Eve

One of the co-owners of the Swiss bar where 40 people died in a fire on New Year’s Eve has been detained.

Sources told Swiss media that Jacques Moretti, a French national, was a potential flight risk.

The blaze at Le Constellation bar in Crans-Montana left 116 people injured. Many of the victims were aged under 20.

It emerged this week that the bar in the ski resort had not undergone safety checks for five years.

Jacques Moretti and his French wife Jessica, who own the bar together, had been placed under criminal investigation by Swiss prosecutors.

They are both suspected of manslaughter by negligence, bodily harm by negligence and arson by negligence, the prosecutors’ office in Valais said.

The prosecutors have said they believe the fire started when people celebrating the New Year raised champagne bottles with sparklers attached, setting light to sound-insulating foam on the ceiling of the basement bar.

On Friday, Switzerland staged a minute of silence on a national day of mourning for the victims of the fire.

Church bells then rang across the country for five minutes.

Trains and trams came to a halt and Zurich airport briefly paused operations.

At a local commemoration staged in Crans-Montana, there was a standing ovation for firefighters.

According to the Valais police, those identified include 10 Swiss people, two Italians, one person with Italian-Emirati citizenship, one Romanian, one person from France, and one from Turkiye.

Swiss police say they have identified 16 more of those who died during a fatal fire in a bar on New Year’s Eve that killed 40 people, in one of the country’s deadliest disasters.

According to the Valais police on Sunday, those identified include 10 Swiss nationals, two Italians, one person with Italian-Emirati citizenship, one Romanian, one person from France, and one from Turkiye.

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So far, 24 people have been identified among those who died in the blaze at the Le Constellation bar in the mountain resort of Crans-Montana, southern Switzerland.

The wait for families for news of their loved ones has been anguished.

Of those identified, the youngest person to have been killed is a 14-year-old Swiss girl, followed by two 15-year-old Swiss girls.

According to the police, 10 other bodies identified on Sunday were teenagers aged between 16 and 18. Two Swiss men, aged 20 and 31, and a French national, aged 39, were also identified.

Officials are continuing efforts to identify the remaining casualties from the fire that injured about 119 people, some of whom suffered severe burns and were transferred to burn units across Europe.

For the local community, the aftermath of the tragic fire is causing acute distress.

Damiano Vizioli, a 24-year-old living in neighbouring Sion, was in Le Constellation on New Year’s Eve but had gone outside to smoke a cigarette when the bar was suddenly engulfed in flames.

“I’m not sleeping well because I can hear the people screaming,” Vizioli told the Reuters news agency. He went back to the bar, desperate for news of a friend working there whom he has not heard from since.

Eric Schmid, a 63-year-old local businessman, also told Reuters that the disaster will be felt “quite deep, and I think it’ll take time to heal”.

“We [the Swiss] are mountain people. We will survive, of course, but that’s not the most important thing,” he said.

“It’s more about the kids and all these people who have been affected. But the messages and signs of solidarity are super important,” he added.

Swiss prosecutors said on Saturday two people who ran the bar are under criminal investigation on suspicion of offences including homicide by negligence.

The finale of Netflix’s blockbuster series “Stranger Things” gave movie theaters a much needed jolt, generating an estimated $20 to $25 million at the box office, according to multiple reports.

Matt and Ross Duffer’s supernatural thriller debuted simultaneously on the streaming platform and some 600 cinemas on New Year’s Eve and held encore showings all through New Year’s Day.

Owing to the cast’s contractual terms for residuals, theaters could not charge for tickets. Instead, fans reserved seats for performances directly from theaters, paying for mandatory food and beverage vouchers. AMC and Cinemark Theatres charged $20 for the concession vouchers while Regal Cinemas charged $11 — in homage to the show’s lead character, Eleven, played by Millie Bobby Brown.

AMC Theatres, the world’s largest theater chain, played the finale at 231 of its theaters across the U.S. — which accounted for one-third of all theaters that held screenings over the holiday.

The chain said that more than 753,000 viewers attended a performance at one of its cinemas over two days, bringing in more than $15 million.

Expectations for the theater showing was high.

“Our year ends on a high: Netflix’s Strangers Things series finale to show in many AMC theatres this week. Two days only New Year’s Eve and Jan 1.,” tweeted AMC’s CEO Adam Aron on Dec. 30. “Theatres are packed. Many sellouts but seats still available. How many Stranger Things tickets do you think AMC will sell?”

It was a rare win for the lagging domestic box office.

In 2025, revenue in the U.S. and Canada was expected to reach $8.87 billion, which was marginally better than 2024 and only 20% more than pre-pandemic levels, according to movie data firm Comscore.

With few exceptions, moviegoers have stayed home. As of Dec. 25., only an estimated 760 million tickets were sold, according to media and entertainment data firm EntTelligence, compared with 2024, during which total ticket sales exceeded 800 million.

WASHINGTON — A federal magistrate judge on Friday refused to order the pretrial release of a man charged with planting two pipe bombs outside the headquarters of the Democratic and Republican national parties on the eve of the Capitol riot on Jan. 6, 2021.

U.S. Magistrate Judge Matthew Sharbaugh ruled that Brian J. Cole Jr. must remain jailed before trial. The magistrate concluded there are no conditions of release that can reasonably protect the public from the danger that Cole allegedly poses.

Justice Department prosecutors say Cole confessed to placing pipe bombs outside the Republican National Committee and the Democratic National Committee headquarters only hours before a mob of President Trump’s supporters stormed the Capitol. According to prosecutors, Cole said he hoped the explosives would detonate and “hoped there would be news about it.”

“Mercifully, that did not happen,” Sharbaugh wrote. “But if the plan had succeeded, the results,” he said, could have been devastating, “creating a greater sense of terror on the eve of a high-security Congressional proceeding, causing serious property damage in the heart of Washington, D.C., grievously injuring DNC or RNC staff and other innocent bystanders, or worse.”

After his arrest last month, Cole told investigators that he believed someone needed to “speak up” for people who believed the 2020 election, which Democrat Joe Biden won, was stolen and that he wanted to target the country’s political parties because they were “in charge,” according to prosecutors.

If convicted of both charges against him, Cole faces up to 10 years of imprisonment on one charge and up to 20 years of imprisonment on a second charge that also carries a five-year mandatory minimum prison sentence.

Cole’s attorneys asked for him to be released on home detention with GPS monitoring. They said Cole doesn’t have a criminal record, has been diagnosed with autism spectrum disorder and obsessive-compulsive disorder, and lives in a stable home that he shared with his parents in Woodbridge, Va.

“Mr. Cole simply does not pose a danger to the community,” defense attorneys wrote. “Whatever risk the government posits is theoretical and backward-looking, belied by the past four years where Mr. Cole lived at home with his family without incident.”

Cole continued to purchase bomb-making components for months after the Jan. 6 riot, according to prosecutors. They said Cole told the FBI that he planted the pipe bombs because “something just snapped.”

“The sudden and abrupt motivation behind Mr. Cole’s alleged actions presents concerns about how quickly the same abrupt and impulsive conduct might recur,” Sharbaugh wrote.

Kunzelman writes for the Associated Press.

The Graham Norton New Year’s Eve Show on BBC One, which featured actors Will Arnett and Owen Cooper as guests, looked back at the highlights – and low points – of 2025

TV host Graham Norton took aim at Donald Trump minutes into his New Year’s Eve special last night.

During his review of 2025, the veteran broadcaster was quick to turn his attention to the US President’s visit to the UK to meet the Royal Family. Graham, 62, flashed up a photo of Melania Trump wearing a wide-brimmed purple hat and joked she looked like “a lamp”.

He then quipped that the statement headwear may have been worn to stop her husband from leaning in for a kiss — setting the tone for a night of trademark digs just minutes into The Graham Norton New Year’s Eve Show on BBC One.

The Irish comedian kept the jokes rolling, leaning into the moment as he told viewers: “He was welcomed by the King and Queen, who were clearly happy to be photographed with him — Melania, not so much.” When the camera cut back to Melania’s oversized purple hat, Graham quipped: “I’m just a lamp. Please ignore me, I’m just a lamp,” before repeating, “Just ignore me,” while playfully mimicking her accent.

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Yet, Graham took the gag further, Express.co.uk reports. He added: “Actually there is a security reason why Melania always wears a hat.. A nice wide brim can literally save her from a fate worse than death”” before footage showed Mr Trump attempting to kiss her on the cheek — only to be blocked by the hat.

Graham looked back at the highlights — and low points — of 2025 on the festive edition of his programme. His savage swipes came minutes into the episode of the BAFTA-winning chat show, pre-recorded ahead of its BBC One and iPlayer broadcast.

Tom Hiddleston, Laura Dern and Will Arnett, alongside Owen Cooper, Carey Mulligan and Tim Key joined Graham on the red sofa to ring in the new year. Alison Limerick provided the night’s music by performing her dance classic Where Love Lives.

The BBC recommissioned the programme for three more series earlier this year. Speaking at the time, the broadcaster said the programme remains one of its biggest entertainment successes, averaging 2.9 million viewers per episode across its most recent run and continuing to pull in huge numbers across social platforms including YouTube, TikTok and Instagram.

Graham, born in Dublin, Ireland, said hosting the programme remained both “a pleasure” and a “privilege”, teasing that the team were already looking ahead to welcoming more global stars onto the sofa.

This year’s New Year’s Eve line-up reflected that star power, with Hollywood names, British comedy favourites and breakout TV stars all joining Graham to look back on 2025.

New Year’s Eve celebrations are unfolding across the world as countries move into 2026 one time zone at a time.

The first major cities to mark the new year welcomed midnight with fireworks over their waterfronts, and large crowds gathered at public viewing points.

As the night continues, countries across the Americas will close out the global transition with events stretching from Rio de Janeiro’s beaches to Times Square in New York City and beyond.

This gallery shows how people are marking the start of 2026 around the world.

NEW Year’s Eve just isn’t right without fireworks, whether it’s a low-key Catherine wheel in your garden or a powerful professional pyrotechnic production.

So here’s the lowdown on the best of this year’s dazzling displays, ranging from riverside revelries in London to castle rock rockets in Edinburgh.

Where is best to watch New Year’s Eve fireworks in the UK?

London

London’s Thames-side New Year’s Eve fireworks display is reliably one of the UK’s most spectacular year after year.

Choreographed bursts over the London Eye and Westminster are timed to coincide with the midnight chimes of Big Ben.

Watched by huge crowds along the river, official viewing areas are ticketed.

This means a great many people choose nearby bridges, streets, bars or boats to get a glimpse of the glittering skyline.

​Edinburgh

The Hogmanay fireworks over Edinburgh Castle are another must-see, with rockets fired from the castle rock ringing in the New Year.

The sensational spectacle is visible across much of the city, while a pulsing street party unfolds below on Princes Street.

The combination of live music, traditional Hogmanay rituals and the dramatic castle backdrop makes this one of the most atmospheric midnight moments in the whole of Europe.

​Newcastle

Newcastle’s Quayside puts on a striking New Year display over the River Tyne.

It utilises the Tyne Bridge and Glasshouse (formerly the Sage) as a spectacular stage for beautiful bursts in the sky.

There are family-friendly fireworks at 6pm, followed by the midnight main event.

​Manchester

Manchester is hosting a fantastic fireworks display on Victoria Street from 10pm.

It’s worth noting that the event is alcohol-free.

But fear not – there’s lots of live entertainment leading up to the New Year countdown.

Cardiff​

Cardiff’s New Year 2025/26 celebrations centre around the City Hall.

Live music will be performed on a stage in front of the City Hall, so you can have a dance before the fireworks start.

There’s also the Winter Wonderland, with a big wheel​, festive drinks and traditional Welsh food.

Other great fireworks displays can be found in Belfast’s Titanic Quarter, Brighton Beach, ​York’s Castle Howard, Northern Meeting Park in Inverness, and Birmingham’s Centenary Square.

Can I watch New Year’s Eve fireworks on TV?

As Big Ben strikes midnight, live coverage of London’s spectacular fireworks display on the River Thames will be broadcast live on TV.

From 11.30pm, BBC One will be airing Ronan Keating and Friends: A New Year’s Eve Party.

The Boyzone legend will be joined by a host of pop and screen stars, and will even perform alongside former bandmates Keith Duffy and Shane Lynch.

It’s time to ring in the New Year and there’s no better place than celebrating with Jools Holland, Mirror man Mark Jefferies can now reveal the secrets behind the celebrations

It’s 8.47pm and I’ve only had two ­bottles of beer but I am on my feet singing and dancing along ­without a care in the world. Others are arm-in-arm or hugging and a few people look a bit teary. In this make-believe world I have entered, it’s New Year’s Eve, and it’s midnight.

I celebrated 2026 before all of you, thanks to Jools Holland and a magical night in a dazzling West London TV studio on December 10. Jools Holland’s Hootenanny is as much part of the festive calendar as soaps and the monarch’s Christmas Day speech. Tonight is the 33rd time Jools will bring in the new year for millions.

Comedian Peter Kay even wrote about it in his latest book, saying that his mum still thinks it is live. My big question before going to Versa Studios was how do they create the party atmosphere which, it turns out, is as authentic as it looks on TV.

Guests are offered drinks at a free bar (rare for the BBC) and take their seats. Later, they are given glasses of prosecco to help celebrate “midnight” – about 30 minutes after the music starts.

Jools asks us to be quiet when the artists sing and cheer as loud as possible at the end. “If you feel the urge to dance and physically move, that is marvellous. Everyone is looking very beautiful and we’ve some incredible musical guests.”

This year’s bill includes Rolling Stone guitarist Ronnie Wood, Olivia Dean, Craig David, Lulu, Jessie J, The Kooks, Heather Small, Imelda May and the 1st Battalion Scots Guards.

Executive Producer Alison Howe says the mix of musicians is important and there are several versions of the running order and set list, which change before the final version on the day.

The other key thing is people who go along let themselves believe it is New Year’s Eve. She says: “You kind of enter into a magical world where you forget about what’s happening outside the doors.”

The show is also a big deal for lots of the musicians. Kooks frontman Luke Pritchard says: “It’s quite nerve-racking but in the best way. Hootenanny’s not just another gig, it’s THE New Year’s show. Everyone’s watching, hopefully everyone’s in a good mood, and you’re part of this moment that only happens once. It’s a proper privilege to be fair.

“And knowing you’re the soundtrack to someone’s night, maybe the song they’re kissing to at midnight or dancing round the kitchen with their nan and that means a lot to me. It’s quite touching when you think about it.”

After posing for a photo with me, Jools is off and doesn’t stop for the next three hours, greeting and chatting to A-list stars. Once the recording starts, he is introducing music, playing it himself on the piano and with his band or interviewing famous faces in the crowd. The only help he gets is from whiteboards with names or directions on, so that he can navigate a giant circle of bands, singers and guests.

When the recording is over, Jools tells me: “It’s a bit like a swimming pool you just throw yourself in and it’s all right, really, once the water’s OK and you start swimming, you keep the momentum going.

“You’re trying to remember what you’re playing on piano. When that finishes, you think what happens now? That’s why they’ve got a board, so I can remember where I’ve got to go to for the next bit.”

The aim is to film it without any breaks or stops and, aside from a couple of brief moments when production requests a pause which is necessary, filming is non-stop. Jools explains: “You want the energy to keep going. So if we record it in one and then it’s like real. It was all just, bang, bang, bang.

“There’s a few little mistakes in there, but who cares? It is what it is.” A definite highlight is singing sensation Olivia Dean, who performs hits and joins Jools in a version of Natalie Cole’s 1975 debut hit This Will Be (An Everlasting Love).

He says: “Olivia Dean has gone ballistic this year. When she was on the show a couple of years ago she was playing clubs. Now she is selling out stadiums around the world, from Rio to Munich to London’s O2, and adding on nights.

“She’s a remarkable, ­unbelievable person. She likes doing stuff with us, or doing stuff for me, because she goes back to what she used to listen to when she was a kid, things like Carole King, and in this case, doing that Natalie Cole song.

“I thought it was great. The sort of thing someone might do at a Christmas party. When I was little my nan would have a Christmas party and all my uncles and aunts would sing their favourite songs, which were often the musical songs. And it’s a bit like that.”

Jools’ band is the other key element, playing with many of the artists, including new songs and cover versions they don’t usually perform when on the road.

They get a day’s rehearsal in the studios and then the other bands join them on the afternoon of the recording day, so everyone gets to soundcheck and practise their tracks.

Jools says: “There’s a lot for my band to learn, lots of music to learn, and lots of things to arrange for the horns. That’s the bit the general public doesn’t see.

“Listening to stuff in their hotel rooms, making notes, so when we go into rehearsal, and the first time it’s counted in and we play, it sounds all right. And I’m not just saying this, the band has never sounded better.”

Jools’ Annual Hootenanny, BBC2 and BBC iPlayer, tonight, 11.30pm.

Like this story? For more of the latest showbiz news and gossip, follow Mirror Celebs on TikTok, Snapchat, Instagram, Twitter, Facebook, YouTube and Threads.

Hello! I’m Mark Olsen. Welcome to another edition of your regular field guide to a world of Only Good Movies.

Even as the year winds down, there are still some exciting new releases hitting theaters.

Few films this year are arriving on quite the wave of expectation behind Josh Safdie’s “Marty Supreme,” in part because of the unhinged, go-for-broke promo push from its star Timothée Chalamet. The film tells the story of Marty Mauser, a shoe salesman in 1950s New York who dreams of becoming a champion table tennis player and will stop at nothing to make it happen.

As Amy Nicholson put it in her review, “Like Marty, Chalamet was raised in New York City, and since he arrived on the scene, there’s never been a doubt he’ll win an Oscar. The only question is, when? To Chalamet’s credit, he’s doing it the hard way, avoiding sentimental pictures for pricklier roles about his own naked ambitions. … The movie’s moxie makes it impossible not to get caught up in Marty’s crusade. We’re giddy even when he’s miserable.”

The surprise winner of the Golden Lion at this year’s Venice Film Festival, Jim Jarmusch’s “Father Mother Sister Brother” is a gently enigmatic film revolving around, as the title suggests, parents and siblings. Told in three separate stories — set in New Jersey, Dublin and Paris — the film stars Adam Driver, Tom Waits, Mayim Bialik, Cate Blanchett, Vicky Krieps, Charlotte Rampling, Luka Sabbat and Indya Moore.

In his review, Tim Grierson wrote, “The film’s persistent brittleness may make some viewers antsy. That’s partly the point, but hopefully, they’ll soon be swept away by the movie’s melancholy undertow. … Eventually, we learn to look past Jarmusch’s deceptively mundane surfaces to see the fraught, unresolved issues within these guarded families. The characters occasionally expose their true selves, then just as quickly retreat, fearful of touching on real conflict.”

Tim Grieving spoke to composer Daniel Blumberg, who won an Oscar earlier this year for “The Brutalist,” about his work on “The Testament of Ann Lee,” director Mona Fastvold’s portrait of the founder of the Shaker religious movement. Singing and dance were an integral part of the Shakers’ spiritual practice, so the music for the film was of special importance.

“Ann Lee was very radical and extreme,” said Blumberg, “and Mona is as well.”

De Los also recently published a list of the 25 best Latino films of 2025 as picked by Carlos Aguilar. His favorites include Amalia Ulman’s “Magic Farm,” Pasqual Gutierrez and Ben Mullinkosson’s “Serious People,” Diego Céspedes’ “The Mysterious Gaze of the Flamingo,” Petra Costa’s “Apocalypse in the Tropics” and Kleber Mendonça Filho’s “The Secret Agent.”

All three of this year’s Envelope roundtables are now available to watch: actors, actresses and directors.

New Year’s Eve at the movies

When people talk about holiday films, they typically mean Christmas. But what if the movies that featured a New Year’s Eve scene were sneakily better? To judge by the titles playing around town this week, an argument could be made.

Take for example Kathryn Bigelow’s “Strange Days.” An exciting techno-thriller set during the last two days of then-future 1999, it’s about a hustler (Ralph Feinnes) who finds himself in way over his head. The film builds to a huge millennial New Year’s Eve street party filmed in downtown Los Angeles. Still something of a rarity on streaming, “Strange Days” will be showing in 35mm at the New Beverly on Friday afternoon and then at the Aero on Wednesday 31, early enough in the evening to leave time for more fun after.

Then there is Paul Thomas Anderson’s achingly romantic and bitingly funny “Phantom Thread,” in which the controlling fashion designer Reynolds Woodcock (Daniel Day-Lewis) initially refuses to leave the house on New Year’s Eve, but then races to be with his muse and lover Alma Elson (Vicky Krieps) after she goes out without him. The movie will be showing on New Year’s Day in 70mm at the Aero.

Anderson’s 1997 “Boogie Nights,” which will show in 35mm at Vidiots on the afternoon of Dec. 31, features a very different take on New Year’s Eve. In a pivotal sequence, many of the film’s characters converge on a NYE party to ring in the transition form 1979 to 1980. It does not go well.

Billy Wilder’s “The Apartment” will play in 35mm at the New Beverly on Saturday and Sunday and also at the American Cinematheque’s Los Feliz Theater on Dec. 30. In the film Jack Lemmon is a lonely office drone who finds his complex relationship with a co-worker (Shirley MacLaine) ultimately coming to a head on a fateful New Year’s Eve.

Rob Reiner’s 1989 “When Harry Met Sally…” will likely be playing several times over the next weeks in tribute to the filmmaker. Starring Meg Ryan and Billy Crystal as two friends trying to figure out if their relationship can (or should) be something more, the film features not one but two memorable New Year’s Eve scenes. It will be playing at the New Beverly on Tuesday, Wednesday and Thursday.

Doug Liman’s “Go,” from a screenplay by John August, is not strictly speaking a New Year’s Eve movie, but it does take place in the sort of liminal zone of ongoing partying that occurs during holiday time. With a cast that includes Sarah Polley, Katie Holmes, Timothy Olyphant and many more, the film revolves around a few grocery store co-workers, some low-stakes drug dealing, questionable choices and a lot of miscommunication. The movie shows at Vidiots on Tuesday.

In a review of the film, Kevin Thomas wrote, “When all is said and done, ‘Go’ is a film about people going too far, which works precisely because its makers know when to hold back. ‘Go’ keeps us guessing … but it never forgets it’s a comedy; if it was too serious it would burst like a bubble. So uniformly skilled and talented is the film’s cast, which has 15 featured players, that it is impossible to single out any one. ‘Go’ is perfectly titled: Exhilarating and sharp, it never stops for a second.”

Points of interest

The Marx Brothers’ eternal comic mayhem

It has become a tradition around town for theaters to show Marx Brothers movies at the holidays, and who are we to argue with that? For pure whimsy and comedy that hits somewhere deep in the unconscious, the Marx Brothers are still pretty much unbeatable.

The New Beverly played some Marx Brothers movies on Christmas Day. For those who still want more, Vidiots will be showing 1935’s “A Night at the Opera,” directed by Sam Wood and including the famous stateroom scene in which more and more people cram into a single room on an ocean liner.

On New Year’s Day, the Aero will show 1933’s “Duck Soup,” directed by Leo McCarey, in which the brothers take over the fictional nation of Freedonia. That will be followed by 1930’s “Animal Crackers,” directed by Victor Heerman, in which Groucho Marx plays African explorer Rufus T. Firefly.

Eric Rohmer’s ‘The Green Ray’

Initially released as “Summer” in the U.S., Eric Rohmer’s “The Green Ray” won Venice’s Golden Lion in 1986. The film follows Delphine (Marie Rivière, who co-wrote the script with Rohmer), a single woman in Paris, as she struggles to find someone to go on a holiday trip with her, leading to a series of serio-comic misadventures. The film will show Thursday in 35mm at the American Cinematheque’s Los Feliz Theater.

Reviewing the film in 1986, Michael Wilmington asked if watching a Rohmer film is really, to quote Gene Hackman on Rohmer movies in “Night Moves,” like watching paint peel? “Not at all,” Wilmington wrote. “‘Summer’ is one of the masterpieces of 1986. It’s one of the most finely wrought, stimulating films of an erratic year. It’s intellectual in the best sense: engaging you emotionally and mentally. It moves faster, wastes less time, and has more to offer than most movies now on view — and those who are skipping it are missing one of the year’s real treats.”

MADE In Chelsea star Louise Thompson was forced to spend Christmas Eve in hospital amid her ongoing health battle, she has revealed.

The reality star, 35, has faced several health challenges including ulcerative colitis, lupus, and PTSD after giving birth to her son, Leo.

She had to previously undergo the removal of her entire large intestine (colon) due to her inflammatory bowel condition, which resulted in her getting her life-saving stoma bag.

But on Christmas Eve, Louise revealed she had spent a large chunk of time in hospital having a procedure.

Louise underwent a proctoscopy, which, according to the NHS, is an examination where an endoscopist looks directly at the anal canal with a small rigid proctoscope.

Taking to her Instagram page to reveal her hospital visit and explain what she had done, Louise shared some snaps in a gown.

“Looks dramatic but it wasn’t. I had a proctoscopy today. It’s like a colonoscopy but not as invasive because I don’t have a colon so there isn’t very far the camera can go,” she penned over the first slide.

“Still bloody awkward and a tiny bit uncomfortable but fentanyl is a wonder drug,” she penned.

She then shared a photo of her with a nasal cannula on her face and inserted into her nostrils.

Louise went on to pen: “These appointments are so important and they managed to fit me in quite urgently so I jumped at the offering of a 24th December date, then when it came around I realised the magnitude of it being Christmas Eve.

“What it REALLY made me think was…

“Despite all the chaos of what I’ve been through, I still think we are incredibly lucky to have the NHS which NEVER clocks off in case of emergencies.”

She then added on the next slide: “The NHS never sleeps.

“I had a proctoscope today.

“A nice little Christmas Eve camera up my bum.

“The NHS was still running in full swing. Well not quite, but you know what I mean.

“It prompted me to say a big thank you to everyone that is working as part of the NHS over the bank holidays.”

She then concluded: “Thanks for keeping the country ticking along and for keeping our loved ones alive.”

Reasons for getting a proctoscopy include bleeding from your anus, pain in the lower abdomen (tummy), persistent diarrhoea or changes to your bowel habits.

KIM Kardashian and her sisters got all decked out for the family’s annual Christmas Eve party, and showed off their lavish looks on social media for fans to take in.

Kendall Jenner, 30, hosted the party this year for the first time, since sister Kim’s massive mansion is currently under renovation.

Kim, 44, took a sexy selfie video of her skintight silver gown with sparkly black accents that looked like festive garland.

She wore dangly diamond earrings and matching diamond cuff bracelets to accessorize the look.

She topped off her outfit with a high half ponytail.

The breathtaking dress was a 1986 vintage Thierry Mugler.

Hostess Kendall chose an all-white vintage Mugler look with matching fur trim.

She showed off her long legs in a very, very short skirt.

In a sexy selfie, she held a glass of red wine.

In a white satin dress and diamond accessories, Khloe, 41, shared some pics of her kids, Tatum and True.

Kylie, 28, chose a strapless black Galliano gown, and wore her hair in a braided updo.

‘INTIMATE’ BASH

Oldest sister Kourtney, 46, mentioned she attended the party, but didn’t share any photos of her fashion choice.

Momager Kris also kept fans in suspense and kept her looks off camera as of Christmas morning.

The Kardashian-Jenner women have been hosting their star-packed Christmas Eve bash for decades, with past guests including Paris Hilton and Jennifer Lopez.

However, this year the family decided to keep the party more intimate, claiming Kris’ recent 70th birthday bash took all their energy.

‘We are not doing a big Christmas Eve party this year, because we just had my mom’s huge 70th and we just wanted something more intimate, so we’re doing just family, but of course, we have to still be so dressed up, because that’s what we love to do,” Khloe said.

“And so we are just celebrating the holiday very glam and fab.”

Coronation Street icon Carla Connor (Alison King) was revealed to have become a victim of evil Becky Swain on the Christmas Eve episode of world’s longest-running TV soap

The fate of Coronation Street icon Carla Connor was revealed in harrowing scenes that aired on Christmas Eve. The factory boss, who has been played by Alison King since 2006, struck up a relationship with DS Lisa Swain (Vicky Myers) and their union has enthralled viewers, leading them to become a social media sensation known as Swarla.

But things turned sour just after they got engaged, when Lisa’s wife Becky arrived back from the dead. It was initially thought that Becky, also a police officer, had been killed in the line of duty more than four years ago and Lisa and their daughter Betsy settled into life with Carla at number six. But, in actual fact, Becky’s supposed death had been part of a corrupt police cover-up and she has been hellbent on winning Lisa back ever since returning from her hideout in Spain.

Having managed to move her way into number six after claiming that a gang was after her, Becky was thrilled when Carla announced last week she was off to the Canary Islands. But in the latest episode if the world’s longest-running TV soap, things took a shocking turn when it was revealed that was not where she had ended up at all.

READ MORE: Coronation Street stars tease Becky’s downfall as they share Corriedale spoilerREAD MORE: Coronation Street Christmas spoilers as secret exposed and character attacked

Before the twist involving Carla came to light, Becky set about taking full advantage of Lisa when they were in the house alone. What started as a massage ended up with the pair heading upstairs. When all was said and done, Becky told Lisa: “I never stopped loving you, you know. We do need to think about…where do we go from here? “

Lisa insisted: “I’ve lost so much trust. I still love Carla too,” and Becky shot back: “Of course. Complicated Carla. I’m not being horrible, but which one of us is here? Carla was just a tourist, and it looks like she heard the bell ring and finally it was time to jump off the bus.”

Later that evening, Lisa voice noted Carla. She said: “It’s Christmas Eve, babe. I can’ stop thinking about you. I want you back in my life and I’m gonna do whatever it takes to get you back. It’s you. And it will only ever be you. I love you. Merry Christmas.” To Lisa’s relief, a message from Carla popped back up almost straight away.

In the very next scene, it turned out that Becky had gone back to her flat, and was texting Lisa herself, from Carla’s phone. This would mean that all of Carla’s social media pictures of herself on a beach were in fact, fake.

Becky threw down the mobile phone, got out of her chair and a terrified Carla appeared on screen, having been bound and gagged. She kicked Carla and coldly said: “Get back in the closet, Carla,” before slamming the door. Fans of the Manchester-based soap will remember that this is not the first time the businesswoman has found herself in this sort of sticky situation.

In 2010, Carla’s now-late husband Tony Gordon returned to Underworld from prison and, seeking revenge, he held Carla hostage along with fellow Street legend Hayley Cropper in the factory as he set it on fire. They both made it out alive, just before the building exploded, but earlier this year, Carla was held hostage by her brother Rob Donovan at number one, who had escaped from prison after almost a decade behind bars for the murder of Tina McIntyre.

Reacting to the latest kidnap twist, fans predicted that even if Carla does manage to make it out of her latest scrape, there will never be a reconciliation between herself and Lisa, and that the policewoman will likely be leaving Weatherfield for good.

One fan wrote on Reddit: “I don’t see a way back for Carla and Lisa at present and more importantly I can’t see a way back for Lisa as a character in 2026 in general and I am someone that actually likes her character.”

Another said: “I said about a month ago Lisa wants her cake and to eat it too and that’s what’s transpired. She’s quite happy to have Becky around and enjoys her being there regardless of Betsy or fake gangs. She was lying to herself saying otherwise at the start. She expected Carla to be fine with that which is just ridiculous.”

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NEW YORK — A planned Christmas Eve jazz concert at the Kennedy Center, a holiday tradition dating back more than 20 years, has been canceled. The show’s host, musician Chuck Redd, says that he called off the performance in the wake of the White House announcing last week that President Trump’s name would be added to the facility.

As of Friday, the building’s facade reads The Donald J. Trump and The John F. Kennedy Memorial Center for the Performing Arts. According to the White House, the president’s handpicked board approved the decision, which scholars have said violates the law. Trump had been suggesting for months he was open to changing the center’s name.

“When I saw the name change on the Kennedy Center website and then hours later on the building, I chose to cancel our concert,” Redd told the Associated Press in an email Wednesday. Redd, a drummer and vibraphone player who has toured with everyone from Dizzy Gillespie to Ray Brown, has been presiding over holiday “Jazz Jams” at the Kennedy Center since 2006, succeeding bassist William “Keter” Betts.

The Kennedy Center did not immediately respond to email seeking comment. The center’s website lists the show as canceled.

President Kennedy was assassinated in 1963, and Congress passed a law the following year naming the center as a living memorial to him. Kennedy niece Kerry Kennedy has vowed to remove Trump’s name from the building once he leaves office and former House historian Ray Smock is among those who say any changes would have to be approved by Congress.

The law explicitly prohibits the board of trustees from making the center into a memorial to anyone else, and from putting another person’s name on the building’s exterior.

Trump, a Republican, has been deeply involved with the center named for an iconic Democrat after mostly ignoring it during his first term. He has forced out its leadership, overhauled the board while arranging for himself to head it and hosted this year’s Kennedy Center honors, breaking a long tradition of presidents mostly serving as spectators. The changes at the Kennedy Center are part of the president’s larger mission to fight “woke” culture at federal cultural institutions.

Numerous artists have called off Kennedy Center performances since Trump returned to office, including Issa Rae and Peter Wolf. Lin-Manuel Miranda canceled a planned production of “Hamilton.”

Italie writes for the Associated Press.

Getty Images

Getty Images

Chef Zachary Pollack is ringing in the New Year right with a variety of dinner options at his new Santa Monica spot, Cosetta. Choose from three seatings, including an early, all-ages a la carte option; a low-key, four-course menu from 6 to 7:30 p.m. for $75; and a five-course Capodanno feast with Champagne and caviar from 8-11 p.m. for $120 per person. On New Year’s Day, the restaurant will transform into “Aloha, Cosetta,” an all-day Hawaiian BBQ celebration from 12 to 7 p.m., featuring dishes such as coconut shrimp, risotto Spam musubi, macadamia-chile pork ribs and tiki-style cocktails. With three price tiers, the top CHIEFTAIN tickets ($100) include tomahawk steaks, lobsters and a 24-ounce mai tai in a keepsake mug. Book New Year’s Eve on the website, and New Year’s Day via Resy.

KHLOÉ Kardashian has dropped some hot tea about changes to the family’s infamous Christmas Eve Party. 

The Good American co-founder spoke on her podcast, Khloé in Wonder Land, that the venue for the lavish affair might move, but the budget won’t.

“We all equally split the cost of the party,” Khloé said in the podcast. “Because it’s a family [thing].” 

She also admitted that the famed Kardashian-Jenner family’s iconic Christmas Eve party is getting ready for some significant changes this year. 

Momager extraordinaire, Kris Jenner, who spoke as a guest on the podcast, verified the changes to the party she has been hosting since 1978. 

“It gets really crazy,” Kris stated. “I think one of the most fun things, too, is to be able to share things with our friends. We’ve always been able to give out some amazing gifts at the end of the party.” 

While the glam vibes might stay the same, the annual A-list Hollywood party is going to look very different. 

As the family prepares to create another unforgettable evening, the exciting news is that Kendall Jenner will be stepping into the hosting role this year at her stunning Beverly Hills mansion. 

This is the second year Kendall has taken on the role of host. 

Last year, she had a “smaller” cozy affair at her, chock-full of her 818 Tequila.  The new role as hostess comes with its own delightful challenges, especially since the family’s other homes are currently being renovated.  

“It’s pretty much the usual,” she recently told People magazine. “Last year, we did a smaller Christmas Eve party, and it was super lovely. Usually, they’re kind of these blowouts for the last, like, since I was born. But we’re doing a smaller one again this year, and I’m really happy about it.” 

Kris created this tradition in the 1970s as a joyful occasion for family and friends, and it naturally grew as the family expanded. 

The early 2000s marked a significant transition for the party, as it really took off following Kris’s marriage to Caitlyn Jenner. 

The event gained prominence, particularly with the success of the Keeping Up With The Kardashians reality show, which launched in 2007.

As time went on, Kris graciously passed the baton to her talented daughters. 

The party has been hosted at various times by Kim, Kourtney, Khloé, Kendall, and Kylie, with each of them bringing their unique flair and creativity to the festivities.

“Christmas is our World Cup,” Khloe said in a video posted to Instagram.

The video had the caption “Merry Kristmas!!! Come celebrate the holidays with us in Wonder Land.”

Fans are surely reminiscing about the fabulous past celebrations, beautifully documented in social media posts that have showcased glamorous outfits and exquisite decorations. 

One fan wrote, “Kris is the Christmas queen.”

Another follower wrote, “Kris should have her own wrapping paper line.”

“We’re cool with being ‘random people’ at the party, just saying,” a third fan pleaded.

This year’s changes promise to infuse fresh energy into their beloved holiday traditions, and we can’t wait to see what the Kardashian-Jenners have in store.