman say to me, ‘Just know you will never be enough but you can know the value of your worth if you just put down the measuring stick.’”
Demi didn’t follow up her win by bagging an Oscar, that award went to Mikey Madison, however she wasn’t upset by it.
She told Time: “I didn’t feel gutted.
“I didn’t feel any of those kinds of things.
“I just trusted, and am in trust of, whatever is going to unfold.”
She is set to present an award at this year’s ceremony on March 15 in LA, alongside other A-list talent lie Javier Bardem, Adrien Brody and Zoe Saldaña.
Demi Moore held her pet chihuahua at the fashion showCredit: GettyShe wore her shorter hair in a wet look styleCredit: GettyDemi is flying high after her Golden Globes win last yearCredit: GettyDemi in 1996 cult flick StripteaseCredit: Alamy
At the Royal Festival Hall she wore a figure-hugging red satin gown with a silhouetted cape and a fan-like neckline for the ultimate sexy senorita look.
Maura’s career is on the up and she’s been making big waves in America.
The 35-year-old hosts the Love IslandUSA spin-off show Aftersun and is in the final of Celebrity Traitors, where she struck up a friendship with Real Housewife Lisa Rinna.
She recently attended an event celebrating Lisa’s new book, You Better Believe I’m Gonna Talk About It.
The former reality TV bombshell, who shot to fame in 2019 with her razor-sharp one-liners and no-filter flirting, is fast becoming a US sensation.
While his relationship drama played out publicly, trolls piled into Maura online, landing the blame firmly at her door.
For a short while, she went quiet — but instead of retreating, she soon landed a spot on The Traitors US, which is hosted by actor Alan Cumming.
And what looked like a reputational wobble in the UK has since become a full-blown American reinvention.
A source said: “When the Traitors came knocking, she knew it could turn things around for her. Maura jumped straight into action. She was a woman who had something to prove.”
After filming wrapped on the US series at Ardross Castle in Scotland last June, Maura walked away feeling confident that she had smashed it, according to pals.
She has now signed up with top-tier agency Align PR, whose clients include Madonna and Hollywood stars Matthew McConaughey and Bryce Dallas Howard.
She has even been doing some acting herself, landing a role in an Irish buddy movie, The Spin, due to be released later this month.
She was a sexy senorita at the Baftas on SundayCredit: GettyMaura is taking the US by stormCredit: Getty
Oliver “Power” Grant, the close Wu-Tang Clan affiliate who oversaw the group’s enormously popular Wu Wear fashion line, has died. He was 52.
Grant’s death was confirmed by social media posts from several Wu-Tang members including Method Man, who wrote “Paradise my Brother safe Travels!!” under a post of the two together.
“We couldn’t have done it without him,” GZA wrote in his own post. “Wu wouldn’t have come to fruition without Power. His passing is a profound loss to us all.”
The group members’ posts did not cite a cause of death. The news was first reported by outlets including Okayplayer and Hot 97.
Grant, a childhood friend of Wu-Tang co-founder RZA’s older brother, was a crucial figure in the sprawling New York hip-hop collective’s ascent. Though he was not a performing member of the group, he helped raise capital for early recording sessions and structured Wu-Tang’s finances and record deals — no small feat for a collective with such a vast archipelago of group and solo projects.
“We knew that if a brother got a deal for 150k, he could keep the majority of it, but it also would facilitate and help the other brothers,” he told Passion of the Weiss in 2011. “It was part of our core and movement for us to spread the money around and help brothers eat, without a project out. It was like we were trust fund babies.”
His work set a precedent for autonomy and creative control as hip-hop became a commercial juggernaut in the ’90s.
“Everything that we learned was hard knock life, you figure it out as you go along, and take cues from those that are actively doing things,” he said. “I wasn’t a rapper, but the thrill of being a part of going and where they went, it was the inspiration for how it ended up that lead us all to going back, soaking up what we’d absorbed and coming back with ‘Protect Ya Neck.’”
He was also the driving force behind Wu Wear, the group’s wildly popular fashion line that netted tens of millions in revenue and became a fixture of ’90s hip-hop iconography. The line was later revamped as Wu-Tang Brand, and relaunched as Wu Wear in 2017. He also had cameos as an actor alongside Method Man in the 1998 hip-hop classic “Belly” and 1999’s “Black and White,” and served as an executive producer for the group’s many LPs.
WHEN it comes to having A-list siblings, these two nepo-sisters are at the top of their game.
The two women, who both have popstars for sisters, looked incredible as they stepped into their spotlight at London Fashion Week – but can you guess who they are related to?
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Can you guess who this aspiring model’s famous sister is?Credit: GettyThis nepo-sister has started a career as a model and was spotted at the Burberry party at London fashion WeekCredit: GettyThis stunning woman also has a huge pop star for a sisterCredit: GettyThis nepo-sister was spotted at several London Fashion Week eventsCredit: Getty
The nepo-sisters in question are Rita Ora‘s sister Elena, 37, and Dua Lipa‘s little sis Rina, 24,
The pair were spotted posing for the cameras at London Fashion Week.
Dua’s sister Rina looked chic in white trousers and a striking turquoise jacket.
The aspiring model was spotted at the after party for the Burberry 2026 show.
Meanwhile, Rita’s big sister Elena looked stunning in a black cut-away dress at the Royal Ascot Millinery Collective, which was held at posh hotel, Claridge’s.
At another London Fashion Week event earlier in the week, she looked equally incredible in a black and gold dress.
Elena works as Rita’s talent manager, creative director, and business partner.
The pair are extremely close, and the popstar involves her big sister in every aspect of her life.
Rita was just a year old when her parents moved her and three-year-old Elena to the UK to escape persecution in Kosovo.
But the pair have gone onto become a sibling powerhouse.
Rita and Elena are extremly closeCredit: Instagram
Rita has had Elena by her side since she shot to fame in 2012.
Elena previously said that her little sister’s success is a “team celebration” for both of them, as she has been such a big part of her fame.
“I get as proud of the success as Rita does. But I guess the public only sees her reaction to it,” Elena told Idris and Sabrina Elba on the Coupledom podcast, when she chatted to them in 2021 with Rita.
“It feels like a team thing. Obviously the public just sees Rita, but to us that’s just how it is, you know?”
Elena is known for enjoying showbiz parties thanks to her celebrity connectionsCredit: Getty
Rita added: “Elena is really good at protecting me. I think that is so important in this industry.”
Together the sisters have negotiated movie roles, fashion brand deals and lucrative TV contracts.
But the sisters admitted on the podcast that there has often been a battle for Elena to be taken seriously.
“It’s really tough in such a male dominated industry to really stand up for yourselves and navigate this s**t,” Rita candidly admitted.
Rita Ora Stuns in see thru dress with lookalike sister elenaCredit: instagramElena and Rita appeared on Celebrity Gogglebox togetherCredit: Refer to source
“What do they expect people in power to look like? There’s not an identity.”
Continuing, proud sister Rita said of Elena:“But she’s never lost her cool. She’s always kept it very together.” Rita says she has always had the same trusted people around her in her career.
“I try to keep my team very small. I don’t really like change. That’s why I’ve had the same team for over 10 years. If it’s not broke, don’t fix it.”
Rina is making a name for herself as model and has worked for VersaceCredit: Getty
Meanwhile, Dua Lipa‘s sister Rina is forging a career as a model
The rising star has done well for herself and has already worked with fashion houses like Miu Miu and Versace.
The model has also walked the runway at the prestigious Milan Fashion Week.
Rina has also set her sights on becoming an actress.
Dua is also very close to her sister RinaCredit: Instagram/dualipa
Speaking about going on auditions, she told Nylon: “There’s something about walking into the room and saying, ‘Hi, nice to meet you,’ and having that energy and that aura and that little repertoire between people.
“You can leave feeling like you had a connection if you walk in and you’re a bit bubbly and you are happy to be there. I’m really happy to do really fun auditions. Even if I don’t get the job, that’s absolutely fine.”
Rina got her first taste of fame when her big sister pulled her and their younger brother Gjin up on stage at the Brit Awards.
It came in 2018, when the singer won the Best Female Solo Artist gong and invited her siblings to join her accepting the award,
Speaking to Off Set about the sweet moment, Dua said: “I didn’t even know what I was gonna say onstage and I was like, ‘Come with me! You two — with me.
“They were so terrified. When we got offstage, my little brother and sister were like, ‘Why did you do that to us?’ ”
“They were like, ‘We love you, but that’s crazy. Don’t do that one again.;”
The stunning sisters often share sweet selfies togetherCredit: instagram/rinalipa
One of the rarer football fashion choices is that of tracksuit bottoms, which goalkeepers are allowed to wear.
They are among the game’s more retro fashion choices, though former Crystal Palace No 1 Gabor Kiraly famously wore them throughout his career.
“I’m a goalie, not a model,” he once said. “I’ve played on clay or grass that’s been frozen in winter; it makes your legs hurt when you fall so jogging bottoms seemed obvious.”
Former Manchester United goalkeeper Massimo Taibi wore tracksuit bottoms during his short stint at Old Trafford, while former Colombia keeper Rene Higuita was wearing them while making his famous scorpion-kick save against England in 1995.
KATE Moss led the glamour at Burberry’s star-studded show, as she joined big names at London Fashion Week’s show-piece event.
The model, 52, turned heads in a black Burberry trench coat and shiny navy dress while showing off her endless legs in sheer black tights.
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Kate Moss led the stars at the Burberry show during London Fashion WeekCredit: GettyRomeo Beckham walked for the fashion labelCredit: PALiam Gallagher’s son Gene wore an anorak reminiscent of his dadCredit: GettyGene’s brother Lennon also attendedCredit: Getty
The supermodel was joined by Romeo Beckham, 23, who rocked a maroon bomber-style jacket paired with loose-fitting maroon corduroy trousers.
The exclusive show was also attended by Aston Villa forward Morgan Rogers, 23, Arsenal women’s team footballer Leah Williamson, 28, and actress Daisy Edgar-Jones, 27.
Liam Gallagher‘s sons Lennon and Gene Gallagher also made an appearance.
But it was Kate’s look that sent tongues wagging – with the star dominating headlines during fashion week with her glamorous looks.
Concerns were raised by Kate over her neighbour’s plans to install a new garden.
She lives in a £2.5 million countryside mansion in Little Faringdon, Oxfordshire, where locals say they have been fighting with a sewage system that is no longer fit for purpose.
It is because of the sewage system that Kate has blocked her neighbours’ planned construction project.
According to reports, she fears the plans would increase pressure on the already struggling sewage system.
Arsenal women’s team footballer Leah Williamson wore a silver bomber jacketCredit: GettyAston Villa forward Morgan Rogers made an appearanceCredit: PADaisy Edgar-Jones looked chic in a black trenchCredit: PA
American star Mikaela Shiffrin cemented her status as the greatest alpine skier of all time as she won Olympic slalom gold in emphatic fashion.
Twelve years on from winning the title in Sochi aged 18, Shiffrin stormed to victory with an overall time of 1:39:10, a significant 1.50 seconds ahead of second place to become a three-time Olympic champion.
The 30-year-old put herself in pole position with a time of 47.13 seconds in the first run, a gap of 0.82 seconds to second-place Lena Duerr.
The German was the only skier to finish within one second of Shiffrin but she straddled the first gate on her second run to put herself out of medal contention.
That left Shiffrin with what was ultimately an exhibition run to take gold and she completed the run in 51.97 seconds.
Switzerland’s Camille Rast won silver while Sweden’s Anna Swenn Larsson took bronze.
