fame

Mustache. Aviator sunglasses. Bears sweater vest. Though Mike Ditka‘s look may be iconic, his time as a player and coach is what cemented his name in NFL history.

Ditka, the first ever tight end to be inducted into the Pro Football Hall of Fame and coach of the legendary 1985 Chicago Bears, has died. He was 86.. His family announced his death in a statement Friday.

“It is with profound sadness that we announce the passing of our beloved husband, father, grandfather, and friend, Mike Ditka,” The family said. “While the world knew Mike as a Hall of Fame football player, legendary coach, and leader of the Chicago Bears’ Super Bowl XX championship team, we knew him as the heart of our family. Mike will be missed beyond measure and remembered forever.”

With nicknames “Iron Mike,” “Da Coach” and “The Hammer,” Ditka was inducted into the Pro Football Hall of Fame in 1988 after a 12-year playing career that featured five Pro Bowls, 427 receptions, 43 touchdowns and 5,812 receiving yards.

Ditka, who won two Super Bowls as a coach and one as a player, revolutionized the tight end position, transforming it from a primarily blocking-focused role to one that could pose a threat in receiving.

Notorious for his fiery personality, Ditka also took his stardom from field to screen, starring alongside Will Ferrell in “Kicking & Screaming,” in which he played himself. Though instead of coaching the championship-winning Bears, he helps coach a little league soccer team — but his competitive spirit remains the same. He also made several TV appearances, including in “Cheers,” “L.A. Law” and “Entourage.”

Born in Carnegie, Pa., on Oct. 18, 1939, Ditka was a first-round draft pick of the Chicago Bears in 1961. The team at the time was helmed by Bears founder, president and head coach George Halas, who later bestowed Ditka with his first NFL head coaching job in 1982.

Coming from the University of Pittsburgh, where he also played basketball and baseball and received All-America honors in football, Ditka immediately became a mainstay in the Bears lineup, going on to start 84 straight games. He was named rookie of the year with 56 catches for 1,076 yards and 12 touchdowns, becoming the first tight end to reach 1,000 yards receiving in his rookie season.

He also earned All-NFL honors from 1961 to 1964 and made the NFL Pro Bowl five times in his first six seasons. Ditka was enshrined into the College Football Hall of Fame in 1986.

Chicago Bears tight end Mike Ditka is tackled after a pass reception against the Green Bay Packers at Wrigley Field on Oct. 16, 1966.

(Associated Press)

The tight end eventually became a coach, famously leading the 1985 Chicago Bears. The team, one of the best in NFL history, went 15-1 and scored 456 points while only allowing 198. The Bears had plenty of personality that year as well, audaciously recording a rap-styled video called “The Super Bowl Shuffle” that was released during the regular season.

But it was not only a strong season on paper — Ditka is credited with leading the Bears back to relevance and luster after losing records in 1980, 1981 and 1982. He built them back to a team fans adored and competitors feared.

“I think that’s the way Mr. Halas always wanted it,” Ditka told The Times in 1985. “He wanted to have a ballclub with a certain personality, a team made up of, you know, rough, tough guys, a team that didn’t take any crap from anybody and could dish it out.”

Ditka and the team brought triumph to Chicago in Super Bowl XX in New Orleans with a 46-10 win against the New England Patriots.

Winning NFL coach of the year with the ’85 team, Ditka is one of only two who have won a Super Bowl as a player, assistant coach and head coach.

“I believe Mike Ditka represents us, in more ways than one,” then linebacker and captain Mike Singletary told The Times. “We know he’s not coaching the Chicago Bears because he needed a job. The Bears mean something to Mike Ditka. The team is part of him.”

His time in Chicago wasn’t all glitz and glamour, though. Ditka wasn’t immediately welcomed back to the Bears as a coach, with his temper a source of strain between him and the owners. He also had a DUI conviction in 1985 and suffered a heart attack in 1988.

Throughout his tenure, he faced complaints about his hotheaded disposition and outbursts on the sideline, notably having tumultuous relationships with several players and defensive coordinator Buddy Ryan, who left after the Super Bowl-winning season to become the head coach of the Philadelphia Eagles. But Ditka didn’t seem to have an issue embracing his reputation.

“There was a (magazine) poll of 200 NFL players who said the coaches they would least like to play for were, first, (Tom) Landry and, tied for second, Don Shula and me. I was flattered. What a great compliment,” wrote Mike Ditka in his 1986 autobiography.

Ditka was entrenched in controversy, having been outspoken about Washington not changing its name from the Redskins, also facing backlash for comments he made in 2016 criticizing Colin Kaepernick and social justice protests, later apologizing.

Despite it all, his name is etched in NFL history.

“Ditka was proud and headstrong,” wrote former Times sports columnist Mike Downey. “He was common and condescending. … He did as he pleased. But he restored the reputation of the Chicago Bears, made them winners and made them watchable.”

During his playing career, he made an iconic 63-yard catch-and-run against the Steelers on Nov. 23, 1963, which stands in 69th place on NFL’s 100 Greatest Plays. The highlight helped the Bears to a 17-17 tie after being down 17-14 in the fourth quarter; the team later went on to win the NFL championship.

In 1967, he was traded to the Philadelphia Eagles and then to the Dallas Cowboys in 1969. During his time with the Cowboys, Ditka made it to two Super Bowls, with a loss in 1971 and finally a win the following year in which he scored the final touchdown in a 24-3 win against the Miami Dolphins.

After retiring in 1972, Ditka joined the Cowboys as an assistant coach. He got his hands on the Super Bowl trophy once again in 1977 with the team and stayed on until joining the Chicago Bears.

The Hall of Famer’s ties with Chicago were once again severed, this time with his firing in 1993 following a 5-11 season. But he refused to shed the navy and orange in the years after he went 106-62 and led the Bears to seven playoff appearances in 11 seasons.

“Yeah, I was fired by the Bears, but that’s life,” Ditka said during a visit to Chicago’s practice field in 2013. “There has never been a time I was not a Bears fan. I have a right to be a Bears fan as much as anybody. I played on a championship team and I coached a championship team.”

The Bears retired Ditka’s number, 89, in 2013.

His involvement with the NFL expanded off the green as he explored TV commentating, even earning Sports Emmy nominations for outstanding sports personality in 1994 and 1996.

Ditka did have one more head coaching stint in the NFL from 1997 to 1999 with the New Orleans Saints. After two 6-10 seasons, the Saints traded all of their draft picks — plus a first-round selection in 2000 — to move up and select running back Ricky Williams. But the team went 3-13 in 1999 and Ditka was fired after the season.

He finished his coaching career 121-95 after the 15-33 stint in New Orleans.

“I’ve been to the top of the mountain and I’ve seen it,” Ditka told The Times in 2004. “And I’ve been to the bottom of the mountain and I’ve seen that too. I don’t want to get anywhere between them anymore.”

Professional football would not see the last of him, however, as he went on to do radio and TV broadcasting for programs such as The NFL Today, Monday Night Football and SportsCenter. His passion for football would never fade, apparent in his launch of X Football, women’s tackle football competition league, in 2021.

And his mark on Chicago was not confined to the stadium gates; he was a partner in Ditka’s Restaurant Group which first opened a steakhouse in downtown Chicago in 1997, boasting its signature dish, “Da Pork Chop.” While the original location closed in 2020, there are still locations in Oakbrook, Ill., and Pittsburgh.

After a short stint living in Florida, Ditka and his wife, Diana, replanted roots in Chicago at the end of 2024.

‘‘I was born in Pennsylvania and raised in Pittsburgh, but Chicago is my home . . . and it is my life,” Ditka told the Chicago Sun Times.

Country western star Wynonna Judd is confirming that she and her sister, Emmy Award-nominated actor Ashley Judd, do not have a relationship.

She spoke with People ahead of the release of her 10th solo studio album, “The Hard Truth,” which drops Friday, and revealed that the rift between the sisters is still there after years of on and off disharmony.

Wynonna told the outlet that Ashley hadn’t heard the album, as the sisters are not “connected.”

“We’re taking a break, which all families can relate to,” she said. “She’s doing her thing, and I’m doing mine.”

In April 2022, Wynonna and Ashley’s mother, Naomi Judd, died by suicide at 76 after a lifelong battle with depression. Naomi and Wynonna made up the Grammy-winning duo the Judds.

At the time, the sisters released a statement together, writing, “Today we sisters experienced a tragedy. We lost our beautiful mother to the disease of mental illness. … We are shattered. We are navigating profound grief and know that as we loved her, she was loved by her public. We are in unknown territory.”

The following month, the two appeared at the annual Medallion Ceremony, where the Judds were inducted into the Country Music Hall of Fame, and the sisters spoke on behalf of their mother.

“While this is so much about the Judds as a duo, I want to take a moment to recognize my sister, a GOAT,” Ashley said at the ceremony. “Do you know what that means? I don’t think she knows I’m calling her the greatest of all time. She lives on a farm. She’s being a little literal.”

Ashley told the crowd that growing up as the younger sister of Wynonna, she got to “bask in this voice that was around the house, and I’ve always been so proud of the music and so proud of you. … So I know that we’re talking a lot about Mom tonight, as we should be. Our beautiful mother, and I want you to know that you also are being inducted to the Hall of Fame tonight. And newspapers don’t get much right these days, but when the Los Angeles Times said you were Elvis-like, they got it right. And I love you, and I’m proud of you. And Mom is proud of you, and she always was.”

By October 2022, rumors were flying that the sisters were fighting over their mother’s will, a claim that Wynonna shot down while speaking with People.

“Someone told me while I was at Ashley’s house, ‘Hey, did you know that they’re saying this about you?’ I went, ‘Huh? I’m fighting with Ashley?’” Wynonna said. “Fighting over what? I have such a great life. Ashley has a great life. Why would we be fighting over the will?”

This wasn’t the first time a feud was reported between the two. Back in January 2015, Wynonna gave a teary-eyed account of the disconnect during an appearance on AXS TV’s “The Big Interview With Dan Rather.”

“The only thing I have in common with my sister is a father missing and a mother that’s both of ours. She and I are very different. We don’t communicate, nor do we spend time together, and that’s a long history of being apart,” Wynonna told Rather.

Wynonna said that she and Ashley were dysfunctional, didn’t agree on anything and developed separate lives, but she cared for her younger sister growing up.

“I raised Ashley, so I think there’s a lot of work we still have to do about where do we find the ‘sister’ in all of this,” she said. “She called me sister mommy, and I really had a hard time with that, because I was like, I don’t want to be your mommy. I want to be your sister.”

“Crunch, crunch.”

If the above sounds familiar, then you might already be a Wholigan — someone who routinely listens to the long-running celebrity podcast “Who? Weekly.” Part of the fun of listening to the thrice-weekly show (one being for Patreon members), aside from its hosts contextualizing a dizzying array of tabloid headlines, is learning its lexicon. For example, “Crunch, Crunch” spoofs a bit of sponsored content the pop singer Bebe Rexha did for Lay’s Potato Chips in 2019. Other popular phrases unique to the Who-verse: “Good form, Bella Thorne.” “Scar-Jo Yummy Pop.”

Launched in 2016 by pop culture journalists Bobby Finger and Lindsey Weber, “Who? Weekly” eagerly mines the growing world of lower-tier celebrity, with the two hosts categorizing trending names under two main umbrellas: the fame-hungry “Whos” (influencers, reality stars, a pre-royal Meghan Markle) and the instantly recognizable, likely critically acclaimed “Thems” (Tom Cruise, Taylor Swift, Beyoncé). Rounding out the paradigm are the “Nahs,” or folks who aren’t well known enough to claim “Who” status.

“We came of age reading all the [gossip] bloggers, from Perez Hilton to Liz Smith,” Weber tells The Times of why she and Finger originally started “Who? Weekly,” which technically began as a newsletter before it morphed into a podcast.

Lindsey Weber and Bobby Finger have co-written the newly released book, “I Want to Be Famous: When Everybody and Nobody Is a Celebrity.”

(Justin Jun Lee / For The Times)

Finger also cites influence from “Oh No They Didn’t,” a 2000s-era LiveJournal page that aggregated celebrity headlines and invited users to comment (kind of like a proto-Subreddit). “You read the story just as you read the comments, which were integral to the story,” Finger says. “All of the inside jokes, the additional commentary. That’s what ‘Who? Weekly’ has become, especially in our Patreon Discord. [Listeners] are always chiming in and creating their own language and extensions of the ‘Who? Weekly’ universe.”

That universe is about to expand again: In conjunction with the pod turning 10 this year, Weber and Finger are releasing a new book, “I Want to Be Famous: When Everybody and Nobody Is a Celebrity,” which looks at fame and celebrity through a historical lens while also exploring how the line between Whos and Thems got that much blurrier in the social media age. “I feel like we were always barreling towards a book,” Weber says. “Both of us are trained journalists. We were always kind of like, ‘When are we going to put our money where our mouth is?’”

To demonstrate how the binary is evolving into a spectrum, Weber and Finger revisit juicy pop cultural anecdotes (remember when Courtney Love threw her compact at Madonna at the VMAs? Or when Ariana Grande dated Pete Davidson? Or when Katy Perry flew into space on the Blue Origin?) while blanketing every chapter with an elucidation of why, no matter what decade we’re in, society just can never get enough gossip.

Meanwhile, unlike the podcast, “I Want to Be Famous” gives the hosts ample room to go deeper into the cultural framework of modern celebrity than they normally have time for. Each week, Weber and Finger dedicate one episode to unpacking a prepared list of Who-y headlines, and a follow-up episode, titled “Who’s There?,” is dedicated to listener calls. Which is to say, Weber and Finger usually spend more time explaining and trading jokes about what each micro-celeb is known for rather than how celebrity itself has evolved.

Lindsey Weber and Bobby Finger are celebrating the 10th year of their podcast “Who? Weekly.”

(Justin Jun Lee / For The Times)

“The pod is on the surface funny, [but] if you are a real fan, you’re like, ‘Oh, there’s actually some interesting stuff beneath the funny,’” Finger says. “We wanted this book to be the opposite, where it’s actually outwardly interesting and smart, and then inwardly funny when it can be.”

The writers’ tone might lean more academic within “I Want To Be Famous,” but longtime fans of the pod will recognize dozens of niche names, stories and extremely online subjects that were at one point or another discussed on the show. The authors present their grand theory of Whos and Thems by opening with the story of how former Who Meghan Markle shot to Them-dom after marrying Prince Harry. Other chapters observe what happens when Thems date or marry Whos. There’s a history of how celebrities say sorry (where there were once press releases there are now Notes app apologies) and a conversation about how nepo babies fit into the framework. As the book moves across history and demonstrates how the internet has completely upended the binary, they also show what hasn’t changed about the way fans relate to their favorites. “What we want most in a celebrity is authenticity,” Weber theorizes.

For Weber and Finger, the chance to tie the disparate threads they discuss on “Who? Weekly” was a major incentive to work on their book. “I kept being like, ‘Is this the first time anyone’s ever written about this in a book?’” Weber says with a laugh. “Because some of it was so stupid — these references to fandoms and Club Chalamet and niche things that are newer … I’m like, ‘Oh my God, are we doing this thing where now people have to read about Club Chalamet in 100 years?’ Obviously that would be incredible.”

“There’s a temporality to our show that is not the case with this book, which is very exciting,” Finger adds. “Because our show kind of exists to go in one ear and out the other. And I say that because it goes in one of our ears and out the other too, as the creators.”

Woven into the conversations around Whos, Thems, Thems behaving like Whos (see: brand deals), and Whos aspiring to be Thems is the authors’ palpable anxiety about the decaying role of entertainment journalism in an age in which celebrities can simply promote themselves via social media — or host their own podcasts. The authors are also painfully aware that most audiences have less of an appetite for reading, period. A chapter titled “The 2010s Killed the Cover Star” looks back what is thought to be the greatest piece of celebrity journalism ever written (Gay Talese’s 1966 Esquire classic, “Frank Sinatra Has a Cold”) and contrasts it with today’s style of uncritical, PR-friendly celebrity Q&As that boast nothingburger headlines that don’t tell us much of anything.

Conversations about media and journalism itself run through the podcast too, and that’s by design. “Sometimes we go so niche that it’s like, ‘Are we just making a podcast for our friends that work in media?’ And sometimes the answer is yes,” Weber says. “We can only speak from our experience. … But the most shocking thing about ‘Who? Weekly’ is that [media discourse] is actually quite interesting for lots of people.”

Finger adds, “Our past in media and our abundance of friendships with people who are still in media is like a crucial part of our show. It’s an industry we respect so much, you know, and we’re obsessed with the way it evolves. If we didn’t have that background, I don’t think the show would exist the way it does at this current moment.”

Even with a massive archive of episodes and no plans to stop, Weber and Finger are thrilled to have cemented their legacy with a book that could (and really should) be taught in media and communications classes. “Bobby and I both obviously love celebrities,” Weber says. “But we love media more.”

Brodsky is an L.A. culture and music writer. Her biography of Stevie Nicks, “Lessons & Lace,” published by Penguin Random House, is out now.

Sept. 21, 2026 12:58 PM PT

The Queen of Country is being honored with a special day on Californians’ calendars.

Gov. Gavin Newsom signed legislation Sunday that establishes Sept. 25 as Dolly Parton Day. The date’s significance may be obvious to fans of the late country legend: 9-2-5 references Parton’s hit single “9 to 5” from the soundtrack of the 1980 comedy film of the same name that starred Parton, Jane Fonda and Lily Tomlin.

“Dolly Parton was an icon,” Newsom said in a video accompanied by his wife, Jennifer Siebel Newsom, announcing the bill’s passage. “Dolly was larger than life with big hair and a bigger heart. People around the world have been touched by her music, by her philanthropy, and by her humor.”

Parton died Aug. 25 at 80 years old following a battle with cancer. The beloved songwriter, recording artist, actor and businesswoman was an honored musician, earning 10 Grammy Awards and 10 Country Music Assn. Awards, as well as two Academy Award nominations and a Primetime Emmy. She was the recipient of the National Medal of the Arts in 2005 and the Kennedy Center for the Arts Award in 2006. Parton was also inducted into the Country Music Hall of Fame in 1999 and the Rock & Roll Hall of Fame in 2022.

“Her legacy goes well beyond her music,” Sen. John Laird (D-Santa Cruz), who co-authored the bill with Sen. Shannon Grove (R-Bakersfield), said in a statement. “Through the Imagination Library, she put books into the hands of millions of children, and throughout her life she led with kindness, acceptance, and a belief that everyone deserves to be treated with dignity and respect. She was also no stranger to the Central Coast, where she performed for packed crowds and spent time over the years. Now, every 9-2-5, California gets to celebrate Dolly and the remarkable legacy she shared with all of us.”