Zoe Atkin secured a second British World Cup podium of the weekend with a silver medal in the freeski halfpipe event at the US Grand Prix in Aspen.
The 22-year-old halfpipe world champion was top of the standings in qualification but finished 0.25 points behind winner China’s Li Fanghui in the finals on Saturday to place second.
Li scored 93.00, Atkin achieved a score of 92.75 and third-placed Kexin Zhang of China finished with 88.75.
Atkin said she was “really happy” to secure a podium at the last World Cup event before the Winter Olympics get under way next month.
“I’m feeling super confident, really excited to get back to training and work on a couple of new things in preparation for the Games,” she added.
It’s the start of a new year and that means the kickoff of a whole new slate of television series. And while 2026 will bring plenty of those, it will also yield revivals, new seasons of beloved shows, spinoffs and long-awaited finales. Though this list isn’t exhaustive by any means, and not all dates have been announced, there’s plenty to start penciling into your calendar.
Holly Hunter as Capt. Nahla Ake in “Star Trek: Starfleet Academy.”
(Brooke Palmer/Paramount+)
In these awful, uncertain times, it is heartening that “Star Trek,” that most good-hearted, proudly progressive of space operas, continues to create new missions for fresh multiplanetary crews of explorers. The latest series, set like “Star Trek: Discovery” in the far-flung 32nd century, when anything the writers need created can be, takes place both in San Francisco — where the rebuilt Starfleet Academy is welcoming its first new class in more than 100 years — and aboard a training starship, the USS Athena, which will presumably carry cadets into situations more dangerous than rush week or beer pong. Tig Notaro’s engineer Jett Reno, surviving from “Star Trek: Discovery,” and Robert Picardo’s holographic doctor way back from “Star Trek: Voyager,” are seen here, as are several new young actors for youth appeal and Holly Hunter, as the academy chancellor and starship captain, for the “Broadcast News” fans. The voice of Stephen Colbert, making announcements as the Digital Dean of Students, is heard, and Paul Giamatti puts on prosthetics to play the villain. — Robert Lloyd
‘Memory of a Killer’ (Jan. 25, Fox)
Michael Imperioli, left, and Patrick Dempsey in “Memory of a Killer.”
(Christos Kalohoridis/Fox)
Former “Grey’s Anatomy” heartthrob Patrick Dempsey trades in his “McDreamy” scrubs for a high-powered rifle in Fox’s thriller drama. Inspired by the 2003 Belgian film “De Zaak Alzheimer,” the drama features Dempsey as Angelo Ledda, a New York City hit man facing a devastating dilemma: he has early Alzheimer’s. The disease complicates his deadly profession and his life as a low-key family man. With a cast that includes Michael Imperioli (“The Sopranos”) and Gina Torres (“Suits”), the trailer looks particularly intriguing, with Dempsey looking intense while backed by the Who’s “Behind Blue Eyes.” Fox is spotlighting the series with a two-night premiere; the first episode airs following the NFC Championship game. The second episode airs Jan. 26 as the drama settles into its regular slot on Mondays at 9 p.m. — Greg Braxton
‘Scrubs’ revival (Feb. 25, ABC)
Zach Braff, top, and Donald Faison in the “Scrubs” revival.
(Jeff Weddell/Disney)
Ready for another walk through the halls of Sacred Heart Hospital with J.D., Elliot, Turk, Dr. Cox and Carla? The 30-minute sitcom was a comfort watch throughout much of the early aughts, with an endless loop of reruns keeping the show alive in the minds of fans long after it was canceled in 2010. But now ABC is bringing back the medical sitcom nearly 16 years later, and a lot of familiar faces are returning too: Zach Braff, Sarah Chalke and Donald Faison will reprise their lead roles, and John C. McGinley and Judy Reyes will make guest appearances. But not all is the same — several new cast members will join “Scrubs,” including Vanessa Bayer (“Saturday Night Live,” “I Love That for You”) and Joel Kim Booster (“Fire Island,” “Loot”). As long as J.D.’s daydreams and goofy bromance with Turk remain, I’m all in. — Maira Garcia
‘Monarch: Legacy of Monsters’ Season 2 (Feb. 27, Apple TV)
Wyatt Russell and Mari Yamamoto in Season 2 of “Monarch: Legacy of Monsters.”
(Vince Valitutti/Apple)
It’s been two years since the first season of “Monarch: Legacy of Monsters” ended with a surprise two-year time jump and I’ve been waiting to see what’s next for the extended Randa clan ever since. The Monsterverse series follows Cate Randa (Anna Sawai) — a survivor of a Godzilla encounter — trying to learn the truth about her father Hiroshi’s (Takehiro Hira) disappearance with the help of her newly discovered half-brother Kentaro (Ren Watabe) and ex-pat hacker May (Kiersey Clemons). It turns out the Randa family legacy is intertwined with Godzilla as well as Monarch, a secret organization dedicated to studying the giant monsters known as Titans. The possibility of kaiju battles was definitely what initially drew me to the show, but the humans have kept me hooked. Season 1 ended with Cate reuniting with her brother and father after escaping a mysterious pocket world beneath Earth’s surface with her long-lost grandmother Keiko (Mari Yamamoto) in tow. If that is not the setup for some gloriously messy family drama, I don’t know what is — and that’s not even taking into account a potential love triangle. But don’t fret monster lovers, the presence of Kong has also been teased for Season 2. — Tracy Brown
’American Love Story’ (February, FX)
The latest iteration of Ryan Murphy’s “American Story” anthology will focus on John F. Kennedy Jr. and Carolyn Bessette Kennedy, whose relationship and untimely deaths in 1999 created a media frenzy. (The couple died in a plane crash that Kennedy was piloting — the cause of death was deemed pilot error, but with no survivors, we’ll never know with 100% certainty.) Though their deaths occurred more than two decades ago, the event remains a significant moment in the memories of Americans and the Kennedy family, which has endured numerous tragedies over the decades. While Kennedy family members have openly criticized the series, it hasn’t stopped Murphy from proceeding. The television creator knows how to pique viewers’ interest, often dramatizing notable people and events. The series stars Sarah Pidgeon as Bessette, newcomer Paul Kelly as Kennedy and Naomi Watts as matriarch Jackie Kennedy. — M.G.
Logan Marshall-Green, Arielle Kebbel and Luke Grimes in CBS’ “Y: Marshals.”
(Sonja Flemming/CBS)
More than a year has passed since “Yellowstone” rode off into the sunset. The modern western was television’s hottest series during its five-season run, solidifying the star power of its lead Kevin Costner as patriarch John Dutton while establishing co-creator Taylor Sheridan as one of TV’s top writer-producers. Sheridan hopes to continue his “Yellowstone” triumph with several spinoffs. Kelly Reilly and Cole Hauser will reprise their respective roles as Dutton’s volcanic daughter Beth Dutton and her husband, boss ranch hand Rip Wheeler, in Paramount+’s “Dutton Ranch.” Luke Grimes, who played Dutton’s son Kayce Dutton, will headline “Y: Marshals” in which Kayce joins a top U.S. Marshals unit. Joining Grimes in the CBS drama are “Yellowstone” cast members Gil Birmingham (Thomas Rainwater) and Mo Brings Plenty (Mo). Also in development is “The Madison,” a drama starring Michelle Pfeiffer and Kurt Russell about a New York City family living in Montana’s Madison River territory. — G.B.
‘Imperfect Women’ (March 18, Apple TV)
Elisabeth Moss, left, Kerry Washington and Kate Mara in “Imperfect Women.”
(Nicole Weingart/Apple)
If you’re longing for the elusive Season 3 of “Big Little Lies” or a similar crime-laced psychological thriller led by powerhouse women, Apple TV might be able to scratch that itch with this upcoming drama. Based on Araminta Hall’s novel of the same name, “Imperfect Women” will follow three lifelong friends, played by Kerry Washington, Elisabeth Moss and Kate Mara, as a murder sends their lives into chaos. Moss and Washington also serve as executive producers with Hall. Details about the plot of the series are scant (it is a mystery, after all), but the novel teases a story with deep betrayal and guilt, a secret affair and muddled perspectives, all underpinned by a murder investigation. That all sounds pretty dark, but Moss said the series will somehow be a “fantastic palate-cleanser” after the close of her dystopian drama “The Handmaid’s Tale.” “Imperfect Women” is “super different,” she added. “It’s fun, it’s sexy.” — Kaitlyn Huamani
‘The Forsytes’ (March 22, PBS)
Danny Griffin and Tuppence Middleton in “The Forsytes.”
(Sean Gleason/Masterpiece / PBS)
Written by Debbie Horsfield (“Poldark”), this is, as far as I can tell, a freely adapted, female-forward prequel to John Galsworthy’s “Forsyte Saga” novels, which provided the basis for a highly popular, 26-part adaptation in 1967 and subsequent filmings in 2002 and 2003. Set among a late Victorian-era family of stockbrokers, a phrase that will undoubtedly bring the word “succession” to mind, it promises to be a meaty, cheesy and handsomely dressed — sometimes undressed — romp. The large ensemble cast includes Francesca Annis, Stephen Moyer, Tuppence Middleton, Eleanor Tomlinson, Jack Davenport, “Doctor Who” companion Millie Gibson and Susan Hampshire, who starred in and won an Emmy for the 1967 series. — R.L.
‘Margo’s Got Money Troubles’ (April 15, Apple TV)
Michelle Pfeiffer and Elle Fanning in “Margo’s Got Money Troubles.”
(Allyson Riggs/Apple)
Ever look at a television title and think: “It’s great to see myself represented on TV?” The actual premise of this series may feel less relatable on the surface to most, but the struggle to stretch a dollar like it’s made of industrial-use elastic is a conundrum many of us know all too well these days. And this new series from prolific TV producer David E. Kelley promises humor and heart in its adaptation of Rufi Thorpe’s novel of the same name, which explores sex work and financial precarity without moralization. The series stars Elle Fanning as the titular character, a recent college dropout from a working-class background who, as a new mom raising a baby solo, is forced to figure out how to make ends meet and finds a financial lifeline as a creator for OnlyFans, the subscription-based platform made famous by adult content. The series also features Michelle Pfeiffer as Margo’s mother (an ex-Hooters waitress) and Nick Offerman as her father (an ex-pro wrestler). And to ensure she’s not letting 2026 go by without adding a stamp to her TV punch card, Nicole Kidman is also part of the stacked cast. Because we need that, all of us. — Yvonne Villarreal
‘The Testaments’ (April 2026, Hulu)
Lucy Halliday, left, and Chase Infiniti in “The Testaments.”
(Disney)
The success of Bruce Miller’s award-winning adaptation of Margaret Atwood’s “The Handmaid’s Tale” prompted the author to write the Booker Prize-winning sequel “The Testaments,” which Miller is also adapting. Set to premiere in April, it returns viewers to the Old Testament world of Gilead, years after the events in “The Handmaid’s Tale,” and focuses on June’s (Elisabeth Moss) daughters Hannah, renamed Agnes (Chase Infiniti), and Daisy, previously known as Nicole (Lucy Halliday), as they face the brutal forces of a misogynistic theocracy. Ann Dowd reprises her role as Aunt Lydia, the only character (with the possible exception of June) who will cross over from the previous series. Miller has characterized the series as a “coming of age” story, but readers of the book will know that all is not what it once was in Gilead; forces both without and within plot its downfall and June’s daughters will not be far from the fight. — Mary McNamara
‘Beef’ Season 2 (2026, Netflix)
Three years after gifting us a darkly comic road rage thriller fronted by Steven Yeun and Ali Wong that was set against a soundtrack of ‘NSync, Tori Amos and Hoobastank songs, Lee Sung Jin’s anthology series returns for its second season with another layered, twist-filled exploration of class struggles, resentment and the absurdity of life’s curveballs. Consisting of eight 30-minute episodes, this season unpacks the pursuit of the American Dream by way of an exclusive Southern California country club and two couples from different socioeconomic backgrounds. The chaos kicks off when a young couple who work at the club (Cailee Spaeny and Charles Melton) witness a heated fight between their boss (Oscar Isaac), the general manager, and his wife (Carey Mulligan), an interior designer, just as the club’s new Korean billionaire owner (Youn Yuh-jung) takes over. The encounter spins out into a web of favors and coercion in this tale of broken systems and characters going to great lengths to get what they want. “Parasite’s” Song Kang-ho and K-Pop star BM (of KARD) round out the cast. And yes, there will be needle drops. — Y.V.
‘Little House on the Prairie’ (2026, Netflix)
It’s beyond time that someone revisited the semi-autobiographical series by Laura Ingalls Wilder in a way more suited to modern television. The 1974 NBC adaptation is a classic, but as a family drama of its time, it did not attempt to capture the historical breadth the book series documented. The many tribulations, and triumphs, the Ingalls family experienced as they moved from state to state, (including the locust plague of 1874, described in “On the Banks of Plum Creek,” which devastated the Midwest) provide a unique look into life on the American “frontier.” With any luck, showrunner Rebecca Sonnenshine and her team of writers will do the same. — M.M.
‘Something Very Bad Is Going to Happen’ (2026, Netflix)
Fans of the nearly 10-year long “Stranger Things” chapter on Netflix are sure to be feeling a bit of Duffer Brothers withdrawal in the new year. But their overall deal with Netflix will bear another intriguing project before the creators move over to Paramount exclusively. “Something Very Bad Is Going to Happen” is a horror drama centering on a soon-to-be bride and groom, although the title seems to imply they never make it to the altar. The Duffer Brothers, Matt and Ross, and Hilary Leavitt from Upside Down Pictures are executive producing along with Haley Z. Boston, who will serve as showrunner. Boston has written on “Guillermo del Toro’s “Cabinet of Curiosities” and “Brand New Cherry Flavor,” both of which attracted avid horror fans. Camila Morrone (“Daisy Jones & the Six,” “The Night Manager”) stars alongside Adam DiMarco (“The White Lotus,” “Overcompensating”). Very few other details have been shared, but the talent involved — both behind the scenes and in front of the camera — is enough to pique my curiosity, even if I’ll have to close my eyes when things get a little too scary for my comfort. — K.H.
‘Yellowjackets’ Season 4 (2026, Showtime)
Tawny Cypress in the Season 3 finale of “Yellowjackets.”
(Darko Sikman/Paramount+ with Showtime)
I thought high school was traumatizing enough, but I didn’t have to deal with anything close to what the teens in “Yellowjackets” have endured for three seasons. The coming-of-age survival thriller is about a championship high school soccer team whose plane crashes into the remote Canadian wilderness where they are stranded for 19 months. The story unfolds over two timelines, with one following the girls as they do whatever it takes to survive in the wilds — including cannibalism and ritual sacrifice — and the other following the survivors in the present day as they are trying to live their lives. Unfortunately for them, whatever they started in the wilderness is unwilling to be left buried in the past and is back on the h(a)unt. There is plenty of rage, trauma, secrets and murder in both timelines, as well as some unsolved mysteries that may or may not involve supernatural elements. With the upcoming fourth season confirmed to be the last, here’s to hoping some of the remaining questions — including how the girls were saved, how many girls actually survived, and why the “wilderness” came back to them in the present day — will be answered. — T.B.
‘VisionQuest’ (2026, Disney+)
It feels like forever ago that “WandaVision” kicked off Marvel Studios’ foray into television with a bang. A clever homage to sitcoms, the show followed Wanda Maximoff (Elizabeth Olsen) as she tried to magically piece together a life and family with Vision (Paul Bettany) after the events of “Avengers: Endgame” (2019). The upcoming Disney+ series “VisionQuest” will cap off the “WandaVision” trilogy, which also includes one of my favorite MCU installments, “Agatha All Along.” When audiences last saw Vision, the reconstructed android had just regained his memories and, presumably, his sentience, before flying off into the unknown. The new series will see Vision trying to navigate that aftermath to figure out who he is — reportedly with some help from other known Marvel AI programs and robots. Both “WandaVision” and “Agatha” explored grief and trauma and motherhood in their own ways, so I’m curious how these themes might carry over into “VisionQuest.” I’m admittedly a bit more into witches than robots, but I’m looking forward to the proper introduction of Tommy Shepherd (Ruaridh Mollica), who in the comics is the grown-up version of one of Wanda and Vision’s magically-created twins, and any potential family reunions. — T.B.
Conor McDermott-Mostowy would like to compete at the Milano Cortina Winter Olympic Games. And he certainly has the talent, desire and ambition to do so.
What he lacks is the money.
“You could definitely reach six figures,” David McFarland, McDermott-Mostowy’s agent, said of what the speedskater needs annually to live and train while chasing his Olympic dream.
In the last year, finding that money has been increasingly difficult because McDermott-Mostowy is gay. Since President Trump returned to the White House in January, bringing with him an agenda that is hostile to diversity, equity and inclusion, sponsors who once embraced LGBTQ+ athletes and initiatives have turned away from the likes of McDermott-Mostowy, with devastating effect.
“There’s definitely been a noticeable shift,” said McFarland, who for decades has represented straight and gay athletes in a number of sports, from the NFL and NBA to professional soccer. “Many brands and speaking opportunities that previously highlighted LGBTQ athletes are now being pulled back or completely going away.”
“And these aren’t just symbolic partnerships,” he added. “They’re vital income opportunities that help athletes fund training, fund their competition and their livelihoods.”
The impact is being felt across a wide range of sports where sponsorship dollars often make the difference between winning and not being able to compete. But it’s especially acute in individual sports where the athletes are the brand and their unique traits — their size, appearance, achievements and even their gender preferences — become the things that attract or repel fans and financial backers.
“What’s most frustrating is that these decisions are rarely about performance,” McFarland said. “They’re about perceptions in the LGBTQ community. And that kind of fear-driven retreat harms everyone involved because, beyond the human costs, it’s also very short-sighted. The LGBTQ community and its allies represent a multitrillion-dollar global market with immense buying power.”
Travis Shumake, the only openly gay driver on the NHRA circuit, ran a career-high five events in 2022 and said he once had deals with major brands such as Mission Foods, Procter & Gamble and Kroger while using a rainbow-colored parachute to slow his dragster.
Kroger is the only one whose support has yet to shrink and as a result, Shumake had to keep his car in its trailer for the final eight months of the year.
And when he did race, his parachute was black.
Travis Shumake competes at the NHRA Nationals at Las Vegas Motor Speedway in November 2024.
(Marc Sanchez / Icon Sportswire via Getty Images)
“It was looking very optimistic and bright,” said Shumake, who spends about $60,000 for an engine and as much as $25,000 for each run down the dragstrip. “Being the only LGBTQ driver would have been very profitable. I ended last season with plans to run six to eight races. Great conversations were happening with big, big companies. And now it’s, I did one race, completely based on funding.”
“When you’re asking for a $100,000 check,” he added, “it’s very tough for these brands to take that risk for a weekend when there could be a large backlash because of my sexual identity.”
A sponsorship manager for a Fortune 500 company that had previously backed Shumake said he was not authorized to discuss the decision to end its relationship with the driver.
Daniel T. Durbin, director of the Institute of Sports, Media and Society at the USC Annenberg school, said there could be several reasons for that. A shrinking economy has tightened sponsorship budgets, for example. But there’s no doubt the messaging from the White House has had a chilling effect.
“It certainly makes the atmosphere around the issue more difficult because advertising and promotion tied to social change has come under fire by the Trump administration,” Durbin said.
In addition, corporate sponsors that once rallied behind diversity, whether out of conviction or convenience, saw the election results partly as a repudiation of that.
“We may be pissing off 50% of the population if we go down this path. Do we really want to do that with our brand?” Durbin said of the conversations corporations are having.
Backing away from causes such as LGBTQ+ rights doesn’t necessarily mean those corporations were once progressive and are now hypocritical. For many, the only color of the rainbow they care about is green.
“You’re trying to give people a philosophy who don’t have a philosophy,” Durbin said. “And even if they believe in causes, they’re not going to self-destruct their company by taking up a cause they believe in. They’re going to take it up in part because they think it’s positive for the bottom line.
“That’s the way it works.”
As a result, others have had to step up to try to help fill the funding gap. The Out Athlete Fund, a 501(c)(3) organization, was recently created to provide financial assistance and other support to LGBTQ+ athletes. McDermott-Mostowy was the first to get a check, after a November event in West Hollywood raised more than $15,000.
“We’re here to help cover their costs because a lot of other people aren’t doing it,” said Cyd Zeigler, a founding board member of the group and co-founder of OutSports, a sports-news website focused on LGBTQ+ issues.
That kind of retrenching, from deep-pocketed corporate sponsors to individuals giving their spare change, is threatening to derail the careers of athletes such as McDermott-Mostowy, who relies on his family and a modest U.S. Olympic & Paralympic Committee stipend for most of his living and training expenses. And since he’ll turn 27 before the Milano Cortina Olympic Games open in February, he may not be able to wait for the pendulum to swing back to have another chance at being an Olympian.
“I’m 99% sure I qualify for [food] stamps,” said McDermott-Mostowy, who medaled in the 1,500- and 500-meter events in October’s national championships, making him a strong contender for the U.S. heading into the Olympic long track trials Jan. 2-5 in Milwaukee. “What really saves us every year is when we travel. Almost all of our expenses are paid when we’re coming [with] the team.
“If I didn’t make the World Cup one year, I would be ruined.”
McDermott-Mostowy’s past success and his Olympic potential are what he pitches to sponsors, not that he’s gay. But that’s what makes him stand out; if he qualifies for Milano Cortina, he would be one of the few gay athletes on the U.S. team.
“I have always been very open about my sexuality. So that wasn’t really a debate,” he said.
“I have definitely heard from my agent that, behind closed doors, a lot of people are like ‘Oh, we’d love to support queer athletes. But it’s just not a good time to be having that as our public face.’”
The debate isn’t a new one, although it has evolved over the years. Figure skater Amber Glenn, who last year became the first out queer woman to win the U.S. championship, remembers gender preferences being a big topic of discussion ahead of the 2014 Games in Russia, where public support for LGBTQ+ expression is banned.
“At that point I wasn’t out, but I was thinking, ‘What would I do? What would I say?’” Glenn said. “Moving forward I hope that we can make it where people can compete as who they are and not have to worry about anything.
“Figure skating is unique. We have more acceptance and more of a community in the queer space. That’s not the case for all sports. We’re definitely making progress, but we still have a long way to go.”
Conor McDermott-Mostowy hopes to be competing for the U.S. in speedskating at the Milano Cortina Olympic Games in February.
(Dean Mouhtaropoulos / Getty Images)
In the meantime, athletes such as McDermott-Mostowy and Shumake may have to find ways to re-present themselves to find new sources of support.
“It’s not like I’m going back in the closet,” said Shumake, who has decided to rent out his dragster to straight drivers next year rather than leave it parked and face bankruptcy. “It’s just that maybe it’s not the main storyline at the moment. I’m trying a bunch of different ways to tell the story, to rebrand.”
“It’s been weird to watch,” added Shumake, who once billed himself as the fastest gay guy on Earth. “I know it will swing back. I also fear, did I make the right choices when I had a partnership with Grindr and I had rainbow parachutes? Like did I come on too strong?
“I’ve chosen to go the gay race car driver route and it’s just a little bit of a slowdown. I don’t think I need to blame myself. It’s just a fear people are having at the moment.”
A fear that’s proving costly to the athletes who can least afford to pay.
Growing up just outside Melbourne, Australia, Scotty James was more likely to spot the Loch Ness Monster or Big Foot as he was to spot snow. For him, the Winter Olympics seemed about as accessible as Mars.
“It is very unique, being an Australian in winter sports,” he said. “We’re very few and far between.”
Unique, but not impossible. Because if he qualifies for February’s Milano-Cortina Olympics, as expected, James will become the first Australian man to represent the country in five separate Winter Olympics. If he reaches the podium in the men’s halfpipe, his specialty, he will become the most decorated winter Olympian in Australian history with three medals.
Yet it almost didn’t happen. If his father Phil, a passionate snowboarder, hadn’t talked a Vancouver ski-shop worker into selling 3-year-old Scotty a miniature display board during a family vacation to Canada decades ago, James still might be watching the Winter Olympics on TV.
“My parents were always making sure that I realized how fortunate I was to be doing what I was doing,” said the 31-year-old James, a four-time world champion and the most successful halfpipe rider in history. “And incredibly supportive through all of it, through the challenges and through the most recent great moments.”
But James, whose fortunate if still unfolding life story is told in the film “Scotty James: Pipe Dream,” which will be available on Netflix beginning Friday, won’t be the only accidental Olympian in competing in Italy. The Summer Games feature running, jumping, swimming and throwing, activities that can be done mostly anywhere, but many of the disciplines in the Winter Games — skiing, figure skating, luge and snowboarding, for example — require ice and snow, which are unavailable to about two-thirds of the world’s population.
That’s why more than 10,000 athletes from more than 200 countries competed in the 2024 Summer Games in Paris and fewer than 3,000 representing about 90 nations will participate in Italy.
“Africa, big parts of southeast Asia, South America, many of those countries don’t have a heritage of winter sports,” said Gene Sykes, president and chair of the U.S. Olympic and Paralympic Committee. “Given that there’s a limitation that all the sports have to conducted on snow or ice, we have to be creative.”
Among the creative ideas that have been discussed is adding events such as cross-country running, cycling and indoor sports that could be practiced anywhere to the Winter Olympics calendar, which would make the Games more universal.
In the meantime, athletes such as alpine skier Richardson Viano of Haiti and figure skater Donovan Carrillo of Mexico will be curiosities in Milan, having followed paths that were arduous, complicated and completely out of the ordinary.
James fits that description as well, having lived much of his life abroad, traveling to the U.S., Canada and the Nordic countries in search of mountains, snow and competition. That’s a hardship unknown to Winter Olympic athletes from Europe and North American.
“You know, 80% of the time I wasn’t really in Australia,” said James, who started competing in snowboard at the age of 6 and began traveling to events at 10. “I was always overseas. My mom would organize some tutors in different countries and then I would do some online stuff with my school back in Australia.”
There is snow in parts of Australia, but since the country is in the southern hemisphere, the winters there are short and they come during what is summer in the northern climes. So to stay fit and to compete in major events, James had to live on a Northern Hemisphere calendar, meaning he was overseas from October to May almost every year.
“It was a real task,” he said, “to get it all done.”
It was expensive, too, though it proved a wise investment since he progressed quickly, turning pro at 14 and making the Australian Olympic team at 15, becoming the country’s youngest male Olympian in 50 years and the youngest male competitor in the Vancouver Games in 2010.
Yet on the eve of those Games, James was ready to pass all that up.
“I didn’t love it anymore,” he said. “I would go home and cry to my mom all the time. I wanted to quit. I ended up in this spiral that made me want to go home and just have a normal life and go to school and be with my friends.”
It didn’t help that James broke his right wrist in practice before the Olympics. But he recovered from the injury and the lack of confidence to place 21st; four years later, while still a teenager, he won the first of four World Cup titles in the halfpipe and ranked No. 1 in the world.
At 23 he was chosen to carry the Australian flag in the opening ceremony of the 2018 Winter Olympics in South Korea, where he won a bronze medal.
Scotty James carried the flag of Australia’s team during the opening ceremony of the 2018 Winter Olympics in Pyeongchang, South Korea.
(Julie Jacobson / Associated Press)
“It’s one of the biggest honors, being an Olympic athlete, to walk your team into the opening ceremony,” he said. “The first time I ever watched the Olympics, I remember watching the opening ceremony and I believe one of the basketballers walked the team in. And I just remember being like ‘wow, that must be just a special thing to do.’
“Little did I know it was potentially on the radar for me. That’s a moment that lives rent-free in my head, that’s for sure.”
But if James had to leave Australia to become an Olympian, back home his exploits have made enough of a celebrity that he’s often recognized on the streets of Melbourne or Sydney.
“They remember for sure, which is really cool,” said the still-boyish James. “I always am chuffed when people come up and recognize me or have followed my career. It never gets old.”
Neither, it seems, does James, who turns 32 in July but isn’t ready to call his fifth Olympics his final one just yet.
“I don’t have a timeline. I don’t give myself an end date,” he said. “Every day when I wake up I think about how I can be better at snowboarding and what I can do to make myself better. So I really haven’t thought about that at all.”
But James, who is raising 14-month-old son Leo with his wife, Chloe Stroll, a Canadian singer-songwriter and daughter of Aston Martin chairman Lawrence Stroll, has begun preparing for a life beyond the slopes. In the last two years he’s released two illustrated children’s books featuring MOOKi, James alter-ego who has adopted the snowboarder’s childhood nickname and his insistence on always dreaming big.
He’s also an investor and brand advisor for MSP Sports Capital, which purchased the X Games — James is a seven-time X Games gold medalist — in 2022, kicking off his move from snow moguls to business mogul. There’s also the Netflix film, directed by Emmy-winning filmmaker Patrick Dimon, which will spread his legend and legacy even further.
“Typically athletes kind of close the door on their athletic journey and then they start to invest in their sport. But I want to do it right now,” he said. “I can really add value to a business like X Games because I’m still competing. I can speak to the athletes and I can give really good feedback about where it can get better.”
However, the contribution he’d really like to leave involves creating an environment that would allow the next generation of Australian Winter Olympians to learn and grow in their sports without having to leave their homes. James did that by building Australia’s only 13-foot mini halfpipe for kids in the Snowy Mountains of New South Wales, where he trains when he’s in Australia. That’s a project he’d like to expand.
“I would love to leave a mark in some sense of hopefully opening up the door and creating some access [for] freestyle sport in Australia,” James said. “Specifically in the winter, to see if we can produce some really great talent in the future.”
Footage shows security forces dispersing crowds with tear gas at rallies for Ugandan presidential candidate Robert Kyagulanyi, also known as Bobi Wine, in Kampala. The pop star-turned-politician is campaigning ahead of Uganda’s January 2026 elections, as officials warn against interference.
Steph Sarah recalls a time in Venice Beach’s mythical skateboarding history — long before the sandy expanse on Ocean Front Walk became the world-famous skate park, a concrete playground where pro skaters are born.
“It was all boys,” says Sarah, a 36-year-old Venice Beach native who learned to skate at age 12. “If you did come across another girl skating, they were your competition, because there wasn’t even enough room for one girl to skate, let alone multiple girls.”
The group welcomes all skill levels and jokes that they’re the “world’s okay-est skaters.” (Gabriella Angotti-Jones / For The Times)
On this Thursday night, that is distant history. As fog rolls in over the Venice Pier, Sarah skates alongside dozens of women on the coastal path. They belt out the lyrics to “Hey Jude” as singer Chloe Kat serenades them with a guitar in hand. Curious fishermen eye them, their fishing lines cast into the black ocean. But they pay no attention. Twirling under the moonlight, the women resemble a witch’s coven — their spells are good vibes, California weather and the boards beneath their feet.
Since its inception in 2018, GrlSwirl has been a leading force in creating a more inclusive skateboarding culture in Venice Beach — and across the world. The Venice Beach-based organization fosters community among female skateboarders. Twice a month, the group hosts nighttime “group skates” for women and community members. The event has exploded on social media, often attracting over 100 participants on warm summer nights.
“You get to witness what it’s like for people to break all the rules and show up fully as themselves,” Lucy Osinski, one of the co-founders of GrlSwirl, says of the group skates. “The weirder, the sillier, the more authentic, the better.”
Participants dodge a parking barrier gate during a nighttime group skate.
(Gabriella Angotti-Jones / For The Times)
Growing up in the world of professional ballet with its restrictive body standards and intense discipline, Osinski found newfound freedom in skateboarding. “I went from feeling so fragile and weak to so powerful,” she says. “It made me feel like I belonged and liberated in a way I had never experienced before.”
But when she moved to Venice Beach in 2017, skateboarding as a woman invited hostile attention. “Every time I would skate, people would catcall us or yell at us to do a kickflip,” she says. (“Do a kickflip” is considered a skateboarding taunt.) “I started chasing down any girl I saw on a skateboard. I made a text chain. I called it GrlSwirl.”
Osinski began posting about group skates on Instagram, where GrlSwirl gained traction. “The next week, 20 girls showed up just from word of mouth, and then the next week 40, and then the next 60, and then we had over 100 girls.” Soon, the group’s reputation attracted brand sponsorships and inquiries about starting chapters in new cities.
Today, the organization also doubles as a nonprofit that teaches underprivileged communities to skate worldwide, including surf-skate retreats that empower women and girls. Osinski explains that GrlSwirl has hosted skateboarding clinics from refugee camps in Tijuana to the first-ever women’s skate jam in the Navajo Nation. GrlSwirl has an international following with chapters in more than seven cities and an online community spanning 80 countries.
Lindsey Klucik, left, dances with friends to Christmas songs at the Venice Pier during a GrlSwirl group skate.
(Gabriella Angotti-Jones / For The Times)
Lucy Osinski rolls in with a skateboarding move.
(Gabriella Angotti-Jones / For The Times)
“Everything we’ve done from Day 1 is to make spaces and find ways to build community through skateboarding,” says Osinski. “People want to be in a village, but they don’t know how to be a villager. GrlSwirl is the village.”
The popularity of the bimonthly group skates has even attracted out-of-towners curious about the event. Osinski says the event has drawn tourists from Japan, Russia and more. Traveling from Salzburg, Austria, Karoline Bauer joined the skate with her partner while on vacation after following them on Instagram. “We were just looking for some community. We don’t have that back home,” Bauer says.
The group skate welcomes skateboarders of all skill levels. As a motto, the group jokes that they’re the “world’s okay-est skaters.” “We’re not looking for people to be shredding like crazy,” says Naomi Fulta, a team rider for GrlSwirl. “We have people who come here who literally have never stepped on a skateboard, to people who’ve been skating their whole lives.”
Yuka Okamura has been attending GrlSwirl’s group skates with her 10-year-old daughter for over five years. To her surprise, Okamura began learning to skateboard when her daughter started taking lessons. “I had no idea that I would start something new after I had a child. It’s amazing to share the joy and the experience with her,” she explains.
Yaya Ogun, a GrlSwirl team rider, poses with the group.
(Gabriella Angotti-Jones / For The Times)
For Yaya Ogun, one of the team riders, group skates are an opportunity to build community and make friends. Skateboarding naturally lends itself to community, she explains. Ogun attended her first GrlSwirl event alone and now rides as a sponsored skater. “You have to go someplace physical, you’re gonna meet people, you’re gonna make friends,” she says.
Ogun is a self-proclaimed pandemic skater. “There’s a huge wave of us who started either during or after the pandemic,” she says. “I grew up wanting to skate, but I just never had the time. And then all of a sudden, I had a lot of time,” she says with a laugh.
As a transplant from Texas, Ogun was drawn to GrlSwirl because the organization is anchored in the local community, which has experienced rent hikes and the closure of local institutions in recent years. “This is a special place, and it’s changing a lot,” laments Ogun. “We want to respect it and raise it up and not change anything.”
Osinski credits GrlSwirl’s success to its birthplace, Venice Beach, a place that celebrates uniqueness and community. Venice is a mecca for skateboarding, home to the Z-boys who revolutionized the sport in the 1970s and the subject of the documentary “Dogtown and Z-Boys.”
GrlSwirl aims to inspire people to “come together through the simple act of trying something new.”
(Gabriella Angotti-Jones/For The Times)
“Venice is a place of creation. You don’t have to look like a Venice skater to be a Venice skater. It’s about growing up and giving back,” Osinski says.
The girls skate into the evening, the sunset casting an orange light onto their smiling faces. Ogun declares her contempt for longboards — not to mention penny skateboards, which she says are a death trap. In the distance, waves carry surfers to the shore after their last surf of the day. As darkness falls on Venice Beach, the promise of something new swells.
A different type of British invasion had EDM fans in a trance at the Queen Mary in Long Beach.
Armed with turntables, social media-star-turned-professional-party-starter Fish56Octagon made his U.S. festival debut Nov. 21 and 22 at Insomniac’s Dreamstate SoCal, where he performed alongside some of the world’s most preeminent electronic artists, including Tiësto, Paul Oakenfold, Gareth Emery, Ferry Corsten and Chicane.
Fish, as he’s called, is a 46-year-old from the London suburbs who joined TikTok on a drunken whim after being introduced to the app by friends in 2021. Now boasting over a million followers across platforms, he’s seen his life flip because of that choice — quitting a full-time marketing career to become a DJ, produce music and play sets at some of the world’s biggest music festivals in the four years since he uploaded his first video.
Share via
Though his initial post was about his watch collection, the self-described “petrol head” quickly went deep into creating content about cars and made a successful side hustle within a couple years. Crossover between auto enthusiasts and the music lovers in his audience meant the dance songs he used to soundtrack his car videos and sporadic vinyl-haul unboxings spawned passionate discussion in the comments about the classic rave songs Fish was sharing with the world.
He also benefited from an accidental, scroll-stopping visual hook repeated across videos born from his employer asking him to ensure it didn’t look like he was posting during business hours: middle-aged, thin and bald, dropping dad moves in front of his sprawling Technics decks and pumping his fists to the beat between bites of Weetabix biscuits, all while wearing a red and black dressing gown (what Americans would call a robe), gifted to Fish’s wife by his mother.
Screen shot of Fish DJing on TikTok in his bathrobe
(TikTok)
“That gown is elegant,” wrote a fan in the comments.
“It was legit my mum’s but she found it too hot,” Fish responded.
“You the same build as your mum” another person wrote back, punctuating the comment with a sweating smiley face emoji.
Fish also began to livestream on TikTok late into the night, playing his own mixes for the first time in 20 years.
“I remember seeing people commenting on the Live going, ‘Mate, we were watching you before we went out. We’ve just gone on a whole night out in our city, come back and you’re still here playing,’” Fish said. “I just love it. Sharing and being able to get out those obscure records. Sometimes it’s the big anthems everyone knows and sometimes it’s a tune that was an anthem to me.”
He’s had a decades-long education in electronic music. Fish was introduced to the genre on the cusp of his teen years through an episode of the British detective show “Inspector Morse.” One episode took place in the illegal rave scene and he thought it looked like fun to party in an old warehouse.
Fish’s taste quickly developed by listening to pirate radio and vinyl. He pieced together his first setup with two hi-fi record players his dad had in the attic. Only one had pitch control. He learned to beatmatch by plugging a player into each side of his amplifier and using the balance knob to fade between them. He was given Soundlab DLP-1 belt-driven turntables for his birthday and his obsession accelerated over the next several years.
Fish56Octagon performing at the Dreamstate music festival in Long Beach.
(Niyaz Pirani)
“By then I was just spending every penny that I had on vinyl building my record collection up. It was all rave music, early old school, hardcore jungle, and then happy hardcore, drum and bass around that sort of time, early to mid-’90s,” he said. “I played quite a few house parties.”
He became a de-facto resident DJ in college, spinning vinyl in the student union, and dabbled in music production at the same time. He eventually sold his analog kit and synthesizers when he switched to Ableton. He downsized his record collection as he converted them to MP3s.
The demands of his post-college marketing career meant the DJ dream disappeared for many years. That was until his TikTok Live sets gave him a second chance as club promoters reached out in the hope of booking him. Fish admits a lack of confidence caused him to stay on the sidelines. It was an offer in February 2024 to play a solo show at Hidden in Manchester — about the same time he switched his channel over entirely to music — that got him out of his house and onto a stage.
“Even if I wasn’t sure that people would come, I knew that anyone that did come would be coming to see me,” he said. “ … I ended up putting a night on where I played for five hours straight, just me from the start to the end. When the tickets went on sale, it sold out a good couple of months before the event.”
Fish wondered if it was a one-off event or the beginning of a life-changing run. Then the offers came in from other big U.K. cities — FishTales in Newcastle; acid techno at Beaverworks in Leeds; raves in Liverpool and Birmingham. He hired an agent. Dropped some merch.
“Not sure how this happened! But I’m here for it and hope you are too,” he wrote online.
A 20-date summer tour featured three different sets at the famed Glastonbury Festival, and appearances at Reading and Creamfields. He also traveled to Ireland, Scotland and Malta, marking his first time playing professionally outside of England.
He quit his day job in August 2024 to DJ and focus on music production full time with the support of his wife, children and parents.
“They support me even though it comes at a cost that I can’t always spend as much time with them, but they understand that I’m following my dream, following my passion, and doing something positive,” he said.
He’s gained an appreciation as a historian of the genre. Fish’s followers have grown to include Skrillex, David Guetta, Disclosure, Bicep and more of the artists he has admired and now counts among his peers.
“For about the first year, I often would wake up in the morning — I’m gonna get a little bit emotional just talking about this — but I’d wake up in the morning and just think, ‘Wow, that was all a dream, wasn’t it?” he said. “Then I look at my phone. I can see that actually it was real.”
Fish attributes his success to social media, though he said it’s a mistake to think just having social media followers guarantees bookings and the upward trajectory of one’s career.
“They’re actually a function of each other. It’s because I was making content that proved to be popular about music that I managed to build up a following and have those opportunities come my way,” he said. “I’ve now played, getting on for, 200 professional gigs at various clubs, festivals, events, raves, all around the world.”
Fish waited until November 2025 to make his first trek to North America with an 11-date run featuring his first U.S. festival booking. He chose Dreamstate because he’s always had a special place in his heart for trance and the emotional connection people have with the music.
“I love all dance music, but trance is the one that can kind of tug at your heartstrings a bit with those melodies, and the chord progression, and the way that the beats can be so crisp when they come in, and the way the bass hits,” he said.
Fish performed Friday night on “The Vision.” It’s the same stage played by legends Chicane and Paul Oakenfold this year and Darude last. He also co-headlined an hour-long B2B with Night 1 Dreamstate headliner Gareth Emery early Sunday morning, as the top-billed act for the festival’s afterparty in the Grand Salon of the iconic Queen Mary.
He made his way to LAX after stepping off stage at 3 a.m. to fly to New York and play the last three hours of a 24-hour rave.
Chicane and Fish56Octagon run into each other in the lobby of the Long Beach Hilton after playing the same stage Night 1 of Dreamstate.
(Niyaz Pirani)
Fish has tour dates in New Zealand and Australia toward the end of the year, plus the largest show of his career March 28 at London’s O2 Academy Brixton. He’s also releasing music for himself and others under his record label Octagon Discs.
As his audience multiplies, Fish’s earliest followers remain enthralled by his seemingly infinite rise.
“How did the dude who recommends second-hand cars get to this. So happy for you dude,” one fan wrote in the comments of his Dreamstate recap video post.
“Music was my number 1 passion but i thought I was too old. Thanks for the support bro,” Fish replied.
“Amazing,” another chimed in. “But I would not recognize u in the wild without the bathrobe.”
LA28 announced the next step in its ticketing plan for the 2028 Olympic and Paralympic Games on Monday as ticket registration will open on Jan. 14.
Fans can start registering for tickets on Jan. 14 at la28.org, and the registration will remain open until March 18. All who sign up will be entered into a random draw to receive a time slot to purchase tickets. While registering, fans will enter their zip codes, and those who live in the Los Angeles and Oklahoma City areas near venues will be eligible to access the first time slots reserved for locals.
“The goal there is to make sure that we’re getting tickets into the hands, not just the fans, but of the local fans,” said Allison Katz-Mayfield, LA28’s senior vice president of Games delivery revenue. “Those that are going to be closest to the Games, really helping us host these Games in some ways.”
The 2028 Olympics will feature the largest Games schedule in history, with 36 sports and 11,198 athletes. The majority of the Games will be held in L.A., including major sports zones in downtown, Exposition Park and the Sepulveda Basin, but cities including Carson, Inglewood and Long Beach will also have multiple venues. Oklahoma City will host the softball and canoe slalom events at existing facilities.
LA28 is still finalizing the duration of each purchasing window, although the plan is to have multiple opportunities per day, so fans would be assigned time slots that are open for several hours. Tickets for a variety of events will be available during each drop in 2026, with single-event tickets beginning at $28. When tickets for the Paralympics go on sale in 2027, the system will be similar and fans will not have to re-register their interest.
While the Olympics will be back in L.A. for the third time in 2028, it will be the first time the city is hosting the Paralympics.
LA28 plans to release 14 million tickets for the Olympics and Paralympics. The total would be a Games record, eclipsing the 12 million sold in Paris, where ticket sales began almost a year after the timeline LA28 is currently using. The Paris Games that opened in July 2024 did not begin ticket registration until November 2022, 20 months before the event.
Fans will have two-and-a-half years to register and purchase tickets before L.A. opens the Olympics on July 14, 2028.
