fame

Skins star Mike Bailey has left fans stunned with his dramatically different appearance

The actor recently made a rare public appearance.

Former Skins star Mike Bailey has left fans gobsmacked after appearing virtually unrecognisable during a rare public appearance, and it’s not just his looks that have changed dramatically.

Gone is Sid Jenkins’ trademark floppy brunette hairstyle, replaced by a cropped blonde look on the now 38-year-old actor.

Fans of the show were left astonished by how different Bailey appeared during an appearance on the NSN podcast in March.

One fan remarked: “Took me some time to figure out this was Sid, ahahah,” while another concurred: “I can hear Sid but I can’t see him.”

A third person observed: “bro that is NOT the same person,” with another commenting: “So odd seeing him w blonde hair and not swoopy brown bangs a beanie and glasses lol.”

A final viewer remarked: “Can’t tell if I cant recognise him because it’s been nearly 20 years, or because he doesn’t have his hat on.”

Bailey first captured audiences’ attention back in 2007 when he portrayed the much-loved Sid in the cult teen drama. Mike, then just a teenager himself, featured in the opening two series of the show’s seven-season run.

His co-stars included Nicholas Hoult, Dev Patel and Daniel Kaluuya, who have all since carved out stellar Hollywood careers. Yet Mike opted for a completely different path, stepping away from the entertainment industry entirely.

The Bristol native traded acting for teaching, discussing his career change during a 2017 Radio Times chat.

“I kind of thought ‘what the f**k am I doing with my life?’ and ended up getting in a conversation with the wife a couple of years ago and decided that those who can’t act teach,” he revealed, reports OK!.

“10 years ago I never thought I’d still be talking about it, but [Sid] still does pop up every now and again.”

While his acting stint was relatively brief, Mike did appear in several productions, including the documentary 1066: The Battle for Middle Earth and the film We Are the Freaks. He now looks back fondly on his Skins experience as “a collective positive memory”.

But it’s his teaching role that truly resonates with him. During his appearance on the NSN podcast, he enthused: “I love it, it’s the best job I’ve ever had.”

Mike reflected on his varied career, saying: “It’s one of those things, you know those cliché things, I go into work each day and it’s completely different. It literally is.”

Skins is available to stream on Disney+

In this week’s episode of The Envelope podcast, Chase Infiniti discusses her meteroic rise, her Emmy nomination for “The Testaments” and nurturing the ambition to become an actor since age 10.

Kelvin Washington: Hello, everyone, and welcome to this week’s episode of The Envelope. You have myself, Kelvin Washington, alongside my usual suspects, Yvonne Villarreal, Mark Olsen as well. It’s been a week, so I’m trusting everybody’s good. Yvonne, we’re coming to you here because you’re going to help us break this down. Don’t bug the eyes. Yes, we’re coming to you. The [TV] Academy, they’re making some changes when it comes to the live broadcast, and it can be a little bit confusing. That’s why we got you here. Tell us more.

Yvonne Villarreal: They announced that they will be moving five categories that are usually handed out during the ceremony, the Primetime [Emmys] ceremony, to a week prior and handing them out during the Creative Arts Emmys’ weekend. They say the decision is sort of to make space to innovate the live show and incorporate new things. You know, viewership is always something that they’re after. But it’s causing a stir in Hollywood because we’re losing some mainstays of the show, and that’s writing for a variety series, but also taking a big hit is the limited series or movie categories. We’re losing supporting actor, supporting actress, but also writing and directing. And people have a lot of thoughts. Mark, I want your thoughts. Kelvin, I want your thoughts.

Mark Olsen: I feel like there’s a disconnect between the people who watch award shows and the people who make and produce award shows, where I feel like those of us who watch them, we just want more sort of genuine moments from the talent, from the nominees. I want more speeches! And so taking away five categories, there’s going to be that much fewer speeches. I just can’t help but think of like Linda Cardellini, who’s one of the people nominated, she was on our roundtable earlier this year and just like a great presence, a stalwart TV actor, and to have to take away that chance for her to potentially get up onstage be really genuine, why would you not want that as part of your show instead having these kind of like canned comedy bits or, you know, hacky reunions plus canned comedy bits that nobody particularly wants.

Villarreal: It’s an awards show.

Washington: True, but maybe I’m Nobody in this case. We were talking about this a little bit earlier, you guys were making fun of the 1990s reunions there. I enjoyed it. I enjoyed seeing, I think it was maybe two years ago, when they had “Martin” up there and they had never been invited; they were kind of joking, “Oh, we never got invited” or “We never won an Emmy.” And so I think it’s been pretty cool. And I will say that this is the challenge for productions, when you’re trying to appease everyone. Is it about the awards? It is about the length of time — just speed this thing up? Is it about having the magical moments? And then you see the Grammys try to get these things right as well. You’re never gonna be able to please everyone. So I think it’s always a difficult balance. So we’ll see how it works out this year. But I’m looking at you, Mark, some people might enjoy those. And you too, those nerdy little reunion shows.

Villarreal: But in a time when it’s already hard to get a show visibility in this marketplace, and so many people don’t know what’s nominated anymore, when you’re taking away an access point for them to discover something or not tell them about a show, it’s a short-sighted change I think.

Washington: The only response I would add to that is that’s kind of where we are. Even if you keep up with television, movies and music, it seems to be a lot more word of mouth than historically where things are plastered everywhere. And even if you didn’t care about the particular thing, you saw it, you heard it. Now it’s like word of a mouth and just watercooler or just the algorithm telling you what to like.

With that being said, somebody who’s having a great run right now, Chase Infiniti. I know you had a chance to speak with her. Of course, “Handmaid’s Tale” did so well. Then there’s the spinoff, “The Testaments.” Tell me a little bit more about your chat with her.

Villarreal: Talk about, like, a breakout nomination this year. Chase has really been a star on the rise. She made her debut in Apple TV’s adaptation of the legal thriller, “Presumed Innocent” playing Jake Gyllenhaal’s daughter. And in recent projects, she’s played this young revolutionary, both in Paul Thomas Anderson’s “One Battle After Another” and now in “The Testaments,” which takes place after the events of “The Handmaid’s Tale.” She’s the daughter of a high-ranking commander, but she’s also the biological daughter of June, who’s Elisabeth Moss’ character. And this show is really about seeing the rebellion of young teenage girls and how they are sort of key to the inside resistance of toppling this regime. And so we talked a little bit about that.

Washington: All right, well, you got me a little nervous. You’re talking about the rebellion of teenage girls. You know, I’ve got a 9, a 7, and a 5-year-old, so that could be my future.

Villarreal: Let’s hope it is. They’re the future.

Washington: You’re right, you’re right. Yvonne and Chase, here they are now.

Chase Infiniti, photographed in late March ahead of “The Testaments” premiere.

(Jason Armond / Los Angeles Times)

Yvonne Villarreal: Chase, thanks so much for being here. Congratulations on your Emmy nomination. What do you want to remember about this moment, this feeling?

Chase Infiniti: Oh. I don’t know. I’m trying to take little pictures in my brain of everything and remember all of the influx of emotions that I felt that entire time, but also throughout the whole journey of making Season 1 of “The Testaments.” There’s so many things about it that I’m like — I just never want to lose that feeling. There’s a lot of [memorable] moments I had on set and also during the press tour and then even finding out about the Emmy nomination, which feels very crazy to say. But even finding out about that, there’s so many little things that I’m like, “I never want to lose that feeling. I want to keep it in my brain forever.”

Villarreal: Is it as thrilling as what you remember feeling when you booked that first role in a local production of “Hairspray,” when you were 10?

Infiniti: It definitely does. I also feel very grateful that with my job and with everything I get to do, I really try to keep intact how much I love the work and how much I love creating. That’s what helps it keep that same energy as me finding out I’m playing Crystal in “Hairspray” versus me finding out that I have an Emmy nomination.

Villarreal: Were you on Cloud 9 getting the news of Crystal?

Infiniti: Oh, yeah. I was so happy because I was it was the first time I ever had a name in a musical. And I remember when I was a kid, I watched the movie version of it every night for six months. Not a lie. Me and my sister would turn it on religiously after school and we would start singing “Good Morning, Baltimore.” It got to the point where we knew almost every line in the movie.

Villarreal: I feel old asking which version of “Hairspray”… Zac Efron? What was it about it?

Infiniti: It’s just catchy — everything about it. It just makes me happy, When I hear “Run and Tell That,” I just want to do twirls in my room. I love musicals so much and they make me so happy. If I’m ever down or need a little pick-me-up, I’ll literally just blast that soundtrack. I blast the soundtrack to “Pippin” or … “Shrek: The Musical.” I remember being in the production and it kind of brings me back to those happy memories I had ,or productions that I saw that I was like, “Oh, my gosh, this really makes me want to work towards being in something like that.” I love musicals.

Villarreal: It was just two years ago where the general public was starting to learn your name with your debut in Apple TV’s “Presumed Innocent.” Since then, you’ve navigated the film award season with “One Battle After Another,” and now the TV awards season with “The Testaments.” How do you make sense of what this moment is? Are there still things you’re getting used to? What have you enjoyed about this part of the job?

Infiniti: There’s a lot of things I’m still getting used to. Especially with “One Battle,” I think the biggest adjustment I had was people knowing me before I walked up to them — people that I’m massive fans of. I met Angela Bassett at something, and she came up to me and said my name, and I was like, “You’re Angela Bassett, and you know who I am?” That was like an “Oh, my gosh” [moment]. I’m still really adjusting to that. I feel like there’s a disconnect in my brain between like what I think people know of me versus what reality actually is. And my friends bring it up all the time and they’re like, “Chase, these people know who you are.” But I can’t wrap my head around that. It’s very strange, especially going from like a 0 to 100 situation. That’s something that I’m still trying to find an adjustment on in my brain.

[What have I] enjoyed about it? I’ve gotten to meet all of my superheroes, in a way. All the people that I’ve grown up watching on the screen and on the stage, [I’ve encountered at] all of these different events and in passing, and everyone could not be kinder and just getting to meet them and just pour into them how much they’ve shaped my life and shaped the creative work I want to do. Another adjustment thing is hearing them pour back into me too. That’s something that I’ve been getting used to. But meeting the superheroes of it all in my brain has been something I’ve really loved. Also getting to meet people who’ve watched “The Testaments”; like younger girls who’ve watched it and then really found a connection point with it, and it’s had an impact on them and their friends. That’s something I really cherish about getting to do what I get to do. I had it with “One Battle.” It’s really cool to see it happening again with “The Testaments.” That’s a very wonderful gift.

VIllarreal: Before we delve further into “The Testaments,” I do want point out this moment onstage at the Academy Awards. When “One Battle After Another” won best picture, Paul Thomas Anderson singled you out, calling you “My American girl” and the “heart of this movie.” Place me in that moment as Chase.

Infiniti: Well, I didn’t hear him. I just heard him say my name. I remember he was going down the list and saying names of different people, and I thought that it was something like that. I was touched that he even mentioned me onstage. Obviously, that movie has quite literally changed my life and that entire cast. And I love Paul so much. So I didn’t hear him onstage, and it wasn’t until afterwards that my parents had sent me a screenshot of the [closed] captions from that night. They were like, “This is what Paul said about you.” I just remember feeling so honored that I got to be a part of something that changed my life, but [it was a film that] also really, I think, changed a lot of people’s lives as well; they connected with it. I can distinctively remember every single day on that job. I just remember feeling such a rush of emotions after reading [what he said] because I love that movie and I love Paul so much. I could not be more grateful for that opportunity and for the opportunity to play Willa, let alone get to be a part of the crazy world that is a Paul Thomas Anderson set. But I learned so much. There’s so much I could say about it.

Villarreal: How did playing Willa inform how you thought about Agnes, who’s also this young revolutionary in the making, as you were putting yourself on tape for “The Testaments”?

Infiniti: I signed on to it with one script in mind. Obviously, I had read the book beforehand, so I had an idea of what she was going to go through, but I didn’t necessarily know how it was going pan out onscreen. The biggest help Willa [provided] beforehand going into that is, I feel like I, by nature, have a little bit of a rebellious spirit, but I really had to turn it up with Willa. I think that being able to access that through Willa and then shape it differently for Agnes, given the circumstances of where she is, was the biggest key between the two. They do share the strong sense of rebellion. Granted, Agnes doesn’t know where it comes from. She doesn’t really know how to handle it, necessarily. But I think that that was a nice way into Agnes and creating her world mentally of where she is and also the inner turmoil of, “I know that there’s this thing happening inside me, but I don’t really understand it.” I think [that] was the biggest cheat code from Willa to Agnes.

Villarreal: What was it about “The Testaments” that spoke to you and made you want to tackle the material?

Infiniti: Just from that one script alone that I read before I signed on, it was hidden that it was “The Handmaid’s Tale,” but you can get a sense of what the world is based off of that initial script. I just fell in love with how detailed it was. It didn’t feel like there were any question marks in the world, and I think that diving into something [like] that felt very interesting because it’s not otherworldly but it feels otherworldy in the sense of the way that they speak and the way Gilead itself looks on paper versus on the screen. That was something that I found to be very interesting. But I think with Agnes specifically, I really love the amount of love that she has for her friends, because that’s something that I feel very strongly about. My friends and my family, but especially my friends, are the people I cherish most in my life. My loved ones are near and dear to my heart, and I will do anything for them. That’s something that I really loved about Agnes. That makes me very happy to see, that even in a world that’s so dark and so dim — even if she doesn’t view it as that, it is dark and it is dim for a young girl in Gilead —she still has so much love and so much hope for her friends. And I found that to be very inspiring.

Villarreal: Did you have any hesitation about the heaviness of this fictional world?

Infiniti: I don’t think that that necessarily terrified me, because I think that I have this very privileged ability to step into this world that seems like it’s so far outside of what we are, I guess, used to — but it’s really not. Nothing that Margaret Atwood writes is fiction. It is all based off of history or things that are happening at the time that she’s written it. I knew that it was going to be very relevant. I’m in this very privileged position where this isn’t my reality, but this is the reality of so many women around the world. And I thought when I read this script that this was a way for people to not, I guess, become desensitized to seeing these things, because I think that we’re in a world where it’s so easy to just turn off your phone, scroll past something, and just ignore what’s actually really happening. With “The Testaments” and with the things that these girls go through, I truly feel heartbroken. But if this in any way can wake people up, can help people continue to ask questions and really question their own environments, that was something that I wasn’t scared of. And I really felt empowered to join something that was doing that. And I am also grateful that on that set, it never felt like the material was too heavy for a day because our entire cast and our entire crew kept the energy on set very light. And if there was ever a point where a day was extra heavy, I knew that I could turn to Lucy [Halliday, who plays Daisy] and she would always be there for me. I know that I can turn to one of the directors and they would always be there, or even one of the [production assistants]. Everybody on set was very forthcoming with kindness and always very open. That was something that helped to keep the heaviness of the subject matter [from] going home with us.

Villarreal: Agnes has only known obedience and repression. She’s very controlled with her emotions. As somebody with roots in musical theater, did you have to curtail some of those instincts that you might’ve had to be a little more expressive? How was it settling into Agnes?

Infiniti: It was honestly pretty easy because you get into the space, you get into the world, and you instantly are transported and you get little context clues based off of the things that you see in Agnes’ room versus the things that you’ve seen in the school — or the absence of things. The absence of things really helped to start to put me in a box in a way — not the negative connotation of that — like putting the costume on. It really helped for me to feel the restriction of the world to understand what Agnes’ mind is, and getting to see that from the outside and then getting to step into it. It wasn’t that hard to shut off that part of my musical theater brain, but I think part of that is also I’ve learned how to maneuver through that just based off of “Presumed Innocent” and “One Battle,” because both of those parts are also very, very much so not musical theater-y at all. So I think that was also something that I had the privilege of learning on both of those sets.

Villarreal: Something that stands out with Agnes is we’re witnessing her awakening. Gilead is all she’s ever known. And she’s very dutiful to the practices of that society. But she’s grappling with coming into her identity and feeling this gap of her internal thoughts and feelings and what society tells her to be. What was important to you in having those two realities live side by side?

Inifiniti: The one thing I never wanted her to lose was her sense of love. She is a character who that is at the root of most of her decisions, especially when it comes to the final episodes with Becka [played by Mattea Conforti]. I think the love that Agnes has in this world is something baseline I never want to lose. I really tried to maintain that throughout.

There’s so much that you keep to yourself — your inner thoughts, your inner personality in a way — versus what you outwardly show the world. I just had to turn up the extremes when it came to Agnes, and really make sure to keep those things that she keeps close to her heart guarded. And put on this almost armor in a sense of what she views to be the most perfect version of herself for the outside world. And then watching that kind of crumble, those layers are peeled apart based off of what happens to her and what she sees happen to her friends. But also, there’s a point in everyone’s life where they realize, “Oh, what I had been raised under the belief of is actually not the reality. Whether it be something like that or whether it be an idea or an ideal that you have about the world or about yourself or your morals, just based off of what you’ve been raised with. I think that everybody has a point in their life where they have to face a version of reality that they’ve been told versus what actually is reality. There’s things that I’m still learning, and there’s still things that I’m questioning just based off of what I see in my personal life, and then also with my friends or what my family goes through.

Villarreal: A key character in the show is menarche and the menstrual cycle. We see how it’s weaponized, but we also see how it gives these young girls their power. What was it like to explore that?

Infinti: The thing I honestly really enjoyed about it is the openness of it. Like, you know when you go to the bathroom — and this is perfect podcast talk — and you’re taking your pad or your tampon to go change, but you’re hiding it because you’re like, “I don’t know if I want anybody to see it” [or hear] the crinkling of everything. But I think that the openness of everything in the show — granted, circumstances are completely different — but the openness that they have with it, I found to be very freeing and refreshing in a way. That was something, especially when we started shooting, that we all talked about, because we were like, “We’ve never been in a place where it didn’t feel like there was a stigma against it.” It felt like we were almost encouraged to talk about it. Getting to put this show out into the world and letting girls see that there isn’t something that they should be afraid of, but also letting them see that this is normal. This is not something that we should be scared of, let alone try to hide, because it’s a part of womanhood. It’s also a part of girlhood and a point of connection between younger girls. Getting to see it on the screen and see the way that these girls talk about it, ignoring the society of Gilead and the amount of pressure that the men put on them in this society, that connection that they have with those few things that span across culture, that is something that we were all very happy to kind of have that openness with something that we’ve felt so scared to talk about, especially at like 14 and 15.

Villarreal: Scared to experience too.

Infiniti: I remember when I got my period for the first time I was like, “What is happening? I don’t know what is going on.” The first person that you call, if it’s not your mom or another maternal figure in your life, is your friends. Because they’re normally the person closest to you in proximity if you’re at school or if you were at an after-school activity or something like that. Getting to have that openness felt very refreshing to have on set.

Villarreal: There was so much openness that there was a menarche playlist curated by director Mike Barker. Tell me the backstory on this.

Infiniti: We did. I’m trying to remember how we found out about this playlist. We were doing a camera test for the costumes, and I remember Mike just putting on this playlist and he’s like, “I like putting up these songs for everyone to listen to” because there was no dialogue in this little camera test between me, Mattea, Rowan [Blanchard], Lucy, Brad [Alexander], Amy [Seimetz] and Mabel [Li] — I can’t remember if I might be forgetting somebody else, and I’m so sorry if I am. But it was a bunch of the cast and then there was also some pinks in there just to see how everything looks on camera. And we were hearing all these different songs playing. We’re like, “Wow, this is great. Thanks for putting together a playlist, Mike.” At some point, Lucy went to grab his phone to look at what the song was and his playlist was open, and she’s like, “Why is the playlist called ‘The Menarche Playlist’? And after that, it just became us trying to get him to approve a song that we would suggest.

Villarreal: I remember you telling me Britney Spears’ ”… Baby One More Time” was on it. But I had wondered who else made the cut.

Infinti: “… Baby One More Time” was on it. I think that was the first song on it, but there would be points in lunch — we’d all eat lunch together — and we’d be like “OK, Mike, what about this one for the menarche playlist, or what about about this one?” We would all secretly hope that they would get added to the show.

Villarreal: Did one of your suggestions get added?

Infiniti: There are songs on there that I don’t even remember. So one of them probably did get added. I just don’t remember what it was.

Villarreal: Agnes is somebody that doesn’t really experience culture. We don’t know what kind of music she likes, what kind of TV or film she likes. And you’re someone that’s very much into culture, at least from what I’ve seen. Were you thinking about what she might like? How did you think about her backstory with that kind of absence?

Infiniti: I was really just relying on what you saw of her in “The Handmaid’s Tale,” and that was the extent of what I would let a part of her backstory be because she doesn’t remember much about her childhood. Once she becomes conscious, in a way, in Gilead, all I did was rely on the things that I knew that she liked and really try to remind myself, “She doesn’t know what a movie is. She knows what ‘Jaws’ is, but she doesn’t really have an understanding of what watching a movie is like. She doesn’t know what YouTube is, she doesn’t know what a phone is.” I had to keep reminding myself, especially at the beginning, to not put those things in the forefront of our minds, unless, of course, like you’re a Pearl girl who has prior knowledge of everything. A lot of it was just reminding myself, “You don’t know what this is, she doesn’t know what this is.” If I were to meet Agnes right now, she would probably think I was crazy because she just doesn’t understand a lot the things I’ve seen, and the things that we use in our day-to-day life, and I really tried to make sure to keep that intact, but also relying on the bits of information that I had from “The Handmaid’s Tale” going back to the show. And also, of course, we had Bruce Miller, so I could ask him anything.

Villarreal: What would you, Chase, expose her to? If she were to come to you, what she should be listening to or watching, what’s the guide you’d give her?

Infiniti: The crash course to being 14? I would show her One Direction. I’m sorry. That is something that is so quintessential to being a 14-year-old, especially me being 14. I would be like, “Agnes, I see the things that you love and you’re obsessed with. I’m going to show you the thing that I was in love and obsessed with when I was your age.” I would be very curious to see how she would react to hearing One Direction for the first time; hearing “What Makes You Beautiful,” that would be interesting to see. I would show her something that is representative of me being her age. I still am a fan. I’ve always been a fan my whole life, but especially One Direction, that’s probably something I would show her.

Villarreal: Who was Chase at 14? You talked earlier about having a little bit of that rebellion in you. And after playing these two characters back to back, what have you sort of learned yourself, about your power or finding your voice, especially in an industry like Hollywood?

Infiniti: Something that I realized when I was probably about 13 or 14 is, I used to be very upset when people would underestimate me. I found a way to, I guess, not make it my superpower … but use it as opposed to [letting it be] something that would defeat me. [I would] use it as something to continue to motivate me to work towards the goal that I already had because there’s always gonna be people that underestimate you. There’s always going to be people in the world that want to pour negativity into you when you’re truly just living your life, working towards the things that you want. That was something that I realized pretty young because I knew at 10 that I wanted to be an actor. And so at that point, I kind of made a shift in my mind where I was like, “OK, I need to start working towards the thing that I want to do.” At 13, people were like, “Why are you so motivated to do this? It’s a bit embarrassing that you want to be an actor. What makes you think you can do that?” And I was like, “Because I want to do it.” I never had a doubt in my mind that this would be the thing that I would get to do because that was something that my parents always told me. They were like, “Dream big because the dreams that you’re imagining can be your reality, especially if you work hard enough towards it.” And I feel very lucky that I get to do the thing I’ve always dreamed of doing.

Villarreal: How does that live side by side with also learning how to deal with rejection so young?

Infiniti: It’s a lot of tears, a lot of sad days, sad weeks, conversations with my friends, conversations with parents. But from being underestimated, I remember my dad being like, “You have to get comfortable with ‘no.’ And it’s not going to be fun. It’s not gonna be something that you’re excited to hear, because no one’s excited to hear that they didn’t get something that they really wanted.” Now I’m at a point where I’ve really learned how to process it and not let a no or a rejection affect my view of myself or affect my view of a performance or my abilities to do anything. It took a long time to learn, and I’m still nowhere near perfect, but I’m definitely at a place that’s better than when I was 13 because it is hard for somebody that young to get that amount of rejection. It’s also hard for somebody at my age to handle that level of rejection, especially when you get so close to something. I have to give that credit to processing those things to my parents because that is all them. I had many tear-filled nights when I was a kid because I was so sad that I didn’t get a solo in something, and they’re like, this doesn’t mean that you’re not talented. I’m also somebody who believes the right things will find you. And they’re [my parents] also the people that kind of instilled that in me too.

Villarreal: Does that reframing of no also give you the confidence to approach Leonardo DiCaprio and Benicio del Toro and say, “Will you make a TikTok with me?”

Infiniti: It honestly was like a lot easier than I thought it was going to be. I was very specific. I did lots of research because I also was like, “I want it to be something that they can look at and also laugh at.” They can enjoy it.

Villarreal: Do you think you’ll get there with Ann Dowd? A TikTok?

Infiniti: I would love to. I don’t know what it would be, but I would love to make a TikTok with Ann Dowd one day. If it could be like all the girls on set making a TikTok, I would be very happy. I do have some planned. So, we’ll see.

Villarreal: Margaret Atwood makes a cameo in the finale of Season 1. How do you even talk to Margaret Atwood when you meet her? What was that experience like for you?

Infiniti: The person who was probably the most shocked was Lucy because Lucy Halliday is the biggest Margaret Atwood fan I think I’ve ever met. I had the gift of getting to witness Lucy meeting Margaret for the first time. But meeting her — she’s so kind. [Producer] Warren Littlefield says this all the time where he’s like, “You can’t talk to Margaret Atwood and not learn something with every conversation.” I just remember being very quiet and listening to her talk and listening to her ask questions of me, ask questions of Lucy, but we would just pour into her and be like, “Thank you so much for your work because you truly have touched millions.” She’s also so funny and so witty and very charismatic. I remember being very nervous beforehand, but she made it very easy for our nerves to go away. The highlight was getting to see Lucy meet Margaret.

Villarreal: You’re about to head out to Canada to start production on Season 2. You’ve seen two scripts. What do you hope to see for Agnes in Season 2?

Infiniti: I hope Agnes is happy, and I hope that she can continue to push and find her happiness. I hope that she doesn’t lose her spark, and I hope that’s something that she continues to explore and understand why she is the way that she is. Those are two hopes that I have.

Doc Rivers needed some time to write the speech that he’ll give when formally inducted into the Naismith Memorial Basketball Hall of Fame on Saturday.

The storytelling, that part was easy. He’s a natural at that.

But what Rivers wound up learning during the trial-and-error process of speechwriting was that the words he’ll say from a stage in Springfield, Mass., aren’t going to be about him. They’re going to be about everyone else who played a role in him getting to that moment.

“You go through this journey of writing it and you realize it has nothing to do with you in a very good way,” Rivers said. “People are happy for you, and I am happy for them because they got me there. You hear all your life, ‘You don’t do anything alone.’ When you get in the Hall of Fame, you really understand that you don’t do anything alone. It’s all the coaches in your life, your parents, the players. It’s a thankful journey and that’s what the Hall of Fame should be about.”

Numbers prove he’s among best

A winner of 1,194 regular-season games as an NBA coach — and that’ll be all, he insists, saying his retirement is a real one — Rivers ranks sixth in league history. The only others ahead of him: Gregg Popovich, Don Nelson, Lenny Wilkens, Jerry Sloan and Pat Riley, all of whom are Hall of Famers, so it was obviously a lock that Rivers would be joining them.

He won a championship with Boston in 2008, won 114 playoff games as a coach, played 13 seasons, was an All-Star once, has been a broadcaster and — if he goes back to work, and his family currently has a pool that he will — he’ll be a broadcaster again.

But there’s more to life now. The Illinois native and Marquette legend has seven grandchildren, a house on the water and can’t play enough golf. He’ll still be involved in the game, somehow. It just won’t be as a coach. It’ll be as a Hall of Famer.

“Doc is a proven, extraordinary leader and communicator during his renowned NBA coaching career,” Milwaukee general manager Jon Horst said when the Bucks hired Rivers in 2024. “As a championship coach, he’s widely respected as an established innovator, and the right coach to lead our experienced and talented team.”

He was, until he wasn’t.

Injuries derailed every chance the Bucks had at being a winner last season, and when the season came to its dismal close Rivers was fairly certain it was the end for him as well — after 27 seasons on the sideline, and whole lot of missed moments along the way.

“The one thing that people have no idea about is the toll it takes on you and the family component,” Rivers said. “It is rough. You’re never home. You make sacrifices and your family has to make them as well.”

That won’t be an issue now.

A hit from the beginning

Rivers won coach of the year in his first season, taking a team he called “the 301s” in Orlando and leading it to a 41-41 record. On the surface, there’s nothing special about going .500. But the Magic were supposed to be bottom dwellers that season and Rivers used a preseason ranking of the league’s top 300 players as inspiration — since none of those top 300 were playing for the Magic.

“That season gave me great confidence,” Rivers said.

He has some regrets, of course. Critics have long pointed to the 10 losses that Rivers-coached teams had in Game 7s, by far the most of any coach in NBA history. And his fans will retort by pointing to his 114 playoff wins, fourth-most in NBA history. But the biggest do-over, if Rivers had such an option, would be changing his mind about leaving the Celtics for the Clippers in 2013.

Rivers got to the Clippers not long before the end of Donald Sterling’s ownership of the team; Sterling made racist comments and was banned by NBA commissioner Adam Silver.

“I underestimated what a great situation I was in, and I took that for granted, like you can just go anywhere and create that,” Rivers said. “I messed that one up. But then when I go to the Clippers, the team is pretty damn good. The organization, it was the worst organization in sports with the ownership problem. Within a week there, I remember telling my assistant, ‘We’ve got a lot to do here.’ ”

The championship with the Celtics in 2008 — Ray Allen, Paul Pierce and Kevin Garnett, the stars of that team, will be together again to present their former coach for his Hall enshrinement — was an obvious high point for Rivers’ career. There were other moments he’s particularly proud of as well, such as delivering on a promise that he made to someone who barely played for him.

Tyronn Lue succeeded Rivers as coach of the Clippers. Lue played 11 games for Rivers in Orlando during the 2003-04 season; that was all the time it took for Rivers to be convinced that Lue would one day be a coach. He told Lue to call him if he ever wanted a job and Lue took him up on it. Rivers wound up going to the Hall of Fame, and few within the game would be surprised if Lue joins him there one day.

“It’s the stories like that that you think about,” Rivers said. “Rajon Rondo played for me in Boston. We had a very tumultuous relationship when I coached him and now, I probably talk to Rondo more than probably than any player that I coached.”

It’s what the game does, Rivers said. The lucky ones get guided along the way. He played that role with players like Rondo — who coached with Rivers — and Lue, and in Rivers’ own case, it was Riley who gave him the push he needed.

Riley and Rivers clashed at times during their player-coach relationship, and their biggest fights came when Riley was telling Rivers that he belonged in coaching.

Riley was right.

“When I was doing TV, he kept writing and sending me these freaking messages about getting into the fray,” Rivers said. “He knew it. And here I am, going into the Hall of Fame.”

Reynolds writes for the Associated Press.

For every actor, musician, writer and artist who has become a wealthy and enduring celebrity, exponentially more of them have enjoyed a brief, shining moment, never to be heard of again. What separates those who last from those who fade away? Is it luck, talent, drive, destiny? All of the above?

It’s an intriguing question that may have no definitive answer, but one that director Kent Jones (2018’s acclaimed “Diane”) and Oscar-nominated screenwriter Samy Burch (“May December”) lovingly and lyrically consider in the often first-rate “Late Fame.” The film is based on an 1895 novella by Arthur Schnitzler (also author of the book that became “Eyes Wide Shut”), which went unpublished until 2014.

A quietly captivating Willem Dafoe plays Ed Saxberger, a New York post office veteran of 37 years in a seemingly satisfying if decidedly low-key existence. For him, it’s work, then maybe a game of pool with his blue-collar buddies at a local bar (though he’s six years sober) and a solo return to his Greenwich Village walk-up.

That is, until one night, he’s approached outside his apartment building by a somewhat affected but seemingly earnest young man who goes by his last name, Meyers (Edmund Donovan). With his elevated speech, tony air and throwback attire, he’s like someone from another era; you could see him as one of Jay Gatsby’s pals or a bon vivant who drops by on “Downton Abbey.”

Meyers proceeds to tell an astonished Ed that he’s a huge fan of his long-forgotten 1979 poetry collection entitled “Way Past Go,” the postal worker’s fleeting brush with literary success. “They just slap you across the face with their style and with their relevancy,” extols Meyers of the poems. “They’re timeless.”

Really, what writer, no matter how detached from their past, could resist that kind of sweet talk?

A meet-up with Meyers’ “artistic community,” a circle of so-called intellectuals known as the Enthusiasm Society, leads Ed to humbly dip a toe back into his vanished creative side. He’s not unaware that Meyers’ mostly 20-something male friends have — like many — romanticized the gritty abandon of lower Manhattan’s bygone literary scene and perhaps Ed’s tenuous place in it. They might be poseurs tossing around references to Ginsberg and Bukowski, but the welcome mat the group offers Ed is enticing and inspiring.

Still, a visit to Meyers’ sleek apartment, admittedly paid for by his parents, confirms for Ed the kind of youthful privilege at play here, so unlike the scrappier downtown bohemia of his own artistic heyday.

The wild card in the Society is Gloria (Greta Lee, dazzlingly good), an impish sprite who’s hard to pin down. Is she really a working stage actor? Ed gets swept up in her performative antics and elusive, larger-than-life allure. (She’s older than her fellow Society members but decades younger than Ed.) When they develop a teasing flirtation, it’s one of the less credible turns here, given how authentic Ed is — and how dubious she appears (though some truth on that front will later unfold).

This tilt toward Gloria causes the film to lose its way a bit, pulling focus from the more potentially vital mentor-disciple dynamic between Ed and the anxious, navel-gazing Meyers. Plus, Donovan is excellent here, so less of him is, well, less.

That said, there’s a bravura second-act scene that finds Gloria performing an impassioned version of the 1929 Bertolt Brecht and Kurt Weill torch song “Surabaya Johnny” for an appreciative cabaret audience, one that includes a rapt Ed. It verifies Gloria’s singing talent and proves a perfect match for her showy, cagey persona: the love child of Marlene Dietrich and Sally Bowles.

If the story has a through line, it concerns the planning and execution of an evening of live readings from the Society’s works, with a new poem from Ed as its centerpiece. A few of the obstacles layered in — Ed’s struggle to write and some show-night personality conflicts — feel a tad obligatory. But the event itself has its high points, including the piece Ed finally reads.

In addition, an awkward meeting between Ed and a smooth literary agent (Jake Lacy), along with a mini-subplot involving phone calls from Ed’s frustrated sister about their dying brother, come off slightly wedged in. Not much payoff there.

No matter. There’s wisdom and depth to the film’s themes of growing old, dashed dreams and the magic of rediscovery, plus a deliciously ironic final twist. Jones manages his superb cast with aplomb and cinematographer Wyatt Garfield evocatively captures lower Manhattan’s wintry, burnished glow.

NATALIE Imbruglia has candidly admitted she “ran out of money” after finding fame on Aussie soap Neighbours – and was forced to bunk in a basement.

The actress and singer, who played Beth Brennan in the hit series from 1992 to 1994, with a brief comeback in 2022, fell on hard times shortly after leaving Ramsay Street.

The Neighbours legend, who later went on to find fame in the music industry, told the Davina McCall Begin Again podcast she simply “ran out of money”.

Now 51, Natalie recalled trying to bag further acting jobs after moving to the UK, yet admitted “things didn’t fall into my lap”.

She told host Davina: “I went to England and I couldn’t get a visa to work as an actress and thats when they really cracked down on Neighbours stars getting English actors’ roles.

“And that was a hard time because I ran out of money.

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“For a few years I was very famous from Neighbours and was doing appearances and appearing in clubs and signing autographs, and just getting wads of cash in envelopes and living like that.

“But that was the first time in my life where everything didn’t fall in my lap and so I just partied – but then the money ran out”.

The Torn hitmaker, who was in her Twenties at the time, talked of penning her first album and said: “I had run out of money and was living in the basement of someone’s house in Chelsea.

“Which was weird because I had no money and I am in Chelsea in this big mansion but I was just in the basement”.

Natalie admitted meditation and “a lot of conversations with God” had seen her through.

She released her debut album, Left of the Middle, in 1997.

It was the same year in which she released debut single Torn.

Previously, Natalie has spoken about her struggle to be taken seriously as a singer and said: “There was a lot of stigma attached to being in a soap. I thought I’d blown any chance of making a serious record because I had been in Neighbours.

“I turned down two record deals because they were very poppy. I wasn’t sure what I wanted to do but I knew I didn’t want to be manipulated. I may not have had a direction, but I wasn’t stupid.

“My profile dropped off and so did my bank balance, and that was the best thing that ever happened to me.

“I was forced to struggle, which is a normal, healthy part of growing up. I hadn’t gone through that.”

CANTON, Ohio — Drew Brees stood on stage next to his bronze bust, in front of Who Dat Nation, and took his place in the Pro Football Hall of Fame.

Getting benched three times in the NFL helped him get there.

“Marty Schottenheimer, one of the greatest coaches and motivators to ever coach this game and who belongs here in Canton,” Brees said Saturday. “Marty was my biggest fan. He would tell me all the time, even as he benched me three times and made me fight for my job every year with two greats, Doug Flutie and Philip Rivers.

“The first two times I got benched, I deserved it. The third time, I still don’t think I deserved it, Coach. But nonetheless, it lit more than a fire. It forced me to access a place in my mind and heart that I had not yet been. The adversity was not expected, but very necessary. I would never have reached the heights I did without it. I knew I needed to play better, but more importantly, I knew he believed I would play better.”

Brees eventually left the San Diego Chargers and joined the New Orleans Saints, where he won a Super Bowl playing for coach Sean Payton and became one of the most prolific passers in NFL history, to the delight of fans who filled the Superdome with chants of “Who dat?”

Payton took time off from coaching Denver to introduce Brees on stage.

Brees got emotional thanking Payton.

“You always had a plan and vision for every player you coached,” Brees said. “I’m not sure if this is how you envisioned my journey or how big a role you would play in it, but I love you for it.”

Brees has the second-most yards passing (80,358) and touchdown passes (571) in league history, behind only Tom Brady. He was a first-ballot selection and joined a class that includes Larry Fitzgerald, Luke Kuechly, Adam Vinatieri and Roger Craig.

“I often ask myself how in the world did I play 20 years in the NFL,” Brees said. “Yes, it was for the love of the game. Yes, it was a relentless attempt to master my craft. Yes, it was the grind and challenge of preparation and the thrill of game day. But you want to know what it really was: for the love of my teammates. I would wake up every day with a burning desire to commit, sacrifice and command in a way that would give them everything they deserved.”

Roger Craig

Craig, who revealed in a video speech that he has vascular dementia, became the first player in NFL history to have 1,000 yards rushing and 1,000 yards receiving in a season. Only Marshall Faulk and Christian McCaffrey have done it since.

“You spend your whole life trying to prove you belong and one day you’re told you’re one of the all-time greats. Man, it’s overwhelming,” Craig said.

Larry Fitzgerald

Fitzgerald was the first player to have his bronze bust revealed on stage Saturday at Tom Benson Stadium.

The 11-time Pro Bowl wide receiver, who played his entire 17-year career for the Cardinals, was introduced by the oldest of his three sons, Devin.

He finished his speech with a message to his boys that’s applicable to everyone.

“Don’t just pursue excellence for yourself,” Fitzgerald said. “Help other people pursue it, too. That’s the part of this story that matters the most. Not the likes. Not the fame. But the people you travel with. The values you uphold. In the end, it’s not just about the excellence. It’s about the people who help get you there.”

Being drafted No. 3 overall in 2004 by Cardinals coach Dennis Green reunited Fitzgerald with the man who was Minnesota’s coach when he was a ball boy for the Vikings.

“When coach Green hired me as a ball boy, I grew up watching legends being built right in front of me,” Fitzgerald said. “Hall of Fame players like John Randle, Chris Doleman, Randall McDaniel and Warren Moon, who taught me what it means to demand more of yourself than anyone else ever would. Plus, they saw me.”

Fitzgerald thanked Hall of Fame receivers Cris Carter and Randy Moss for their influence on his career during his time working for the Vikings as a kid. He singled out former Cardinals teammates Emmitt Smith and Kurt Warner for showing him how to be a professional.

“Kurt, when you demanded that I elevate my preparation, consistency and accountability, you dragged me to the winner’s circle,” Fitzgerald said. “The timing couldn’t have been better for an impressionable kid, and I continue to aspire to be the kind of man you are.”

Fitzgerald is second on the NFL’s career list in receptions (1,432) and receiving yards (17,492). His 121 touchdown catches are sixth.

Adam Vinatieri

Vinatieri became only the third full-time placekicker to be inducted into the Hall, joining Jan Stenerud and Morten Andersen.

He may have a new career in comedy.

Vinatieri drew plenty of laughs and cheers with jokes about Bill Belichick, Peyton Manning and Tom Brady.

“And Peyton, thank you for generously donating your forehead for today’s teleprompter,” Vinatieri cracked. “A gigantic forehead means big brain and your football IQ is unmatched.”

Manning nodded his head with a smile from his seat among the Hall of Famers.

Vinatieri retired with NFL records of 2,673 career points and 599 field goals. Only George Blanda (26) and Andersen (25) had longer NFL careers than Vinatieri’s 24 seasons.

“When people hear the word greatness, they usually think about the biggest names on the biggest stages,” Vinatieri said. “But greatness isn’t created under bright lights. Greatness is built on empty practice fields when it’s below zero. Greatness is sacrificing temporary fun for meaningful outcomes. Greatness is turning doubt into belief. Preparation matters. Character matters.

“And to all the doubters, thank you. Your criticism became fuel. Your doubt became motivation. You helped make me better.”

Colts owner Carlie Irsay-Gordon introduced Vinatieri, who won his fourth Super Bowl with Indianapolis after earning three championship rings in New England.

Luke Kuechly

At 35, Kuechly became the second-youngest player inducted into the Hall. Chicago Bears running back Gale Sayers was 34 when he was inducted in 1977.

Introduced by his father, Tom, Kuechly was inducted on the same field where he led St. Xavier High School to a state championship in 2007.

Known for his intense study habits, Kuechly was a five-time All-Pro linebacker, the 2012 AP Defensive Rookie of the Year and 2013 AP Defensive Player of the Year during his eight-year career with the Carolina Panthers. Kuechly decided to retire in part to preserve his brain health after suffering several concussions.

“This game teaches you a lot if you’re willing to observe and listen,” Kuechly said. “It’s taught me resilience, consistency, toughness, the value of communication, how to find common ground, and most importantly how to enjoy it along the way cause oftentimes the best moments are the ones you are in.”

Maaddi writes for the Associated Press.

Haynes King is an NFL star.

That is, the Carolina Panthers undrafted rookie quarterback is an NFL star in early August after exactly one preseason game.

Sure, Thursday’s Pro Football Hall of Fame game between the Panthers and Arizona Cardinals was nothing more than a meaningless exhibition in which few, if any, actual starters played.

But NFL fans have been starving for any kind of action for almost six months, and King provided plenty of that during Carolina’s thrilling 33-30 victory in Canton, Ohio — especially on the final play of the game.

Even if his NFL career ends up going nowhere (more on that in a minute), the reigning Atlantic Coast Conference player of the year out of Georgia Tech will always have this spectacular, game-winning run for his highlight reel:

After former USC quarterback Kedon Slovis connected with receiver Bryson Green for a one-yard touchdown pass to give Arizona a 30-27 lead, King had 1 minute, 55 seconds remaining in regulation to lead the Panthers to a comeback win.

He completed four passes for 24 yards and also scrambled for 26 yards to help Carolina get to the Arizona five-yard line with two seconds left on the clock. Haynes took the shotgun snap at the 10 and dropped back to the 14 before shooting up the middle, pump faking around the seven and diving into the end zone for the game-winning score.

A massive end zone celebration ensued.

“I’ll tell you what, I couldn’t breathe,” King said afterward. “But it was amazing, just going out there and being able to celebrate with the guys that you’ve been OTAs, all training camp with, and busting your butt, and to finally go out there and celebrate with them and just showcase your talent is very fun.”

Franchise quarterback Bryce Young did not play. Veteran backup Kenny Pickett started the game and played three series before King took over. The 25-year-old rookie completed 21 of 34 passes for 180 yards with two touchdowns and no interceptions. He also ran for 39 yards with one touchdown on three carries.

“Haynes did a fantastic job,” Panthers coach Dave Canales said after the game, “just keeping the play alive, doing whatever he had to do, run it, throw it.”

After playing sparingly for three years at Texas A&M, King established himself as a dual threat at Georgia Tech over the last three seasons. During that time, King completed 67.6% of his passes for 7,907 yards with 55 touchdowns and 24 interceptions (including 16 during his first season with the Yellow Jackets). He also rushed for 2,277 yards and 36 touchdowns.

King performed well at the NFL scouting combine earlier this year, running the 40-yard dash in a blistering 4.46 seconds. Questions about his age and passing ability may have led teams to skip King during the draft in April, but the Panthers snatched him up in free agency immediately afterward.

Kurt Warner and Warren Moon were undrafted quarterbacks who eventually landed in the Hall of Fame. Tony Romo and Jeff Garcia did pretty well for themselves as well. Will King be able to beat the odds like those guys?

His chances of making Carolina’s 53-man roster improved greatly last month when veteran backup quarterback Will Grier announced his retirement, which bumped King up to No. 3 on the depth chart.

More performances like he had Thursday night certainly won’t hurt King’s cause either. Take a look at his run during the final drive:

Again, it’s only preseason … but, man, he was awesome.

Dory Funk Jr., a pro wrestling icon and one of three members of the Funk family to be inducted into the WWE Hall of Fame, has died at age 85.

Marti Funk, Funk’s wife of 40 years, told Florida’s Ocala Gazette that her husband died Tuesday while in hospice care. No further details were given.

Born on Feb. 3, 1941, in Hammond, Ind., Funk was the oldest of Dory and Dorothy Funk’s two sons. Spending most of his childhood in Amarillo, Texas, Funk grew up admiring his father, a professional wrestler and promoter who once wrestled in Canada as a heel named the Outlaw who hailed from the fictitious location Double Cross Ranch. As wrestlers, Funk and his brother, Terry, often were billed as being from there as well.

“As a kid, I used to dream I could do all the things my father could do,” Funk said during a 2007 interview for World Wrestling Entertainment. “I wanted to be just like him.”

Funk played offensive and defensive line on the West Texas State University football team (now West Texas A&M) from 1959 to 1962 — he was inducted into the university’s athletics Hall of Fame in 1990 — and went straight into professional wrestling. His 50-plus years in the business included stints in a number of associations across the U.S. and Japan.

He was the National Wrestling Alliance heavyweight champion for more than four years uninterrupted (February 1969 to May 24, 1973). In 1986, Funk and his brother joined WWE (then known as WWF) as a team and defeated Tito Santana and Junkyard Dog at WrestleMania 2.

Funk’s involvement in wrestling also expanded into promotion. In addition, he and Marti owned and operated the Funking Conservatory, a wrestling school where he trained a number of future WWE superstars including Kurt Angle, Christian, Edge, the Hardy Boyz, Mark Henry and Mickie James.

“He was such a good guy,” Marti told the Ocala Gazette, “such a good guy!”

The Funk brothers were inducted into the WWE Hall of Fame in 2009. Dory Funk Sr., who died in 1973 at age 54, was inducted posthumously to the hall’s Legacy Wing in 2025. Terry Funk died in 2023 at age 79.

WWE chief content officer Triple H announced Funk’s death Tuesday afternoon on social media.

“From the Double Cross Ranch to the @WWE Hall of Fame, Dory’s style inspired countless performers in our industry” Triple H wrote. “Whether it was at WrestleMania 2, WCW, ECW, or the dozens of NWA-affiliated promotions, his travels across North America and Asia were a part of the early blueprint that helped build this business into a global phenomena.

“A hard-nosed and fierce competitor, his rugged in-ring style was only eclipsed by the decades he spent training athletes to perform in the squared circle he loved so much. My thoughts and those of the entire @WWE Universe are with his loved ones during this difficult time.”

COOPERSTOWN, N.Y. — Dusty Baker could sense a portion of his life as he entered the National Baseball Hall of Fame’s Plaque Gallery on Saturday night. He couldn’t help but notice that some of his contemporaries from when he played with the Braves and Dodgers were walking slower, in some cases with the help of a cane or an assistant.

“I’m glad to see everybody,” said Baker, 77. “But you know, we’re getting old. I see guys in walkers who used to run fast, (and) their kids that are grown. You kind of see your life flash before your eyes.”

A record 60 Baseball Hall of Famers were in Cooperstown as Jeff Kent, Carlos Beltran and Andruw Jones were inducted Sunday. Baker traveled with the San Francisco Giants’ contingent to celebrate Kent, who credits Baker with helping transform him into the National League MVP, All-Star and eventually a Hall of Famer.

As much as Baker tried to keep his focus on Kent, however, many kept telling him that this visit was a prelude to his induction next summer. They reminded him that he’s expected to be on the Hall’s Era Committee ballot in December.

If Baker receives at least 12 votes from the 16-member committee, he’ll become the first Black manager elected into the Hall.

“I know the history,” Baker said. “I was fortunate enough to be around Hank (Aaron) in the beginning.”

Baker grew up idolizing Jackie Robinson, who broke baseball’s color barrier on April 15, 1947, 26 months before Johnnie B. “Dusty” Baker was born in Riverside.

Through 1953 National League Rookie of the Year Jim Gilliam, who spent three seasons with the Baltimore Elite Giants of the Negro Leagues before joining the Brooklyn Dodgers, Baker met several Negro League greats.

Gilliam once took Baker to eat lunch at Negro League legend Cool Papa Bell’s home in St. Louis. He also spent time with Satchel Paige and Ted “Double Duty” Radcliffe. Because of his friendship with Aaron, his Braves mentor, and his time with the Dodgers, he met Hall of Famer Roy Campanella and Don Newcombe, who spent time in the Negro Leagues before joining the Brooklyn Dodgers.

Bell, Paige and Campanella were all inducted into the Hall. Paige was the first Negro Leaguer inducted into the Hall of Fame in 1971, five years after Ted Williams used his induction speech to advocate for Negro Leaguers.

“Baseball gives every American boy a chance to excel, not just to be as good as someone else, but to be better than someone else,” Williams said on July 25, 1966. “This is the nature of man and the name of the game, and I’ve always been a very lucky guy to have worn a baseball uniform, to have struck out or hit a tape-measure home run.

“And I hope that someday the names of Satchell Page and Josh Gibson in some way can be added as a symbol of the great Negro players that are not here, only because they were not given a chance.”

Robinson became the first Black player elected into the Hall by the Baseball Writers’ Association of America in 1962. Negro Leaguers weren’t considered for the Hall until Paige was elected into the 1971 class. A year later, Gibson was inducted.

Baker first visited the Hall of Fame to play an exhibition in 1974. He made his third trip to Cooperstown this weekend, which marked his first visit for an induction weekend.

Exactly 60 years after Williams induction speech on the steps of the Hall of Fame, Baker walked into the Hall and was greeted by the loud roars of another Boston Red Sox legend, David Ortiz. Baker smiled widely, nodded his head, greeted Ortiz in Spanish, chuckled and walked over to Ortiz and Vladimir Guerrero, giving each of them hugs and pats on the back.

A few seconds later, Dave Winfield joined the trio for a picture before Baker and his wife began to mingle with other Hall of Famers and guests.

Later that night at a party the Giants held in Kent’s honor, Kent paid tribute to his family, Baker and a few teammates during a short speech.

Then Kent predicted that Baker will return next year to take his place among baseball’s immortals. Baker won a World Series title and three pennants as a manager while leading a record five teams to the playoffs over 26 seasons as a manager.

He’s eighth on baseball’s all-time managerial wins list with 2,183 as the only Black manager in baseball history with 2,000 victories.

While sipping on his coffee and munching on extra crispy bacon and blueberry pancakes Sunday morning, Baker sat at the Otesaga Resort where the Hall of Famers stay during induction weekend. He looked out at Otsego Lake while several Hall of Famer stopped to say hello.

Chipper Jones stopped by and said, “You dusting off that chair for next year, Dusty?”

Baker laughed and shook his head before calling Chipper by his first name, Larry.

“There ain’t no guarantees, so why am I going to look forward if there ain’t no guarantees?” Baker said. “I’m serious. People think I’m kidding when I’m saying that. When Bill Belichick did not get in the (Pro Football) Hall of Fame anybody has a chance to not get in the Hall of Fame.

“Am I right? That’s how I look at it. I was shocked. They can talk about Deflategate, they can talk about the media. What about the other six (Super Bowls) he won?”

Nonetheless, Baker appreciates what it would mean for a Black manager to finally be elected to the Hall.

“But most of my life had been full of ‘First Black Guy stories, Black man stories’ from the time I was in high school,” he said. “The two blacks at my high school were me and my brother in my last year of high school.

“That’s some of the reasons I went into the wine business. There’s not many Blacks in the wine business. One reason why I started but stopped in the energy business was because there’s not many Blacks in the energy business.”

There have been 354 inductees into the Baseball Hall of Fame, 23 of them as managers.

Baker will likely be the first Black manager next summer.

“I was taught pride from my mom and dad in culture about being Black,” he said. “My mom was really big (on Black history) because she was a Black Studies teacher, so we had books that I read. …

“I’m hoping I can motivate other young brothers and sisters to achieve some things that don’t seem achievable. It’s a little bit disheartening when I see regression of Black coaches, Black players, Blacks in baseball.”

CARDI B is about to let everyone in on the story of her rollercoaster life — including working as a stripper.

I can reveal the rapper is the subject of a major new documentary from the same team behind programmes on Victoria Beckham, Pamela Anderson and Coleen Rooney.

Production company Dorothy Street Pictures is secretly working on the special, in which she will speak about her rags to riches story.

Cardi, who wore this eye-popping pink catsuit and matching hat for a performance in New York on Sunday, has quite a backstory, so I’m sure it will be riveting viewing.

She started off her working life as a stripper, and would entice men to hotel rooms and steal their money.

Her fortunes changed when she became a viral sensation a decade ago on apps such as Vine and Instagram, and eventually got signed to a label and scored hit songs including Wap and I Like It.

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Carly Simon, 83, reveals Parkinson’s and cancer diagnosis after years-long break

Cardi has not been short of controversy during her time in the showbiz spotlight, famously throwing a shoe at rival Nicki Minanj during a spat in 2018.

She has also had a difficult love life, getting married to Migos rapper Offset in 2017, and having four kids with him before they separating in 2023.

A source said: “Cardi is one of the most in-demand rappers in the world and is also one of the most interesting.

“She has lived her life in the public eye to some degree. But there’s a lot that she’s never opened up about, and this is her chance.

“Next year will mark a decade since she released her major-label debut single Bodak Yellow and so there’s a documentary in the works which will mark that.

“There’s a lot to talk about and she wants the public to see who she really is, because she often feels misunderstood.

“It’s expected to air on a big streaming service like Netflix, but the deal is still being hatched out.”

Cardi released her long-awaited second album Am I The Drama? last year and then went on a tour across North America.

And I won’t be surprised if we see her back on stage at British festivals next summer.

KOJO: LADIES RULE

Kojo Funds has worked with acts ranging from Wizkid and Tion Wayne to Kano and Bugzy Malone since bursting on to the music scene a decade ago.

But the British singer has saluted the work ethic of top women in the industry and says they have inspired him.

His biggest chart hit to date is 2017 collaboration Finders Keepers with Mabel, and has also worked with Raye on a 2018 track called Check.

Kojo said in an exclusive interview: “Female artists who are operating at that level take their craft seriously. Put effort into what you’re doing, don’t do it anyhow.

“They’re very hard-working, I respect them for that. The work ethic… that’s the kind of thing I took from them.”

Kojo’s new single How Many will be on his EP Hello It’s Me Again, which is out on August 21.

And one person who’s bound to be giving it a spin is Cardi B.

Recalling how the US rapper discovered his music, he said: “Her first time in London, she went to a club and they were playing my music.

“Dun Talkin’ came on and she saw how people were hyping her up while she was moving to it.

“The next morning, she’s on Instagram singing it, with her hair messy, a little bit tipsy.”

They’ve since performed together and hung out, so I’m hoping a collaboration with her is on the cards next.

DANCING On Ice beauty Vanessa Bauer has been tipped for a career in Hollywood by Football Factory and The Business actor Tamer Hassan.

She has re-trained after the ITV show was axed, and plays Tamer’s girlfriend in new film Rise Of The Footsoldier: Retribution.

On how great she was playing Isabella Chaika opposite his character, Colonel Sullivan, he told me: “Vanessa has a future in films, 100 per cent.

She looks great, she carries herself well.

“She’s definitely got some chops to be an actress.”

Vanessa joined Dancing On Ice in 2018 when the show was revived.

She won with Jake Quickenden, and was a runner-up several times with celebs including Diversity’s Perri Kiely and Towie’s Joey Essex.

But the show ended again in 2025 and now she is exploring new paths, having also appeared in Netflix’s The Thursday Murder Club.

THE race for No1 is hotting up.

Shakira’s Dai Dai now is just 118 copies ahead of Sam Fender and Olivia Dean’s Rein Me In – closing the gap from 609 copies the previous day.

The World Cup anthem will be her third chart-topper if she can hang on to the lead until Friday.

But if Rein Me In can clinch it, it will become the longest-running No1 of all time, with 19 weeks at the top.

ROMCOM TOO TOUGH FOR CHRIS

OSCAR-winning director Christopher Nolan says there’s one genre that’s too hard for him to tackle – the romcom.

The man behind movies such as Oppenheimer, Interstellar and The Dark Knight would be “terrified” at the prospect of making one.

The Brit whose new epic The Odyssey is No1 at the box office, explained: “I think doing a romcom would be incredibly difficult.

I love watching those movies. But no, I think people who direct comedy, people who do comedy . . .  that’s one of the hardest things in the world, to make people laugh that way.

“If I show a film to people and maybe they don’t respond to bits of it, I’m like, ‘Ah, they don’t get it. Whatever’. There’s no hiding behind that when you do comedy, so I would be terrified.”

TYLA POPS TO UK ON TOUR

TYLA is hitting the road for a 34-date global tour following the release last week of her second album A*POP.

The Chanel singer has announced she will open the tour in Paris on October 12 before shows at London’s O2 Academy Brixton on October 15 the O2 Apollo Manchester on October 19 and O2 Academy Glasgow on October 18.

Tickets will go on sale at 10am this Friday through tylaworld.com.

Zara’s latest feet

THERE was no chance of Zara Larsson getting cold feet about her latest brand deal with these slippers.

She wore the funky footwear – designed as giant feet in flip flops – while reclining on a sofa as part of a campaign for re-sale site Depop.

Zara put 30 pieces of clothing from her own wardrobe up for sale, and they sold out almost straight away.

She said: “I’m not particularly sad about releasing anything of mine into the world because I know I’m gonna get many more beautiful things back. Fashion is fun in that way.”

Given all the designer brands desperate for her to wear their clothes, I am sure she has plenty of options.

LIFE OF RILEY FOR RAY AND DANNY

DANNY DYER and Ray Winstone are teaming up again, two decades after appearing in TV film All In The Game.

The hardmen, pictured together in 2006, have been cast in UK crime thriller Going Under, which is due to hit cinemas next spring.

Production on the film has just been completed, after being shot in secret.

It will follow Ray’s gangster character Riley and his right-hand man Don, played by Danny, trying to pull off one final deal.

Charli’s bra-t summer

CHARLI XCX is ready for our fourth heatwave of the summer – and has stripped off to prepare.

She shared this photo of her wearing a bra and sunglasses on Instagram, just as it was revealed there will be a picture of the singer going on display at the National Portrait Gallery in London.

A 2024 photo of Charli in a white crop top, which was taken by Harley Weir and used to promote her album Brat, has been added to the gallery’s collection and will be in its History Makers Now space.

Senior curator Brandei Estes said: “We are delighted to acquire this striking portrait of Charli XCX, which captures one of the defining cultural figures of her generation.”

WILD Child actress Emma Roberts has tied the knot to afellow screen star Cody John.

Emma, who appeared in American Horror Story and is the niece of Hollywood A-lister Julia Roberts, wore a Monique Lhuillier dress, and told Vogue: “I’ve been married in a movie before, and I tried out wedding dresses for that, which feels so weird. Now, it’s the real deal.

“I wanted it to feel very vintage-inspired.”

The couple started dating in 2022.

LIZ & BILLY LOVE BIRDWATCHING

LIZ HURLEY has revealed the secret to her romance with Billy Ray Cyrus is a shared love of birdwatching.

She said: “We’ve been together nearly 18 months, but we spend the vast majority of our time in the countryside, whether it’s in England or Tennessee.

“We like doing the same things, which some people would think is a little odd. We like bird watching. We’ve got binoculars, we’ve got long lenses.”

The relationship has been especially good for her son, filmmaker Damian, who has been able to meet Billy’s superstar daughter Miley.

Liz added on SiriusXM’s Andy Cohen Live in the US: “When he was a young teen, he used to love all her music. I used to have to watch her music videos like Wrecking Ball a zillion times with him, so we were very familiar with who she was, and I knew I was going to like her, and I do like her.”

Last things first: Eve Babitz is a major minor L.A. writer who died five years ago at age 78. She spent nearly a quarter-century as a recluse, having suffered in 1997 a shocking and disfiguring accident while striking a match to light her Tiparillo. Her thin Indian skirt caught fire searing her panty hose into her flesh, leaving her with third-degree burns over more than half her body. She never published again, though many championed her gifts, including me. At the time of her misfortune, I was book editor of the Los Angeles Times. I had long admired her, especially the rollicking and indispensable “Slow Days, Fast Company,” first published in 1977, a charming and insightful series of stories bursting with pluck and sass. I recommended to John Carroll, the then-editor of the paper, that he make her a columnist and urged Babitz to write him directly. She did, and that letter from October 2000 is the last included in “Too L.A.: Letters Never Sent (But Some Were),” a book of letters expertly edited and chosen by Lili Anolik. Babitz tells Carroll that “what the paper needs is some writers that cause such an uproar, people will have to read it in order to stay abreast of the edge.” Babitz knew what she was talking about. She’d been living on that edge since she was a teenager at Hollywood High in the late 1950s.

The posthumous resurrection of Babitz’s writings is most welcome. Yet there is a risk of overpraising her merits. She was an unabashed booster of the glossy L.A. that became synonymous with a rising creative elite whose élan and narcissism she found irresistible.

Lili Anolik makes the case in her perfervid introduction: “The letters are everything you could want” and often “profound” and “frequently brilliant, invariably amusing.” She says they deserve to be put on the short shelf next to Virginia Woolf’s imperishable “A Room of One’s Own” for they are “every bit as candid, every bit as lucid, every bit as brutal, every bit as delicate as Virginia Woolf’s celebrated manifesto.”

If only.

“Too L.A.: Letters Never Sent (But Some Were)” by Eve Babitz

(New York Review Books)

Regrettably, Anolik, who is almost singlehandedly responsible for Babitz’s literary exhumation, has so fallen in love with her subject as to almost blind her to Babitz’s defects, both with respect to her writing and to the life. With two previous books — “Hollywood’s Eve” (2019) and “Didion and Babitz” (2024) — prompted by Anolik’s riveting March 2014 Vanity Fair profile, Anolik has become Babitz’s greatest champion. Now with “Too L.A.,” a title taken from Babitz’s own over-oxygenated writing, she has gathered and edited a trove of letters. They brilliantly reveal Babitz’s eye for the deep shallow as well as explore the porous boundary between the largely self-inflicted injuries of her private life and the glittering sheen of her public persona. Babitz herself, on the strength of these 197 letters, only 30 of which she ever mailed, understood in a way Anolik doesn’t the limitations of her talents, even as she strives to slip the shackles of a mansplaining culture which at almost every turn tried to blunt her ambitions, both artistic and writerly, even as her editors and admirers sought (often with her ardent encouragement) to slip between her sheets.

Eve Babitz was born in 1943 to Hollywood neo-royalty. Her Brooklyn-born father, Sol, was first violinist for both the Los Angeles Philharmonic Symphony and then the 20th Century Fox Studio Orchestra. Sol would ultimately marry Lily Mae Laviolette, a beautiful Cajun Catholic shiksa willing to convert to Judaism. Eve’s godfather was Sol’s good friend Igor Stravinsky. When puberty burst upon her at age 14, Babitz’s blossoming made her a prime candidate for induction by the fast-track girls at Hollywood High who called themselves the Thunderbird Girls and cruised the Sunset Strip in their cool cars, looking for the main chance.

From left, Sol Babitz, Mae Babitz, Mirandi Babitz and author Eve Babitz gather at a launch party for her book “Slow Days, Fast Company” in 1977.

(Photograph by Paul Ruscha; courtesy of Mirandi Babitz / The Huntington Library)

At 20, Babitz posed nude playing chess with the fully clothed Marcel Duchamp to promote Duchamp’s retrospective exhibition at the Pasadena Art Museum. At the time, Babitz was having an affair with the museum’s 32-year-old married director, Walter Hopps, which perhaps explains Babitz’s reluctance to have her face photographed so as not to give the game away to Mrs. Hopps, who attended the opening. A month later, Babitz confides in an (unsent) letter: “Everything’s so fabulous for me now I can’t believe it. There’s nothing like two boyfriends to do it for you every time. There are such fabulous boys around and they take you out on dates and to movies and I feel just like a teenager. (I’m recapturing my lost youth.) I get to get dressed up and I flirt outrageously and put people on and I do things like look soulfully out the window and man it’s just too hoozie for words. … If only all of this could last forever — not that it will, but I can.”

She spent the rest of her life torn between the excitements of everyday life — cruising the hangouts du jour (Barney’s Beanery in the early 1960s where she met many of L.A.’s up-and-coming artists — Ed Kienholz, Billy Al Bengston, Laddie Dill, Peter Alexander, and the Ruscha brothers, Ed and Paul, both of whom she’d bed, Paul becoming an on-again, off-again boyfriend whose bisexuality made for a sometimes tenuous connection; and after seducing Jim Morrison before he became famous and later the Troubadour in the late 1960s which was a happy hunting ground — Steve Martin, Glenn Frey, Don Henley, J.D. Souther, Country Joe Mcdonald, Jackson Browne, to name only a few, and then Ports restaurant where she anchored a corner table) — and the seductions of drugs — uppers, acid (which she seemed to ingest with an alarming frequency), pot, of course, and then by the mid-1970s, tragically, an Everest of cocaine. She had entered what she aptly called the era of “squalid overboogie.”

Eve Babitz and her frequent companion Paul Ruscha celebrate the 1977 release of Babitz’s seminal “Slow Days, Fast Company.”

(Photograph courtesy of Mirandi Babitz / The Huntington Library)

The name-dropping is relentless and if, like me, you have an insatiable appetite for hoovering them up, this volume will not disappoint. Still, there are many pages of vapid jottings — “I cleaned the house, did the laundry, and vowed to quit smoking” — that suggest why Babitz was a failure as a novelist (see her dud “Sex and Rage”) and a superb writer of short stories and essays that stylishly plumbed the depths of her own sensibility precisely in the degree to which she was uninterested in other people.

Nearly 30 years after she stripped to please her married lover and startle the unsuspecting Duchamp, the father of Dada, and eight years after she joined AA in 1982 — the year her beloved father died of Huntington’s disease at age 70 which ultimately would also kill her — and gave up drugs and alcohol and (almost entirely) writing as well, which had always been seen by her as enabled by dope of one kind or another, she boasted that, looking back, “Everybody wanted to be me — they looked at me with yearning faces, and said, ‘Boy, you sure had fun.’ ” She was not entirely wrong. She had struck many admirers both then and now, as the quintessential California girl, a daughter of Dionysus, whose devotion to pleasure was free of misgiving or regret. She detested the East Coast avatars of apocalypse, like Nathanael West, who saw only doom and gloom in sunny L.A. Babitz, by contrast, saw things sunny side up. If Joan Didion was unsettled and made anxious by the hot Santa Anas that regularly kicked up, Babitz luxuriated in them, recalling how she and her sister would as young girls rush to embrace them, spinning madly round and round. In a 1977 unsent letter to Joseph Heller, who had championed her work when she had sent him an unsolicited fan letter after having read “Catch-22” when it was first published and she was barely 20, she declares proudly: “I’m a gossip storyteller who likes L.A. rather than hates it.” She refers to her “shallow nature,” writing that “I feel like an upstream salmon, determined to reach the shallow water, no matter how fast the river is running the other way.”

Eve Babitz, the ultimate Hollywood reveler, on Sunset Boulevard in 1980.

(Los Angeles Times)

On the evidence of these letters, she had two great loves: Ahmet Ertegun, a principal founder of Atlantic Records, and Tom Dowd, renown recording engineer and producer who worked for Ertegun. Of the two, Ertegun had the edge, if for no other reason than he came with buckets of dough, making possible assignations at his regular bungalow at the Beverly Hills Hotel with limo pickup and dropoff services, and the best champagne and other assorted stimulants. Ertegun was effortlessly elegant and erudite, and there was no one he didn’t know and who wouldn’t return his calls. He was married, age 45, 20 years older than Babitz, when they fell for each other in 1969. She began sleeping with him even as she agreed to profile him for Jann Wenner’s newly launched Rolling Stone. The writing didn’t go well. Wenner wanted a tougher piece than she was willing to write. Ultimately, she abandoned the assignment, claiming (not unreasonably) that she didn’t see how she could write objectively about a man she loved.

Babitz courted danger with heedless bravado and exemplary recklessness. She once had the moxie to rid herself of a would-be rapist: When told not to scream, she said with unimaginable sangfroid: “Why not?” The man bolted. It might be said of Babitz, as Oscar Wilde said of his life, that she spent her talent on her writing and reserved her genius for her life. Sculpting her natural gifts of wit and brazenness into a living artwork dazzled all who came within her orbit. Her lust for life was palpable. The letters are proof. She came at people without fear. She left them without apology. She was the boss of herself. She was the girl who seemed to have it all. The only thing she lacked was inexperience.

Wasserman, a former book editor of the Los Angeles Times, is publisher of Heyday Books, a nonprofit, independent publishing house founded in 1974 in Berkeley. He is the author of “Tell Me Something, Tell Me Anything, Even if It’s a Lie: A Memoir in Essays.”

Aaron Rodgers recently shared photos of himself with his parents and one of his brothers on social media.

While that’s something that a lot of people do, the Pittsburgh Steelers quarterback is a very private person who has never even posted a photo of his wife online.

Rodgers also has been estranged from his parents and brothers for quite some time now.

Those relationships appear to be on the mend, however, after the 22-year NFL veteran took to Instagram on Monday and posted several seemingly recent family pictures — including one of him with his arm around his father Ed, another with his arm around his mother Darla and others of him interacting with older brother Luke.

“Another bonding week,” Rodgers wrote, adding the hashtag #fam.

It was only his fourth Instagram post in more than two years. Luke Rodgers responded in the comment section with two heart emojis.

Rodgers spent 18 seasons with the Green Bay Packers, winning Super Bowl and four league MVP awards before playing two seasons with the New York Jets. The upcoming season will be his second with the Steelers and, he has said, his final one in the NFL.

The rift with his family members was made public in 2016 when younger brother Jordan Rodgers was a contestant on “The Bachlorette.” On one episode, Jordan Rodgers told his now-wife JoJo Fletcher that his famous brother has chosen to live his life in a certain way, “I chose to stay close with my family and my parents and my [other] brother.”

On another episode featuring other members of the Rodgers family (with a conspicuous absence), Luke Rodgers said: “It pains both of us, like, not to have that relationship [with Aaron] — we miss our brother. I trust that God brings things full circle and that everything would just get back to us being a family.”

Weeks later at Packers training camp, Rodgers was asked about the subject.

“I’ve always found that it’s a little inappropriate to talk publicly about some family matters, so I’m just —I’m not going to speak on those things,” Rodgers said, “but I wish him well in the competition.”

He added: “I haven’t seen the show, to be honest with you, so it hasn’t really affected me a whole lot.”

Ed Rodgers confirmed to the New York Times in 2017 that Rodgers hadn’t spoken to his family since late 2014, soon after the quarterback started dating actress Olivia Munn (the couple broke up in 2017).

In the 2024 Netflix docuseries “Aaron Rodgers: Enigma,” the 10-time Pro Bowl selection said he had never been “super duper close” with anyone in his family, except for Jordan Rodgers earlier on. He attributed the rift to a number of things, including his parents’ religious beliefs, sibling rivalries and his family’s reaction to his fame.

“I don’t wish any ill will on them at all,” Rodgers said. “It’s more like this, we’re just different steps in the timeline of our own journeys.”

The ice seemed to have started to thaw between the family members in recent years. According to the 2024 biography “Out of the Darkness: The Mystery of Aaron Rodgers” by Ian O’Connor, Ed Rodgers bought a ticket to a 2023 celebrity golf tournament in Lake Tahoe with the hope of possibly coming face to face with his son, who was a participant in the event, for the first time in nine years.

Rodgers saw his father in the crowd and tracked him down. The two of them embraced and said, “I love you.”

“That was a special moment,” Aaron told O’Connor.

O’Connor wrote Tuesday on X that Rodgers invited his parents to his Pleasant Valley High (Chico) Hall of Fame induction in April, then introduced them to the crowd and thanked them for their support.

Inductees into the National Baseball Hall of Fame by definition have plenty of marvelous memories when reflecting on the career accomplishments that led them to Cooperstown.

Bumps in the road were inevitable as well.

One big bump for Jeff Kent and Andruw Jones came with the Dodgers in 2008, Kent’s last of 17 MLB seasons and Jones’ first following 12 years with the Atlanta Braves.

Suffice to say neither will enter the Hall of Fame wearing a Dodgers cap.

Kent signed with the Dodgers ahead of the 2005 season fresh off a National League Championship Series Game 7 loss with the Houston Astros. Already recognized as perhaps the top power-hitting second baseman of all-time, he yearned for a championship ring to make his career complete.

Jones, a center fielder from the Caribbean island of Curaçao, signed a two-year, $36-million contract with the Dodgers at age 31 only three years removed from leading the National League with 51 home runs and 128 runs batted in. Already the winner of 10 Gold Gloves, he also was chasing a title after losing twice in the Fall Classic.

“It’s one of those things where we didn’t sign to make the Hall of Fame, we played this game because we love it and because we wanted to win championships,” Jones said Friday.

The Dodgers had high expectations in 2008. Joe Torre, with four World Series championships as manager of the New York Yankees on his resume, was in his first year in L.A. The roster was a blend of accomplished veterans (Nomar Garciaparra, Greg Maddux, Derek Lowe and midseason pickup Manny Ramirez) and budding stars (Matt Kemp, Russell Martin, Andre Ethier, James Loney and midseason call-up Clayton Kershaw).

Kent was the resident no-nonsense, old-school veteran whose bat remained potent at age 40. Near the end of the previous season he had gone public with his frustrations about the approach of some of the young players.

“A lot of kids in here, they don’t understand that … you hate to waste an opportunity, even if it’s one and even if it’s your first time,” he said at the time. “It’s hard to get them to understand that because they haven’t been there.”

By spring training in what he acknowledged would be his final season, Kent had gotten over it and was ready for a last try.

“So much is made of the idea that we should be hugging, that we should all go out to dinner, but more important is the translation of talent and knowledge, with the older guys showing what they know and the younger ones asking for it,” he said.

Jones was expected to lock down center field and provide leadership. But a poor start and a midseason knee injury torpedoed his performance. He batted .158 with three home runs and 14 RBIs in 75 games and suffered torn cartilage in his right knee that required surgery and landed him on the disabled list for the first time in his career.

Kent, as always, was consistent at the plate, batting .280, but he also sustained a knee injury that required arthroscopic surgery and sidelined him for all of September.

In what could have been a legit postseason opportunity, Jones did not play and Kent came off the bench to go 0 for 9 during an NLDS sweep of the Cubs and five-game loss to the Phillies in the NLCS.

Kent will wear a Giants cap into Cooperstown. His six seasons playing alongside Barry Bonds vaulted him into the conversation as the best-hitting second baseman of all-time. He drove in more than 100 runs eight times, was NL MVP in 2000 and finished his career with 55.4 wins above replacement (WAR).

In a video call with reporters Wednesday, Kent made it clear that his heart belongs not to San Francisco or L.A., but to Austin, Texas, where he lives on a ranch.

“I’m a boring guy,” he said. “I chase grandkids and chase cows and ride motorcycles. When I retired I kind of went into my hole in Austin and I like living in my hole.”

Jones will don a Braves cap. He made his debut at 19 in 1996 and hit 25 or more home runs in 10 consecutive seasons beginning in 1998, finishing his career with 434 homers and 62.7 WAR.

“When I came [to Atlanta] at the young age of 19, they welcomed me in,” he said. “I never moved from here. I made Atlanta my home.”

The Hall of Fame induction ceremony takes place Sunday, July 26 at 10:30 a.m. PDT. Outfielder Carlos Beltrán will be inducted along with Kent and Jones.

“It’s a bigger emotional deal than I ever thought it would be, absolutely,” Kent said. “I still tear up talking about it.”

Added Jones: “Thinking that this kid from Curaçao who came here chasing a dream, gets a chance to play a sport he loves and ends up in Cooperstown, is wild.”

Four former Kings elected to our Hall of Fame

The next ballot we sent out for the L.A. Times Sports Report Hall of Fame was the Kings/Ducks ballot, with 20 names appearing. People were able to vote for up to 10 candidates.

Reminder: Whoever is named on at least 75% of the ballots will be elected. The five people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired to appear on the ballot.

There were 4,183 ballots cast in the Kings/Ducks voting, and four candidates received at least 75% of the vote.

Inductees

Wayne Gretzky, 90.4%

Marcel Dionne, 87.5%

Luc Robitaille, 83.7%

Anze Kopitar, 76.1%

Didn’t make it, but will remain on ballot

Jonathan Quick, 70.2%
Rogie Vachon, 69.7%
Bob Miller, 66.5%
Teemu Selanne, 53.3%
Dave Taylor, 50.2%
Rob Blake, 48.2%
Paul Kariya, 41.4%
Dustin Brown, 39.9%
Ryan Getzlaf, 21%
Bernie Nicholls, 19.7%
Darryl Sutter, 18.4%

Bottom five, dropped from ballot for two years

Scott Niedermayer, 15.4%
Jean-Sebastien Giguere, 13.1%
Charlie Simmer, 12.9%
Nick Nickson, 12.8%
Randy Carlyle, 1.8%

Thanks to everyone who voted! There is still time to vote in our other active categories.

To vote in the other colleges ballot, click here.

To vote in the other sports/teams ballot, click here.

Inductees so far

Dodgers/Angels
Don Drysdale
Clayton Kershaw
Sandy Koufax
Vin Scully
Fernando Valenzuela

Lakers/Clippers
Kareem Abdul-Jabbar
Elgin Baylor
Kobe Bryant
Chick Hearn
Magic Johnson
Jerry West

Rams/Chargers/Raiders
Eric Dickerson
Deacon Jones
Merlin Olsen

UCLA
Lew Alcindor
Arthur Ashe
Ann Meyers
Jackie Robinson
Bill Walton
John Wooden

USC
Marcus Allen
Cheryl Miller

Kings/Ducks
Marcel Dionne
Wayne Gretzky
Anze Kopitar
Luc Robitaille

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

The Sports Report Hall of Fame, other sports edition

Those of you who read the Dodgers Dugout newsletter know that for the last few years, we have done a Dodgers Dugout Hall of Fame, asking readers to vote for former Dodgers whom they believe should be in this more fan-oriented Hall of Fame. Clayton Kershaw was the most recent inductee.

Which got me thinking (always a dangerous thing), what if we had a Sports Report Hall of Fame, as selected by the readers, of people who made a huge impact on the local sports scene?

This week, the category is the other sports, mainly MLS and WNBA. Is it a perfect category? No, and there will probably be a separate category for soccer next year, with the Sparks moving over to a pro basketball category. You can vote for up to five people. You don’t have to vote for five, you can vote for any number up to and including five. Your vote should depend on what the person did on and off the field only as a member of their local team. The rest of their career doesn’t count.

If there’s a name not on here that you think should be, please send me an email so that person can be included in next year’s ballot.

Any records mentioned are at the time that person retired.

Whoever is named on at least 75% of the ballots will be elected. The three people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired as a player to appear on the ballot.

How do you vote? For this week’s ballot, click here. Results will be announced every Tuesday.

So, without further ado, here is the ballot for the other sports/colleges category.

David Beckham—Six-year tenure with the Galaxy (2007–2012) revolutionized American soccer. Arriving as the league’s first Designated Player, Beckham’s tenure ultimately yielded two consecutive MLS Cup titles in 2011 and 2012 before he departed for Paris Saint-Germain.

George Best—Best joined soccer’s L.A. Aztecs in 1976 after a stellar career with Manchester United. He scored 15 goals in 24 appearances in his first season, but declined after that.

Mauricio Cienfuegos—Playmaker for the Galaxy from 1996 to 2003, making 206 regular-season appearances, scoring 35 goals and 80 assists. Helped the club win the 2002 MLS Cup, the 2001 U.S. Open Cup, and the 2000 CONCACAF Champions Cup.

Johann Cruyff—Joined the Aztecs for just one season in 1979, but scored 13 goals in 25 games and won the most valuable player award.

Landon Donovan—Had a highly decorated career with the Galaxy, making 247 appearances, scoring 112 goals and leading the team to four MLS Cups.

Zlatan Ibrahimovic—played for the Galaxy and in just 58 appearances, he dominated the league, scoring 53 goals and 15 assists. His was named MLS newcomer of the year and had a record-breaking 31-goal season.

Cobi Jones—Spent his entire 12-season Major League Soccer career with the Galaxy. Midfielder made 306 regular-season appearances, scored 70 goals, and provided 91 assists, helping the club secure two MLS Cups and two U.S. Open Cups.

Robbie Keane—Scored 104 goals in 165 matches with the Galaxy and was a key member behind the early 2010s dynasty, earning the 2014 MLS MVP award.

Lisa Leslie—The best player in Sparks history. A three-time WNBA MVP, two-time Finals MVP, and eight-time First Team All-WNBA selection. She led the team to championships in 2001 and 2002.

Mwadi Mabika—Fifth in points scored in Sparks history and a key member of the 2001 and 2002 titles teams.

DeLisha Milton-Jones—A forward who played a major role on the Sparks’ 2001 and 2002 championship teams. Known for her clutch play and is fourth all-time in points scored in team history.

Candace Parker—Drafted first overall by the Sparks in 2008, Parker won the rookie of the year and MVP awards in her debut season. One of the best players in WNBA history, she was the Finals MVP during the Sparks’ 2016 championship run.

Laffit Pincay Jr.—Winningest jockey in Santa Anita history.

Bill Shoemaker—One of the best jockeys in Santa Anita history.

Carlos Vela—LAFC’s first-ever Designated Player. In 2019, he scored a record-breaking 34 goals to lead the Black & Gold to the Supporters’ Shield and was named the MLS MVP. Captained LAFC to its first MLS Cup title in 2022. Retired as the team’s all-time leader in matches played (152), goals (78) and assists (59).

You can vote here. You can vote for up to five people.

Voting is still open in these categories:

To vote in the other colleges ballot, click here.

To vote in the USC ballot, click here.

To vote in the NHL ballot, click here.

The inductees so far:

MLB
Don Drysdale
Clayton Kershaw
Sandy Koufax
Vin Scully
Fernando Valenzuela

NBA
Kareem Abdul-Jabbar
Elgin Baylor
Kobe Bryant
Chick Hearn
Magic Johnson
Jerry West

NFL
Eric Dickerson
Deacon Jones
Merlin Olsen

UCLA
Lew Alcindor
Arthur Ashe
Ann Meyers
Jackie Robinson
Bill Walton
John Wooden

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

The now-influencer appeared on BBC’s Song Marry Avoid when she was just 19-years-old

A woman who appeared on a popular BBC show says she had no choice but to turn down some major opportunities.

Sophie Bow received a dramatic ‘makeunder’ on BBC’s Snog Marry Avoid, which featured the sassy robotic style guru POD (Personal Overhaul Device).

Rather than being given a makeover, those who appeared on the show were given a ‘makeunder’ as they were persuaded less is more.

The show was a huge hit with fans in the late 00s with singer Jenny Frost followed by comedian and Strictly Come Dancing star Ellie Taylor as the host. The BBC Three show aired from 2008 until its sixth and final series in December 2013.

Sophie was just 19 when she first appeared on our TV screens, when she encountered POD as a teenager who loved lots of fake tan, heavy makeup and eye-catching outfits covered in sequins and glitter.

At the time, viewers fell in love with the teen and show bosses were keen to get her back on our TV screens for other projects.

Now 33, she has become a popular social media content creator but revealed that she was forced to turn down a number of TV opportunities because of her anxiety.

Looking back on her journey since appearing on Snog Marry Avoid, she took to TikTok and gave fans an update on her life today.

She started off by saying: “I would say appearing on telly back in the day definitely helped my career.

“Back then it was a very popular show but it disappeared off the face of the earth and no one knows why or where it went but it would be so good if they brought it back.”

She revealed: “After being on that show, I did actually get casted for the first ever Love Island but I was in a relationship. I’ve always been in a relationship so I never went on the show. “

However her relationship wasn’t the only thing holding her back as she explained: “But there have been so many opportunities that I actually did miss out on – throughout my life because I do have anxiety – I suffer badly with anxiety.

“I don’t really know what triggered it but I do get quite back anxiety. Even to this day I get asked on brand trips or anything outside my comfort zone, if I’m not going with somebody I can’t.”

The influencer added: “I really need to push myself to do more. I have a little boy and he is the best thing ever so I did take a little break from social media for a little while but then I did go back into social media.

“I did lose quite a lot of following from having the break then I started a TikTok account and here I am.”

The Sports Report Hall of Fame, other colleges edition

Those of you who read the Dodgers Dugout newsletter know that for the last few years, we have done a Dodgers Dugout Hall of Fame, asking readers to vote for former Dodgers whom they believe should be in this more fan-oriented Hall of Fame. Clayton Kershaw was the most recent inductee.

Which got me thinking (always a dangerous thing), what if we had a Sports Report Hall of Fame, as selected by the readers, of people who made a huge impact on the local sports scene?

The way it works: Each Thursday over the next few weeks, you will see a list of candidates. A different category each week.

This week, the category is the other colleges. You can vote for up to 15 people. You don’t have to vote for 15, you can vote for any number up to and including 15. Your vote should depend on what the person did on and off the field only as a member of their school. The rest of their career doesn’t count.

If there’s a name not on here that you think should be, please send me an email so that person can be included in next year’s ballot.

Any records mentioned are at the time that person retired.

Whoever is named on at least 75% of the ballots will be elected. The 10 people receiving the fewest votes will be dropped from future ballots for at least the next two years. A person must be retired as a player to appear on the ballot.

How do you vote? For this week’s ballot, click here. Results will be announced every Tuesday.

So, without further ado, here is the ballot for the other sports/colleges category.

Abe Alvarez—One of the greatest pitchers in Long Beach State history. The all-time winningest left-hander in school history who won back-to-back Big West Pitcher of the Year awards in 2002 and 2003.

Damon Allen—A four-year quarterback (1981-84) and three-year pitcher (1983-85) at Cal State Fullerton. He led the football team to its only two conference (Pacific Coast Athletic Assn.) championships in 1983 and 1984.

Dain Blanton—At Pepperdine, lettered for four seasons (1991-94) as an outside hitter. Blanton was a key member of the 1992 NCAA championship team. Still holds the Pepperdine record for digs per game (2.30), and previously held the career record for total digs (707).

Lynn Biyendolo—The first Pepperdine Wave to represent Team USA on the international stage, Biyendolo was the 2011 West Coast Conference Freshman of the Year and eventually became a three-time All-West Region and WCC First Team selection. As a senior, Biyendolo put together an All-American season and helped the Waves reach the NCAA Round of 16 for just the third time in program history.

Doug Christie—A men’s basketball player at Pepperdine, Christie earned All-American honorable mention honors in his junior and senior seasons, and was named the West Coast Conference’s Player of the Year in both 1991 and 1992. He led the team in scoring, assists and steals both seasons and Pepperdine won both WCC regular-season and tournament titles and advanced to the NCAA tournament.

Tara Cross-Battle—A four-time All-American in women’s volleyball, Cross-Battle was the NCAA Player of the Year in 1988 and 1989. When she graduated, she had recorded more kills (2,767) than any man or woman in NCAA history and is or was the holder of nearly every Long Beach State record.

Bob Ctvrtlik—Though he played men’s volleyball at Pepperdine for just one season (1985), Ctvrtlik was the National Player of the Year and led the Waves to the national title. Ctvrtlik led the 1985 squad with 424 kills, 103 digs and 27 service aces and was named MVP of the NCAA tournament.

John Fishel—Holds NCAA records for the most career games played (295) and at-bats (1,114). He was the Most Outstanding Player of the 1984 College World Series.

Jeff Fryer—A key member of Loyola Marymount’s run to the Elite Eight in 1990. Averaged 22.7 points per game in 1990 and finished his career averaging 17.2 points, hitting 363 three-pointers.

Augie Garrido—While at Cal State Fullerton, Garrido’s baseball teams won three national championships, made seven College World Series appearances and 16 conference championships including 11 in a row (1974-84). Four times he won national coach of the year honors.

Hank Gathers—While at Loyola Marymount, Gathers led the nation in scoring (32.7) and rebounding (13.7 RPG) as a junior, only the second player at the time to lead the NCAA in both categories in the same season. LMU’s all-time leading scorer with 2,490 points.

Ashley Gonzales—Long Beach State’s career goals scored leader with 36, Gonzales was a dangerous striker for women’s soccer who led the school to three NCAA tournaments in her four seasons.

Dan Haren—As a pitcher at Pepperdine, Haren won Freshman All-American honors in 1999 from Baseball America and Collegiate Baseball. He was also the West Coast Conference’s Freshman of the Year. In 2001, he earned All-American second team honors and was named conference player of the year after going 11-3 with a 2.22 ERA and hitting .308 with five home runs and 47 runs batted in. Pepperdine advanced to NCAA Regional play in both 1999 and 2001.

Bo Kimble—Led Loyola Marymount to the Elite Eight in 1990 and led the nation in scoring with 35.5 points per game. Only player in school history to score 50 points in a game and he did it four times.

Billie Jean King—While her collegiate career was interrupted repeatedly by national and international competition, she won the Ojai Tennis Tournament intercollegiate singles title while playing for Cal State L.A.

Shayna Kimbrough—An outstanding shortstop for Long Beach State, and one of just two players in Big West history to be named the Big West Offensive and Defensive Player of the Year.

Mark Kotsay—Won the 1995 Golden Spikes Award while at Cal State Fullerton as the nation’s best college baseball player and is an inductee into the College Baseball Hall of Fame.

Evan Longoria—Spent two seasons at Long Beach State, hitting .336 with 16 home runs with 73 RBIs. The Big West Co-Player of the Year in 2006, Longoria was a Golden Spikes Award finalist.

Kevin Magee—A two-time All-American in the early 1980s while playing basketball at UC Irvine, Magee was also the PCAA Player of the Year in 1980–81 and 1981–82. In those two seasons, he averaged 26.3 points and 12.3 rebounds per game. Was a first-team All-American in 1981, when he became the first player in NCAA history to finish in the top four in three statistical categories, finishing third in the country in scoring (27.5), second in field-goal percentage (67.1) and fourth in rebounding (12.5).

Misty May-Treanor—Led the Long Beach State women’s volleyball team to an undefeated 34-0 national championship season in 1998.

Phil Nevin—Led Cal State Fullerton to the College Baseball World Series title game in 1992 and won the Golden Spikes Award.

Christian Okoye—The most celebrated athlete in Azusa Pacific history. Was a nine-time NAIA champion in track and field and a two-time NAIA All-American first team pick in football. On the track, Okoye led Azusa Pacific to four straight NAIA Outdoor Track and Field national championship titles (1983-86). He was the first person in NAIA history to win the discus four years, setting the NAIA record in the process with a heave of 208-4 in 1985. When Okoye was not selected for the Nigerian Olympic team of the 1984 Los Angeles Summer Games, he turned his attention for the first time ever to football and became one of the greatest running backs in small college football history, setting 14 school records and, in 1986, leading all of college football by averaging 186.7 rushing yards a game.

Mark O’Meara—As junior men’s golfer at Long Beach State in 1987, O’Meara won the U.S., California and Mexican amateur championships.

Mark Pringle—Despite playing just two seasons at Cal State Fullerton, he became the program leader in rushing touchdowns, and is second in rushing yards and scoring. In 1989, he set the single season all-purpose yards record with 2,690. Pringle also shared the NCAA single-game rushing record at one point with 357 yards against New Mexico State.

John Rambo—He led the Long Beach State basketball team in scoring in 1965 (20.3 points per game) and dominated in track. He was a two-time national champion in the high jump and, in 1964, jumped 7-1 to earn a bronze medal at the Tokyo Olympics.

Ed Ratleff—A two-time consensus All-American at a time when only 12 players in NCAA history had done so, Ratleff led Long Beach State to conference titles and NCAA tournament appearances in 1971, 1972 and 1973. He finished his three-year career as the school’s all-time scoring, rebounding and assist leader.

Sam Robinson—Jerry Tarkanian’s first recruit to Long Beach, Robinson led the 49ers to a pair of conference titles. He averaged 19.7 points and 10.3 rebounds a game during the 1969-70 season when Long Beach went 24-5 and earned its first invitation to the NCAA tournament. In 1970, Robinson became the first 49er taken in a pro basketball draft.

TJ Robinson—Still the only Long Beach State player to grab over 1,000 rebounds in his career, with 1,208. Fifth in career scoring with 1,718 points, Robinson was part of Long Beach State’s “Fab Four,” starting as freshman and winning back-to-back Big West titles before leading them to the 2011-12 NCAA tournament.

Terry Schroeder—Played men’s water polo for four seasons at Pepperdine and was the head coach for 20 seasons. As a player, earned three All-American awards and set school records for goals in a career (392) and season (138 in 1978). As head coach, he posted a career record of 340-220 and took Pepperdine to the NCAA championships eight times, including the program’s only national championship in 1997.

Steve Scott—Still holds the UC Irvine record in the 1,500 meters. The UC Irvine Steve Scott Invitational is named after him. Won the 1977 NCAA Men’s Outdoor Track and Field Division I championships 1,500-meter title after winning the 1,500 twice and the mile once at three previous NCAA Division II meets.

Jim Snyder—Played tennis for UC Irvine and was the first in school history to be named Big West Men’s Tennis Player of the Year in 1981, then won it again in 1982 and 1983. Won three straight Big West individual singles and doubles titles. First Anteater to qualify for the NCAA Division I tournament in singles. Compiled a 132-53 record and is still UC Irvine’s all-time singles wins leader.

Dwight Stones—Dominated the high jump while at Long Beach State. Set a world record on June 5, 1976 when Stones jumped 7-7 to win the NCAA championship.

Andy Sythe—Retired after 35 years as coach of the Cal State Long Beach track and field team. Over his tenure, he was named Big West Track and Field Coach of the Year 11 times.

Jerry Tarkanian—Compiling a 121-20 mark in his five years coaching Long Beach State men’s basketball. During that span, his teams won one California Collegiate and four Pacific Coach Athletic Assn. championships. Tarkanian’s last four 49er teams qualified for the NCAA Tournament and his 1971 team came within inches of the Final Four, losing to UCLA, 57-55.

Penny Toler—Key member of two Long Beach State Final Four teams in 1987 and 1988, Toler was a two-time All-American and a two-time Pacific Coast Athletic Assn. Player of the Year.

Jenny Topping—One of the most decorated players in softball history. She won an Olympic gold medal with Team USA at the 2004 Summer Olympics in Athens and was inducted into the Cal State Fullerton Athletics Hall of Fame.

Troy Tulowitzki—Started at shortstop for three years for Long Beach State. A second-team All-Big West selection as a freshman, Tulowitzki then made two first-team All-Big West teams while also earning All-America honors as a junior. Hit .310 over his career with 20 home runs, Tulowitzki then became the highest draft pick in school history, drafted No. 7 overall by the Colorado Rockies.

Tim Wallach—Won the 1979 Golden Spikes Award while at Cal State Fullerton.

Jered Weaver—Won seven different national player of the year awards after the 2004 season, during which Weaver led the nation in wins (15) and strikeouts (213), finishing the season with a 1.62 ERA and a 15-1 record over 144 innings. That capped a career that saw Weaver post a 37-9 overall record with a 2.43 ERA and 431 strikeouts with 73 walks. He holds the Long Beach State and Big West career records in wins and strikeouts, and also leads the school record books in innings pitched (370), starts (55), and consecutive wins (14).

Randy Wolf—Went 25-8 overall at Pepperdine and posted a 1.97 earned-run average with 328 strikeouts in 315 innings pitched. On Pepperdine’s all-time lists, he finished his career first in strikeouts and shutouts, second in ERA, fifth in innings pitched and seventh in wins. Wolf’s Pepperdine team won the 1995 WCC championship and advanced to the 1995 NCAA West Regional. During his time at Pepperdine, he pitched for the U.S. National Team in 1995 and 1996 and posted a 6-0 record.

Leon Wood—While at Cal State Fullerton, he led the United States’ men’s basketball team to gold in 1984, playing point guard. Earlier that year he earned first-team All-American honors.

You can vote here. You can vote for up to 15 people.

Voting is still open in these categories:

To vote in the UCLA ballot, click here.

To vote in the USC ballot, click here.

To vote in the NHL ballot, click here.

The inductees so far:

MLB
Don Drysdale
Clayton Kershaw
Sandy Koufax
Vin Scully
Fernando Valenzuela

NBA
Kareem Abdul-Jabbar
Elgin Baylor
Kobe Bryant
Chick Hearn
Magic Johnson
Jerry West

NFL
Deacon Jones
Merlin Olsen
Eric Dickerson

Until next time…

That concludes today’s newsletter. If you have any feedback, ideas for improvement or things you’d like to see, email me at houston.mitchell@latimes.com. To get this newsletter in your inbox, click here.

Comedy director James Burrows, the 11-time Emmy-winning director who co-created “Cheers” and helped turn such long-running sitcoms as “Taxi,” “Friends,” “Will & Grace” and “The Big Bang Theory” into fan favorites, has died, his family confirmed to People. He was 85.

“We celebrate the extraordinary life and enduring legacy of James ‘Jimmy’ Burrows, who passed away peacefully today surrounded by his loving family,” his family said in a statement to People. “For more than five decades, Burrows was one of the most influential and beloved directors in television history. As a legendary director, mentor, and creative force, he helped shape generations of comedy and brought immeasurable joy to audiences around the world.”

A master of the multi-camera sitcom, Burrows started his career shooting episodes of “The Mary Tyler Moore Show” in 1974 and “The Bob Newhart Show” in 1975. He soon joined the quality-oriented production company, MTM, which counted James L. Brooks, Steven Bochco and Gary David Goldberg among its alumni.

“They were smart enough to know that it’s better to have a director who can talk to actors rather than a director who can move cameras. You can’t really learn how to make something funny, but you can learn to move the cameras,” Burrows said in a 1995 interview with The Times.

Burrows was born in Los Angeles and later moved to New York with his family where he attended the High School of Music & Art. He graduated from Oberlin College and completed a graduate program at the Yale School of Drama. He worked years as a stage manager with his father, a playwright and director, assisting on shows such as “Breakfast at Tiffany’s” starring Moore and Richard Chamberlain.

He solidified his name in television with “Cheers,” co-creating the lively Boston travern “where everybody knows your name” with Glen and Les Charles. Over its 11 seasons on the air, Burrows directed 237 of its 275 episodes, emerging as a behind-the-scenes comedy legend.

“You bring ‘em in, you sit ‘em down and they talk. That’s all ‘Cheers’ was,” Burrows told The Times. “The word is more important than the goofiness. It was all about the words — which is how I was trained, how my father was trained, how anybody who reads books is trained. It’s the word.”

His father, Abe Burrows, was a Pulitzer Prize-winning playwright, screenwriter and director who performed in radio comedies and co-wrote the books for the Broadway musicals “Guys and Dolls” and “How to Succeed in Business Without Really Trying.” The younger Burrows said that growing up on radio comedies helped him hone his ear for humor.

“I know what’s funny, and I probably know the best way to deliver the joke. Whether it’s walking out of a room, facing that way, facing this way,” Burrows said in a 2010 interview with The Times. “I just have a sense of that.”

Another skill he learned from his dad? was working on his feet.

“He’d run the scenes over and over. He created this wonderful camaraderie, which I always try to do. I love to do ensemble shows because that’s where you get the camaraderie.”

Burrows, often considered a fatherly manager, tried to bridge the gap between actors and writers and notably took the cast of “Friends” on a trip to Las Vegas before directing 15 episodes of the blockbuster comedy. He also threw a party for the “Mike & Molly” cast to build rapport because he believed when everyone liked each other, it showed onscreen.

Actors would know when a joke landed when they would hear Burrows giggle as the scene unfolded.

“I’m the guy that wants you to walk the comic plank for me,” he said. “Take it as far out as you want to take it and I’ll bring it back. Sometimes I’ll take it further. But trust me.”

With his slate of hits — he’s credited for directing several shows in NBC’s primetime “Must See TV” lineup of the 1990s — Burrows amassed sizable wealth and, from an early age, was in constant demand by those seeking his magic touch for their show. However, he also saw his fair share of flops: Henry Winkler’s “Monty, “Cafe Americain” with Valerie Bertinelli and a slew of promising pilots that never got off the ground. He also felt that ABC’s “The Associates” and “The Class” on CBS were canceled too soon.

From 1998 to 2006, Burrows helmed every episode of “Will & Grace,” the Emmy-nominated sitcom about a woman and her gay best friend that aired on NBC for eight seasons during its original run. To Burrows, it was the funniest show he ever worked on. He was also behind the camera for the comedy’s 2017 revival, which brought the envelope-pushing antics of Will, Grace, Jack and Karen back for three more seasons.

“It was a fairytale literally and figuratively,” he said in a 2016 Hypable interview. “It was not of the real world in a strange kind of way. These were exaggerated characters. Although they were grounded with Will and Grace, there was this exaggeration that made the stuff you could do and get away with on that show so extraordinary.”

He won his 11th Emmy Award serving as an executive producer on 2019’s all-star re-staging of “Live in front of a Studio Audience: ‘All in the Family’ and ‘Good Times.’” A year earlier, he was nominated for directing the “‘All in the Family’ and ‘The Jeffersons’” TV special.

James Burrows behind the scenes.

(Chris Pizzello / Invision / Associated Press)

Throughout his career Burrows had a penchant for directing pilots because it meant “you’re better than an episodic director” and could create something new in the writer-driven medium of television. He was also drawn to “more uptown, the more urbane, the more sophisticated” comedies. He tried doing cinema once — 1981’s “Partners” with Ryan O’Neal and John Hurt — and said the result confirmed his belief that he was built for television.

“I’m not a cinematic guy. I’m a theater guy. For what I do, I need a live audience,” he said in a 2016 interview with the Television Academy.

Among his favorite TV moments were the pilots for “Frasier” and “Third Rock From the Sun,” the long-awaited kiss between Sam (Ted Danson) and Diane (Shelley Long) and Woody’s (Woody Harrelson) wedding on “Cheers,” Rev. Jim (Christopher Lloyd) taking his driving test in “Taxi,” Ross (David Schwimmer) being attacked by a cat in “Friends” and Will, Grace, Jack and Karen getting in the shower together on “Will & Grace.”

Late into his career, Burrows continued to work in the multi-camera sitcom format, which is shot in a studio, usually before a live audience. In 2013, he was honored by the Television Academy, and, in 2016, he celebrated directing his 1,000th episode of television programming, crossing the milestone with an episode of “Crowded.” NBC marked the milestone with “Must See TV: An All-Star Tribute” special. According to critics, the show — billed by several outlets as the elusive “Friends” reunion and came off as a living eulogy to Burrows — fell short and did not do the legendary director justice.

In all, Burrows was nominated for 45 Emmy Awards and 17 Directors Guild of America Awards.

TEDDY SWIMS says he is glad he was 30 years old before achieving global success – otherwise he could have gone off the rails.

The US star, whose single Lose Control sent his profile rocketing in 2023, said he doesn’t understand how younger stars like Benson Boone have coped with their early fame.

Teddy explained: “He’s crushing it at, like, 23. If they would have gave me that at 23, I would have sent that straight up my nose.

“Thank God it happened to me at the time it did and I’m capable of understanding this and taking it seriously.

“I’d have probably been so terrible about it. I’d have spun out immediately if I’d been given that at such a young age.”

Since then though, Teddy’s had further hits with The Door and Bad Dreams, but doesn’t let success get to his head.

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He said: “I try not to hang up my diamond or platinum records in my house, because I feel like I’ll just be looking at them and be like, ‘My best days are behind me,’ or something.

“So I try just to keep my head down and keep rocking.”

Asked if they’re in storage, he confessed: “A lot of them I’ve given to my family on Christmas. It saves me a little money there too.

“You know, my aunt’s got The Door gold record from a year ago.”

A real beauty spot, Maya

MAYA JAMA is clearly feline fine as she turns up the heat in a skimpy leopard-print mini dress.

The Love Island host sizzled as she fronted the dating show’s ITV2 spin-off Aftersun in the slinky number.

Maya, who previously dated grime star Stormzy, split from her Manchester City footballer boyfriend Ruben Dias in April after 18 months together.

But she clearly isn’t moping around, and has been on holiday in Ibiza, where she flaunted her curves in a tiny bikini.

Maya said of the break-up: “I’m an all-or-nothing girl, I don’t casually date, so yes, I will love loudly or not at all – and if it ends, it ends. I decided a long time ago not to base my life decisions on public opinions.”

Sounds like she’s got the dating game sussed.

JACK WHITEHALL has apologised to Becky Hill for calling her a “Wetherspoons Whitney”, claiming the pair “had a chuckle” about his dig – despite her writing diss track Daddy’s Range Rover about him.

I revealed last month how Becky has penned the song all about him making her the butt of a joke while he hosted the 2024 Brits.

Jack says: “I think my biggest surprise is it’s taken so long for some- one to write a diss track about me. I apologised when I saw her.”

Becky doesn’t sound like she sees the funny side, however – blasting the “privately educated nepo baby”.

Jesy’s hol of a look

LITTLE MIX singer Jesy Nelson celebrated her 35th birthday pondering what is coming next for her.

Holidaying with friends, she mused: “Whatever will chapter 35 bring?”

Well, it is unlikely to bring a reunion with her estranged former bandmates.

Jesy was not a guest at Perrie Edwards’ wedding to Alex Oxlade-Chamberlain in Portugal over the weekend, after Perrie said Jesy made her “blood boil” by claiming she felt unsupported during a mental health crisis.

Whatever comes next, it’s going to be a page-turner.

LEAH LETS LOOSE IN IBIZA

ENGLAND women’s football captain Leah Williamson made the most of her break from the game by enjoying a wild girls’ trip to Ibiza.

I’m told the Arsenal player let her hair down at the White Isle’s most legendary club Pikes last week.

Then on Friday night she let loose at Calvin Harris’ residency at superclub Ushuaia, where she partied with pals and her model girlfriend Elle Smith.

One onlooker told me: “Leah was ­having a great time doing shots with her mates – she was really ­living her best life.”

A calf injury meant she was ruled out of the last Lionesses squad, and it sounds like she is still feeling the effects as Leah wasn’t dancing as much as her mates.

But I reckon a blow-out in Ibiza might be just what she needs before getting her head back in the game.

FRESH off a collaboration with Ed Sheeran, Martin Garrix has teamed up with Madonna.

The Dutch DJ debuted Bizarre, one of the tracks from Madge’s highly anticipated Confessions II album, during a New York party.

From the clip I’ve heard, it sounds like an absolute beast.

ASTON: MY BOY’S READY TO HAVE BITE AT POP STARDOM

JLS star Aston Merrygold reckons he could have the next Justin Bieber on his hands in the form of his talented eldest son.

He revealed that eight-year-old Grayson Jax is already showing serious star potential.

The Beat Again singer said: “My oldest is full-on – he’s ready, he wants to do everything. He’s so much better than I ever was. Little Justin Bieber on the way.”

While fans wait to see if another Merrygold is about to hit the charts, Aston is juggling life as a musician with being a hands-on dad to his three children and setting a good example.

The singer has teamed up with Bupa Dental Care to launch the kids’ story and audiobook The ­Dentist’s Apprentice, aimed at ­helping youngsters overcome fears over check-ups on their teeth.

Aston said: “The whole premise is about trying to get rid of dental anxiety that young people have.

“Having all that pent-up anxious energy is not healthy for anyone. The dentist is about check-ups, it’s about prevention.”

Aston will soon be back on the road with JLS for their UK tour.

They are playing eight more shows, ending in Derby on August 29.

DAVID Beckham can’t keep away from his Hollywood Walk of Fame star, proving to be is own biggest fan.

It has been a monumentous week for David, 51, who got honoured with the coveted star on the iconic walkway on Friday.

And it seems that Sir David still can’t get over the exciting honour.

He was seen posing with it the day after it was unveiled at a formal event attended by his famous family.

Crouching down to see it while donning casual clothes, the sporting legend looked proud as punch as she took a selfie with the star.

His wife Victoria then snapped a photo of her husband as he took the selfie, with her sitting several feet away from him.

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She then uploaded the snap to her own Instagram story and wrote: “Spotted. @davidbeckham fan.”

David’s wife Victoria Beckham and three of their children, Harper Seven, Cruz and Romeo were all in attendance at the formal event that saw the iconic star unveiled on Friday.

David’s eldest child Brooklyn failed to show up to the very special event, despite living down the road from the Los Angeles location that the unveiling took place.

As David gave his speech before unveiling the star, he mentioned his children – but did not name them individually.

“My beautiful children who are the reason I get out of bed in the morning,” he said while choking back tears.

“Kids, I hope you bring my grandchildren here one day and tell them about a boy who dreamed big,” he added.

After the star’s unveiling, the Beckham’s youngest child Harper visited eldest sibling Brooklyn’s Los Angeles home.

The 14-year-old, who was in the US to see footballer dad get his star on the Hollywood Walk of Fame, was seen arriving at the plush Beverly Hills pad in a SUV.

According to claims in Page Six, Harper arrived “unannounced” and “left seconds later without seeing him”.

A source then told the publication how the budding chef, married to actress Nicola Peltz, was out of town with his wife.

Earlier this year, David and Victoria Beckham‘s eldest son let rip at his parents in a brutal social media takedown – and said he has no wish to reconcile.

In a scathing statement, Brooklyn told how he grew up with “overwhelming anxiety” having been “controlled” by his parents most of his life.

His initial statement read: “I have been silent for years and made every effort to keep these matters private.

“Unfortunately my parents and their team have continued to go to the press, leaving me with no choice but to speak for myself and tell the truth about only some of the lies that have been printed.

“I do not want to reconcile with my family. I’m not being controlled, I’m standing up for myself for the first time in my life.”

He then went on to recall the night of his wedding and how his mother danced in an “inappropriate way”.

Brooklyn also sent his parents David and Victoria a legal notice warning they can now contact him only via lawyers.

The extraordinary “desist” letter also instructed them not to “tag” him on social media.

THE Ibiza Final boss has confirmed he’s SPLIT from his girlfriend amid reunion rumours as his viral fame ends the romance.

Newcastle lad Jack Kay’s life changed forever after he became an overnight viral sensation.

The 26-year-old was spotted boozing and grooving while holidaying on the Spanish island of Ibiza.

A clip of the former builder was viewed over 20 million times last August and fans became obsessed as they felt his distinctive look perfectly encapsulated the party isle’s clientele.

Jack became known for his bowel haircut, oversized chain, vest top and square shades and it wasn’t long before his girlfriend, Alisha Cook, decided to stake her claim.

But it has now been confirmed the pair have gone their separate ways.

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Jack told The Sun he was single and doesn’t see a Mrs Final Boss on the horizon for quite some time.

Although the Misfits boxer did hint that he could find the one over on the party isle.

He said: “I might do.

“But I haven’t found Mrs Ibiza Final Boss yet, but probably a couple of years for that.”

It seems Jack’s partying days are not yet behind him as he admitted he’ll be making his way back to Ibiza this summer.

His pals told us last year that his stunning ex Alisha drew a line under their relationship after she became sick of him living it up with the lads.

The debt collector, from Durham, was furious and pulled the plug before he jetted off.

However, it was then rumoured they’d reconciled but he was “skating on thin ice.”

When Alisha was approached for comment, she confessed she “loved him” and they were “back together.”

Jack spent weeks enjoying his sudden fame in Ibiza and it seems the pair couldn’t navigate him being in the spotlight.

Ahead of his Misfits boxing match on Saturday he admitted he won’t be returning to his day job as a builder.

Jack said there’s “definitely not” anything to miss from working in construction.

He added: “This life’s the easy life.”

The Ibiza Final Boss will face off against Manchester rapper Jordan McCann in the ring after two months of being sober.

Bill Cody, the Grand Ole Opry and longtime WSM Radio host who woke up listeners with his velvet voice and country music lore, has died. He was 67.

The Tennessee radio station confirmed Cody’s death on social media on Tuesday, writing, “It is with heavy hearts that we share the passing of our dear friend and beloved WSM voice, Bill Cody.

“A singular presence on WSM-AM Nashville for more than three decades, Bill welcomed listeners each morning on Coffee, Country & Cody with a broad smile, a conversational ease, and an unerring ability to make both artists and audiences feel at home. He joined WSM in 1994 and had Charlie Daniels as his first in-studio guest. He built more than a morning show; he created a gathering place rooted in his deep love for country music and the people behind it.”

In late May, Cody’s daughter Hannah Davis shared that the radio host had been admitted to the intensive care unit with heart and kidney failure. “After weeks of being on a roller coaster of emotions, tests, dialysis, medications, steps forwards and steps backwards, it was determined earlier this week that his only option for survival would be a double transplant, heart and kidney,” she wrote on Facebook. “We need a miracle and we know God is able.”

On Tuesday, she wrote that Cody had died peacefully surrounded by family and “was welcomed into heaven as thunder bellowed outside, and we laughed because we knew it was a band of angels rejoicing.”

With nearly 50 years on the airwaves across syndicated radio, television and film, Cody was honored with a star on the Music City Walk of Fame in the fall of 2024. His credits included the film “American Saturday Night: Live From the Grand Ole Opry,” the television show “Tennessee’s Wild Side” on PBS, “Ray Stevens’ Nashville” on RFD-TV, and GAC TV’s “Master Series.”

In 2008, the beloved Nashville host was inducted into the Country Radio Hall of Fame, and across his career, he earned multiple nominations from the Country Music Assn., the Academy of Country Music and Billboard for his contributions to broadcasting.

Born Trent Clutts on Dec. 16, 1958, in Huntsville, Ala., Cody was inspired to pursue a career in broadcasting during visits to a Kentucky radio station with his dad. His father was a Southern Baptist minister, and his Sunday morning sermons were broadcast on the radio in the afternoons. Cody couldn’t get enough of the goings-on at the station when the two would stop by to drop off cassettes.

In 1971, when the radio host was 17, he was hired as a night deejay at WVLK in Lexington, Ky., but the program director didn’t think “Trent Clutts” had the right ring for radio. Cody named himself after “Buffalo Bill,” one of the most famous showmen of the American Old West, and used the moniker for the rest of his career.

As a teenager, Cody noticed a girl named Rebecca during study hall and, according to Davis, winked at her from across the room. The wink sealed the deal and the two spent more than 50 years as a couple, welcomed three children — Luke, Hannah, and Levi, who died in 2025 — and eventually grandchildren, who called him PoPo. The family lived in Cross Plains, Tenn.

“Like so many of us at the Opry, Bill Cody lived out his dreams on the Opry stage. More times than I could count he and I would look at each other as if to say, ‘Can you believe we get to do this?’” Dan Rogers, executive producer at the Grand Ole Opry, wrote on social media.

“Even better, he made Opry audiences tuned in from around the world feel like they were here too, themselves a part of country music’s most famous show. Then, he’d get up early the next morning and — with that signature smile in his voice — tell everybody about it on his show.

“He was the best of friends to country music and to everyone who was a part of it. We’re sure going to miss him.”