exhibits

WASHINGTON, Oct. 21 (UPI) — When Kathryn Jones began to visit Washington’s museums in January, she didn’t plan to make it her full-time pursuit. But after 112 exhibits and hundreds of hours spent inside the Smithsonian’s galleries, she discovered the miracle of the exhibits’ free access.

Somewhere between the Smithsonian American History Museum’s “America on the Move” display and the Postal Museum’s overlooked treasures, Jones found herself on a journey to read every sign and description at every museum as she took in the exhibits.

Jones’ quest reshaped her understanding of curiosity and the quiet power of public learning. “I think the more that we know, the more stories we hear, the better we can empathize with other people and problem-solve ourselves,” she said.

Now, as the doors to the Smithsonian museums remain closed amid the government shutdown, Jones and others like her are left waiting outside, reminded of what the city, and the nation, loses when history is temporarily out of reach.

Jones, a 33-year-old marketing and project management professional, started at Washington’s museums in January as a personal challenge during a career break, but that quickly turned into an ambitious exploration of the Smithsonian Institution.

“I had taken the time off just to kind of figure out what brought me joy, and I really need structure to function,” said Jones, who once served in the Peace Corps in Ukraine.

The Smithsonian is the world’s largest museum complex, encompassing 21 museums, galleries, gardens and the National Zoo. With all Smithsonian museums free in the District of Columbia — and clustered within a short walk of each other along or near the National Mall — they offer the public access to an extraordinary range of art, science and history.

“I don’t know of anywhere else in the world that there is that large of a concentration of museums that are free,” Jones said.

Since she began her journey, Jones has explored 112 exhibits — individual displays within museums that organize artifacts, stories and multimedia around a shared theme. The longest for Jones, at nearly three hours, was the “America on the Move” exhibit at the National Museum of American History.

“The more that I visit museums, the more I realize just how everything is connected,” Jones said, noting how a single object might weave through several branches of history.

For example, she told UPI the story of the Hope Diamond. It was donated by Harry Winston, the “King of Diamonds,” in 1958 to display at the Natural History Museum with French Crown Jewels. The diamond’s original mailing package is preserved across town at the Postal Museum, which still serves as a working post office.

She pointed out that the Southern Railway No. 1401 steam locomotive at the American History Museum was built directly into the museum and still rests on its tracks due to its large size. It played a ceremonial role in transporting President Franklin D. Roosevelt’s funeral train in 1945.

At the Postal Museum, she was struck by letters and a mailbox preserved from the 2001 anthrax attacks. The bacterium was sent to media figures in Washington, New York, Florida and elsewhere, and five people died.

In the historic building that houses both the American Art Museum and the National Portrait Gallery, she discovered that the top floor once displayed patent models when the space served as the U.S. Patent Office.

Jones also said she loved the hidden connections within the Smithsonian. For example, the Asian Art and African Art museums are linked by underground tunnels, where a sprawling mural leads visitors through time.

The “very bottom level is a trick of the eye mural that takes visitors from ancient times to the first national museum, which is now the arts and industry building,” Jones explained.

For Jones, these connections reveal how different disciplines and stories echo across time.

To many visitors, the Smithsonian’s free admission policy is central to what makes it extraordinary. Funded largely through federal support and philanthropy, the system embodies a belief that education, history and art should be available to all.

Residents like Jones find this accessibility turned Washington into a living classroom, where anyone can walk from the National Air and Space Museum to the African American History and Culture Museum to encounter entire worlds of knowledge in an afternoon.

Now, with the museums temporarily closed, Jones and other enthusiasts find themselves at a loss. The silence of shuttered halls underscores what the city loses when its cultural core is inaccessible — not just a tourist attraction — but a shared public good.

The closures have prompted Jones to adapt her quest. She’s turned her attention to outdoor installations and plaques, such as outside the Natural History Museum. Even so, she misses the rhythm of discovery that came from stepping into each gallery and losing herself among artifacts and stories.

She said she sees her museum project not just as a pastime, but as a quiet form of public advocacy. She has documented her journey through the exhibits on Instagram and Tik Tok, which can be found @digitaldocent_ and @digitaldocent, respectively.

“I wanted to share the kind of information that would make someone feel more comfortable trying something they might otherwise not know a bunch about,” Jones said.

Her work online, she reported, has inspired others to see museums as approachable spaces rather than academic ones, and that these stories are often hopeful and helped her worldview become even more open-minded.

“For me, they make me feel small, but like, in a good way. They kind of remind me I’m part of something bigger, and it’s going to be fine, even though it is so chaotic right now,” she said.

As she waits for the museums to reopen, Jones’ mantra remains the same: “My goal is to make curiosity my routine.”

Aug. 12 (UPI) — The White House has ordered a sweeping review of the Smithsonian’s exhibitions and materials as part of President Donald Trump‘s efforts to promote a rosier presentation of the nation’s past.

The order came in a letter signed by three White House aides to Smithsonian Institution Secretary Lonnie G. Bunch III that was posted online Tuesday. The letter indicates that the Trump administration is again turning its attention on the Smithsonian, a premiere group of museums and research centers located in the nation’s capital, as it seeks to reshape cultural institutions.

The letter requested a sizable list of the Smithsonian’s internal documents that will be used in a review to ensure the museum aligns with an earlier Trump administration directive “to celebrate American exceptionalism, remove divisive or partisan narratives, and restore confidence in our shared cultural institutions.”

The review will focus on eight of the Smithsonian’s museums with an eye on next year’s 250th anniversary of the signing of the Declaration of Independence and the museum’s plans for the event, according to the letter. Materials that will be included in the review included exhibition texts, educational materials and social media “to assess tone, historical framing, and alignment with American ideals.”

“As we prepare to celebrate the 250th anniversary of our nation’s founding, it is more important than ever that our national museums reflect the unity, progress, and enduring values that define the American story,” states the letter signed by aides Lindsey Halligan, Vince Haley and Russell Vought.

This isn’t the first time Trump has sought more control over the Smithsonian. Earlier in his term, Trump issued an executive order seeking to end “influence of a divisive, race-centered ideology” at the Smithsonian. More recently, Smithsonian staff temporarily removed references to Trump’s two impeachments from an exhibit on presidential power.

The upcoming review of the Smithsonian will also include interviews with staff to understand the development of its exhibits, according to the letter, which states that its goal is not to interfere with its operations.

Additionally, the review will evaluate how existing materials and collections “are being used or could be used to highlight American achievement and progress” and if they should be conveyed to other institutions. Lastly, the review will seek “the development of consistent curatorial guidelines that reflect the Smithsonian’s original mission.”

There’s a new interactive exhibit opening on Thursday at the California Science Center across the street from the Coliseum that will provide Disneyland-like sports entertainment for all ages, and it’s free.

Using censors, cameras and 21st century technology, “Game On!” takes up 17,000 square feet formally occupied by the Space Shuttle Endeavor exhibit. It allows visitors to learn about science, sports and movement. You get to actively participate by hitting a softball against pitcher Rachel Garcia, take batting practice instructions from Freddie Freeman and kick a soccer ball into a goal while learning from Alyssa and Gisele Thompson. All are mentors.

Yet there’s so much more. You get to try swimming strokes, skateboarding, snowboarding, cycling. There’s climbing, yoga, dancing and challenging your senses during an exhibit that tests your quickness trying to block a hockey puck. There’s a basketball exhibit where you shoot a ball toward the basket and learn if your form is good or not.

One of the murals at the new interactive sports exhibition at California Science Center.

(Eric Sondheimer / Los Angeles Times)

“There’s something for everybody,” said Renata Simril, president and CEO of the LA84 Foundation that helped provide funding along with the Dodgers Foundation and Walter Family Foundation.

She’s not embellishing. Parents, children, adults, teenagers — they’re all going to be smiling. Don’t be surprised if nearby USC students discover a new place to enjoy an hour break for fun and laughter from studying by walking over to the exhibition hall when it opens at 10 a.m.

The California Science Center new interactive sports exhibit — “Game On!” — opens on Thursday. It’s free.

(Eric Sondheimer / Los Angeles Times)

It’s supposed to be open through the 2028 Olympic Games in Los Angeles, but don’t be surprised if popularity creates momentum to keep it around longer.

“It’s really cool,” said Garcia, a former UCLA All-American softball pitcher who appears on a screen showing off her 60 mph pitch as a participant swings a real bat trying to hit an imaginary ball as a light trail moves down a rail toward the batter. “I think it’s phenomenal. It’s going to get a lot of kids engaged.”

Garcia even tried to hit against herself. “I missed the first time,” she said.

The batting cage where Freeman is providing hitting advice has a real soft ball and bat. It will be popular for all ages.

The rock climbing exhibit still has not been completed, but participants will wear a harness as they climb toward the ceiling.

While kids will be the most enthusiastic, a dinner recently held at the facility that had adults dressed in tuxedos and dresses resulted in them trying out the exhibits and acting like teenagers again.

Using science to teach lessons could provide inspiration for non-sports visitors. There’s sound effects throughout and most important, pushing a button doesn’t just mean you watch and listen. It means you get to participate, whether hitting a baseball or softball, trying to make a free throw, trying to swim or skateboard.

Don’t be surprised when word gets out how fun this exhibition creates. There will be lines. The only question will it be kids lining up or adults?